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Robert Irwin can see that Prince William 'truly cares' about the environment

Robert Irwin can see that Prince William 'truly cares' about the environment

Yahoo5 hours ago

Robert Irwin can see that Prince William "truly cares" about the environment. The 21-year-old conservationist - who is the is the son of late Crocodile Hunter star Steve Irwin - recently teamed up with the heir to the British throne after he was was named a Global Ambassador for the Prince of Wales' Earthshot Prize, and ahead of joining forces with him again at the London Climate Action Week, he admitted that the royal is "clearly" dedicated to "putting a spotlight" on the issue. He told The Sunday Mirror newspaper: "I love being around passionate people, it inspires me. The prince is just that - passionate, curious and thoughtful. I've been fortunate enough to share many great discussions about the things we love about the natural world. And it's clear that he has a profound love for wildlife and wild places. "He knows that he can put a spotlight on people making a real difference. He takes this responsibility very seriously, and he has a great ability to direct attention to where it needs to be. He is very compassionate and works hard to make sure that his conservation efforts benefit people as much as the environment. "I am always impressed by his knowledge and dedication and in the conversations I have had with him, I often learn something new. Most importantly though, he truly cares about a healthy planet for our future generations." The Crikey! It's The Irwins star - whose father died at the age of 44 in 2006 after being pierced by a stingray barb in the Great Barrier Reef - is able to continue the "legacy" that his dad created and feels "hopeful" to be able to connect with prominent figures such as the Prince of Wales in his work. He said: "I have the privilege of carrying on a conservation legacy that my dad and my family created, and that is something very important to me. It makes me feel incredibly excited and hopeful when I get to join forces with like minded causes dedicated to making the world a better place. To be part of an initiative that shares the values of our own charity efforts through Wildlife Warriors is a great honour."

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Ringo Starr trashes ‘little man' Roger Daltrey for firing son Zak Starkey from The Who
Ringo Starr trashes ‘little man' Roger Daltrey for firing son Zak Starkey from The Who

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time39 minutes ago

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Ringo Starr trashes ‘little man' Roger Daltrey for firing son Zak Starkey from The Who

Not letting it be. In a new interview with Rolling Stone, Starr's son, Zak Starkey, revealed how his famous father, Ringo Starr, stuck up for him after he was fired from The Who by frontman Roger Daltrey. 'I'm very proud of him standing up for me,' said Starkey, 59. When asked how the 84-year-old Beatles legend reacted, Starkey replied: 'He said, 'I've never liked the way that little man runs that band.'' Starr appeared to be referring to Daltrey, who had an alleged altercation with Starkey that led to his exit from the band. The Post has reached out to Daltrey's rep for comment. In April, it was announced that Starkey was leaving The Who after performing with the group for almost 30 years. But Starkey was quickly rehired by The Who, only to be let go from the band, again, in May. 'After many years of great work on drums from Zak the time has come for a change,' guitarist Pete Townshend wrote via Instagram on May 18. 'A poignant time. Zak has lots of new projects in hand and I wish him the best.' In the Rolling Stone interview, Starkey gave more context into his firing, which happened after his bandmates were unhappy with his performance at London's Royal Albert Hall in late March. 'It was all a bit vague. It was just like, 'You're getting fired,'' Starkey claimed. 'And Pete had to hang in there with Rog because I think it was … I don't know. I'm not going to name names or who did what. But Pete called me and said, 'Are you strong enough to fight for your job back?' I said, 'I'm not strong enough to have you do it for me. I don't want you doing it.'' Starkey said that Townshend, 80, called him a week later and asked him to rejoin the group. 'I got my job back. And then 10 days later, I got a call saying 'It's never going to work. We want you to put out a statement saying you're moving on to do your own thing,'' Starkey explained. 'And I said, 'But I'm f — kin' not.' So I just left it and didn't do it. It would be a lie. I'd never leave the Who. I love the Who.' Despite his double firings and The Who announcing that drummer Scott Devours will replace Starkey on the band's upcoming farewell tour, Starkey said that he's still unsure where he stands with the group. 'I spoke to Roger last week,' Starkey told Rolling Stone. 'He said, 'Don't take your drums out of the warehouse, we might be calling you.' What the f – – k? These guys are f – – kin' insane!' When asked if he blames Daltrey for the drama, Starkey responded, 'I don't blame anyone. I don't hold any grudges. It's the Who. Weirder sh-t than this has gone down. I've heard them say weirder sh-t than this. It's The Who — the maddest band there's ever been.' Starkey also confirmed that he'd 'of course' return to the band again.

