
Jane Fonda goes political receiving SAG's lifetime achievement award: ‘Community means power'
Jane Fonda became the 60th recipient of SAG-AFTRA's highest tribute, the SAG Life Achievement Award for career achievements and humanitarian accomplishments.
The actor, whose work spans over six decades, fittingly used her acceptance speech at Sunday night's SAG Awards as an opportunity to speak her mind on the importance of political activism, empathy, unions and resistance. Fonda's activism and passion for social justice have been hallmarks of her career.
'Make no mistake, empathy is not weak or woke. And by the way, 'woke' just means you give a damn about other people,' Fonda said, after thanking her peers for the award.
'A whole lot of people are going to be really hurt by what is happening, what is coming our way,' she continued. 'And even if they're of a different political persuasion, we need to call upon our empathy and not judge, but listen from our hearts and welcome them into our tent, because we are going to need a big tent to resist, successfully, what's coming at us.'
After noting that her film career started at the end of McCarthyism and the Red Scare, Fonda emphasized the need for the Hollywood community to fight for what they believe in. 'This is big-time serious, folks, so let's be brave,' she said.
'We must not isolate. We must stay in community. We must help the vulnerable. We must find ways to project an inspiring vision of the future,' she added.
Fonda has been nominated for four SAG Awards, but has never won. She was nominated as a part of the cast of 'The Butler' in 2014 and individually for her performance in 'Grace and Frankie' for three consecutive years beginning in 2017.
Fonda's activism in the 1970s made her a polarizing figure, particularly for her involvement in the anti-Vietnam War movement. She remains dedicated to raising awareness for causes she finds important, like climate change, which has been her focus for the past several years. Fonda has also been vocal about her disagreements with President Donald Trump's policies in the past. During her speech, she did not directly address the president or any of his administration's specific policies or actions.
Fonda also said she was a 'big believer in unions,' as she recognized and thanked the SAG-AFTRA union.
'They have our backs. They bring us into community and they give us power,' Fonda continued. 'Community means power, and this is really important right now when workers' power is being attacked and community is being weakened.'
When Fonda was announced as this year's recipient in October, she said in a statement she was 'honored and humbled' to receive the award. 'I have been working in this industry for almost the entirety of my life and there's no honor like the one bestowed on you by your peers,' she continued.
Fonda, 87, has received two Oscars, an Emmy, seven Golden Globes and several lifetime achievement awards, including the prestigious Cecil B. DeMille Award at the Golden Globes in 2021.
The daughter of Henry Fonda and sister of Peter Fonda, the 'Klute' star got her start when she was 22 in 'Tall Story,' and went on to headline several notable films including 'Barbarella,' 'Coming Home,' '9 to 5' and 'The China Syndrome.'
Fonda joins a distinguished group of actors who have received the award, including Barbra Streisand, Robert De Niro, Morgan Freeman and Carol Burnett.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Fox News
18 hours ago
- Fox News
DAVID MARCUS: CNN's airing of ‘Good Night And Good Luck" proves it has learned nothing
It takes a lot for me to object to a television program that includes gratuitous smoking and jazz, but CNN found the exception Saturday night with its breathtakingly sanctimonious live telecast of Broadway's "Good Night and Good Luck." This was as shameless as it gets. Many are familiar with the 2005 hit movie that the play, starring George Clooney, is based on, in which brave 1950s CBS newsman Edward R. Murrow takes on the red scare baiting of Sen. Joseph McCarthy. CNN's message was clear, they are the heroic journalists and President Donald Trump is McCarthy. As if this metaphor wasn't already incessantly slamming us in the head like a giant inflatable hammer for two hours, CNN's resident media guru Brian Stelter wrote an entire column comparing McCarthyism to the current lawsuit against CBS News' "60 Minutes," whose extremely friendly (read: dishonest) edit of an interview with Kamala Harris could have tilted the 2024 election, according to Trump. "The real-life drama recounted in the play took place at CBS, the same network that is currently being targeted by President Donald Trump," wrote Stelter. "That's one of the reasons why the play's dialogue feels ripped from recent headlines." CNN's media expert basically left out the whole part about "60 Minutes" editing a Kamala Harris interview to make her incoherent answers seem somewhat sensical, because for Stalter and CNN fighting against Trump is more important than journalistic integrity every day of the week. Even if Stelter, who once championed the absurd Biden White House lie that videos of decrepit Joe Biden were "cheap-fakes," won't say it, "60 Minutes" disgraced itself and lied to the American people. But there was Scott Pelley, the "60 Minutes" anchor on CNN, after the show, with an air of gravity and profound conceit, insisting that, "if you have the courage to speak, we are saved. If you fall silent, the country