
Why Jameela Jamil thinks we have Stockholm syndrome — for the patriarchy
Jameela Jamil's bold advocacy has won her legions of fans — and critics — all over the world. Source: Getty / Jacopo Raule This article contains references to eating disorders. Jameela Jamil is the first to admit she's not perfect. In fact, it's something the English actor, writer, podcaster, and advocate actively embraces. "Women have this pressure that is put upon us — and then we put upon ourselves — that we have to be perfect from the start," she says ahead of her "very fun, very unfiltered" Australian speaking tour. Best known for her roles in The Good Place and Marvel's She-Hulk, Jamil has garnered a loyal following for her direct, passionate, and often humorous commentary on everything from body image, mental health, and gender equality to , disability, and LGBTIQ+ rights.
Her anti-perfectionist stance has made her something of a poster girl for it. "I think the reason I've made it quite far in my life for someone who came from nothing and didn't know anyone, had no connections, is because I have the audacity of a man," says Jamil.
I have the audacity to know that it's not my responsibility to be perfect when I just start trying something for the first time. "I don't know if I'm going to be good at it, but I throw myself in and I am proud of myself for that." It's an attitude that the 39-year-old credits with giving her a life that's a far cry from the "dignified" one she envisioned when she was younger.
A chance encounter with a producer in a London pub in 2008 led Jamil, who was working as an English teacher, to land a job as a TV presenter. She later moved into radio presenting, becoming the first female solo host of BBC Radio 1's Official Chart show, before upping sticks to Los Angeles to pursue screenwriting. It was there, after securing her first-ever acting role in 2016 as British socialite Tahani Al-Jamil in the hit TV series The Good Place, that she found global fame.
But as her profile increased, so did her impulse to speak out. "I don't know how to not say anything," she says. "It doesn't feel like there's a choice whether or not you can say something when you see injustice." Jamil's growing frustration with women's value being measured by a number on the scale led the self-described "feminist-in-progress" to found the I Weigh movement in 2018. "If you want something to change, if you complain about a problem, then surely it would only make sense, logically, to try and do something about it?" she says of her advocacy efforts.
Beginning as a social media campaign encouraging people to publicly celebrate their achievements and contributions to society rather than focus on their size or appearance, I Weigh later evolved into a "community allyship platform". It was relaunched last year as Move For Your Mind. While Jamil's unashamed outspokenness and advocacy have been praised by many and led to plaudits such as being named one of Time magazine's 25 most influential people in 2019, she cringes at being put on a pedestal or viewed as "some type of guru or master".
It's not a call to arms … I'm more trying to start big, public conversations about [these issues] so we can stop just being lulled into submission all of the time. "It's normal to care. It's not normal to not care."
Naturally, there have been questions about whether a statuesque, conventionally attractive cisgender woman (Jamil's name literally means "beautiful" in Arabic) in Hollywood is qualified to speak about issues like diet culture and fatphobia, particularly when much of the associated harm is perpetuated by celebrities and influencers. Jamil acknowledges she is more privileged than most. At the same time, she has experienced firsthand the long-term harm that comes with trying to meet unrealistic and ever-changing beauty standards, as well as how brutally women, particularly those in the public eye, can be treated for simply existing.
Early in her career, Jamil was subject to tabloid scrutiny in the UK, which criticised her for being too thin and then later mocked her for gaining weight as a result of medication she was taking. At the same time, she was battling an eating disorder that had developed in her teens, something Jamil says has caused lasting damage to her bone density, digestive system, kidneys, liver, and heart.
She says part of the pull to conform to beauty standards stems from an underlying desire to belong. "There's this feeling of 'I'll be left behind if I don't obey the group and do the thing that will allow me to be included,' because it's real that if you are skinnier or you look younger or you have pretty privilege, you're more likely to be included." As well as speaking publicly about the racism, classism and appearance-based abuse she experienced growing up — including being "very violently" bullied for being South Asian — Jamil has been vocal about the impact of multiple chronic health conditions she's experienced throughout her life, such as Ehlers-Danlos syndrome, post-traumatic stress disorder, depression, anxiety, mercury poisoning and coeliac disease.
Her propensity to be an "open book" about her life has sometimes come back to bite her. In 2020, a string of Instagram posts went viral, alleging Jamil had fabricated details about her injuries and illnesses. The author of the posts even went so far as to suggest Jamil had Munchausen syndrome, a mental disorder in which a person fakes or exaggerates illness to gain attention and sympathy. Jamil publicly refuted the claims, as did her long-term partner, musician James Blake, saying they highlighted how people with chronic health conditions and invisible disabilities are often disbelieved. While Jamil has endured her fair share of trolling and abuse online, not all of the criticism levelled at her has been unjustified. One such example is her past "slut-shaming" of other female celebrities, including Miley Cyrus, Beyonce, and Rihanna.
