
Aston Martin Aramco links with Rolling Stones for co-branded merch
Big car marque meets big rock band. Aston Martin Aramco has teamed up with the Rolling Stones for the first of several planned activiations kicking off with an 'ultra-exclusive, co-branded merchandise collection.
Fusing "the speed and precision of Formula One with the rebellious spirit of rock and roll', the limited-edition collection, which includes hoodies, tees and caps, all sport the famous Rolling Stones tongue logo blended with the equally famous Aston Martin wings.
Ahead of the full collection launching online on Monday (28 April), they've co-launched a digital campaign with content featuring the Stones' song Hot Stuff as its centrepiece.
The collection also builds on the Aston Martin team's expansion into 'wider culture' across music, fashion and sport, and comes after a collaboration with singer/songwriter Tems at F1 75 Live at the O2 Arena earlier this year.
Rob Bloom, chief marketing officer for team Aston Martin Aramco, said: 'This collaboration… combines two British icons famed for passion and style. This is just the beginning, with several exciting projects to land in the coming months.'
David Boyne, managing director of Bravado UK, the company behind Rolling Stones merchandising, added: 'This capsule collection brings together two British icons, blending fresh takes on classic Rolling Stones imagery with inspiration from the precision and performance of the Aston Martin Aramco Formula One team.'
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Euronews
3 hours ago
- Euronews
Shock finale: Fans divided over possible identity of new Doctor Who
This weekend's final episode of the 15th season of Doctor Who, 'The Reality War', saw Ncuti Gatwa's Doctor exit the role and regenerate into Billie Piper, who is already established in the beloved British sci-fi drama as former companion Rose Tyler. Piper played the character Rose Tyler for 35 episodes between 2005 and 2013 opposite the Time Lord played by Christopher Eccleston and David Tennant. The credit at the end of the programme said: "Ncuti Gatwa as the Doctor. Jodie Whittaker as the Doctor. And introducing Billie Piper". So, is Piper the 16th Doctor – and therefore only the third woman to portray the character? Producers are keeping their cards close to their chest — for now. 'Just how and why she is back remains to be seen,' the BBC said in a statement after the finale aired. 'It's an honour and a hoot to welcome her back to the TARDIS, but quite how and why and who is a story yet to be told,' showrunner Russell T Davies said in a statement. Piper said 'Doctor Who' has provided some of her best memories and she couldn't pass up the opportunity to come back. 'It's no secret how much I love this show, and I have always said I would love to return ... but who, how, why and when, you'll just have to wait and see,' she said. So, while Piper's statement does not make it clear whether she will be the 16th Doctor, eagle eyed fans have expressed doubts as they were quick to note that Piper was not introduced as the Doctor in the credits, as is custom... Even if the identity of the next Doctor remains uncertain, what's sure is that fans on social media appeared divided after Piper made her shock return to the series. Some expressed joy at her return, with one taking to X to write: 'I literally don't give a FUCK about anyone else's opinion. Some of you are never happy, and that's okay, be miserable. But me? I'll be sat, looking at Billie Piper. The world is healing…' Others were confused, while some prayed that this was not a gimmick and that Piper gets the opportunity to have her go as the Doctor... Some fans, however, were unimpressed. 'You need to reboot, you've dragged it to the lowest depths of hell,' wrote one, while another described the surprise return as an 'absolute train wreck.' One chimed in to say: 'Regenerating into Billie Piper just to boost ratings felt completely unneeded.' Some recalled that Christopher Eccleston, who played the 9th Doctor, once said that Piper should play a version of the Doctor... The Rwanda-born, Scotland-raised Gatwa, 29, was the first Black actor to helm the show, but he wasn't the first Black Doctor — Jo Martin played 'Fugitive Doctor' in several episodes. In a statement, Gatwa said of his departure: "You know when you get cast, at some point you are going to have to hand back that sonic screwdriver and it is all going to come to an end, but nothing quite prepares you for it." He added: "There are no words to describe what it feels like to be cast as the Doctor, nor are there words to explain what it feels like to be accepted into this iconic role that has existed for over 60 years and is truly loved by so many across the globe." "I've loved every minute of it, but now is the time to hand over the keys to that beloved blue box and let someone else take control and enjoy it every bit as much as I have.' He concluded: 'I'll truly miss it, and forever be grateful to it, and everyone that has played a part in my journey as the Doctor." Gatwa took over the role from Jodie Whittaker in 2023. Whittaker was the 13th Doctor and the first woman to play the galaxy-hopping extraterrestrial who regenerates into new bodies. She took over from Peter Capaldi in 2017. Martin was the second woman. It's unknown when Doctor Who will next appear on our screens and when fans will get answers. The show typically has a Christmas special, but this has not been confirmed. If the series should return in 2026, production would need to get going pretty quickly. Fans online are speculating that a new series will hit the screens in 2027. That's a long time to wait for the confirmed identity of the new Time Lord... 