Aussie rockers Speed voice resistance with guitar licks, growls and love
True to the band's no-nonsense moniker, listening to Speed is the quickest way to get your adrenal glands firing, priming your body for fight, not flight. A five-piece from Sydney, Speed does hard-charging hardcore with old-school attitude and a locked-in focus befitting the title of its debut album, 'Only One Mode.'
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Geek Tyrant
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Review: BRING HER BACK Is a Brutal and Devestating Descent into Hell — GeekTyrant
Bring Her Back isn't just another dark horror film, it's a pit of despair with no rope to climb out. Directed by Danny and Michael Philippou, this is a horror experience that doesn't entertain so much as it assaults. From the first uneasy moments to its soul-splintering finale, it drags you by the hand into absolute darkness and never once pretends there's light at the end. I walked out of this movie feeling devastated and sad, like I needed therapy and a very long shower. The story centers on a brother and sister who are placed in foster care and move into a remote home, only to discover their new guardian, played with chilling brilliance by Sally Hawkins, is out of her goddamn mind. She's involved in some seriously evil witchcraft and what unfolds is a nightmare about grief and the horrific cost of trying to undo death as she is going through a twisted process to bring her dead daughter back to life, and what follows is so grotesque and hopeless. Let's be clear, this movie is well-crafted. The Philippou brothers have a sharp eye and a knack for tension and telling horror stories. This one was seriously suffocating, it was too damn bleak, and unnecessarily soul crushing for me. There are moments that felt mean-spirited and cruel, and it was just just so hard to get through. Hawkins gives a masterclass performance in quiet, maternal dread. She's terrifying not because she rages, but because she calmly, lovingly leads children into hellish ruin. It's the kind of performance that makes your stomach knot. The film is effective in every technical sense, but that's also what makes it so hard to endure. There's no humor, no relief, no levity no hope. Nothing to ease the horrific madness of it all. It just gets darker and darker as it drags you deeper and deeper into hell. The body horror is shocking, but not just because of the visuals. It's the fact that the violence is inflicted on children. One in particular is only ten years old! And not in a cheap shock-value way, this is slow, methodical, and cruel. It doesn't feel like horror for catharsis; it feels like horror for punishment. Watching Bring Her Back didn't feel like entertainment. It's not that I was scared, it's that it was comeletely devestating. I've seen countless horror films, and I usually love getting my mind messed with, but this one didn't just mess with me, it made me feel sick. If you've ever lost someone close to you, there are scenes in this film that will gut you in ways you're not prepared for, and once it starts tearing into you, it doesn't stop. Maybe that's the point. Maybe the movie is meant to be this nihilistic. Maybe it's making a statement about grief, trauma, and how trying to reverse death can make monsters out of the well-meaning. But just because something is effective doesn't mean it's enjoyable. This is a very well made film. It is also joyless, cruel, and hollow. It's a well-executed punch to the soul that punches you from beginning to end. This movie beat the hell out of me! I won't call Bring Her Back a bad film. It's not. It's one of the most extreme examinations of loss and suffering I've seen in horror. But I wouldn't recommend it to anyone I know because I want to keep my friends and a movie like this would destroy many of them. Bring Her Back is a slow burial that is insanely jacked up and there is no redeeming value to the story. If that sounds like your kind of horror, good luck!


Fast Company
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TikTok has boosted the careers of numerous musicians, thanks to their songs—both new and old—going viral. The latest example is Connie Francis' 1962 hit Pretty Little Baby, which is currently inescapable across For You pages. Now, TikTok is making it even easier for artists to capitalize on viral moments. The platform has rolled out its music insights tool globally, following a limited beta launch that was quietly tested with a select group of artists two months ago. TikTok for Artists offers musicians daily updates on how their songs are being used and which tracks are generating the most engagement. Metrics include the number of views, posts, and creator interactions per song, as well as insights into each post's performance. Artists also gain access to demographic data about their followers, such as age, language, and self-identified gender. 'All tiers of artists will gain insights on TikTok that they can use to take their careers to a whole new level,' said Tracy Gardner, TikTok's global head of music business development, in a statement. 'We built the platform to give artists transparent access to useful, actionable data about their music and their fans, to help them better engage with the TikTok community and supercharge their careers both on and off the platform.' One early tester, Cyril Riley, said: 'My team and I rely on TikTok for Artists daily, sometimes even hourly. In such a rapidly evolving industry, it's crucial for us to consistently monitor and review the analytics of my account.' Another musician, Jordan Adetunji, called it a 'game changer.' Alongside the analytics tool, TikTok has launched a pre-release feature that lets artists promote upcoming music on the platform. Fans can pre-save unreleased albums directly to their Spotify or Apple Music libraries, making the music instantly available when it drops. Not everyone is enthusiastic, though. Some critics view this as TikTok following in Spotify's footsteps (Spotify launched Spotify for Artists back in 2016), fostering a culture of music made specifically to go viral. As The Fader 's Jordan Darville writes, 'a massively popular app creates artist 'services' that steer the sound of music in directions more profitable for the platform, and simultaneously throttles royalties to make shareholders happy.' Perhaps these new TikTok features will inspire more unexpected comebacks from pop icons of the '60s—or maybe they'll just give us new options to soundtrack our TikTok carousels.