is doomed." Do these people listen to themselves? Do they own any mirrors? CNN and most of the liberal legacy media spent the entirety of the first Trump presidential term fostering a fake Russian collusion story. They then spent the four years under Biden ignoring the fact that he was demonstrably unfit. Where on earth do these people get off lecturing us about journalism? Then, of course, there is the star of the show, George Clooney himself. This is the same George Clooney who lied about the president of the United States being a zombie until it became politically expedient to be honest. Just like CNN lied about Russiagate, just like "60 Minutes" lied about editing Harris, Clooney lied about Biden's fitness. Because to these people, any lie is justifiable as long as it hurts Donald Trump. I really wish that was hyperbole, but it's not. Clooney has no contrition over his lies, and neither does CNN, Jake Tapper, Brian Stelter, or Scott Pelley. They don't think they did anything wrong. If they did, they wouldn't be dressing themselves up as heirs to the courageous journalism of Murrow. After the play, there was an assemblage of journalists, speaking before journalism students about the importance of what they had just witnessed. Of course, the closest thing CNN had to a conservative was Brett Stephens, a nice guy, but widely acknowledged as the Washington Generals of conservative political punditry. Needless to say, they congratulated themselves on being so enlightened and brave and speaking truth to power, while the handful of people watching threw up a little in their own mouths. You almost have to admire the audacity of CNN. Just weeks after bombshell books and reporting finally confirmed the obvious about Biden's incapacity and the liberal media's lies, the network aired a play in which it dressed itself up as brave heroes of the newsroom. It's amazing. It's also informative. This bizarre effort by CNN to paint itself in historical glory is proof positive that the network has learned nothing from its lies over the past eight years, and there is no reason to believe it will start being honest anytime soon. This reckoning by the liberal press regarding their failure to tell the truth about Biden is over. In fact, it never really began, and if they had somehow dragged bag-a-bones Joe over the finish line and gotten him elected, we'd have likely never known a thing about it. There's an old saying, when people tell you who they are, believe them. On Saturday night, CNN showed America exactly what they are: a shameless, unrepentant, and unreliable source for news. And that's the way it is.


CNN
3 days ago
- CNN
How to watch ‘Good Night, and Good Luck'
History will be made Saturday. For the first time ever, a performance of a record-breaking Broadway production will broadcast and stream live on CNN and CNN International. Add to calendar: Apple / Outlook or Google The play, 'Good Night, and Good Luck,' stars George Clooney as veteran CBS newscaster Edward R. Murrow as he takes a stand against the anti-communist witch hunts of the 1950s. The story is based on the 2005 film of the same name. In an interview with CNN's Anderson Cooper, Clooney drew a through line from the era in which Murrow questioned Republican Senator Joseph McCarthy's actions to today's political landscape. 'Although McCarthyism was bad, it wasn't anywhere near as pervasive as it is right now, the kind of fear that you see kind of stretching through law firms and universities,' the actor and producer said. During the McCarthy era, the senator used the country's fear of the spread of communism to label political foes in government, education and entertainment as communists or communist sympathizers. 'Good Night, and Good Luck' 'reminds people that we have been through difficult times, challenging times and that we survived it as a country,' Clooney said. 'We do find our better angels along the way,' he added. 'It takes a minute.' Glenn Fleshler, who portrays Murrow's producer Fred Friendly in the play, talked to CNN about what the audience should know about those times. 'I think one thing to know before going in for those who don't know al lot about the period or about the Mccarthy era is just that people's lives were really being changed by this in a very real way,' he told CNN. 'People's careers were being ended, just ended in a poof like magic, so that's where all the fear comes from when we talk about the fear in the room.' Clooney told Cooper that while ongoing efforts to chill news organizations by President Donald Trump make it 'a scary time to be a news person,' he is believes 'Trumpism' will eventually come to an end. 'To the people who like him, they think he's funny,' Clooney said of Trump. 'To a great many others, they don't,' he continued. 'And so when he is finished - and he will be finished - they are going to have to go looking for someone that can delive the message that he delivered with the same kind of charisma and they don't have that.' There will be special live coverage hosted by Pamela Brown outside of the Winter Garden Theatre on CNN beginning 6:30 p.m. ET Saturday, where she will be joined on the ground by special guests of the Broadway production. The Tony Award-nominated 'Good Night, and Good Luck' will air live on CNN and CNN International and stream live without requiring a cable login via and on connected TVs and mobile apps beginning at 7 p.m. It will also stream live on Max across all subscription plans.


