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Dodger Stadium singer confirms she performed national anthem in Spanish to protest ICE, in defiance of team

Dodger Stadium singer confirms she performed national anthem in Spanish to protest ICE, in defiance of team

Yahoo5 hours ago

An interesting national anthem was performed at Dodger Stadium on Saturday — and not because the team wanted it.
Rather than sing the traditional "The Star-Spangled Banner," Vanessa Hernández, who performs under the name Nezza, sang 'El Pendón Estrellado,' the official Spanish version of the anthem commissioned by the U.S. government under Franklin D. Roosevelt in 1945.
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She apparently did so in defiance of the Dodgers' instructions, as she posted a TikTok following the performance showing an unidentified employee explicitly telling her the song should be in English.
"We are going to do the song in English today, so I don't know if that wasn't translated — er, communicated," the employee said.
Nezza's caption: "Watch the Dodgers tell me I can't sing the Spanish Star Spangled Banner that Roosevelt literally commissioned in 1945 — so I did it anyway." Wearing a shirt with the flag and colors of her native Dominican Republic, an emotional Nezza paused for tears before delivering the song's final line.
In a different video, Nezza confirmed that she performed the song as a protest on the part of the Latino community as the U.S. Immigration and Customs Enforcement agency continues to carry out raids in Los Angeles:
"I didn't think I would be met with any sort of 'No,' especially because we're in L.A. with everything happening. I've sang the national anthem many times in my life, but today I could not. I'm sorry ... I just could not believe, when she walked in and told me 'No,' but I just felt like I needed to do it, para mi gente [for my people].
"My parents are immigrants. They've been citizens my whole life at this point, they got documented really early, but I just can't imagine them being ripped away from me, even at this age, let alone a little kid. Like, what are we doing?"
Despite Nezza saying "Safe to say I'm never allowed in that stadium ever again," The Athletic's Fabian Ardaya reports that she was not punished or ejected from Dodger Stadium and is not expected to be banned from the stadium. The team reportedly declined comment on her videos.
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The Dodgers won Saturday's game 11-5.
Nezza ignored a request from the Dodgers amid a protracted dispute over ICE raids in Los Angeles. (AP Photo/Jessie Alcheh)
(ASSOCIATED PRESS)
How have Los Angeles teams responded to the ICE raids?
ICE has been raiding locations throughout Los Angeles since June 6, triggering protests across the city and major political disputes between local politicians and President Donald Trump's administration, most notably the arrest of Sen. Alex Padilla while confronting Homeland Security Secretary Kristi Noem.
Both California Gov. Gavin Newsom and Los Angeles mayor Karen Bass have urged ICE to leave, but Trump has gone as far as mobilizing the California National Guard and deploying hundreds of Marines in the city.
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A federal judge ruled Friday that Trump's federalization of the National Guard was illegal, but the order to return control to Newsom has been paused pending an appeal this week. Trump himself has somewhat backtracked amid the chaos, directing officers to halt arresting employees at farms, hotels and restaurants. Arrests have continued at other locations.
The Dodgers and many of the other major teams in the Los Angeles area have largely remained silent about the current events, though exceptions include MLS's LAFC and the NWSL's Angel City. LAFC released a statement expressing solidarity with the community amid "fear and uncertainty," while Angel City went a step further with shirts reading "Immigrant City Football Club."
Individual members of the Dodgers organization have spoken out on Instagram as well.
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Veteran utility man Kiké Hernández said he is "saddened and infuriated by what's happening in our country and our city," and that he "cannot stand to see our community being violated, profiled, abused and ripped apart."
Former Dodgers first baseman Adrián González, who now works for the team as a broadcaster, called the raids "unconstitutional" and "illegal," urging the government to stop separating families.
Meanwhile, Dodgers manager Dave Roberts, who has spoken on social justice issues in the past, pleaded ignorance about the issues on Friday, per The Athletic:
'Honestly, I don't know enough, to be quite honest with you. I know that when you're having to bring people in and deport people, all the unrest, it's certainly unsettling for everyone. But I haven't dug enough and can't speak intelligently on it.'
Perhaps Hernández can give him some details.