Jamil says she regrets some of the things she's said and how she's said them and takes accountability for that. "But you can regret something and still be glad that you did it because that's how I learned what to do differently next time," she says of how she used to communicate online. "If I hadn't made those mistakes, I wouldn't have then gone on to go, 'Oh, okay, I actually need to change course', and this has made me a better and wiser person."
In fact, self-accountability has become a core tenet of Jamil's advocacy. Amid the rise of far-right extremism around the world, infighting among the left, and some hard-won rights and freedoms, particularly for women, "taking a huge backswing", Jamil's belief that "perfection is the enemy of progress" is perhaps more vital than ever. "We don't really have time for everyone to wait to be the perfect feminist or the perfect activist," she says.
You just have to scrap in now before we end up in a bunch of red coats with white bonnets. It's no surprise to Jamil that the recent sociopolitical regression, particularly in the US, has coincided with thinness being glamorised once again and the increasing normalisation of and , largely pedalled via social media. Rather, she says, it's "by design". "The only reason any grown adult man would want a grown adult woman to look and behave and have the body of a barely pubescent girl is to keep her small in every way; make sure she's not eating enough so she's not got the strength to fight for her rights, make sure she's consumed and worried and panicking over every tiny 'imperfection' on her face so she's distracted, she doesn't have time to organise; make sure she's not sleeping enough, make sure she's got low self-esteem."
But Jamil says she's perplexed why, after so much positive progress around things like fat liberation, body positivity, feminism, and understanding the misogynistic roots of beauty standards, women are still willing to comply. "It's honestly creeped me out watching grown women in 2025 lap it up again as if we learned nothing in the last 10 years," she says while also emphasising she supports people's right to do what they want to their own bodies. "It's like Eternal Sunshine of the Spotless Mind happened, and everyone's brains just got wiped of everything that we all collectively discussed, because we have Stockholm syndrome for the patriarchy — and we have to just own that."
Jamil, admittedly, isn't entirely immune to the pressure to conform. "There's no way I would wear the dresses I wear if I didn't live with a man that I wanted to sleep with. I would be wearing much more comfortable clothes, I wouldn't wash my hair, I don't think I'd brush my teeth," she says with a laugh. "We're all guilty of it — but to what extent are you willing to punish or risk your body, your life, and your mental and physical health for a patriarchal standard?"
The beauty and diet industry will always make sure that you feel like a pig, no matter what you do. The cyclical and, at times dangerous nature of beauty standards is largely why Jamil has sworn off undergoing cosmetic surgery and treatments, such as .
Like imperfection, ageing naturally and entering her "crone era" is something she's actively embracing — and hopes to inspire others to do as well. ('Crone era' is a term used in some feminist circles to describe a phase marked by the wisdom of age.) "I want my 85-year-old self to like who I am now. I want her to feel like I was looking out for her, that I was excited for her arrival, and I wasn't dreading it, and doing everything I could to avoid it. "I don't want to preserve youth forever … These wrinkles that I'm getting are ones that have been formed from me frowning and figuring out how f**ked the world is, and I'm glad for them. They're lines of wisdom."
