logo
Gayle King could leave lucrative CBS News gig within months as embattled network faces ratings freefall

Gayle King could leave lucrative CBS News gig within months as embattled network faces ratings freefall

Daily Mail​20-05-2025

Longtime CBS News anchor Gayle King may soon be out of a job as the embattled network faces plummeting ratings amid its $8.4 billion merger with Skydance.
King's one-year contract is due to end in September, and the 70-year-old star will likely face a difficult time trying to renew her contract, insiders told the New York Post.
They said her salary - which is believed to be more than $10 million - is just too high to justify CBS Morning's tanking ratings.
It had already been trimmed last year from $13 million when she inked a new one-year deal.
But getting another one-year deal would be a 'miracle' as CBS News tries to cut its costs, one insider explained.
'This could be Gayle's last year,' another added.
They noted that King does not have much bargaining leverage - and while the legendary anchor could opt to take another pay cut, it would likely be even steeper than last year's as the news division's ratings continue to sink and King continues to face backlash for her quick trip to space.
Some 3.9 million viewers tuned into the spectacle the morning of April 14, new Nielsen numbers show.
NBC's Today, meanwhile, managed 2.489 million total viewers on average in the same week - while Good Morning America at ABC averaged 2.655 million.
But CBS Mornings - which King co-hosts with Tony Dokoupil and Nate Burleson - quickly dropped back to third place - in both total viewers and the hallowed 25-54 demo.
Its total viewership has now sunk below 2 million total viewers - trailing NBC's Today Show, which had 2.6 million viewers in the week of May 5, and ABC's Good Morning America, which garnered 2.7 million viewers.
As one insider said, 'Skydance is definitely not going to keep her with those numbers.'
Yet others expressed their doubts about King leaving, saying the network is trying to stem its losses.
It has already suffered a blow when former 60 Minutes boss Bill Owens announced his resignation - and on Monday, CBS News CEO Wendy McMahon said she is quitting the network.
That leaves the number two executive, CBS News President Tom Cibrowski, in charge.
'Tom doesn't have enough hands to plug the holes in the dam,' said one insider, who noted that losing King would be a major shakeup for CBS' morning program - and would just be another problem Cibrowski would have to solve.
Meanwhile, Paramount - the network's parent company - is already expected to kick off another round of layoffs as part of its efforts to slash $500 million as soon as next month in preparation for the merger with Skydance.
Assuming that deal goes through, the new management from Skydance is also expected to continue the cost-cutting efforts at the network.
'The first year of the merger will just be consolidation,' another source said, while an insider close to Skydance emphasized that 'No one has given any thought to Gayle King's contract, as there are clearly other priorities to tackle.'
In fact, executives at the embattled news network are also trying to settle President Donald Trump's $20 billion lawsuit.
The president has claimed that a 60 Minutes segment featuring Kamala Harris ahead of the 2020 presidential election was deceptively edited.
CBS News has maintained that the then-vice president simply gave a lengthy answer, which was then cut down due to time constraints.
But Shari Redstone, the heiress of Paramount Global, is seeking to settle the suit in an effort to get the merger approved by Trump's Federal Communications Commission - which is also investigating whether the interview violated 'news distortion' rules.
The FCC has already said it will not approve the deal until a settlement between CBS News and Trump is reached.
It also reminded Paramount executives that it may not approve the merger if its investigation finds CBS staffers engaged in bias by 'deceptively' editing the 60 Minutes interview, to the point it could constitute 'distortion.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Allegory for the times we live in': De Niro and Scorsese reunite for Casino at 30
‘Allegory for the times we live in': De Niro and Scorsese reunite for Casino at 30

The Guardian

time13 minutes ago

  • The Guardian

‘Allegory for the times we live in': De Niro and Scorsese reunite for Casino at 30

