Dua Lipa confirms engagement to actor Callum Turner
Dua Lipa casually confirmed her engagement to British actor Callum Turner, after months of speculation.
The 29-year-old Grammy winner confirmed in British Vogue's July cover story, 'Yeah, we're engaged. It's very exciting.'
The stars, who've been linked since January 2024, were introduced by the cofounder of London's The River Cafe and crossed paths again a year later in Los Angeles. The 'Houdini' pop star says they had many ''Sliding Doors' moments,' referring to the 1998 romantic comedy starring Gwyneth Paltrow, including their 'many' mutual friends.
Currently, Lipa and the 'Masters of the Air' actor, 35, are 'just enjoying' their engagement.
'I want to finish my tour, Callum's shooting,' she explained. 'I've never been someone who's really thought about a wedding, or dreamt about what kind of bride I would be. All of a sudden I'm like: 'Oh, what would I wear?' … This decision to grow old together, to see a life and just, I don't know, be best friends forever — it's a really special feeling.'
The 'Levitating' singer added that, while she'd 'love to have kids one day,' scheduling comes into play with family planning as well as wedding preparation.
'It's like the constant question of when would there ever be a good time — how it would fit in with my job and how it would work if I went on tour, and how much time out I'd have to take,' said Lipa. 'I think it's just one of those things that's going to happen when it happens.'
The 'Levitating' singer also showed off her bespoke engagement ring, which she's 'obsessed with.'
'It's so me,' said Lipa. 'It's nice to know the person that you're going to spend the rest of your life with knows you very well.'
Lipa first showed off her ring on Christmas Eve in an Instagram carousel. Though she's remained mum on the pending nuptials till now, she regularly posts Turner on her feed.
Earlier this week, she shared another carousel that opens with a photo of Turner kissing her head as she beams in his arms, captioned: 'That's amoreeee…'
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CNET
an hour ago
- CNET
I Saw This Cartoon Gumshoe Shooter in Action. It's a Video Game Miracle
Mouse: P.I. for Hire is the kind of fun video game miracle of making wild ideas into reality. What started as a throwaway "what if" post on social media about a first-person shooter styled like a classic Betty Boop-era cartoon has turned into a full video game I saw being played in front of me at Summer Game Fest -- and the gumshoe gunplay game is due out later this year. In Australian publisher PlaySide's private booth tucked into a corner of the Summer Game Fest grounds in Los Angeles, I sat down with the game's lead producer Maciej Krzemień and game director Mateusz Michalak of the Poland-based Fumi Games while the former played through a level that will be in the final game. The first-person shooter combat, detective gameplay and story were a delight to behold in the game's signature black-and-white cartoon style -- along with the icing on the cake, hearing famed gaming voice actor Troy Baker speak as protagonist Jack Pepper. It also gave me an idea for the flow of the game, which follows the titular private eye Pepper in his investigation, and is split between replayable levels (more on that later). Dripping with noir staples of cops, crime, loyalties and betrayal, the writing and story set the stage just as much as the period music and film grain visual filter. For a Polish studio, the game leans into the distinctly American side of noir; Raymond Chandler's works were prime inspirations for the game's story and vibe, and the team's narrative leads consulting historical research to make sure the language fit with gamer expectations. "Obviously, we are not Americans ourselves. We wanted to get a good grasp on this entire style of detective noir stories, but with some light-hearted elements to it," Krzemień said. Fumi Games My preview was an early part of the game and opened up at an opera house, where Pepper was trying to track down his old friend, a magician tied to the case he's investigating. Barred from entry to the opera, Pepper has to sneak in through the kitchen, giving players the option to pay off a line cook or sneak in through the vents. But we got a moment to peek through the window to engage with a detective mechanic: using a camera to gather clues, which gives you insight into the case and the big players who may have a hand in what seems like a growing plot -- one that Pepper will chart on a conspiracy board at the hub players visit between missions. You can hunt through levels, taking photos that will even open up sidequests, or just keep running and gunning. Fumi Games "Without spoiling anything, there is a bigger conspiracy behind it all, and it's all