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This Is the Celebrity Plastic Surgeon Behind Kris Jenner's New Glow-Up

This Is the Celebrity Plastic Surgeon Behind Kris Jenner's New Glow-Up

Yahoo24-05-2025

Kris Jenner's refreshed appearance has recently received significant online attention and column inches, leading many to wonder if a plastic surgeon is behind her radiant visage. While the verdict is still out on any specific procedures, the identity of her doctor has been revealed.
Jenner's glowing aesthetics are the work of , a New York-based plastic surgeon to the stars, Us Weekly can confirm.
When Jenner, 69, stepped out with her daughter Kim Kardashian in Paris earlier this month, she was photographed all over the French capital looking better than ever at the bachelorette party for Lauren Sánchez (who is set to marry Amazon founder Jeff Bezos in Venice this June).
The celebrity-studded pre-wedding girls' weekend highlighted Jenner's noticeable glow-up, sparking speculation and discussion about how fantastic she looked and what her secret is. The whole world wanted to know: 'Who is Jenner's doctor, and when can I book an appointment?'
Celebs Who Admitted They Got Plastic Surgery: Ronnie Ortiz-Magro, Ariel Winter, Courteney Cox, More
In recent months, the Kardashians star has been sharing photographs that display her refined appearance, which observers have frequently noted bears a resemblance to her daughters' features. Per a People report, Jenner had 'aesthetic enhancements' performed by Dr. Levine, though the exact kind is still unknown.
Here's what Us can tell you: Dr. Levine has a private practice on Manhattan's Upper East Side. According to his website, he is an "aesthetic and reconstructive" surgeon who received his medical degree from New York University and has an A-list celebrity clientele.
Working with Hollywood actors, supermodels, and bold-faced names, including Jenner, Levine's website notes that he specializes in "natural-looking enhancements' for the face and body, such as facelifts, brow lifts, blepharoplasty (A.K.A. eyelid lifts), brow lifts, neck lifts, facial fat grafting, dermal fillers, chemical peels, and dermabrasion, which, for the uninitiated, helps with fine lines.
Per a 2020 People interview, facial procedures begin at $45,000. During the COVID-19 lockdown, Levine told the publication that patient demand was exceptionally high, with one offering to pay double. Another suggested providing him "a month-long in-house accommodation in the Hamptons." Indeed, Dr. Levine is just that in demand.
We Tried It: The Beauty Treatments Kim Kardashian and More Stars Use for the Perfect Met Gala Glow
For her part, Jenner has been transparent about her use of cosmetic procedures. In 2018, she had an earlobe reduction, which was documented during a Keeping Up with the Kardashians episode. The next year, she followed it up by handing out Botox gift cards to her friends and family.
'It's a one-stop shop for me... And who doesn't love Botox?' Jenner told People at the time. 'For me, it's been really great. If you're responsible and you talk to your doctor, I think it works. It's something that I've been using for a long time.' She also described her personal beauty routine as "pretty simple," involving "a massage, a great facial, a manicure, and a little Botox, and I'm good to go. I'm pretty traditional. As long as I'm clean and scrubbed up, I'm a happy camper.'

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Hallmark Leading Ladies Alison Sweeney And Ashley Williams Team Up To Explore Barcelona In Two-Part Movie
Hallmark Leading Ladies Alison Sweeney And Ashley Williams Team Up To Explore Barcelona In Two-Part Movie

Forbes

time41 minutes ago

  • Forbes

Hallmark Leading Ladies Alison Sweeney And Ashley Williams Team Up To Explore Barcelona In Two-Part Movie

