
Neelam Kothari recalls she had ‘hardcore competition' with Govinda: ‘He spoke to me in Hindi, I spoke English'
Before disappearing from the big screen, Bollywood actor Neelam Kothari starred in various hit films in the 1980s and 1990s. Her association with then-superstar Govinda spanned across 14 films. In a recent interaction, she spoke about working with the Hero No 1 actor and how the two would compete to perfect their dance steps.
Speaking to Femme Forward, Neelam said, 'He was a fantastic dancer and we had a lot of hit songs. Sometimes when I go for events and interviews, they play some of my old songs and I am like 'Oh my god… I had so many hit songs with Govinda '. With Govinda, the thing was that I wanted to do my steps much better than him. So it was like hardcore competition. We had great songs and we wanted our dance moves to be perfect. We worked hard on those songs.'
Neelam shared that she and Govinda still share the same dynamic, despite not working together for years. 'He used to speak to me in Hindi and I spoke to him in English and it is like that till today. We we met on Indian Idol recently, it was the same dynamic, he spoke in Hindi and I spoke in English, some things don't change.'
Govinda and Neelam starred in so many films that rumours of their link up were also talk of the town. However, in an earlier interview Hauterrfly, Neelam rubbished such claims and said, 'I think link ups was part of the whole game. There was no one to clarify. They just printed whatever they felt like and to be honest, I feel like in those days we were scared of the press. Because it was the power of the pen and it was just part of it. If you did more than 2-3 films, it was just understood that… (you two must be dating).'
Neelam and Govinda starred in hit films like Love 86 (1986), Ilzaam (1986), Sindoor (1987), Khudgarz (1987), Hatya (1988), Farz Ki Jung (1989), Billoo Badshah (1989), Taaqatwar (1989), and Do Qaidi (1989). Neelam's last film was Kasam in 2001, and she made a comeback with Karan Johar -backed reality show Fabulous Lives of Bollywood Wives in 2020. The third season of the show released in 2024.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
19 minutes ago
- Time of India
Dolly Parton opens up about the loss of husband Carl Dean
Dolly Parton , the legendary country singer, has shared her thoughts on the passing of her husband, Carl Dean, who died in March after a prolonged illness. According to People magazine, in a recent interview, Parton spoke about the pain of losing her partner of almost 60 years and how her faith has helped her cope with the loss. Parton expressed her belief that she will see Dean again someday, and said, "I truly believe that I'm going to see him again someday." She also finds solace in the memories they shared and the life they built together. "I see him every day in my memories and in my heart, and in all the things that we used to do and all the things that we've built together," Parton said, as quoted by People magazine. To honour Dean's memory, Parton is focusing on her work and other projects, and said, "I'm putting my energy into other things to keep him ever-present in everything that I do." Parton and Dean's love story began in 1964, and they married in 1966. Dean remained out of the spotlight throughout their marriage, but was always Parton's biggest fan. Following Dean's death, Parton released the song 'If You Hadn't Been There,' which she dedicated to her late husband. In the song, she reflects on the impact Dean had on her life and career. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .


Time of India
19 minutes ago
- Time of India
"There were elements of me that were afraid": Ryan Phillippe on playing gay teen in 'One Life To Live' in early 1990s
Actor Ryan Phillippe admitted that a part of him was "afraid" when he accepted the role of Billy Douglas on the popular daytime soap opera 'One Life to Live' in the early 1990s, reported People. The character was the first gay teenager in daytime television history. Phillippe played Billy for a year on the show and said it was a "really profound experience" for him. In an interview with People, the actor admitted that he was "afraid" when he was young while accepting the role of a gay character in the series. "I was so young that there were elements of me that were afraid because it was such a different time," Philippe said, adding that people close to him also advised him to turn down the role and discouraged him from accepting the part, as quoted by People magazine. "I think there were some fears associated with the point in time that we were at and it being before so many walls and ceilings have been broken in that regard. But I know that any fears that anyone had about me doing it immediately went away once I saw the reaction that it got from the people who viewed it," said Philippe as quoted by People magazine. However, despite the fear, the actor chose the role that rewarded him handsomely. Phillippe was widely loved by the fans of the show and the people of the LGBTQ+ community. In an interview with People, the actor said that the feedback from 'One Life to Live' viewers about his role as Billy was "almost instantaneous," as fan mail started pouring in. ' He remembers hearing from fans who had "never seen someone represent me in any entertainment before in my life." Phillippe would also get mail from parents saying: "Watching this show on my lunch break gave me a way to connect with my LGBTQ child," reported People. "And I was only 17 years old, so you don't really have a sense of that. It was such a different time, but I very much matured through having had that experience and seeing the impact that it had for others," added Phillippe as quoted by People. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .


Indian Express
21 minutes ago
- Indian Express
Moonwalk movie review: This tribute to Michael Jackson is yet another example of why Malayalam cinema soars while Bollywood struggles
Moonwalk movie review: Just imagine how cool it would have been if Varun Dhawan's character had appeared on screen carrying a ripe, juicy jackfruit on his head, heading home after burning up the dance floor in the climax of director Remo D'Souza's ABCD 2 (2015) or Street Dancer 3D (2020). You know, a jackfruit that could also be used to cook different dishes and would feed his character's entire impoverished family for a day or two. And since he's too poor to afford an autorickshaw or any other transport, he has no choice but to carry it on his head. The instance sounds relatable, right? Because this is something that has already happened or could happen in our lives at any moment. But, unfortunately, Bollywood films no longer offer this kind of relatability. Not just Varun, it's almost impossible to imagine any of the mainstream Hindi actors doing a role that requires them to perform such an ordinary action on screen, simply because it lacks the 'glitz and glam'. In the resolution of debutant filmmaker Vinod AK's Moonwalk, however, we see Sura (an impressive Sibi Kuttappan), in his signature Michael Jackson getup, happily carrying a jackfruit on his head and a plastic bag in one hand, walking home proudly after setting the a breakdance competition stage afire just a few days earlier with his extraordinary performance. It's also the unhesitating way in which filmmakers envision and execute such mundane, relatable scenes that make Malayalam cinema what it is today. And maybe, just maybe, a lesson Bollywood could learn from instead of dropping fresh stink bombs every week. At the same time, Moonwalk also serves as a reminder to prioritise theme, concept, story and script over the male lead's (almost nonexistent) star value. Although most members of the film's ensemble are newcomers — and some readers might feel that comparing them to established actors like Varun Dhawan is unfair — two points are worth highlighting here: these Bollywood stars didn't take on such characters even early on in their careers, and more importantly, director Vinod AK deliberately chose to prioritise his narrative over star power. He didn't even attempt to cast familiar faces or so-called stars who might have given the film broader reach, but would have un/knowingly compromised its soul by making the movie only about them. He trusted the script he co-authored with Mathew Varghis and Sunil Gopalakrishnan. Moonwalk's story is simple and straightforward. Set in 1987, it follows a group of late-teenage friends in Thiruvananthapuram whose lives are forever changed when they stumble upon the electrifying art of breakdance and its most iconic figure, Michael Jackson. Aspiring to become exceptional dancers, they begin practising with dedication. Although some personal dramas unfold, the gang, who call themselves the Moonwalkers, navigate these challenges and continue to push forward, defying the many limitations life has placed on them, particularly poverty. One of the most self-aware Malayalam films in recent times, Moonwalk doesn't try to be anything it's not. It is the result of Vinod AK's absolute conviction and trust in the material he has. Right from the beginning, he makes it clear that he isn't going to follow the typical Indian dance-drama narrative template and sets the tone of Moonwalk with precision and clarity. Despite the film being under two hours long, Vinod takes his time to establish the characters, their personalities and their surroundings, without rushing into anything. One of the best aspects is that the filmmakers don't try to oversell any of the characters or their circumstances. Almost all members of the Moonwalkers are given equal prominence, with just a few standing out as first among equals. Even as the story progresses, Moonwalk avoids unnecessary detours and senseless subplots. All the side stories, including a few romantic tracks, only add to the film's appeal, thanks to the magnificent way they've been handled. Despite the large ensemble cast, it never feels like Vinod and his team have overlooked certain characters or given undue prominence to others. The script ensures that every character has a proper identity and arc. Unlike certain 'tribute' films that repeatedly evoke the name or image of the honouree to capitalise on their legacy, Moonwalk makes no such