pretty serious in terms of social topics, social themes of the game, and it actually reflects the political climate of the world back in the 1930s -- and not only in America," Krzemień said. I asked if that meant the rise of fascism. "Exactly," Krzemień said. To deliver on their blend of heavy conspiracy story and levity in cartoon logic, Fumi Games started shopping around for a voice actor who could deliver both, drawing up a list of well-known names to do the job of Pepper's jaded P.I. -- and they singled out Troy Baker for his wide range (an astonishingly expansive list including Joel in The Last of Us, Talion in Shadow of Mordor and Indy himself in Indiana Jones and the Dial of Destiny). "It felt so out there that we didn't believe that this would be possible," Krzemień said -- but the game's publisher, PlaySide, played a huge role in reaching out to him. "It turned out that Troy Baker has been following our game for a while now, and he was very excited to take up this role." Fumi Games Mouse P.I.'s gunplay gameplay between gumshoeing around Sneaking through the vents to get into the opera house, we get to the offices upstairs and find one of the game's set of optional collectibles -- a newspaper, with headlines that Pepper talks about to fill players in on the backstory to flesh out the plot. When our gumshoe walks out the door into the backstage hallways, we're met with enemy goons, and the bullets start flying. A BioShock-style weapon wheel let us switch between a pistol, shotgun and Tommy Gun, which all had enjoyable cartoony reload animations. After cracking a safe with his tail (another fun mouse-themed mechanic), we corner the stage designer, Roland, in the control room overlooking the opera stage to ask about our missing friend, but he's mostly out of answers -- though he says the goons we fought roughed up and replaced the actors. Something is afoot: Roland says the toughs are lining up a prop cannon to fire at mayoral candidate Stilton, who we see in an opera box across the theater -- and Pepper has to race to save his politician friend, who he knows from their time in the Great War. See what I mean about noir staples? Dashing around the backstage areas filled with goons to shoot and stage props, we catch sight of a hook above us leading to another area we can't get to just yet -- when we get the ability to grapple with our tail (as shown in Mouse: P.I.'s earlier trailers), we'll be able to return to this level and grab some extras. In fact, this level has several secrets tucked away in hard-to-reach areas that require some nimble platforming, another feature from old-school shooters. One of these had another of the game's collectibles: a baseball card (of "Brie Ruth," har har), which can be used in a tabletop baseball minigame playable in the hub area between levels. In addition to baseball cards, newspapers can be gathered to fill the player in on the game's world. Fumi Games As Krzemień played, I asked how they got the animation to work. In the old cartoons, the entire background is slightly blurry, but if something is supposed to move in a second, then it slightly stands out from the background, which Fumi Games replicated. "This is what we're going for with outlines, certain shaders and also most of the interactive elements like save [spots], barrels and whatnot. They tend to bounce a bit, jump a bit, just to give you a feeling of, OK, I can interact with that," Krzemień said. Players will be able to toggle on or off the optional effects that make the game feel like it's straight out of the 1930s, like the visual filter of film grain. The audio filters that make it sound like the music is coming from a wax cylinder will still be in the game too, Krzemień assured me. (He first teased these when we chatted at Gamescom 2024 last August.) Just in time, Pepper makes it to the opera stage and moves the cannon, which goes off and wrecks the house. Despite the theater crumbling around us in a fiery inferno and more goons who don't know when to quit, we make it out, only to find Roland the stage manager, who points us in the right direction to hunt down our magician friend. Climbing in the car, the level ends. Fumi Games From exploding barrels to a turpentine gun that melts enemies (turpentine being a solvent used to wipe animation cells in the old hand-drawn days), Mouse P.I. is a flavorful mix of shooter tropes and platforming, punny gags and hardboiled noir. It's obviously impossible to gauge whether the rest of the game will live up to the promise of the art style, but it's clear that the devs have very thoughtfully adapted a classic art style to modern first-person shooters with, I can only imagine, a ton of work to get it right. Mouse P.I. For Hire is coming later this year for PC, Xbox, PS5, PS4 and Nintendo Switch.


