
How I did a luxury holiday in the Maldives for cheaper than a week at Center Parcs
I WAS lucky enough to travel to the Maldives recently – the stunning islands in the Indian Ocean, where the warm waters are teeming with tropical fish and turtles.
The destination is - simply put - paradise.
But what surprised me most about my exotic getaway wasn't the white sand beaches or the turquoise waters. It was the affordable price tag.
A family holiday in the Maldives, it seems, may even cost you less than an activity-packed getaway at Center Parcs, right here in the UK.
The cost of living crisis and newly-introduced taxes have caused the price of UK holidays to soar in recent years, with staycations setting families back eye-watering sums.
New data from On the Beach showed that 34 per cent of Brits believe a holiday in one of Europe's beach resorts offers better value for money than a UK break.
Depending on which resort you choose, there's endless fun for both kids and adults, as I found during my recent stay at the 4* Sun Siyam Olhuveli, in the South Malé Atoll.
A whole week can be spent snorkelling through colourful reefs, sharpening up your racket skills on the tennis court and speeding across the ocean behind the wheel of a car that drives on water.
After a short stint here, my opinion on the sleepy honeymoon hotspot had changed completely.
There was so much to do that the destination felt somewhat like a Center Parcs, only with much warmer weather AND (here's the key point) it was cheaper – yes, really.
So, can a luxury holiday in the balmy Maldives really match the great British getaway on price?
I've crunched the numbers and the answer is yes.
Center Parcs' Elveden Forest in Suffolk recently opened a number of luxury water lodges, set on its tranquil lake, much like the over-water villas that are synonymous with the Maldives.
And much like the Maldives, Center Parcs is also bursting at the seams with activities. Archery classes? Yep. Watersports activities? Plenty of those. Indoor gaming areas? Teens will love that.
But all of these activities don't come cheap. And, ultimately, that's what sways the price.
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Travellers can bag themselves a seven-night all-inclusive break at Sun Siyam Olhuveli for £1,359pp for a family of four travelling in June 2025, outside of the school holidays, with Travelbag.
This price includes all flights and speedboat transfers to the resort, too, plus a lot of activities and snorkel gear.
It means that kids and parents can wander from their bedroom straight into the ocean or house reef to spot a plethora of fish.
The cost above also includes an excursion, such as a sunset cruise where you'll take in breathtaking views of the Indian Ocean (keep your eyes peeled for dolphins).
What else? On top of the bucket list experiences, dotted around the resort is a giant chess board, tennis and badminton courts and beach volleyball.
Non-motorised water sports like kayaking and paddle boarding, Maldivian themed nights, evening entertainment and weekly prize giveaways are also included in the price above.
So, for a family of four, the total cost racks up to £5,436, which admittedly does sound steep - and you will have to travel during term time to bag this last-minute deal. But what I love about an all-inclusive is that you don't need to spend a penny when you're there.
And with these packages covering nearly every restaurant at the resort as well as certain drinks and cocktails, you're not missing out.
Center Parcs, by comparison, looks a similar price at first glance, during the same time of year.
A quick search showed that to stay in one of the resort's new waterside lodges at Elveden Forest during the same month next year will cost around £5,298 for one week.
This does, however, sleep six guests instead of four - so you'll have room for an extra two kids or you can bring the grandparents along for babysitting duties.
Food and drink is not included, though, and nor are most of the activities. And this is where the costs add up pushing it significantly over my Maldives trip.
One lasagne will set you back a hefty £17 at Center Parc's Whinfell Forest resort, while a prawn spaghetti costs £18.
Multiply that by a family of four and that comes to over £500 for just one meal each across the week.
Extras like archery sessions cost from £21pp for 55 minutes, while paintballing costs £47 and kayaking is £15 for a double kayak for 30 minutes, all at Elveden Forest.
It's easy to see how the prices can soar.
That's not to say that Center Parcs doesn't have its perks. In terms of activities, this adventure holiday company is unbeatable and a small Maldivian island simply can't compete on scale.
The prices can't exactly be compared like for like, either, with costs varying according to the time of year and number of people visiting.
But if you're after something different, where you won't have to panic about spending money when you're there, booking a package further afield could be the way to go.
One thing is for sure. The look of sheer excitement on your child's face when they spot their first turtle is something money can't buy.