'Nobody was really sure exactly how it was going to work. You know, it's really rare to have two women as the true leads of a Hallmark movie. That doesn't happen a lot.' Alison Sweeney is talking about when she and Ashley Williams pitched their idea for a pair of Spain-set films to the network. Sweeney and Williams have each starred as the leading lady in several Hallmark movies, but they hadn't worked together in one. And, even more rare is the concept of having two leading ladies sharing the main storyline. This is just what happens in not one but two films featuring the actresses. In To Barcelona, With Love, Sweeney plays Erica, an American expat living in Barcelona who translates novels into Spanish. Anna (Williams) is the American author of the book Barcelona, Mi Amor that became a big hit after Erica's translation. When Anna comes to Barcelona for a book signing event, her arrival not only catches the attention of local bookstore owner Nico but also threatens to bring to light Erica's secret – that she took liberties with her translation to improve the story. As the two women navigate their relationship, they end up ultimately helping each find true happiness. In the follow up, To Barcelona, Forever, set five months later, Erica and Anna are happily navigating new chapters in their lives. Now friends, they find themselves traveling outside the city of Barcelona to a charming village where a misunderstanding leads to unexpected romance for one of them. Also a first for Hallmark, both films were shot entirely on location in Barcelona, Spain, and surrounding areas. Along with Sweeney and Williams, who also serve as producers on the project, Alejandro Tous and Miguel Brocca co-star in the films. Sweeney clarifies the concept of the movies a bit, saying, 'From the very beginning we always saw this as a story about the friendship between these two women and their bond. But of course, the romance that they each experience on their own is an important part too.' She says that for both she and Williams, 'So often when we do these movies, we're playing opposite a handsome, wonderful, charismatic man, which is fun, and its own journey,' but she expresses that both are happy about, 'getting to be sitting across from another leading lady.' 'It's just a different experience,' she explains. 'It feels very honest getting into the rawness and the realness of what happens between two women who are doing all kinds of things on their way to becoming friends. So it's a really different energy and a different dynamic than what people might call a 'standard' Hallmark movie.' In an interesting twist, Sweeney, commenting on working with Williams said that her favorite part of the collaboration was, 'not always agreeing about everything.' 'When you have someone just as invested as you in something, but they see something a different way, I'm so happy to have that conversation with an equally strong point of view that is not the same as mine, because I really thought mine was the only way, and now I'm hearing her point of view, and that's so much better. The movie is better because of everything we didn't agree about; those things that we really worked on to find the best solution.' Williams agrees, adding, 'Yeah, getting to go to Ali and say. 'I'm not sure about this,' and having her say, 'yeah, let's fix it,' was so great. It was just wonderfully validating to have a partner like that.' However, Sweeney says that things weren't 'perfect' all the time. 'The hardest part about working with Ashley is that I wanted to laugh all the time. She's just so funny, sometimes it was hard for me to be professional.' While they did let the laughter flow, Williams says that the two women were able to bring the drama as needed. 'There were a lot of moments in this when we really had to show conflict between our characters, and neither of us held back. And it was kind of fun because there are obstacles in this friendship, and it gets emotional and heated, and we really went for it in those scenes.' Speaking about the second film, Sweeney says that the intent was 'not to make a sequel or like the same movie again.' 'I think that's a really important as storytellers ourselves, but also just as fans of TV. I've watched lots of movies, and I watched the sequels, and I don't want to see the same movie again. I want to see a different movie. I want to see what happens next with these characters. So I think that was a really fun challenge; to find the story as producers and then as actors to keep these characters fresh for the audience, but in new circumstances.' Pointing out another reason to watch the films, the pair muse over the beauty of Spain on display, which Sweeney says, 'really is a character in the movies. So many beautiful places. Every scene is like a stunning postcard.' Also unique to these productions is that the Sweeney and Williams have produced a companion podcast, entitled Mi Amor, with Ali Sweeney + Ashley Williams. It started simply enough, says Sweeney, with, 'At the end of each day, we would drive back to the where we were staying and during that trip we would just talk a lot about what had happened that day. It was so fun. So then I thought, 'Okay, well, let's just do this with microphones and record it.'' 'To be clear, it's a homemade podcast,' says Williams with a laugh. 'It's just me and Ali with our little headphones on our computers, seeing if we can make a podcast. I really like that about it, that It's sort of made with scotch tape and paper clips.' Even given the low-tech production of it, Williams says that the podcast does give a great deal of insight into, 'the making of the movies, and what we were thinking as we were doing everything.' All of this seems to be a theme permeating not only their work together but highlighted in their films as well — that it's all about recognizing the moments that matter. 'It's the little stuff, nuances and details that happen in-between those, like, tentpole things that happen. That's what life is,' says Sweeney. 'It's all those little moments that happen unexpectedly, or maybe missed opportunities, and things like that. That's really what's fun about telling stories — when you do something and people can they see themselves in a particular moment. That's a win for us when we feel like we've created a situation that you would find yourself in and you understand it. And I think that's what we've done in these stories. 'To Barcelona, With Love' premieres Saturday, June 7th at 8pm. ET/PT on Hallmark Channel, and 'To Barcelona, Forever' debuts Saturday, June 14th at 8pm ET/PT on Hallmark Channel. The podcast, Mi Amor, with Ali Sweeney + Ashley Williams, can be found here.

