logo
Funk pioneer Sly Stone, leader of Sly and the Family Stone, dies at 82

Funk pioneer Sly Stone, leader of Sly and the Family Stone, dies at 82

USA Today4 hours ago

Funk pioneer Sly Stone, leader of Sly and the Family Stone, dies at 82
Sly Stone, a onetime San Francisco DJ turned pop and funk music innovator, has died. He was 82.
"It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly and the Family Stone," a statement shared with USA TODAY on June 9 reads. "After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family.
"While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come."
Sly Stone's 5 essential songs: From 'Everyday People' to 'Stand!'
After huge chart-topping success in the 1960s and 1970s, Stone had become an enigmatic and largely reclusive figure plagued by homelessness and health issues. He also had endured financial problems amid management disputes, at one point winning a $5 million judgment for unpaid royalties that was later overturned. In one dire period, reports indicated that the Woodstock icon was living in a van in Los Angeles.
But despite such misfortunes, the music created by the Texas-born California transplant and his trendsetting multi-racial, multi-gendered Bay Area band, the Family Stone, had never stopped being a touchstone for generations of musicians.
Among Stone's oft-covered but never matched hits are "I Want to Take You Higher," "Hot Fun in the Summertime," "Stand!" and the infectious and phonetically titled funk anthem, "Thank You (Falettinme Be Mice Elf Agin)."
The statement from Stone's family hailed him as "a monumental figure, a groundbreaking innovator and a true pioneer who redefined the landscape of pop, funk and rock music,' one whose songs 'have left an indelible mark on the world, and his influence remains undeniable.'
Stone's family noted that the musician had recently completed a screenplay for his life story and concluded: "We extend our deepest gratitude for the outpouring of love and prayers during this difficult time. We wish peace and harmony to all who were touched by Sly's life and his iconic music."
Stone was born Sylvester Stewart on March 14, 1943, in Denton, Texas, but grew up in the northern San Francisco suburb of Vallejo, where he and his siblings quickly mastered a variety of instruments, notably guitar and keyboards.
In the mid-'60s, just as the San Francisco music scene was exploding with global impact, Stone served both as a record producer and disc jockey at KSOL, whose listeners immediately took to his deep, resonant voice as he shared an incessant stream of hits being generated from area groups.
In 1966, spurred on by the local revolution that was birthing bands such as Jefferson Airplane, Santana and the Grateful Dead, Stone decided to combine his fledgling band with one led by his brother Freddie, forming Sly and the Family Stone. Hits followed in short order, starting with 1968's "Dance to the Music" and "Everyday People," both of which celebrated the sheer and simple joy created when music brings the masses together.
But Stone's compositions also frequently plumbed deep depths, with lyrics that pierced as ably as they moved. In "Family Affair," Stone's sensitive growl intones: "One child grows up to be/ Somebody that just loves to learn/ And another child grows up to be/ Somebody you'd just love to burn/ Mom loves both of them/ You see, it's in the blood/ Both kids are good to mom/ Blood's thicker than the mud."
By 1969, Stone and his group were among the most well-known bands in the nation, and performed a memorable set at that year's Woodstock festival in upstate New York, a hallmark of which was the band's audience-lifting rendition of "I Want to Take You Higher."
The band also performed that year at the Summer of Soul concert in Harlem, an event memorialized in the documentary of the same name by Ahmir "Questlove" Thompson. (Questlove went on to direct 'Sly Lives! (aka The Burden of Black Genius), a 2025 Hulu documentary focused on Stone.)
While Stone's band was among the earliest of the '60s groups to feature a mix of genders and races (including founding member and trumpet player Cynthia Robinson and founding drummer Greg Errico), Stone was the leader and visionary who steered the band's direction.
Often cloaked in elaborate stage clothing, his massive Afro glowing, Stone's looks and music were an indisputable harbinger of the coming funk revolution that would take the foundational innovations of James Brown and propel it to an otherworldly showboating level as best exemplified by the huge success of '70s legends such as George Clinton and his Parliament-Funkadelic band.
But the rocketship ride to fame would quickly come crashing back to earth. By 1971, with the band addled by drug use and internal strife, Sly and the Family Stone would increasingly lose tour bookings and fail to produce music that matched the songs of just a few years prior.
While Stone spent the '70s working on new music, often on his own since he played numerous instruments, success proved elusive. In 1983, he was arrested in Florida on drug charges. More trouble and misfortune found its way to Stone's doorstep in the coming years, although in 1993 he did make a public appearance during the band's induction into the Rock & Roll Hall of Fame.
A decade later, in 2005, Stone, by now almost a legendary ghost, was spotted at a Los Angeles club after driving his sister Vet, who was in a Family Stone tribute band, to her gig on his motorcycle. The next year, Stone shocked thrilled attendees at the Grammy Awards by taking the stage, resplendent in a huge blond mohawk, as his band roared through a number of hits during the show's salute to the seminal group.
In 2009, documentarian Willem Alkema released "Coming Back for More," a look at Stone's life and career. The director told journalists at the time that Stone was homeless, but the pioneering musician nonetheless made a number of appearances, however brief, at California festivals.
In 2023, Stone released his autobiography, the first book released by Questlove's imprint, which aptly took its title from his song, "Thank You (Falettinme Be Mice Elf Agin)." The book received mixed reviews, as its subject seemed a bit at a loss to recall that epic golden period so long ago that created those unforgettable songs.
But one excerpt captures the delightful lyricism that he brought to his hits, and serves as a reminder that genius never really fades.
Of many others who over the years tried to tell Stone's story, he wrote: 'They're trying to set the record straight. But a record's not straight, especially when you're not. It's a circle with a spiral inside it. Every time a story is told, it's a test of memory and motive. … It isn't evil but it isn't good. It's the name of the game but a shame just the same.'
Contributing: KiMi Robinson