'When we build, let us think that we build forever,' Italian fashion designer Brunello Cucinelli quoted English polymath John Ruskin at an address to celebrate being the first recipient of an honorary doctorate in 'Design for Made in Italy: Identity, Innovation, and Sustainability'. The same quote is inscribed on a plaque in the centre of Solomeo, the hamlet which Cucinelli has made the home of his family, business and spiritual life since 1985. Once a crumbling site at the top of a hill among the rolling Umbrian countryside, it has been lovingly restored over the years thanks to funds from the Cucinelli enterprise. It is for this that he's been honoured at the University of Campania by a group of universities and specialists in the field of architecture, as well as the extension of this work to the surrounding Umbrian region. It is the first time the designer has received an award for architecture. In 2010 the designer, famed for his luxurious cashmere knitwear, and his wife, established Fondazione Brunello e Federica Cucinelli which has had a significant and lasting impact on the Umbrian region. The Italian region is characterised by medieval towns, monasteries and lush green fields and hills which make it a popular holiday and wedding destination, but the countless historic sites present a challenge to maintain. 'I firmly believe in the duty to preserve this legacy,' says Cucinelli. 'In losing our memories, we would lose ourselves. Moreover, safeguarding history means giving substance to the future.' Walking around Perugia, the region's capital, you won't find the Cucinelli name celebrated on a plaque or in the name of a building, but the family's influence is everywhere. It's in the pink tones of the Roman inscription on the city's Etruscan arch landmark, which hadn't been visible to present-day visitors until the Cucinelli Foundation restored it in 2014. It's in the beautifully refurbished interiors of the Morlacchi theatre, which has remained open to residents thanks to funding given in 2017 and the fresh façade of the cathedral they supported in 2022. In 2018, Brunello Cucinelli sold a 6% share in his eponymous company to add a further €100 million to the foundation. The foundation's current ongoing projects include a library in Solomeo and the rebuilding of the medieval village of Castelluccio di Norcia which was destroyed in an earthquake in 2016. Many of Italy's fashion houses have contributed to the restoration of the country's historic landmarks. Fendi donated €2 million to the restoration of the Trevi Fountain in 2013, Salvatore Ferragamo renovated a wing of the Uffizi Gallery in 2015 and Bulgari sponsored work on the Spanish Steps in 2016. While these projects are necessary and worthwhile, there's something particularly special about Cucinelli's ongoing work on a local level in the region he clearly loves so deeply. The projects also go beyond preserving history, with many having tangible benefits for the wider community too. Culture, education and spirituality are at the heart of many of them. 'I have learned that architecture is made for mankind,' he explains. Brunello Cucinelli was born in the rural Umbrian village of Castel Rigone, around 20km from Solomeo. He met his wife, Federica, in her hometown of Solomeo when they were teenagers and the couple set up home in the hamlet which today is home to around 700 other residents. It's also now home to their two daughters, Camilla and Carolina, along with their husbands, all of whom work in the company, and their children. Down in the valley next to the hamlet is the Brunello Cucinelli factory and offices which provide work to around 700 employees. The space is bright and clean, with large windows that look out onto the manicured lawns and surrounding countryside, a luxury many fashion workers don't get in city warehouses. Lunch breaks are an hour and a half, no one eats at their desk, and everyone leaves on time at the end of the day. 'That time is for your soul,' says the entrepreneur. Even among his own family, they don't talk business at the dinner table. Cucinelli has a reputation as 'fashion's philosopher', and his speech at the University of Campania Luigi Vanvitelli was littered with the thoughts and words of great thinkers: Kant, St Francis, St Benedict, Xenophanes, Emperor Hadrian and many more. He's driven by his own philosophy of 'humanistic capitalism'. Unlike many capitalists though, he thinks far into the future. The old workshops of the company in Solomeo are kept in a way that they could be returned into residential apartments should the company no longer need them. The spaces are currently being used, however, to train future generations of artisans. 'I'm not concerned about who will buy luxury in the future, I'm concerned about who will make it,' Cucinelli says. The School of Contemporary High Craftsmanship and Arts opened in 2013 offers programmes which directly support the company's outputs, such as pattern cutting, tailoring and mending, but also horticulture, gardening and masonry, skills which he believes need preserving for the wider world. Since Brunello Cucinelli went public in 2012, its market capitalisation has grown from €530 million to €6.5 billion, a dream come true for any entrepreneur. However, it's clear from what he's done with this fortune over the past 15 years that his dreams go bigger than business success, bigger than the company itself and bigger than his own lifetime. As he collects his honorary doctorate in architecture he muses about his own company, but also calls on the room to consider the impact of their own actions, saying: 'The future is not wholly ours, nor is it wholly not ours.'


