
Blue Note Jazz Club boss says restrictive licensing laws are killing music after late licence refused
The boss of an iconic jazz bar says he's been left "surprised" and "confused" after his late licence application for a London site was turned down, making him question support for live music in the capital.
Steven Bensusan - president of Blue Note Entertainment Group and son of the original Blue Note Cafe founder Danny Bensusan - told Sky News: "If they're not giving us a late licence, I can't imagine how they would be supportive of other smaller venues, which are important for the ecosystem in general.
"For music to survive and continue to thrive and grow, you need the feeder venues. They need the smaller venues, and you need the venues like the Blue Note. It's important for the music."
The planned venue at a former gym on St Martin's Lane, Covent Garden, had been set to become the bar's flagship European site.
The club had applied to Westminster City Council to remain open until 1am serving alcohol.
However, in February, the Met Police objected to the jazz club's application over fears it could cause an "uptick in crime".
Responding to the refusal, Mr Bensusan said: "In every city that we've ever opened the club they've rolled out the red carpet and really tried to go above and beyond and want us there because they realise that we're good for the economy.
"We generate a lot of jobs and we bring not just nightlife but a cultural moment to the city. I've never experienced this before."
'There seems to be a bigger problem'
Many of the capital's nightlife venues have been struggling since the pandemic and Brexit, amid the cost of living crisis, rising rents and decreasing footfall.
Mr Bensusan says the rejection of his late licence highlights a bigger issue: "There seems to be a problem in general. A lot of music venues have closed over the years since COVID and they're not coming back. Many people believe it has to do with a lot of restrictive policies like this."
While Mr Bensusan has flagged the "more mature and respectful" nature of the jazz audience, police concerns seem to be around guests falling prey to crime rather than perpetrating it.
In their objection, the Met said jazz fans "leaving the venue late at night" could become a target for phone snatchers as well as illegal taxis who "prey on vulnerable, intoxicated lone females".
Local residents also urged councillors to limit the venue's closing time to 11pm, with one saying they feared "inebriated" club visitors, "disorientated by their emergence into the cool night air" would be "immediately vulnerable to the gangs of criminals who already prey on similar groups of people in the Soho area".
Mr Bensusan says a proposed closing time of 11.30pm would be "impossible", and would not allow for musicians to play two sets per night.
He said he was also "a little confused" as to why the Blue Note was denied a 1am licence while others in the area had a later licence.
For comparison, Ronnie Scott's Jazz Club just down the road in Soho has a licence up to 3am.
Mr Bensusan has now filed an appeal.
A change.org petition set up by a jazz fan in support of the club has so far attracted over 2,500 signatures.
Plans to nurture emerging talent
The Blue Note site in London had proposed a 250-capacity main showroom "featuring legendary artists", plus a smaller 100-capacity room to showcase emerging artists.
Mr Bensusan told Sky News: "There are so many great UK artists that we want to help build. I think we can do that given the platform that we have, and our ability to tour some of the artists to markets where we are around the world."
Many UK artists who have played in the Blue Note clubs over the years, including Ezra Collective, Jamie Cullum and Nubya Garcia, have since found international success. Mr Bensusan says he wants "to help that continue to grow".
He goes on: "Our goal is to focus on the best artists from around the world and give them the platform to play long runs. They're not just coming to the city for a concert and then leaving. Typically, our runs go between four and six nights a week, for two shows per night."
The original Blue Note Jazz Cafe opened in 1981 in New York City, and now has nine sister venues around the world including in Tokyo, Shanghai and Milan. A new venue in LA will open this summer.
The bigger nightlife picture
A 2024 report from the Night Time Industries Association showed the UK night-time cultural economy was worth £33.3bn, down from £37.2bn in 2019.
The association says that over the past four years, the UK has lost 37% of its clubs, which works out at a rate of around 10 clubs per month.
And last year, City Hall was told by industry representatives that night venues were being pushed to the brink of closure due to issues including strict licensing laws.
In response, London mayor Sadiq Khan has set up a dedicated "nightlife taskforce", made up of 11 independent industry professionals, to address issues facing the industry.
They will be advised by bodies including the Met Police and Transport For London.
In support of Blue Note's renewed application, the Music Venue Trust said: "Having a new grassroots music venue in Westminster is extremely important both for a sense of community the venue brings to its local community and also the mental health benefits of being able to attend and enjoy grassroots music and arts.
"Through our engagement with West End Jazz Limited (Blue Note Jazz Club) we have viewed the proposals for the space which contain absolute commitments to grassroots live music programming."