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Woody McClain walks off Cam Newton interview in tears after discussing Hollywood's typecasting of Black men
Woody McClain walks off Cam Newton interview in tears after discussing Hollywood's typecasting of Black men

Yahoo

time39 minutes ago

  • Yahoo

Woody McClain walks off Cam Newton interview in tears after discussing Hollywood's typecasting of Black men

Actor Wood McClain is stepping into a new chapter, fatherhood—a milestone he says has shifted his perspective on his career. To many of us, actor Woody McClain is the man behind characters like Cain Tejada in 'Power Book II: Ghost,' or modern depictions of R&B singer Bobby Brown. And while he has the ability to captivate audiences so well that they associate him with these fictional characters in the real world, McClain is striving for more. In a recent interview with Cam Newton, the actor was asked to reflect on his acting process, which in turn stirred up some emotions for McClain. While he prides himself on authenticity, he admits he has concerns about being placed in a box. Just as social media recognizes him for this gangster portrayal of Cain Tejada, he recalls an exercise in his first acting class that placed him in a box. 'My first acting class I took in LA, they had this exercise on the first day of class and you have all these actors in there and then [the instructor] sits a chair in the front of the room,' he said explaining how the activity involved other students in the class type-casting the person in the chair. 'So I'm sitting in the chair and everybody's saying 'bad boy,' 'the thug,' 'the killer.' I'm hearing this stuff. They don't know me…That moment made me realize people judge you before you even talk, before you even say anything.' Though he once used to 'pick any kind' of role to fuel his desire to act, he now says he looks at things very differently. 'I want to be very strategic of what I pick because I don't want everybody to keep perceiving me as this bad person,' he began to explain before visibly getting emotional. As his voice began to tremble, the actor ultimately got up from his seat and walked off-camera to compose himself. Returning to his seat, sniffling and wiping his tears, McClain explained how hard he's worked to 'not be seen as that young Woody,' who would take on any role. 'I want to be a role model. I want to be that person people can look up to or go to. And I won't allow nobody to put me in a box,' he continued. In addition to his emotional confession, McClain revealed that he is getting ready to be a father to twin girls, another milestone that he says played a part in shifting his mindset. 'Finding out I have twins on the way, two baby girls. And for some reason, now in the acting community, people identify you with what you play,' he explained. 'So I don't want my baby girls to grow up and think their dad is a bad person, so I'm just more conscious of the art I put out to the universe.' 'It's scary cuz I know nothing about being a father, so everything is blurry right now trying to figure it out,' he concluded. More must-reads: Misty Copeland broke barriers in ballet. Now she's retiring and moving to 'the next stage' Trump's travel ban disrupts critical treatment for sick Haiti children in need of surgery Sly Stone, leader of funk revolutionaries Sly and the Family Stone, dies at 82

