logo
Māori spirituality is part of family life in new TV show

Māori spirituality is part of family life in new TV show

1News20 hours ago

A Māori family returns to a small North Island town after living in London in the bilingual and slightly supernatural TV show Dead Ahead.
Writer and co-creator Scotty Cotter (Tainui, Fiji, Scottish) hopes the show will deliver plenty of laughs and also some insight into the Māori belief that our tūpuna (ancestors) walk "right next to us".
"It's not seeing them, but having a sense of them there - that is what I really wanted to touch on - keeping them near us and keeping us connected with them," he tells Saturday Morning.
Scotty Cotter as school principal Matua Kare in the new TVNZ+ series Dead Ahead. (Source: Supplied)
Dead Ahead - launched on TVNZ+ - centres on the Wharekoa family; high-powered lawyer Kiri (Miriama Smith), her husband Matiu (Xavier Horan) and their kids Amiria (Mia Van Oyen) and Nate (Elijah Tamati).
ADVERTISEMENT
Cotter says he thought it would be hard finding a Māori boy with an English accent, but then Elijah Tamati - whose whanau also lived in London- walked into the room and nailed his audition.
"[The kids in Dead Ahead] are just stunning. The future is bright with these two."
Elijah Tamati as Nate in the TVNZ+ series Dead Ahead. (Source: Supplied)
While it's a scary thing to write a TV show, Cotter says it was also really exciting to create a set of Māori characters with "all our flaws and our beauty and our crack-up-isms".
"I wanted to create Māori characters who break the stereotypical mould, but also have authenticity."
Starting out as a teen actor, Cotter's first introduction to New Zealand television was on the Māori learning programme Whānau, where he found a Māori woman "running the show".
That was the late actor and director Nancy Brunning who became Cotter's friend and mentor.
ADVERTISEMENT
"I really felt her in the writing of [Dead Ahead], and I really felt her pushing me and guiding us."
Nancy Brunning at the 66th Berlinale International Film Festival Berlin in 2016 (Source: AFP)
Performing in te reo Māori plays with Brunning as a younger man, Cotter says he discovered the wairua (spirit) of words.
"There's wairua in kupu (Māori words) - how we say it, how we feel it. It's not just blurting words out. You've got to put it in, feel it, hold it."
Still on "that hikoi journey" of learning te reo, Cotter now studies online via Te Wānanga o Aotearoa.
He hopes Dead Ahead will "gently introduce" te reo words and phrases to viewers who may not know them.
"By the end of the season, hopefully they can understand and use kupu and te reo Māori in their everyday life."
ADVERTISEMENT
In the show, he attempts to show a "less Disneyfied" picture of Māori spirituality, including the role of kēhua (ghosts), which he sensed after his grandmother died.
"The sense of not seeing tūpuna but having a sense of them there is what I really wanted to touch on.
"It's my gentle way of showing people how we whakanoa [remove tapu from] ourselves."
Fun fact: Saturday Morning presenter Mihi Forbes was Scotty Cotter's inspiration for the Dead Ahead character Meremereana (Kura Forrester) - an award-winning journalist who "just knows what's up".
Dead Ahead was made with the support of NZ On Air and Te Māngai Pāho.
Watch it on TVNZ+
rnz.co.nz

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Peter Robinson: Charcoal Drawing & Hye Rim Lee: Swan Lake At Christchurch Art Gallery
Peter Robinson: Charcoal Drawing & Hye Rim Lee: Swan Lake At Christchurch Art Gallery

Scoop

time13 hours ago

  • Scoop

Peter Robinson: Charcoal Drawing & Hye Rim Lee: Swan Lake At Christchurch Art Gallery