The next steps as to the future of the club should be known over the coming months.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mirror
2 hours ago
- Daily Mirror
Europe's 'Ant and Dec but with brains' produce feel-good film of the summer
Filip Hammar and Fredrik Wikingsson are a Swedish television duo who have scored a big hit in the Nordic country with their film The Last Journey, which is now coming to the UK "We are the Swedish Ant and Dec, but with soul and brains. They would never be able to pull anything off like this." So claims Filip Hammar, who makes up half of the Nordic TV duo with his long-term pal Fredrik Wikingsson. It's likely that every European country has its own version of the comedy sidekick partnership - a trusted duo that can be airdropped onto Saturday night shiny floor shows at a moment's notice to deliver an evening of safe laughs. The reason Filip and Fredrik are making waves in the UK, or at least attempting to, is that they've recently broken out of their televisual moulds onto the silver screen. The Last Journey is their first feature film, which tells the story of Filip's relationship with his father Lars, a retired secondary school teacher who is struggling to throw himself into post-work life. Filip worries his father has lost the lust for life that burned so brightly during his younger years, and so decides to scoop him up out of his home in Köping (widely known as the most boring town in Sweden) and take him on a road trip. With light relief coming from the backseat in the form of Fredrik, the father and son head out of middle Sweden towards southern France - the destination of cherished family holidays of Filip's youth, and where Lars was in his anecdote-sharing, joke cracking pomp. The film proved a huge hit with the Swedish public, quickly becoming the most-watched documentary in the country's history and being chosen as Sweden's official submission for Best International Feature at the 97th Academy Awards. On its surface, the film is a classic road trip caper, filled with the kind of comic relief you'd expect from a caustic duo stuffed into an orange Renault 4 to cheer up an 80-year-old who seems a little lost in life. They employ their whole box of comedic tricks to do so, including staging an empassioned traffic spat for the benefit of Lars, whose steady Swedish heart has long loved the spiritedness of French road ragers. By the film also goes deeper. It is, at its core, an exploration of how one has to reinvent oneself post-retirement, and how relationships between adult children and their parents become more complicated as life goes on. For Filip, who goes to great, quite absurd lengths to carve out spaces in which his dad can relive his younger years and flourish, the journey taught him a powerful lesson. "It made me realise there is a value in just hanging out with him, even if he is sitting in a Belgian armchair at home. That is one of the important messages in the film. Now, I try to avoid talking to him in a certain way. We have more meaningful conversations now," Filip tells the Mirror from his home in America. Fredrik, who is talking on loudspeaker while, appropriately, on a long drive, adds: "We told ourselves, maybe this is going to work. Maybe he will get his zest for life back. Then we realised it would be more about his acceptance of a new life." Even though Fredrik has been on this journey with Lars and Filip, he is not prepared for his own version. He is not referring to the journey from Sweden to the Mediterranean, but to seeing his parents change in their later years. "I'm not prepared for it. You can think you are, but when it hits, it will, it will be devastating," he opines a little mournfully. The soulfulness of the duo, and how inappropriate the Ant and Dec comparison might be, comes through the more time you spend with Filip and Fredrik. "You cannot be prepared for it. It is the death before death. When you see your parents slipping away. It is quite common that you lie to yourself," Filip says. The Last Journey has connected with viewers in Sweden because of its exploration of this uncomfortable and universal truth, which is as funny and unflinching as it is tender and earnest. They hope that when it arrives in British cinemas on June 20, it will connect with viewers in the UK. "I am trying not to be cynical for once, and to embrace some real feelings. We are humbled about it, but our expectations are not that high," Filip admits ahead of the film's UK launch. Their big hope is that a significant chunk of the 45,000 Swedes living in the country turn up. If they don't, then perhaps Brits will find some joy in a particularly unusual but thoroughly uplifting road trip flick. Or at least some use in their top travel tip. "Wherever you go, try to experience the gas station culture of the country. In Italy, they are incredible," Filip advises.