‘Sly Stone was way ahead of the game': Questlove explains the ‘genius' legacy of the late funk-rock master
‘Sly Stone was way ahead of the game': Questlove explains the ‘genius' legacy of the late funk-rock master

Yahoo

time44 minutes ago

  • Yahoo

‘Sly Stone was way ahead of the game': Questlove explains the ‘genius' legacy of the late funk-rock master

Sly Stone, funk pioneer and frontman of Sly and the Family Stone, died Monday at the age of 82, following what his family described as 'prolonged battle with COPD and other underlying health issues.' 'It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly and the Family Stone,' the family wrote in a statement. 'Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family. While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.' More from GoldDerby Pickleball, punchlines, and personal growth: 'Hacks' stars Megan Stalter and Paul W. Downs on their bond and what's next 'That feeling of having a first crush': How Zach Cherry and Merritt Wever made their 'Severance' marriage feel real 'Slow Horses' EP Doug Urbanski on the secret to the show's success: 'We try to make the perfect martini' and what's next in Season 5: 'it's the most fun and most silly' The legendary musician was the subject of a recent Hulu documentary, Sly Lives! (aka the Burden of Black Genius), from Oscar-winning director Ahmir 'Questlove' Thompson. Questlove recently sat down with Gold Derby and shared stories about Sly Stone, his genius, and his lasting impact on pop culture. SEE 'A lot comes with jumping into that inferno': Questlove explores the burden of Black genius in 'Sly Lives!' "Sly was way ahead of the game," Questlove shared. "There are trillions of Sly genius stories." One such story, ultimately left out of the documentary, highlights Sly's remarkable real-time creativity during an urgent re-edit of 'Stand!' after testing it at Whisky a Go Go in 1969. 'Sly was a little disappointed that people weren't losing their minds to his new single,' Questlove recounts. 'Then, a girl he was with gave him the inspiration, saying, 'It's 1969, man. We need a get-down part.' "Sly learns that in the wake of James Brown's 'Cold Sweat' in '68, a year before, the idea of letting the bass and the drums have their moment — that was a new thing. It needs to go somewhere else just to spike the punch a little bit. "Sly literally wakes the band up as the club is letting out at 1:45 a.m. and says, 'Get to the studio now. We made a mistake!' And they get to the studio and they work on what we now know as the ending of 'Stand!,' and he calls up Columbia the next day. He's like, 'Destroy all the 45s. We have a new ending. Forget that version.' They're like, 'We already printed it up.' So there's about 40,000 copies of the original 'Stand!' out there. I was lucky to find one." Questlove on Sly Stone's innovation: "He literally pioneered — or was the first — for so many things that we take for granted now. He was the first to use the drum machine, the first to take advantage of multitrack recording — doing everything himself. Sly made three whole music videos in 1969. The purpose of a music video was basically — if you were unable to travel to Europe, you would just perform a generic performance video that they would air on television shows overseas. But if you look at 'Dance to the Music', if you look at 'Life,' if you look at 'Everyday People,' those are conceptual videos — and this is like 10 years before MTV was launched." Generations continue to be inspired and entertained by Sly Stone, whose timeless music has been sampled in countless hip-hop tracks, shaping the genre and leaving a lasting impact. 'For me, my sweet spot was always with the hip-hop heads,' Questlove said. "You might be aware that Arrested Development's 'People Everyday' is [Sly and the Family Stone's] 'Everyday People.' You might recognize the drums from 'The Humpty Dance' as 'Sing a Simple Song.' You might have some sort of hip-hop-adjacent, 'Oh, that LL Cool J loop is definitely Sly Stone.' You might be that person. Hip-hop heads know about Sly Stone's impact." Sly Lives! (aka The Burden of Black Genius) is streaming on Hulu. Best of GoldDerby Billboard 200: Chart-topping albums of 2025 Billboard Hot 100: Every No. 1 song of 2025 The B-52s' Kate Pierson talks Rock Hall snub, influencing John Lennon, and fears a solo album would be a 'betrayal' to her band Click here to read the full article.

