Last Tango in the Guggenheim
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Last Tango in the Guggenheim
Members of the dance company Ballet Hispánico weren't the only ones who swirled amid the art in the museum's rotunda during a recent presentation and tango class.
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Yahoo
08-06-2025
- Yahoo
Lost Goon Show sketch to be performed 70 years on
A lost Goon Show sketch written by revered comedy duo Ray Galton and Alan Simpson will be performed later for the first time in 70 years after being unearthed in a university archive. The skit was found among a trove of work by the pair, who created hit shows including Steptoe and Son and Hancock's Half Hour and are often credited with inventing the British sitcom. Running on the BBC from 1951 to 1960, the Goon Show featured Spike Milligan, Peter Sellers and Harry Secombe. Richard Usher, chair of the Goon Show Preservation Society, said the discovery of the sketch - found amongst a portion of the Galton and Simpson collection owned by the University of York - was "insanely exciting". Gary Brannan, keeper of archives and research collections at the University's Borthwick Institute for Archives, said: "Galton and Simpson invented modern British comedy as we know it, with their wit and humour leaving a profound and lasting imprint on the shows we watch today. "Real-world or situation comedy simply didn't exist before them." He described The Case of the Missing Two Fingers sketch, which will be performed later at the York Festival of Ideas, as a Shakespearean parody, believed to have been first written by Galton and Simpson just before Hancock's Half Hour started and the pair became household names. "They're just on the edge of their big career moment when here they are writing these Goon Shows, which to me I think are brilliant and are really very funny," Mr Brannan said. Milligan collaborated with other writers during the Goon Show's lifespan, but it was previously unknown that Galton and Simpson had written for the programme. "It did feel exciting. [As an archivist] I often find it can be a life of disappointment," Mr Brannan said. "I have a record of getting excited and then someone going 'no, we know all about this'. "There was a knowledge that Peter [Sellers] had performed these sketches, but no-one knew who had written them and the assumption was naturally that they were Spike Milligan's." Mr Usher, from the Goon Show Preservation Society, will be performing the sketch after a talk by Mr Brannan. "I was insanely excited by the idea that these hadn't been seen or performed since 1954," he said. "On lots of levels it's ticking lots of boxes for me as a Goon fan, a Peter Sellers fan and somebody who just loves British comedy." In the spirit of the original programme, Mr Usher has created his own sound effects, and will be utilising his impression skills to bring the sketch to life. "It features a good spread of Goon Show characters - I'm really looking forward to seeing how it visually translates to an audience, because that's going to be a nice challenge to get my teeth into," he added. The University of York currently owns part of the full collection of Galton and Simpson's life's work, which includes rare early drafts, unseen scripts and memorabilia. The institution is now looking to raise £30,000 to buy the rest of the loaned items, to avoid it being split up and sold on. Mr Brannan's talk 'Innit Marvellous? The world of Hancock and Steptoe' will take place at the Ron Cooke Hub, Campus East, University of York, from 16:00 BST. Listen to highlights from North Yorkshire on BBC Sounds, catch up with the latest episode of Look North. University of York Steptoe creator Ray Galton dies aged 88 Obituary: Alan Simpson
Geek Tyrant
03-06-2025
- Geek Tyrant
New Trailer For The Imagination-Fueled Fantasy Film SKETCH - "Unleash Your Inner Monsters" — GeekTyrant
Angel Studios has released a great new trailer for its imagination-fueled dark fantsy family film Sketch . The movie has been getting a lot of great and positive reviews, and it's on that I've very mush looking forward to watching. I enjoy watch these kinds of adventure films that lean into the imagination of kids and monsters. As I'm watching the trailer, I'm reminded of the films that I loved as a kid, and this movie looks like it captures the spirit and energy of those movies. In the film, 'When 10-year-old Amber's (Bianca Belle) comically dark drawings start coming to life, her small town descends into chaos. Now, her family must face Amber's living nightmares head-on before her creations end up destroying everything.' The movie is described as 'Dazzlingly inventive.. take[s] the wide-eyed wonder of a Steven Spielberg, the impish mischief of a Joe Dante, plus the vibrant visuals of prime Pixar and somehow blitz[s] them together in a Magic Bullet blender' The movie comes from filmmaker Seth Worley making his feature directorial debut, and it stars Tony Hale, D'Arcy Carden, Kue Lawrence, Kalon Cox, Jaxen Kenner, Genesis Rose Brown, and introducing Bianca Belle as Amber. Angel Studios will release Sketch in theaters starting on August 6th, 2025.