South Wales Guardian
8 hours ago
- South Wales Guardian
Duke and Duchess of Sussex hire new agency in PR staff shake-up
Harry and Meghan have turned to US-based Method Communications to promote their business and philanthropic endeavours after several members of their team reportedly departed. Kyle Boulia, their Los Angeles-based deputy press secretary, and Charlie Gipson, who had been serving as the couple's European communications director, are among those who are said to have left the couple, the Mail Online reports. Meredith Maines, the chief communications officer to Harry and Meghan, is overseeing the revamp which she said will swell the ranks of the Sussex PR machine from two members of staff to 'an agency support staff of eight'. She said: 'As the duke and duchess's business and philanthropic interests grow, I have made the strategic decision to move toward a more traditional communications structure of specialist agency support, as previously reported in Forbes and PR Week several weeks ago. 'Transitioning from a team of two to an agency support staff of eight, operating across five different time zones, will give international media and stakeholders better access, and critically, faster response times to inquiries.' The couple's business portfolio include Meghan's lifestyle brand As Ever, launched in April this year; their media production company, Archewell Productions; and a multi-project deal with Netflix. Harry, 40, and Meghan, 43, announced they were stepping back as working members of the royal family on January 8 2020. The couple have since been at the centre of tensions with other royals, with the duke becoming estranged from his father, the King, and his brother, the Prince of Wales. In a recent television interview, Harry said he 'would love a reconciliation' with the royal family, claiming Charles will not speak to him and expressing concern that he does not know 'how much longer my father has'. In that same BBC interview, Harry complained his loss of a legal challenge over his UK security was a 'stitch-up', adding that he felt 'let down'. Harry and Meghan were told following their departure from the royal family that they would not be able to retain the full-time police protection granted to the royals. The Sussexes would instead receive a 'bespoke' security service, whereby they would be required to give 30 days' notice of any plans to travel to the UK, with each visit being assessed for threat levels and whether protection is needed. Last month, Harry lost his Court of Appeal challenge over his security arrangements while in the UK and said, in the TV interview following the decision, he 'can't see a world in which I would be bringing my wife and children back to the UK'. Earlier this month, the duchess posted a video of herself twerking in a bid to bring on labour while pregnant with Princess Lilibet. In the clip, a heavily pregnant Meghan is shown dancing in a hospital room to the Starrkeisha song Baby Momma, alongside the Duke of Sussex. Meghan posted on her Instagram to celebrate Lili's fourth birthday on Wednesday, writing: 'Four years ago today, this also happened. 'Both of our children were a week past their due dates … so when spicy food, all that walking, and acupuncture didn't work – there was only one thing left to do!' The candid video, which runs for more than a minute, also features Harry, who is seen dancing in and out of the frame. The couple were also noticeably absent from the Trooping the Colour parade on Saturday. It is the third year in a row the Sussexes were not present at the event.


Powys County Times
8 hours ago
- Powys County Times
Duke and Duchess of Sussex hire new agency in PR staff shake-up
The Duke and Duchess of Sussex have hired a new communications agency as their PR team undergoes a significant shake-up. Harry and Meghan have turned to US-based Method Communications to promote their business and philanthropic endeavours after several members of their team reportedly departed. Kyle Boulia, their Los Angeles-based deputy press secretary, and Charlie Gipson, who had been serving as the couple's European communications director, are among those who are said to have left the couple, the Mail Online reports. Meredith Maines, the chief communications officer to Harry and Meghan, is overseeing the revamp which she said will swell the ranks of the Sussex PR machine from two members of staff to 'an agency support staff of eight'. She said: 'As the duke and duchess's business and philanthropic interests grow, I have made the strategic decision to move toward a more traditional communications structure of specialist agency support, as previously reported in Forbes and PR Week several weeks ago. 'Transitioning from a team of two to an agency support staff of eight, operating across five different time zones, will give international media and stakeholders better access, and critically, faster response times to inquiries.' The couple's business portfolio include Meghan's lifestyle brand As Ever, launched in April this year; their media production company, Archewell Productions; and a multi-project deal with Netflix. Harry, 40, and Meghan, 43, announced they were stepping back as working members of the royal family on January 8 2020. The couple have since been at the centre of tensions with other royals, with the duke becoming estranged from his father, the King, and his brother, the Prince of Wales. In a recent television interview, Harry said he 'would love a reconciliation' with the royal family, claiming Charles will not speak to him and expressing concern that he does not know 'how much longer my father has'. In that same BBC interview, Harry complained his loss of a legal challenge over his UK security was a 'stitch-up', adding that he felt 'let down'. Harry and Meghan were told following their departure from the royal family that they would not be able to retain the full-time police protection granted to the royals. The Sussexes would instead receive a 'bespoke' security service, whereby they would be required to give 30 days' notice of any plans to travel to the UK, with each visit being assessed for threat levels and whether protection is needed. Last month, Harry lost his Court of Appeal challenge over his security arrangements while in the UK and said, in the TV interview following the decision, he 'can't see a world in which I would be bringing my wife and children back to the UK'. Earlier this month, the duchess posted a video of herself twerking in a bid to bring on labour while pregnant with Princess Lilibet. In the clip, a heavily pregnant Meghan is shown dancing in a hospital room to the Starrkeisha song Baby Momma, alongside the Duke of Sussex. Meghan posted on her Instagram to celebrate Lili's fourth birthday on Wednesday, writing: 'Four years ago today, this also happened. 'Both of our children were a week past their due dates … so when spicy food, all that walking, and acupuncture didn't work – there was only one thing left to do!' The candid video, which runs for more than a minute, also features Harry, who is seen dancing in and out of the frame. The couple were also noticeably absent from the Trooping the Colour parade on Saturday.