Films celebrating South West landscapes released
Films celebrating South West landscapes released

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time2 hours ago

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Films celebrating South West landscapes released

A series of films described as "visual and verbal poetry" have been released which show landscapes of Devon and Cornwall. The films, named Wild Westcountry Odyssey, have been co-funded by Natural England and made by Plymouth-based filmmaker Simon Willis. Contributions have also been made by the University of Exeter and National Trust. The first film - which was released on Monday - celebrates the landscape and wildlife in Kynance and the return of the chough to the Lizard peninsular in Cornwall. More news stories for Cornwall Listen to the latest news for Cornwall Each film features two short poems written by John Wedgwood Clarke, professor of Poetry at the University of Exeter. The remaining five films will be released weekly until 21 July. Mr Wedgwood Clarke said: "I hope these films, and the visual and verbal poetry they contain, inspire people to explore this beautiful part of the world and think about how they can support, in whatever way they can, the work the goes in to helping people and nature thrive together in these special places." Mr Willis said: "It's been a privilege to work with all the nature reserves and John. "The human effort that goes into keeping them thriving for wildlife is remarkable. "I hope our images and John's words encourage people to look beyond the picture postcard and really value the wildlife that makes the South West such a great place to visit." And David Burton, of Natural England, added: "We supported the production of the films to research how creative media can help re-set the relationships between people and nature within the framework of Protected Site Strategies. "The approach is to educate and highlight the need for nature recovery to everyone." Follow BBC Cornwall on X, Facebook and Instagram. Send your story ideas to spotlight@ Cornwall offers great cast and crew, says director Natural England University of Exeter National Trust

Pulp are in a different class at euphoric Manchester Co-op Live gig
Pulp are in a different class at euphoric Manchester Co-op Live gig

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time2 hours ago

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Pulp are in a different class at euphoric Manchester Co-op Live gig

Red velvet curtains are swept across the Co-op Live Arena stage, as a sold out crowd feverishly await the arrival of alt rockers Pulp in the uncharacteristically tropical heat of Manchester on Saturday night. A sultry voice booms out: "This show is an encore… An encore happens because the audience wants more." It couldn't be a more fitting introduction to a band that are back, not on some mere nostalgia trip, but with a number one album to celebrate. READ MORE: 'I put my USB stick in and then they just told me they were shutting it down' READ MORE: Oasis reunion tour merchandise price list revealed including bucket hats and T-shirts - full list That album - More - has also conveniently produced some of the finest music of the band's extensive career so far. It makes for some standout moments, like the upbeat singalong of Got To Have Love, alongside the belting Pulp anthems fans are lusting for in this euphoric dazzler of a show. Emerging with cardboard cutouts of the band from their 90s prime, it serves to spotlight frontman Jarvis Cocker as the unchanging, gangly-limbed talisman at the band's heart - the elbows and hips jutting at will beneath his velvet flared suit. His chat between songs (and often in songs) is the illuminating narration to a night that feels like an epic celebration of everything the Sheffield band have achieved since their earliest incarnation in the early 1980s. Naturally Jarvis can "remember the first time" he performed here - at The Pavillion at Salford University in 1982, before adding: "in actual Manchester it was later that year at The Boardwalk does that still exist?" He asks the crowd to a resounding chorus of "no." "But do you know what tonight is the very first time we've played here," he says, looking around at the vast cavern of Co-op Live - packed to the rafters with delirious fans. The last time they played here in Manchester, two years ago at Castlefield Bowl, was to around 7,000 fans, and now here we are with 23,000. It feels like the momentum continues to build around the reunited band that hit its first high in the Britpop era of the 1990s. They remain in a different class though (if you'll pardon the album pun) - indeed this performance is a sheer masterclass in how to elate a crowd, romping as it does through hits and fan favourites to an inevitable, soaring, dancing, pulsating high of Mis-shapes and then Common People. It's all played out across a visually-arresting stage set with lit staircase and a large video backdrop. For The Fear we get perhaps the most impressive deployment you're ever likely to see of those air dancer men, usually seen on garage forecourts, who manage to give Jarvis a run for his money in the body twisting stakes. We have a full-on rave for Sorted for Es and Whizz, indie disco vibes for Disco 2000, and Jarvis becomes like a James Bond villain for the epic, throbbing pounds of This is Hardcore. He is spotlit on a leather chair, before creeping out to stalk the stage and rasp out the dark, delicious lyrics of the 1998 slow-burner in one of the highlights of this show for me. He is ever the playful and often hilarious showman, chucking out grapes and chocolates to the audience at one point, before a crowd walk-through later in the show where more goodies are fed to the yearning arms on the arena floor. "That was tea bags I was handing out," he explains back on stage. "Not condoms". The show plays in two parts, which is unusual for live gigs these days, but it allows for the satisfying endnotes of Sunrise in the first half, celebrating the summer solstice, and Sunset as the encore. And in returning to the stage after the interval, we get the lovely vignette of Jarvis alongside Nick Banks, Mark Webber and Candida Doyle to perform an acoustic Something Changed, after Jarvis explains how this latest band incarnation reunited after a get together in 2022. The band's songs retain an intoxicating power, speaking as they so often do of missed chances, mundane moments, heartbreak and of growing up that make us who we are today. They also have an abilitiy to speak to the masses in an extraordinary way - probably because we all feel a bit like those misshapes, mistakes and misfits. Looking out at the sea of bodies across the Co-op Live Arena, jumping as one to Babies and Common People, ensured this was a night no-one here will forget. Just as the voiceover at the start of this show promised it would be. Part one Spike Island Grown Ups Slow Jam Sorted for Es and Whizz Disco 2000 F.E.E.L.I.N.G. C.A.L.L.E.D. L.O.V.E. Help the Aged Tina Farmers Market This is Hardcore Sunrise Part two Something Changed The Fear OU Pink Glove (fans' choice) Acrylic Afternoons Do You Remember the First Time? Mis-Shapes Got to Have Love Babies Common People Encore Sunset

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