For this year's Tribeca film festival, the annual New York salute to moviemaking featured a special screening of Casino, the Martin Scorsese-directed drama starring Robert De Niro, Joe Pesci and Sharon Stone, timed to its 30th anniversary. But even though the splashy epic premiered in this same city back in November 1995, its themes of power, money, greed and ego are echoing in the modern ethos louder than ever. 'You can go back to the ancient Greek tragedies,' said Scorsese, speaking alongside De Niro and moderated by standup comedian W Kamau Bell on stage at the Beacon Theater before the screening. 'It's a basic story of hubris and pride, with the pride taking us all down.' '[Joe Pesci's character] sort of takes nobody's input,' said Bell to De Niro. 'It's his ideas or the highway, and that ultimately leads to his destruction. It's almost an allegory for the times we live in. I don't know if you guys ever thought about that?' 'Yeah, a little bit,' De Niro snickered back to guffaws from the crowd. 'Do you have a couple hours?' The release of Casino in the mid-90s, which focuses on the tragic exploits of the mafia that controlled Las Vegas and the excess that came with it, arrived at a time when that culture was on a downswing, with the decade seeing crusaders such as Rudy Giuliani bringing down organized crime one-by-one. Zooming out, it also arrived smack in the middle of the Clinton administration, all making the characters in Casino seem like fringe figures. But judging by the constant drumbeat of headlines from the current American political climate, 2025 depicts a starkly different world, and with that a Casino for fresh eyes. Even the style and culture of Vegas is entirely different. Or is it? 'Now you can bring the family!' said Scorsese of its cleaner reputation present-day, as opposed to the era when it was Sin City; a town where anything goes. Still, Bell couldn't help but ask: 'Is Vegas better when it's run by the mafia, or is it better now when it's run by the corporations?' 'Is there a difference?' Scorsese smirked as the crowd roared. 'That's all I'm saying.' 'These days especially,' De Niro chimed in. Adapted from the book by Nicholas Pileggi and based on the true events of Chicago transplant Frank 'Lefty' Rosenthal, Casino was born during unique times in Scorsese's filmography. The director had just helmed the lush and quiet Age of Innocence, a subtle love story based on the Edith Wharton novel about 1870s New York. When Casino was released, audiences couldn't help but relate it to the film-maker's other story of mafia and hubris: Goodfellas, which came out five years beforehand and also starred De Niro and Pesci. ' It was compared, I would say, unfairly and lazily to Goodfellas, but in the 30 years since, I think it's grown up quite well,' said Bell. As the years have ticked by, the gap between the two films comparisons have widened, yet again allowing the viewer to watch Casino not thinking of it as a sort-of follow-up, but a standalone film. 'The idea was to take the last 15 minutes before [Ray Liotta's character] Henry Hill gets arrested in Goodfellas and make that one film,' Scorsese said of the memorably manic sequence during which we see Hill stretched thin with nerves frayed, edited together with a series of quick cuts and a pulsating soundtrack. 'In other words, take it even further and just go to the point where we can sustain that style, which really came from (the rhythm) of storytelling on a street corner. Some of the best actors we ever knew were the kids telling the stories on the street.' As a result, the director and actor spoke about weeks of night shoots, loud casinos and the movie's intense violence (they had to tone down a scene when a man's eyes bulge out after his head is put in a vice). Scorsese also recalled trying to finagle having Rosenthal visit the set while the mobster was listed in the state's Black Book; a persona non grata in Nevada. The director went as far as working with former MPAA president Jack Valenti to use his vast connections at the time to lift the ban. 'Jack called me and he said: 'Martin, I've never had so many doors closing my face so fast in my life,'' impersonating Valenti's Texas drawl. 'This man is a member of the ma-fia.' De Niro was reliably quieter while Scorsese discussed the film, a hallmark of their relationship. When asked about his memorable wardrobe in the film; his flashy suits a trademark of the character, De Niro said an archive of his costumes are stored at the University of Texas at Austin. 'I was collecting all of this stuff for years and it started getting expensive,' said De Niro, who realized that after he filmed Scorsese's musical New York, New York, all of his wardrobe was being pilfered and he realized he should preserve them 'When I was getting fitted for my shoes for Godfather II, I think they were the shoes Warren Beatty wore in Bonnie and Clyde.' When asked about advice to the young film-makers in the audience, De Niro offered rallying words. ' I just say follow through on what you want to do. It might not be easy, but the only person you have is yourself to keep going. You just gotta keep doing it and believing in yourself. God helps those who help themselves.' Scorsese echoed those sentiments, noting it's never easy when it comes to the craft, even at his high level '[People will say:] 'Oh, you have money and everything working for you' and that's never really the case. Often if you get a bigger budget, it's worse in terms of the production. The more money, the more risk and therefore the pressure is on to take less chances aesthetically and artistically.' 'One thing [the director] Arthur Penn told me when I was a young film-maker was: 'Remember, don't lose your amateur status.' He was right. You struggle feeling like an amateur, but it's amator, in Latin, which means love. That's the thing you gotta hold on to.' However, Scorsese left the audience with this: ' The time is now to take advantage of whatever you can say,' said Scorsese. 'Who knows what's gonna happen. You have to really utilize what supposedly is called free speech.'

Gleeful leftist late night hosts delight in Trump Musk fallout: 'The big, beautiful betrayal'
Gleeful leftist late night hosts delight in Trump Musk fallout: 'The big, beautiful betrayal'

Daily Mail​

time26 minutes ago

  • Daily Mail​

Gleeful leftist late night hosts delight in Trump Musk fallout: 'The big, beautiful betrayal'