USA Today
an hour ago
- USA Today
Beyoncé's 'Cowboy Carter' tour celebrates country music while also holding it accountable
Beyoncé's 'Cowboy Carter' tour celebrates country music while also holding it accountable Beyoncé's "Cowboy Carter" tour has been a unifying celebration of joy, movement and intentional fashion, as an ode to to country music's true roots. Simultaneously, she seamlessly holds the genre accountable for its historical and ongoing exclusionary bounds. The Grammy-winning singer first debuted her "Cowboy Carter" tour at SoFi Stadium in Los Angeles on April 28 with 39 songs on the set list. The concerts have been revolutionary shows filled with family, fashion, different music genres, and most notably country music and cultural commentary. Beyoncé opens up her show with her song "Ameriican Requiem," in which she sings "for things to change they have to stay the same." Later in the song she sings, "They used to say I spoke too country and the rejection came, said I wasn't country 'nough." She goes on to sing her her Beatles cover "Blackbiird," inspired by the Civil Rights Movement, "The Star-Spangled Banner and "Freedom" — the theme song of Kamala Harris' presidential campaign. Then she wraps up the night's first act with "Ya Ya" — "whole lotta red in that white and blue." At another point of the show a message appears on the backdrop: "Never ask permission for something that already belongs to you." A.D. Carson, associate professor of hip hop at the University of Virginia in Charlottesville spoke to that message of belonging. "Country music is as much a place for an artist like Beyoncé as any of the artists who have dominated country for the past 25 years," Carson says. "So I wouldn't call it a reclamation but a reminder that all of American pop music — no matter the genre — owes a debt of gratitude and much more to the unsung Black artists who were pioneers in those genres so that they could become what they are today." Messages and motifs throughout 'Cowboy Carter' and its tour As fans know, Beyoncé first released the 27-track project in March 2024. It has since made history and broken multiple records. As Beyoncé's first country album, she deliberately featured country legends and emerging Black country artists alike. Beyoncé's Cowboy Carter and the Rodeo Chitlin' Circuit Tour doubles down on this notion down to the name. Historically, the "Chitlin' Circuit" was a network of venues that embraced and employed Black musicians who were otherwise shunned from white theaters during the Jim Crow era. The performance theaters and clubs would host some of the best talent in American history. Since the album's release, Beyoncé has made it clear why she felt inspired to highlight the country's roots — often misperceived or erased entirely — while also celebrating her own country roots and Southern heritage. And this powerful intersection comes to life on her tour. A celebration at the core and a continuous teaching moment "Sometimes we want things to be one thing or the other, like we make it into the false choice between celebration and protest," Carson says. "But very often as a Black person in this country, your celebration is protesting even if you don't mean it as such. People receive it that way and so they interpret it as being protesting." Carson emphasizes the power of duality. "We can do multiple things at once," he says. "And so while we're being entertained, we can be critical and we can be learning and we can be teaching." With this project, Beyoncé became the first Black woman to win best country album at the 2025 Grammys and also took home album of the year. Her tour is a celebration of country music, while spotlighting the complex truth: Black people helped build the genre and are still ostracized today. It's a place where fans from all different races and backgrounds come together and enjoy country music in its fullness and its true roots of diversity without forgetting the history and the current backdrop it's up against. "It's probably always wise for us to look at — especially at moments of political or social turmoil — the kinds of things that people turn to for entertainment," Carson says. "This happening right now should tell us something about who we are and maybe something about who we aspire to be as much as it tells us about who we were and who we thought we were." Through her genre-bending performance, Beyoncé reinforced the statement printed on her merchandise: "This Ain't A Country Tour, It's A Beyoncé Tour." However, it's clear the tour wasn't just a country music tour. "It's fundamental to our understanding of the world right now to listen to Black cultural producers. And the reason that it's important is not just because they entertain us, but because of the ways that they say the things that end up being unsayable in other forms or undoable in other forms," Carson says. "So a Black woman's country album right now tells us something. It tells us many things about right now." Fashion that makes a real statement In addition to the music, Beyoncé's tour has been a huge showcase of fashion. Each night, Beyoncé continues to blend high fashion with custom Western glam. There's been lots of sparkly chaps, cowboy hats, boots and fringe. Most notably, there's been a significant amount of American flags and red, white and blue. She has also made a point to put a spotlight on Black-owned brands such as Telfar. During her New Jersey tour stop, Beyoncé donned a Black Yankees varsity jacket. The New York Black Yankees were a professional Negro league baseball team. They were founded in 1931 to provide an avenue for Black players amid racial segregation in Major League Baseball. Again, another deliberate but fashion-forward choice that nods to Black history while highlighting a version of Americana that has long existed. This tour has also inspired fans of all demographics to embrace cowboy and Southern culture with their wardrobe. Beyond the inevitable teaching moments it sparks, joy has remained at the heart of it all — whether it's the thrill of new merchandise or curating the perfect outfit. "Allow yourself to be entertained," Carson says. "But also allow yourself to be challenged. And allow yourself to be critical because you don't have to be uncritical in order to be entertained." Follow Caché McClay, the USA TODAY Network's Beyoncé Knowles-Carter reporter, on Instagram, TikTok and X as @cachemcclay.