Questlove, Chuck D & More React to Sly Stone Death: ‘Sly's Music Will Likely Speak to Us Even More Now Than It Did Then'
Questlove, Chuck D & More React to Sly Stone Death: ‘Sly's Music Will Likely Speak to Us Even More Now Than It Did Then'

Yahoo

timean hour ago

  • Yahoo

Questlove, Chuck D & More React to Sly Stone Death: ‘Sly's Music Will Likely Speak to Us Even More Now Than It Did Then'

Sly Stone of Sly and the Family Stone died Monday (June 9) at age 82, and the music community is grieving the groundbreaking funk pioneer. Questlove, who directed the new documentary Sly Lives (aka The Burden of Black Genius), shared a touching tribute on Instagram. More from Billboard Sly Stone Dead at 82 Kylie Minogue Joins Prestigious '21 Club' at London's O2 Arena Kevin Parker Previews New Tame Impala Music During Barcelona DJ Set 'Sly Stone, born Sylvester Stewart, left this earth today, but the changes he sparked while here will echo forever. From the moment his music reached me in the early 1970s, it became a part of my soul. Sly was a giant — not just for his groundbreaking work with the Family Stone, but for the radical inclusivity and deep human truths he poured into every note,' he wrote. 'His songs weren't just about fighting injustice; they were about transforming the self to transform the world. He dared to be simple in the most complex ways — using childlike joy, wordless cries, and nursery rhyme cadences to express adult truths. His work looked straight at the brightest and darkest parts of life and demanded we do the same.' The Roots drummer also highlighted two lines that 'haunt me' as he reflected on his legacy: 'We deserve everything we get in this life' from Sly Lives! and 'We got to live together' from the group's 1968 Billboard Hot 100 No. 1 hit 'Everyday People.' 'Once idealistic, now I hear it as a command. Sly's music will likely speak to us even more now than it did then. Thank you, Sly. You will forever live,' Questlove continued. Public Enemy's Chuck D thanked Questlove 'for keeping his FIRE blazing in this Century' on X while sharing an illustration of Stone and Questlove. He posted more artwork of the psychedelic soul group while writing, '………and The Family Stone Rest In Beats SLY.' Legendary record executive Clive Davis, who worked with the group when it signed to CBS Records in 1967, wrote in a statement to Billboard, 'Sly was truly one of a kind. I had the very special experience of knowing him when he was at his most creative, his hardest working and his genius flourishing vibrantly. Sly's artistry influenced so many of our important creative talents. He will be forever missed.' KISS frontman Paul Stanley remembered seeing Sly and the Family Stone 'debut at the Fillmore East in New York City opening for Jimi Hendrix. They were a freight train of bombastic, joyous SouI that would soon climb the charts and change the sound of R&B for so many other artists. Rest In Soul!' he wrote on X. Holly Robinson Pete also celebrated Stone's pioneering efforts. 'You didn't just make music—you shifted the culture. As kids in Philly, my brother played Sly, I was Cynthia on my imaginary horn. We lived your music. You gave us the groove & the message. Thank you, genius,' she wrote on X. The Rock & Roll Hall of Fame posted an in memoriam tribute thread on X, including a clip of Stone's acceptance speech during a very rare public appearance when he and the group were induced in 1993. The Rock Hall praised Sly and the Family Stone for making 'it possible for Black popular music to burst free on its own terms' and 'extending the boundaries of pop and R&B with each new song,' while hailing its 1969 Hot 100 No. 1 hit 'Thank You (Falettinme Be Mice Elf Agin),' the double A-side single with 'Everybody Is a Star,' for helping 'create the sonic blueprint for the funk and disco genres that followed.' Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store