Gleeful late-night hosts took victory laps around President Donald Trump and Elon Musk Thursday as they delighted in the pair falling out. Across the board, the MAGA-hating panel of hosts rejoiced in the spat. They repeated Musk's claim that Trump is 'named in the Epstein files', mocked SpaceX 's record of exploding rockets and questioned what Trump would now do with his Tesla. The spat made for easy material for the hosts, who are struggling to maintain ratings with a tired format. Among the most delighted was Jimmy Fallon. 'You can tell Trump is really mad at Elon because earlier today he was seen driving a Prius,' the former SNL star noted. 'Trump said he hasn't felt this betrayed since McDonald's started putting apple slices in Happy Meals. 'It's orange vs. white,' he added. 'It's like watching a creamsicle attack itself.' Over on CBS, Stephen Colbert sang a similar tune, also reveling in the rift between whom he smarmily put as 'the world's most famous besties'. It all happened on social media, serving as easy ammo for the hosts. 'So now Donald Trump is a Tesla owner who hates Elon Musk?' Colbert asked during a more than 12-minute monologue devoted to the subject. 'He's never been more relatable.' He then honed in Musk's claim that Trump is 'in the [Jeffrey] Epstein files' - documents involving the late financier and his alleged accomplices spread out across various probes and lawsuits that have been mostly kept classified. 'Trump's going to have to get one of those bumper stickers for his Tesla that says "I bought this before Elon told everyone I was on Epstein's plane,"' Colbert quipped, as hosts like Jimmy Kimmel and Seth Meyers offered similar, smug material. 'The real truth is that Musk is mad about the things that affect him, like cutting the electric vehicle tax credit, not using his company Starlink for air traffic control, and that they pulled his friend's nomination for head of NASA,' Kimmel laughed on the set of Jimmy Kimmel Live! 'What Elon Musk cares about is Elon Musk,' he further noted on his ABC show, before bringing the First Lady into the mix 'Now, between Elon and Melania, Trump now has two foreigners who won't sleep with him. 'I feel bad for Donald Trump,' he then added. 'I mean, first, he lost Jeffrey Epstein, now, Elon. He's running out of friends. 'You know, I knew this day would come, and yet, somehow, it's even better than I imagined,' he kept on. 'It's like coming down the stairs on Christmas morning and finding a second tree.' On Late Night, Seth Meyers showed similar bias, labeling the feud over 'Trump's Big Beautiful bill' a 'stunning turn of events'. The comic then offered some uncharacteristic stern words. 'Things have been bad for Elon, which is what happens to everyone who sells their soul to Trump.' The Daily Show's Michael Kosta, filling in for Jon Stewart, also commented on the quarrel. He sarcastically opened the show with: 'America, tonight we are a nation at war.' 'I thought these two billionaires with the world's biggest egos would work it out amicably.' the Daily Show senior correspondent said sarcastically. 'Washington is a lot like high school and not just because all the politicians are trying to date high-schoolers.' Fallon further fanned the flames with a reference to the recent Blur Origin broadcast live by rival CBS, which featured a crew of pop stars, TV personalities, and Jeff Bezos's fiancée. 'Trump said that the easiest way for the country to save money would be to terminate all of Elon Musk's government contracts,' Fallon set-up. 'Smart, now the future of space exploration rests on Katy Perry.' Colbert, meanwhile, went as far as to mimic Musk's accent, while further fanning the flames surrounding Musk's claims Trump is linked to a convicted pedophile. 'Donald Trump, was a sexual predator that preyed on young women, which is something I've only decided to tell you because he hurt my feelings,' he said, speaking as if he were the Tesla boss. 'I am the hero of the story!' A White House official on Thursday said Trump and Musk were scheduled to speak in person on Friday. The official did not give a time for the call, which could ease the feuding after an extraordinary day of hostilities. Meanwhile, late night, as a format, is on the decline. Numbers show Greg Gutfeld's late night-styled Fox alternative attracting the largest average nightly audience of the field - something unthinkable just a decade ago. Epstein, moreover, died in prison in 2019 after being convicted. He and Trump were once close friends.

Ex-girlfriend of Sean Combs tells court of Las Vegas ‘hotel night'
Ex-girlfriend of Sean Combs tells court of Las Vegas ‘hotel night'

BreakingNews.ie

time30 minutes ago

  • BreakingNews.ie

Ex-girlfriend of Sean Combs tells court of Las Vegas ‘hotel night'

A recent ex-girlfriend of singer Sean 'Diddy' Combs returned to the witness stand on Friday in his sex trafficking trial. The woman using the pseudonym 'Jane' previously testified that he pressured her into drug-fuelled sex marathons similar to those described by another former girlfriend, R&B singer Casandra 'Cassie' Ventura. Advertisement Jane is among several witnesses at the trial — now at the end of its fourth week — who accuse Combs of violence, including Cassie. Combs, 55, has pleaded not guilty to running his business empire as a racketeering enterprise that enabled and concealed the abuse of women across two decades. If convicted, he faces 15 years in jail to life imprisonment. On Friday, prosecutors questioned Jane about sexual subjects, beginning with a 2023 trip to Las Vegas where Jane said she and Combs had a 'hotel night' with an 'entertainer'. Assistant US Attorney Maurene Comey asked if Combs ever used the word 'freak'. Advertisement Jane said he would say 'he wants his freak' and that she understood that to mean 'he wanted me to be wild and sexual'. Her description of 'hotel nights' has closely paralleled Cassie's earlier testimony about numerous 'freak-offs' she had with male sex workers under Combs' direction. Jane said during her first day of testimony on Thursday that she repeatedly told Combs, in person and in writing, that she did not want to have sex with other men. But Combs, who paid her rent and controlled other parts of her life, kept pressuring her and she felt 'obligated' to take part in the 'hotel nights', she said. Advertisement

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store