
A new Bay Area restaurant brings California flair to Spanish classics
On Monday, Cesar Hernandez and I updated our list of the best restaurants in Marin County, with new additions including a formidable Mexican brunch buffet and a Mill Valley bakery with an advanced degree in lamination. But there's only one new entry that is also a new restaurant, and that's Mijo in Corte Madera.
A Cal-Spanish restaurant from the team behind Guesthouse in Kentfield and Petaluma's recently closed Easy Rider, Mjio is located in the Marketplace shopping center, right next to Book Passage. As you walk across the parking lot to Mijo's front door, you'll be hard pressed to forget that you're in a strip mall. On my visit, as I passed an outpost of the spectacularly named bakery chain Nothing Bundt Cakes, I could hear a mic'd fitness instructor pushing class packages through the open door of a pilates studio.
But once you're inside Mijo, you're transported to — okay, not literal Spain, but a quite nice restaurant, one where attention has clearly been paid to the decor. There's a colorful mural on the back wall, cozy upholstered booths for two and larger ones for four, a long copper bar, lots of tile.
I went with my editor-in-chief and son of Spain Emilio Garcia-Ruiz, who has been known to make a large-format paella for newsroom gatherings. He immediately pointed out details on the menu that, he feared, would cause the ghosts of his forebears to come ahaunting: potatoes in the croquetas, kiwi in the gazpacho, black garlic jus with the stuffed piquillo peppers. I tapped a fingernail on the 'Cali' part of the 'Cali - España' menu header.
Even Emilio's ancestors would have to admit that the market salad ($15), Spanish or not, was exceptional. Tender lettuces, crunchy segments of asparagus and snap peas, blood orange supremes and chopped marcona almonds were bathed in a wonderfully bright dressing made with aged sherry vinegar. Jamón croquetas ($16 for five), thickened with potato instead of the traditional béchamel, were nonetheless satisfyingly lucious, as were the patatas bravas ($13), burnished little nuggets of joy.
The one disappointment was the Mijo paella ($32 for a small portion, $52 for large). While attractively presented with charred lemons and shellfish standing at attention around the perimeter, it managed to be simultaneously over and undercooked. Those mussels and clams were stringy and desiccated, as were thin strips of chicken, while there was almost none of the crispy socarrat that should form on the bottom of the pan and be viciously fought over.
The restaurant is only a few months old, so I think it's entirely possible they'll work out those paella kinks. But the tapas are ready for primetime, the interiors are charming and the service is warm. (Thanks, Daniela, for answering Emilio's many, many questions). Corte Madera residents should be pleased to have a new option in town.
Mijo. 55 Tamal Vista Blvd., Corte Madera. mijomarin.com

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It's the understanding of the guest needs. It is tremendously important there is a human element. Then that also can transcend into our designs so that we do something that is seductive but not overbearing, that has sensitivity in the materials that we choose. So there's texture and tonality. And designing with the locale in mind — the materials, the stones being more indigenous — might allow things to sit and last the test of time. There's a lot to be said for some of the family-owned hotel businesses because they're not building at such a rate. They're constantly revisiting like home in their hotels, checking if that art goes there, maybe adding something from that family's own travels. They're not 'home from home' as such, but it goes back to my lifestyle palaces. We must always consider them really important destinations to take care of and celebrate. A relationship with Frette has blossomed into a creative marriage. We've always designed furniture and built it bespoke with the hotels and some private clients. So, designing furniture was not our first rodeo. And whilst building the Six Senses Milan, I met cousins Luigi and Andrea Tagliabue. They were very drawn to everything that I was designing. We ended up working together again when they were designing my furniture for a private client, and they were like, 'Tara, we want to build collections with you.' I said, 'Well, let's go slowly.' In Italian it's 'piano, piano.' Slowly, slowly, one step at a time. For that first step, we decided to launch with eight pieces of furniture, and we're thrilled. It's been just a total joy designing and creating this collection. Whilst I was doing that, I met Filippo Arnaboldi, the CEO of Frette. I personally shop at Frette. It's the pinnacle of all sheets and toweling. I was talking to him about my furniture collection and one thing led to another and he said, 'Why aren't you doing something with us?' 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Again, you dive into working with the greatest craftsmanship and artisans. For me it was perhaps something that was always meant to be, but I've never engaged in a committed and full collaboration to these extents because you have to wait for the right marriage. And my work with Frette certainly feels like a very good marriage, and we're very excited about even the next collections that I'm designing now. Bernerd's styles will soon extend from the bedroom to homewares. We will add to our colorways now of the collection we already have, so that will come out as people get more and more used to modernism and deco. You don't have to buy it as a collection — you can integrate it with Frette's other things or even in your own home. We will launch later this year or early next year an extension of all of that — we will move in out of your bedroom and into your home with homewares. And the same with Medea, we will extend on the eight pieces. The Six Senses Milan, which will open early next year, is the most marvelous project. And I just feel so honored to be working in the heart of Italy, in Milan, the most designed savvy of cities. It's a responsibility and such a privilege, and we have really embraced the local feeling of Brera, which has got a very different vibe than other parts of Milan. It's going to be a wonderful project with a huge emphasis on wellness, some exceptional rooms and suites and a very unusual building because the windows and the views across that area are incredible and unexpected. We are starting on hotel near Mount Fuji. In the U.S., I'm really honored to be working on a project for the St. Regis in Fort Lauderdale, which frankly will be game changing. Later on, we've got Six Senses Lake Como coming and a Paris hotel. And I'm writing my second book. When she isn't working, Bernerd's dreaming about designs in Tuscany. It is about hotels. It's about experiences, living lifestyles and it's everything from what we might see in a beautiful suite that we can bring back into our own homes. It's about exploring new places, experiencing different materials. It is about the world of hotels, and it is about the world. It's traveling with me for a little bit from my eyes. There are many cities I like to visit. I really enjoy going to Stockholm, and if I go, I'll always stay at Ett Hem, which is a wonderful hotel. A friend of mine, Jeanette [Mix], designed that with a marvelous designer. I travel a lot around Italy, so one of my go-tos is a place called Forte dei Marmi [in Tuscany]. When you can't find me anywhere, you might see me there on an orange bicycle.