CNN
3 days ago
- CNN
Remember Angelina Jolie's bombshell leather Versace dress?
Remember when Angelina Jolie wore a plunging black gown to the red carpet of 'Mr. and Mrs. Smith,' redefining the leather look? Twenty years ago, the action-romance blockbuster premiered in June in Los Angeles as rumors of Jolie's real on-set affair with co-star Brad Pitt reached a fever pitch, ushering in a decade of 'Brangelina' as a tabloid fixture. Jolie arrived at the film premiere in a Versace gown with a sheer black neckline trim and lining that billowed from a thigh-high slit as she exited a limo and walked into the Mann Village Theatre in Westwood. With her hair styled in a voluminous blow-out and her jewelry kept simple, the star was continuing a recent streak of polished and glamorous red-carpet appearances — including the prior year's Marilyn Monroe-like white silk Oscars gown — a departure from her earlier dress codes of low-slung pants, muscle tees and gothic gowns. (Pitt, conversely, dressed down for the premiere in jeans, a brown bomber jacket and bleached hair). But the leather Versace gown — a tailored silhouette featuring long vertical seams down the front and an open back with two crisscrossed straps — is now widely considered one of Jolie's best looks. It proved that Jolie could still maintain her edgy, bombshell aura as she elevated her style into the more effortless, minimal aesthetic she's known for today. Her long relationship with Versace has included the green, glittering long-sleeve gown she wore to the 2011 Golden Globes; the statuesque metal mesh dress she arrived in for the Rome premiere of 'The Eternals' in 2021; and the velvet, high-slit silhouette at the 2012 Oscars that immediately became Internet-famous for the way she posed her right leg. By 2005, leather had become a hallmark for Jolie, who often drew attention both for her sex appeal and unpredictable nature. The leather wide-belted low-riders she wore to the 'Tomb Raider' premiere in 2001 set pulses racing, as well as the pair she wore in 2000 for 'Gone in Sixty Seconds,' when she arrived to the premiere with then-husband Billy Bob Thornton, who explicitly spelled out their limo dalliance to reporters in a now-infamous clip. As with her look for the 'Tomb Raider' premiere, Jolie's style choices for 'Mr. and Mrs. Smith' also seemed to be in character long before 'method dressing' became obligatory on the red carpet (or perhaps it is merely a reflection of Jolie's predilection for choosing roles with a similar sense of style). In the latter film, Jane Smith is a dangerous assassin with a closet full of slinky black dresses, including the dominatrix mini she sports while taking out a mark. Jolie's Versace gown was only missing a concealed garter weapon — that we know of — to fit right in. Jolie has returned to leather dresses periodically, including a midi tube dress by Michael Kors for the premiere of 'Inglourious Basterds' in 2009 and a strapless design embellished with micro sequins by Versace for 'Maleficent' in 2014. Though Jolie wasn't the only star to embrace leather on the red carpet in '90s and '00s (see Victoria Beckham and Lenny Kravitz), the ingredients of her style can be seen everywhere today, from Louis Vuitton's structured take on the leather gown, worn by Ayo Edebiri to the 75th Emmy Awards, to Dua Lipa's own knockout Versace moment at the 2024 Brit Awards. Earlier this year, Miley Cyrus wore a crisscross cutout leather dress to the Grammy Awards with a front slit akin to Jolie's 2005 gown, while Florence Pugh seemed to take style notes from Jolie's form-fitting midi looks while promoting 'Thunderbolts' in May. Some stars have taken the BDSM-coded influences even further, with Olivia Rodrigo and Kim Kardashian, among others, opting for eyelet-studded leather gowns and mini dresses by the designer Ludovic de Saint Sernin. But 20 years on, Jolie's dress remains the blueprint.