With so much heaviness in the world right now, Jamil's focusing her energy on injecting more humour into her work. "Everything's getting too dark. It's too dark. I can't take it anymore. I'm going to explode," she says. Next month, she's launching a new comedy podcast, Wrong Turns, which will feature "some of the funniest people in the world" sharing their "best disaster stories". "Every time you hear about something terrible or embarrassing happening to someone, there's always this need for us to turn it into an inspirational, teachable moment … [but] sometimes you don't get wiser. "Sometimes things are just shit, and we need to accept that and laugh about it." An Evening with Jameela Jamil will take place at Sydney's State Theatre on 26 April, Brisbane's QPAC Concert Hall on 27 April, and Melbourne's Hamer Hall on 28 April. Readers seeking support for body image concerns and eating disorders can contact Butterfly Foundation on 1800 33 4673. More information is available at
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Sydney Morning Herald
2 hours ago
- Sydney Morning Herald
Four biennials to see this northern European summer
The 'biennale' was established in Venice, Italy in the early 1900s. La Serenissima's version is still the most famous, but the biennale (or biennial in English) concept has taken hold internationally in more recent times. Hundreds of these two-yearly contemporary art festivals are now staged in cities from Reykjavik to Sydney. You don't need to be into art and design to find something enriching in these often free events. Biennials might be mostly about visual creativity, but they also offer a sticky beak into some of their city's intriguing spaces. This northern summer sees iterations of four major biennials that prove the point. The 13th Berlin Biennale starts June 14 and runs until September 14, showing new and established artists. The London Design Biennial runs throughout June. In the biennale home, Venice Biennale Architettura 2025 is on and running until the end of November, exploring the world of architecture. In the north of England, the Liverpool Biennial of Contemporary Art touted as Britain's largest of its kind, has just started and runs until the end of September. Many exhibits take over unique and otherwise publicly inaccessible spaces, or even just places you may not have considered putting on a sightseeing itinerary. The London Design Biennale, for instance, is in Somerset House, a conglomeration of historic government buildings in the heart of the city on the Strand, given over to public use and art since the year 2000. The Berlin Biennale is spread across four venues chosen for their stories. Alongside the KW Institute for Contemporary Art (founded in a derelict margarine factory in 1991), venues include Sophiensaele, an independent theatre established in the early 1900s Craftsmen's Association building, once a meeting place for revolutionaries, and Hamburger Bahnhof, a railway terminus turned into a major contemporary art gallery. The Biennale is also debuting a former 1900s courthouse on Lehrter Strasse as a new art space.

The Age
2 hours ago
- The Age
Four biennials to see this northern European summer
The 'biennale' was established in Venice, Italy in the early 1900s. La Serenissima's version is still the most famous, but the biennale (or biennial in English) concept has taken hold internationally in more recent times. Hundreds of these two-yearly contemporary art festivals are now staged in cities from Reykjavik to Sydney. You don't need to be into art and design to find something enriching in these often free events. Biennials might be mostly about visual creativity, but they also offer a sticky beak into some of their city's intriguing spaces. This northern summer sees iterations of four major biennials that prove the point. The 13th Berlin Biennale starts June 14 and runs until September 14, showing new and established artists. The London Design Biennial runs throughout June. In the biennale home, Venice Biennale Architettura 2025 is on and running until the end of November, exploring the world of architecture. In the north of England, the Liverpool Biennial of Contemporary Art touted as Britain's largest of its kind, has just started and runs until the end of September. Many exhibits take over unique and otherwise publicly inaccessible spaces, or even just places you may not have considered putting on a sightseeing itinerary. The London Design Biennale, for instance, is in Somerset House, a conglomeration of historic government buildings in the heart of the city on the Strand, given over to public use and art since the year 2000. The Berlin Biennale is spread across four venues chosen for their stories. Alongside the KW Institute for Contemporary Art (founded in a derelict margarine factory in 1991), venues include Sophiensaele, an independent theatre established in the early 1900s Craftsmen's Association building, once a meeting place for revolutionaries, and Hamburger Bahnhof, a railway terminus turned into a major contemporary art gallery. The Biennale is also debuting a former 1900s courthouse on Lehrter Strasse as a new art space.


Perth Now
5 hours ago
- Perth Now
Hollywood icons become owners of Aussie sports team
Australia's ocean dominance has got a Hollywood upgrade as Hugh Jackman and Ryan Reynolds became co-owners of the country's three-times champion SailGP team, now rebranded as the BONDS Flying Roos. The investment adds star power to the Australian outfit who have dominated the global sailing championship, winning a trio of titles in four seasons of the high-speed racing series. 'We're incredibly excited to set sail together in this new adventure,' Jackman and Reynolds said in a statement. 'Hugh brings a deep love for and pride in his home country as well as being an avid fan of sailing.' The move comes just days after Oscar winner Anne Hathaway sailed into sports ownership, joining a female-led consortium who acquired the Red Bull Italy SailGP Team in what circuit CEO Russell Coutts called 'another significant milestone in SailGP's growth as a league'. Australia's SailGP Team, helmed by Tom Slingsby, have been bought by Hollywood actors. Credit: AAP Founded in 2019, SailGP pits national crews in identical 50ft foiling catamarans reaching speeds over 54 knots within metres of shorelines in iconic harbours worldwide. 'This is an incredible milestone for us and for our sport,' said Tom Slingsby, who serves as driver, CEO and co-owner of the Flying Roos. SailGP director Andy Thompson added: 'Today marks a landmark moment not just for the Australia team, but for the trajectory of SailGP globally,' highlighting the 'extraordinary combination of global reach, vision, commercial nous' the Hollywood duo bring. The newly minted Flying Roos will debut under their star-studded ownership at the Mubadala New York Sail Grand Prix on June 7-8, where they aim to defend their position atop the championship leaderboard.