Yahoo
18-05-2025
- Yahoo
The Subtlety of the Macho-Men SNL Sketch
There's a low-stakes thrill in eavesdropping on strangers from afar, especially if the exchange descends into chaos. Yet a sketch in last night's season finale of Saturday Night Live—which revolved around two couples at a bar boisterously fighting for a preferred table as two men watched nearby, whiskies in hand—raised the stakes of voyeurism in fascinating ways. The sketch began with Ego Nwodim and Marcello Hernández's characters having glasses of wine at a bar; she was ready to move in after three weeks of dating, and he was sweatily trying to steer the conversation elsewhere. He got a break when another woman, played by this week's host, Scarlett Johanssen, insisted that their table belonged to her and her man—played by the musical guest, Bad Bunny. After Nwodim urged Hernández to defend her honor, he got in Bad Bunny's face—shouting 'Ay!'—and they erupted in loud Spanish. But here's what he really said: 'I'm sorry, but my woman is a pain in my ass!' Picking up on the stray mention of 'culo,' Nwodim jumped in: 'That's right, he's about to beat your ass!' The table argument was a flimsy premise, but it established Johanssen's character as territorial and, crucially, inspiring terror in her paramour. Instead of demanding the table, Bad Bunny commiserated with Hernández: 'Well mine too—and I'm afraid of her!' He looked back at Johanssen nervously, then confessed: 'I know we're not supposed to say that women are crazy. But this one? She's crazy!' Hearing him say 'loca,' Johanssen chirped up: 'Do you hear that? He's gonna go loca on you!' Meanwhile, the eavesdropping barflies (played by Andrew Dismukes and James Austin Johnson) looked on with glee at what looked like a raging bar fight: 'I feel like I'm watching a telenovela,' Johnson said, scratching his chin and practically licking his chops. Dismukes hoped it would end in a 'slap and kiss': 'See, in their culture, the line between passion and violence is paper-thin.' Johanssen's botched attempts at Spanish ('I'm about to asparagus nothing more and your ankle!') made for good comedy, but the sketch's best work wasn't done by the peeved girlfriends or the barflies' misbegotten commentary. Instead, it lay in the gap between what these non-Spanish speakers were confidently reading into the situation, casting these men as macho Latino guys in some exotic melodrama, and what the men were actually saying. They were not only misunderstanding the words; they were missing the subtext. And so might have some viewers. [Read: How Colin Jost became a joke] For those onlookers, the boyfriends were assuming archetypal roles that were completely at odds with how they actually felt, and their conversation deepened into a heart-to-heart between two strangers who didn't know how to quit a relationship they knew was bad for them. As the argument grew more heated between Nwodim and Johanssen, Bad Bunny reassured her: 'Baby, baby, baby, you're talking about asparagus. Let me handle this.' He let out a little 'heh'—in a moment that displayed his natural comedic timing. Instead of puffing his chest out, he went even deeper with Hernández: 'Why do you think we have such bad luck in love?' he cried out. Hernández took the opportunity to confess a hard truth about himself, bellowing: 'Honestly, I think I seek it out!' In fact, the sketch was even more nuanced than non-Spanish-speaking SNL viewers could know, in part because of the live show's limitations. The terse subtitles elided the subtleties of Hernández and Bad Bunny's banter in Caribbean-inflected Spanish. (Hernández is Cuban and Dominican, and Bad Bunny is Puerto Rican.) When Hernández admitted that 'in his heart, I think I want a woman who's off her rocker'—his literal phrase was 'crazier than a coffee maker.' The subtitles neutered the sarcasm entirely, reading: 'Because deep down I want a woman who is not mentally stable.' At other points, the subtitles arrived too late, for instance making Bad Bunny's expertly delivered lament—'Instead of thinking with our head, we think with the other one!'—land with a slightly awkward thud. Some parts of their dialogue weren't even translated, such as when Bad Bunny said: 'I feel you, brother.' [Read: Bad Bunny has it all—and that's the problem] The gag at the end was that no one got the table at all. Hernández and Bad Bunny agreed that there were some perks to their current circumstances, particularly in the bedroom. They cackled and bro-hugged, confusing Johanssen. 'Why are you two laughing? What did you just say?' She didn't know what was going on after all, because just like the barflies, she thought she was watching a telenovela: A machista argument about honor resulting in blows and a triumphant return to their favorite two-top. On the surface, this was just another SNL sketch about messed-up relationships and whether straight men are okay. But in its deliberate and inadvertent mistranslations, it also posed an intriguing question to its audience: How much truth can we really discern from a stranger we watch from across the distance of a bar table or a language barrier? Not much, it turns out. Article originally published at The Atlantic