Saturday 2 August to 23 November Two very different exhibitions will open alongside each other at Christchurch Art Gallery Te Puna o Waiwhetū this August. Each has been developed by an internationally recognised contemporary artist and will offer visitors an immersive and unforgettable experience. Peter Robinson: Charcoal Drawing Don't let the title fool you – leading Aotearoa artist Peter Robinson (Kāi Tahu) is always thinking outside the square, and well beyond the limits of a sheet of paper. His upcoming exhibition Peter Robinson: Charcoal Drawing invites viewers to become part of what Lead Curator Felicity Milburn describes as 'a three-dimensional drawing in space.' 'This epically-scaled installation plays with the idea of walking through a drawing and feeling how it transforms around you as you see it from different heights and angles. 'Peter explored this way of working at Whangārei Art Museum in 2024, and this new iteration responds directly to the tall, square setting of our Sutton Gallery space,' says Milburn. Multiple six-metre-long, powder-coated aluminium beams will be bent into shape by Robinson and a small team at the Gallery during the days leading up to the opening of the exhibition. 'It's a very hands-on process where careful planning meets a playful responsiveness to space, resulting in a viewing experience that feels both precise and unpredictable,' says Milburn. 'Peter works with shapes that are deliberately open-ended. They carry echoes of koru, niho and other forms familiar from customary Māori artmaking, while also encouraging a host of other readings, such as a monumental finger curled in invitation,' Milburn explains. 'The scale is shifting and uncertain, and by choosing a surface treatment that resembles burnt or weathered wood, he transforms a sterile, industrial material into something much more organic and full of possibility.' Felicity Milburn will lead a conversation with Peter Robinson about his work in the exhibition space at 1pm on opening day, Saturday 2 August. Hye Rim Lee: Swan Lake For leading intermedia artist Hye Rim Lee (Korea, New Zealand), an upbringing immersed in music, theatre and dance instilled a love of creativity and storytelling says Curator Ken Hall. 'That passion led Lee into an international career in digital artistry. Like her late father, Jin Soon Lee, who was a prominent theatre director in South Korea, she brings stories, characters and imaginative worlds to life – only her stage is a screen. Hye Rim Lee Swan Lake (still) 2025. 3D animation. 3D generalist: Steven Stringer. Courtesy of the artist 'Lee works closely with a team of animators and sound engineers to create large-scale projected 3D animation shaped through a process of careful refinement,' says Hall. 'She brings a strong directorial vision to the animation, shaping each element from concept to final presentation.' Lee's latest major work, Swan Lake, draws inspiration from Tchaikovsky's iconic ballet and includes choreography by the acclaimed dancer Rudolf Nureyev. Lee's fascination with swans began during the 2020 Level 4 lockdown when she often encountered the graceful birds at Western Springs, near her Grey Lynn studio. Another deeply personal thread running through Lee's work is the impact of loss – her parents in the 1980s, and her sister in 2008. 'Elements of grief and darkness give way to hope and healing, echoing Lee's own journey of transformation and spiritual depth,' says Hall. 'There's an ethereal, emotive quality to Lee's Swan Lake. The two swans share a tenderness that feels almost human. While reflecting the emotional depth of the original ballet, Lee's Swan Lake reimagines the narrative in a striking way.' At 11am on opening day, Saturday 2 August, hear from Hye Rim Lee in conversation with Ken Hall in the Gallery's Philip Carter Family Auditorium. Peter Robinson: Charcoal Drawing and Hye Rim Lee: Swan Lake open on Saturday 2 August and close on 23 November 2025.

Whāia Te Taniwha, A New Exhibition At Christchurch Art Gallery, Explores The Enduring Presence Of Taniwha In Aotearoa
Whāia Te Taniwha, A New Exhibition At Christchurch Art Gallery, Explores The Enduring Presence Of Taniwha In Aotearoa

Scoop

time13 hours ago

  • Scoop

Whāia Te Taniwha, A New Exhibition At Christchurch Art Gallery, Explores The Enduring Presence Of Taniwha In Aotearoa

Opening 20 September, this exhibition of work by Māori artists offers a window into the rich narratives of taniwha that tāngata whenua have held for generations. Co-curator Chloe Cull says that while many people in Aotearoa are familiar with the idea of taniwha, post-colonial, Western representations of taniwha have often been one-dimensional or inaccurate. 'This exhibition celebrates the diversity of taniwha. They are shapeshifters, oceanic guides, leaders, adversaries, guardians and tricksters who have left their marks on the Aotearoa landscape. ' Whāia te Taniwha also responds to the impact of colonisation on Māori knowledge systems by celebrating the deep and varied presence of taniwha within te ao Māori,' says Cull. The exhibition includes new major commissions from renowned Aotearoa artists such as Lisa Reihana and Maungarongo Te Kawa. Ngāi Tahu artists will also be well represented in the exhibition, with new work being developed by Jennifer Rendall, Fran Spencer, Kommi Tamati-Elliffe, Turumeke Harrington, Piri Cowie and Madison Kelly. These new works will be shown alongside existing works on loan to the Gallery. 'With the bulk of the exhibition comprising new commissions and loans, it'll be the first opportunity to see many of these works in Christchurch,' says Cull. The exhibition was inspired by Taniwha: A cultural history – a Marsden Fund supported research project by exhibition co-curators Dr Kirsty Dunn and Dr Madi Williams. Dunn explains that the inability to categorise or define taniwha are part of their enduring power. 'Many of the artists consider how ancestral knowledge within taniwha narratives provide potential pathways through contemporary challenges; these pathways are powerful, sometimes playful, sometimes confronting, and sometimes they reveal themselves in unexpected ways. Audiences might have some of their expectations challenged in this exhibition.' For those who enjoy interactive experiences, there will be a few things on offer – including an augmented reality sculpture and a video game that invites players to search for items that can uplift the wellbeing of a taniwha. Williams adds, 'Just as taniwha take many shapes and forms, the exhibition includes a multitude of disciplines – from painting and sculpture to textiles, video poetry and photography. 'Visitors will be invited to consider who, rather than what, taniwha are – and how taniwha stories can help us understand and navigate the world around us.' Whāia te Taniwha opens Saturday 20 September 2025 and closes on 15 February 2026.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store