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Aubrey Anderson-Emmons cleverly comes out as bi with help from this 'Modern Family' scene

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She also wrote a guidebook to her craft called 'Reading, Writing, and Leaving Home: Life on the Page.' 'She was adored by her students because she was the real deal,' said Patricia Hampl, a Minnesota memoirist, who served on the Bread Loaf faculty until 2016, as did Freed. 'She had presence and she had command, which is different from being performative.' Freed, who made her home in San Francisco before decamping to Sonoma, died there May 9 after an 18-month fight against lymphoma, said her daughter, Jessica Gamsu. She was 79. 'She was tough and had incredibly high standards but was also very loving and generous and a wonderful hostess,' said Gamsu, who was raised in San Francisco and lives in Cape Town. One beneficiary was Chronicle columnist Leah Garchik, who enjoys someone with a dry and cutting wit. She met Freed in a lunch group in the late 1980s, where a group of 25 or 30 creative women would go around the table and describe their latest book or endeavor. 'Lynn was a great subtle eye roller,' Garchik said. 'She did not do it in an obvious way, but once you understood that glance, you felt as though you were in on a delicious secret.' When Freed released her novel 'The Mirror,' in 1997, Garchik attended a crowded reading at Books Inc. in San Francisco's Laurel Village. Freed arrived dressed beautifully in silk with a tiger's claw necklace. 'Listening to her read was like watching a play,' said Garchik. 'She had a very elegant voice and her delivery was forceful. It was obvious that she had grown up in a household where theater was part of everyday life.' Lynn Ruth Freed was born July 18, 1945 in Durban, a coastal city on the Indian Ocean. Her parents, Harold and Anne Freed, did radio plays and ran a theater company. She first came to America as a high school exchange student with the American Field Service, spending a year in Greenwich, Conn. After returning to Durban to finish high school, she attended the University of Witwatersrand, Johannesburg, graduating in 1966. She returned to the United States in 1967 to attend graduate school in English literature at Columbia University in New York, where she earned her Ph.D in 1972. By then she was married to Dr. Gordon Gamsu, a South African radiologist, who was living in New York. The couple relocated several times while Freed was in graduate school. They were living in Montreal, where Dr. Gamsu had a fellowship, when their daughter Jessica was born in 1970. They moved to San Francisco that same year, and Dr. Gamsu joined the faculty at UCSF. They lived in a two-story home until their divorce in 1984. Freed kept the house until her daughter graduated from University High School. Jennifer Pitts, a childhood friend of Jessica's, recalled taking the 43-Masonic bus to Ashbury Terrace after school, far from her own home in Forest Hill, just to spend time under the spell of Freed. 'She was extraordinarily funny and outrageous, and told wonderful stories about her own childhood,' said Pitts, now chair of the political science department at the University of Chicago. 'A lot of these stories later found their way into her fiction, and we loved hearing them all over again.' In 1989, Freed moved to Sonoma to live in a Victorian bungalow near the town square. She maintained the garden herself and wrote in a studio she had built on the property. For 35 years she was in a relationship with Robert Kerwin, a San Francisco writer whom she eventually married. He died in 2021. From 2000 to 2015, Freed commuted to her faculty position at UC Davis. She also made the longer commute to the Squaw Valley Writers Conference, and to Bennington College in Vermont, where she was a member of the core faculty in the MFA program. She was as strict with herself as she was with her writing students, as she made clear in 'Reading, Writing, and Leaving Home.' 'Writers are natural murderers,' she wrote. 'Their murderousness is a form of sociopathy fueled by resentment, scorn, glee, and deep affection. Before they can even begin writing they must kill off parents, siblings, lovers, mentors, friends — anyone, in short, whose opinion might matter.' Freed did it well enough and for long enough to earn her recognition by the American Academy of Arts and Letters, which awarded her the inaugural Katherine Anne Porter Award in fiction, in 2002. She also received fellowships from the National Endowment for the Arts and the Guggenheim Foundation. She won the prestigious O. Henry Prize for short fiction for her story 'Sunshine,' in 2011, and for 'The Way Things are Going,' in 2015. 'She brought that laser beam of Freedian candor to everything she wrote and to any text she taught reviewed,' said Hampl. Freed is best known for her autobiographical novel 'Home Ground,' published in 1986. Hampl, who recently reread all of Freed's works, said her masterpiece was 'The Mirror,' a short novel that manages to cover nearly a century of South African history in 219 pages. 'She could not write a flabby line,' Hampl said. None of it came easily to her and she didn't make it easy on her writing students, either. One of her workshop techniques was to take a story, strip it down to the one sentence or phrase that was worth saving and instruct the writer to throw out the rest and start over based on that one passage. 'It was not for the faint of heart. She wasn't interested in making students just feel good about their writing,' said Castellani. 'She wanted to push them to write the best story they were capable of writing.'

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