Forbes
an hour ago
- Forbes
In L.A.'s Outpost Estates, This Rockstar's $14 Million Home Strikes A Killer Chord
Tucked away in the Hollywood Hills, Outpost Estates prizes seclusion. The Keunings' home intensifies the quiet with a gated approach and private motor court, the city left well below the switchbacks. Tyler Hogan Every Angeleno makes the climb into the Hollywood Hills at least once. There's a mood shift as you leave the sidewalk stars and tourist traps behind. You trade souvenir shops for sweeping views. Honking horns for hummingbirds. Is it chaos if two cars approach a narrow turn at once? Of course. But there's something undeniably cinematic about the ascent—views flickering through the trees, historic homes perched like cameos and a hush that sets in just as your ears start to pop. From the home's hilltop perch, sightlines sweep uninterrupted—from Downtown's steel skyline to the Pacific's silver horizon. Tyler Hogan Welcome to Outpost Estates, one of Los Angeles' most moneyed neighborhoods. This hillside enclave has long drawn the famous, the private and the privacy-loving famous. Everyone from Old Hollywood legends to the faces behind your latest Netflix binge. In this part of the Hills, stories wait behind nearly every gate. Which could be exactly what drew The Killers' lead guitarist Dave Keuning and his wife, interior designer Emilie Keuning, to the area roughly four years ago, when they purchased the home from the founder of Grindr. The couple has since completed a renovation of the Spanish Contemporary estate, and now they're ready for a new chapter. Spanish-Contemporary bones invite flourishes, yet the mood indoors remains elegantly restrained. Tyler Hogan Their 8,385-square-foot home, listed at $13.99 million, isn't trying to be the loudest on the block. From the curb, it's understated. A single, sprawling tree shields the entry and sets the tone: quiet, thoughtful, a little mysterious. Inside, the mood sharpens. A double-height foyer opens with a brass chandelier suspended from original wood beams. Arches guide you through the home, where hardwood floors, stained oak cabinetry and blackened steel come together in an earthy palette. This home is really a collection of moments. But it's the details that carry the rhythm. A tin ceiling from the 1980s, still intact, features a sunflower motif echoed in a vintage chandelier. A rare floral pendant light in the office glows at golden hour. Nearly every fixture was hand-picked and thoughtfully sourced from Europe by Emilie Keuning. Nothing here is off-the-shelf—not even the vases. 'This home is really a collection of moments,' says listing agent David Parnes of Carolwood Estates. Vaulted volumes lift the open plan skyward while wall-spanning glass widens the panorama even further. Tyler Hogan That vibe is especially evident in the kitchen, where a single slab of veined Italian marble forms the island. Even the outlets have been carved into the stone to avoid an electrical eyesore. Black cabinetry and a sculptural plaster hood round out the kitchen, which opens seamlessly to the dining area and outdoor terrace. The view? Ocean to skyline, with a front-row seat to L.A.'s daily light show at dusk. The ensuite bathroom is finished in soft marble, Waterworks fixtures, and yes—his and hers toilets. Call it a nod to domestic diplomacy. Tyler Hogan Upstairs, the primary suite keeps the tempo calm. A Murano glass chandelier anchors the room, while French doors lead to a private wraparound terrace. Downstairs is where the fun lives. There's a bonus guest room, a home theater a sunlit office, plus plenty of storage to keep the creative chaos neatly tucked away. Outside, the grounds stretch into tiered gardens, a pool deck, a fire pit lounge and a barbecue area primed for golden-hour just beyond the pool right when you think the property ends—the 16,000-square-foot lot offers one more surprise: a detached studio, tucked discreetly into the hillside. Guest suites get the primary treatment, with views that lean either hillside or city lights and thoughtful finishes. Tyler Hogan Inside? A full recording space with a private sound booth awaits. This is Hollywood, after all. Just don't expect the dozens of guitars to be part of the deal. Keuning may be departing, but the fully equipped studio—with its private sound booth—stays ready for the next track. Tyler Hogan David Parnes, Sam Collins and James Harris of Carolwood Estates hold the listing for 7100 La Presa Drive. Carolwood Estates is a member of Forbes Global Properties, an invitation-only network of top-tier brokerages worldwide and the exclusive real estate partner of Forbes.