attempts. In fact, Michael Jackson's name is rarely mentioned, and there are only a few direct references to him. Instead, the filmmakers keep MJ's spirit alive by showing the kids gradually mastering his moves, letting his influence subtly permeate the film. Even the dramatic and romantic elements scattered throughout the movie are thoughtfully and maturely handled, with nothing feeling absurd or amateurish. While the film focuses heavily on dance and the group's unity, Vinod ensures that the characters don't come across as people without other purposes or interests. They have families, love interests and ambitions. But that doesn't mean dance is merely a hobby for them; nor is it the air they breathe. It's simply what they love the most. Sabu Mohan's art direction, Ansar Shah's cinematography, and the editing by Deepu Joseph and Kiran Das deserve just as much praise as Vinod AK's direction. Sabu has not only convincingly recreated a bygone era but also avoided relying on clichéd props to establish the period. Instead, he adopts a more organic approach, supported beautifully by Dhanya Balakrishnan's exceptional work in costume design and the makeup by Saji Koratty and Santhosh Venpakal. Departing from the dance-dramas' typical visual style, where complex movements are often highlighted with rapid cuts, Ansar, Deepu and Kiran focus instead on showcasing the team spirit. To do this, the group dance sequences are mostly filmed using medium long shots, which helps establish their unity as a team. It also allows the audience to clearly map the group's progression from initially below-average skills to truly impressive performances by the end. Vinod's vision as a filmmaker becomes even more pronounced through the visual language he has employed and the subtle visual storytelling devices he used. Early in the film, we see the kids, who later come to be known as the Moonwalkers, mesmerised by the already established dance troupe, the Zoom Boys. In their first encounter, the Zoom Boys' team leader asks one of the boys for a light to ignite his cigarette. Arun (Sujith Prabhakar) offers his own cigarette, already half-smoked. Towards the end of the film, the tables turn. The Moonwalkers have become more prominent than the Zoom Boys, and in a mirrored moment, Jake (an extraordinary Anunath) asks the same Zoom Boys leader for a light. This time, the leader hands over his own half-smoked cigarette, in a subtle yet powerful visual metaphor. In another instance, when Sudheep (Premshankar S) decides to leave the Moonwalkers, he removes his white shoe and gives it to Sura, taking Sura's old chappal in exchange. Having only worn chappals his entire life, this is a moment of elation for Sura. At the same time, it beautifully illustrates how one person makes way for another, delicately and effectively conveyed through visuals alone. Amid all this, Moonwalk does not dissociate itself from its socio-political environment, unlike most mainstream films. At several points, the filmmakers insert moments that highlight how everyday casteism and classism operate, and how difficult it is for people like Sura and Anikkuttan (Appu Ashari) to rise above these obstacles and pursue their passion. The film also sheds light on the police's tendency to crush young dreams. In the Moonwalkers' case, this happens when the police forcibly cut off their long-grown hair bluntly, not giving two hoots about the hard work they put into it, and thus breaking their spirit. However, they rise again and push forward, underscoring that such systemic oppressions can never extinguish the spirit of art. Prashant Pillai's music and Sreejit P Dazzlers' choreography are the soul of Moonwalk, consistently hitting the mark. Among the performers, Rishi Kainikkara and Siddharth also leave a strong impression. Moonwalk movie cast: Anunath, Rishi Kainikkara, Siddharth B, Sujith Prabhakar Moonwalk movie director: Vinod AK Moonwalk movie rating: 3.5 stars Anandu Suresh is a Senior sub-editor at Indian Express Online. He specialises in Malayalam cinema, but doesn't limit himself to it and explores various aspects of the art form. He also pens a column titled Cinema Anatomy, where he delves extensively into the diverse layers and dimensions of cinema, aiming to uncover deeper meanings and foster continuous discourse. Anandu previously worked with The New Indian Express' news desk in Hyderabad, Telangana. You can follow him on Twitter @anandu_suresh_ and write (or send movie recommendations) to him at ... Read More