The Long-Awaited First Look at Andy Serkis' ‘Animal Farm' Teases Seth Rogen's Barnyard Boss
The Long-Awaited First Look at Andy Serkis' ‘Animal Farm' Teases Seth Rogen's Barnyard Boss

Gizmodo

time42 minutes ago

  • Gizmodo

The Long-Awaited First Look at Andy Serkis' ‘Animal Farm' Teases Seth Rogen's Barnyard Boss

While the George Orwell tale with the most resonance in 2025 is undoubtedly 1984, Animal Farm—first published in 1945 as a comment on the Russian Revolution of 1917—still has plenty to say in the present day. The very first clip from Andy Serkis' long-anticipated animated version of the story is here, and it gives us a first look at Seth Rogen's Napoleon informing the younger pig Lucky (voiced by Stranger Things' Gaten Matarazzo) that 'Things aren't always what they seem, and I'll help you decide what's right!' Given that Napoleon is a stand-in for Stalin in Orwell's story, that doesn't bode well for the future of the barnyard. (Kieran Culkin's Squealer gets a little comic relief moment at the very end of the scene.) Check out the clip, debuted by Variety ahead of Animal Farm's premiere next week at the Annecy Animated Film Festival. Despite Animal Farm's well-known origins as a political satire, Serkis noted back in 2012 when this project was first revealed that 'We're keeping it fable-istic and [aimed at] a family audience. We are not going to handle the politics in a heavy-handed fashion. It is going to be emotionally centered in a way that I don't think has been seen before. The point of view that we take will be slightly different to how it is normally portrayed and the characters. We are examining this in a new light.' That said, 13 years is a long time ago. Evolution happens. Revolution becomes more urgent. After all, Animal Farm was initially touted as being a motion-capture production; as you can see from the clip, the finished product is CG animated instead. Quoting from the film's press materials, Variety notes that Serkis explained 'I didn't want pantomime performances. I wanted internalized emotion, each close-up had to carry weight … It's a political fairytale that needed to feel both painterly and real.' And the themes indeed may be edgier than Serkis initially teased; the Animal Farm press notes have him describe his film as 'Wolf of Wall Street meets Bronx Tale, through the eyes of a pig.' The official synopsis: 'When a group of farm animals rebel and kick their neglectful farmer off the land, life is good and the dream of a free, equitable future is within sight. But power struggles among some of literature's most infamous characters ensue, and the realities of living in a world designed for mankind complicate and corrupt the satirical and allegorical, Animal Farm.' The rest of the Animal Farm cast includes Serkis himself, as well as Woody Harrelson, Glenn Close, Steve Buscemi, Laverne Cox, Jim Parsons, Kathleen Turner, and Iman Vellani. There's no theatrical date set yet, but later in 2025 feels like a safe bet.

Danny Boyle Explains 28 YEARS LATER Is the "Opposite" of What You'd Expect from a Zombie Sequel — GeekTyrant
Danny Boyle Explains 28 YEARS LATER Is the "Opposite" of What You'd Expect from a Zombie Sequel — GeekTyrant

Geek Tyrant

timean hour ago

  • Geek Tyrant

Danny Boyle Explains 28 YEARS LATER Is the "Opposite" of What You'd Expect from a Zombie Sequel — GeekTyrant

If you're expecting 28 Years Later to go big in the way most sequels do with more infected, more explosions, global stakes, director Danny Boyle has a curveball for you. The long-awaited follow-up to his game-changing 2002 film 28 Days Later isn't trying to outdo the apocalypse. It's trying to understand what's left after it. Speaking to IGN, Boyle revealed that he and writer Alex Garland initially flirted with the typical sequel playbook. 'In fact, Alex wrote one script at one point, but they were kind of what you'd expect, and by that I mean things that you expect from a sequel, like the virus is weaponized by a military or a government or a shady [organization]... That kind of thing. And neither of us were very taken by it.' Instead of following the infection across continents in a World War Z -style expansion, Boyle and Garland made a sharp U-turn. They chose to pull the focus inward. 'We began to discuss this idea of doing a much bigger project, which was a series of films that sort of did the opposite of spreading it to Europe and the world.' This reflective approach lines up with what Boyle believes horror can do best by holding up a mirror. 'We turned back and looked at ourselves and we thought … it was very much like an England [type] film. So we kind of narrowed it down. We did the opposite of what you'd expect and it was because we had a lot to think about.' That "thinking" touches on the real-world fractures that have emerged in the years since 28 Days Later first hit theaters. Boyle mentions Brexit and the UK's shifting identity, hinting that this new chapter won't just be about rage-infected hordes, but about how a nation processes trauma. 'That's what you use these films for. They're not lectures or anything like that, but they do reflect, or there is a reflection in them, of where you are and what's happened to you really as individuals and as people." The sequel stars Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes, and centers on a group of survivors who've been living in relative isolation on a remote island. When they return to the mainland, they're confronted not just with the infected, but with the haunting question of what's changed, and what hasn't. If 28 Days Later redefined what a zombie film could be in the early 2000s, 28 Years Later is looking to flip the genre on its head once again, this time with an eerie calm and a deeper question at its core. 28 Years Later opens in theaters June 20, 2025.

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