France 24
15 hours ago
- France 24
Verstappen punished after ramming into Russell
The incident happened shortly after racing restarted with five laps left following a safety car. Verstappen immediately lost third to Ferrari's Charles Leclerc and then went off the track as he tried to hold off Russell's Mercedes. Verstappen's Red Bull team told their driver to hand the place to Russell, the Dutchman appeared about to do that as he slowed into turn five with two laps left. Instead he speared into the Mercedes. Stewards handed the Dutchman a 10-second penalty and he finished 10th. He said later that he was unhappy at the way Leclerc had passed him and Russell had tried to overtake. The 2016 world champion Nico Rosberg told British broadcaster Sky that Verstappen should have been disqualified. "It looked like a very intentional retaliation," Roseberg said. "Wait for the opponent, go ramming into him, just like you felt the other guy rammed into you at turn one." "I think the rules would be a black flag, yes. If you wait for your opponent to bang into him, that's a black flag." After the race, Verstappen accused Leclerc of driving into him while overtaking and said Russell pushed him off track, forcing him to take to the escape road to retain fourth place. Verstappen did not deny that his move on Russell – with whom he was involved in a war of words last season – was deliberate. "Does it matter?" he said. "I prefer to speak about the race than just one single moment." Verstappen brushed aside talk of his defence of his drivers' title. "We are way too slow anyway to fight for the title. I think that was clear again today," he said. Asked by Sky whether his reputation being tarnished by the collisions and penalty, he said: "Is it? Well that's your opinion. We will leave it there." Russell said Verstappen's move remind him of video games. "I was as surprised as you guys were," he told reporters. "I've seen these manoeuvres before on simulator games and in go-karting, but never in F1. "Ultimately, we came home in P4 and he came home in P10. I don't know what was going through his mind. It felt deliberate in the moment so, yeah, it was a bit surprising. "It is down to the stewards to decide if its deliberate or not. Max is such an amazing driver and so many people look up to him. It's a shame that something like that continues to occur. It seems totally unnecessary and it never seems to benefit himself." Leclerc and Verstappen were both called to the stewards' office after the race to assist in more investigations into their collision.

LeMonde
19 hours ago
- LeMonde
PSG's Champions League victory hailed as 'story of revenge and redemption' by international media
Fireworks lit up the Parisian sky on Sunday, May 31, as Paris Saint-Germain (PSG) players lifted the Champions League trophy on the Allianz Arena pitch in Munich, Germany. After defeating Inter Milan 5-0, coach Luis Enrique's team emphatically inscribed the club's name into the annals of Europe's premier football competition. Finally, "after so many years of struggle and hardship," as the supporters' anthem so aptly puts it. "The suffering only makes it sweeter and how Paris Saint-Germain had suffered in the Champions League after the Qatar Sports Investments takeover of 2011," wrote the Guardian the day after the match. Twelve consecutive qualifications for the knockout stages, "12 assorted sets of heartbreak, some scarcely believable," the British daily added. Until May 31, 2025, "when the French champions broke through, when they delivered on the obsession of their owners, of everybody connected to the club; 13 th time lucky." "There are moments in life that you remember forever. Every detail. The waiting, the clothes you wear, the route you take to the stadium, the beer you have at your usual bar with friends. Maybe even the lucky pair of socks you put on for big occasions," recalled La Gazzetta Dello Sport. Inter Milan fans will not soon forget a single moment, not even the most trivial, of this final where their dream quickly turned into a "nightmare." Never before had a battle for the European title ended with such a margin: Five goals, a "thrashing." Marquinhos and his teammates "toyed" with their rivals, summarized the Guardian.