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Telegraph
43 minutes ago
- Telegraph
He wants Disney World, I want the Maldives: The couples who can't agree over holidays
Few things test a couple's patience like planning a holiday together. The old saying 'I need a holiday to recover from the holiday' hits especially hard when two very different travel styles collide. The odds of both partners wanting to do the same things, at the same pace – while having shared the booking admin and agreed on a budget – are slimmer than finding an August discount on the Riviera. Whether you're keen to catch a clifftop sunrise while your other half lounges by the pool, or you're stuck wrangling bookings while they idly browse for new swimwear, joint holidays can be... challenging. James Bore, 42, a digital security expert from Surrey, and his wife Nikki, a translator, have been married for eight years. 'We realised early on that we have very different travel styles,' he says. 'Nikki likes scheduled history tours. I prefer to wander and eat local food. In Rome, I was sick of white marble after an hour – Nikki was still dragging me around ruins on the last day.' Over time, they have learnt to compromise. 'She'll go off to look at things while I read in a café,' he says. 'Plus, her itineraries have gradually become more relaxed, which means I'm more willing to visit historic sites – though probably not white marble again.' Having autonomy on holiday is healthy, says couples counsellor Yasmin Shaheen-Zaffar of Red Kite Therapy. 'You can co-create a rhythm of alternate days, split mornings and afternoons, or schedule independent time. The goal isn't the perfect itinerary,' she says. 'It's re-connecting afterwards – which is crucial.' 'I had to pay an extra £300 to rebook' But while the holiday schedule might be up for negotiation, it's often the booking process that becomes a couple's undoing – because when something goes wrong, there's only ever one person to blame. (And somehow, it's never the one who sat watching TV while their spouse wrestled with online forms and passport renewals.) 'I protest that I've been given the role of family PA,' says Sally Baker, a psychotherapist married to Arnold Dobbs, an artist. 'I asked my husband to sit with me while I booked [the] Eurostar and a hotel, but he said, 'You're fine – you do this all the time.' I was hugely busy at work and trying to book in a hurry,' she explains. 'I managed to book the train for the wrong weekend and had to pay another £300 to rebook. I just wish he'd share the responsibility more with me.' Solo bookers aren't alone. According to a survey by travel company more than half of Britons wouldn't trust their partner to plan a holiday. Women were most concerned that their other half would choose an 'undesirable location' or 'sub-standard' accommodation. Among those who had taken a couple's break, 81 per cent said the trip had been booked by the woman. 'I wouldn't ask him to book a whole holiday – I don't think he'd know where to start,' says writer Rosie Mullender of her husband. 'I can barely muster the enthusiasm to do the hours of research myself, even when I'm the one who wants to go away. I don't think he'd ever get around to it, especially when it's something he's not that keen on in the first place.' Early mornings vs lying in That's not the case for Claire Bartlett, 40, a business coaching strategist, and her husband Matthew, an insurance underwriter, also 40, from Birmingham. 'We've always had a bit of a holiday clash,' Claire admits. 'I get up early to watch the sunrise – I find it so peaceful and calming. But he'll say, 'I've had to get up for work all year; I'm lying in.' In the early days, I'd be shouting, 'Get up!' But now I just leave him to it.' Before they go away, Claire says, 'we try to agree how many days of the holiday we'll spend exploring. We head to Malta every year for some winter sun, and in summer we love going to Disney in Orlando.' That's where the problems begin. 'Matt wants full days in the parks, and by then I'm exhausted – I just want to relax. My dream holiday would be somewhere like the Maldives, pure relaxation,' she says. 'I don't like the beach, so I'd be by the pool the whole time, completely switching off.' By contrast, 'Matt's dream would be two weeks in Orlando with an absolutely packed schedule. When we were last there, there were a couple of days when I thought, 'You're pushing me too far now – I'm going to sit down.'' Thankfully, before the battle of Sleeping Beauty Castle escalated, their daughter Olivia, 10, found a solution. 'Now, Matt has someone to spend extra time on rides with, and I can head back to the pool early,' says Claire. When you're planning a holiday and know you won't want to follow the same schedule, start with open, non-judgmental conversations, says Yasmin Shaheen-Zaffar. 'Each person can share their ideal day – not to convince the other, but to understand. Use statements like, 'I feel...' or 'What I need to recharge is...'' It's also helpful, she adds, to 'name your non-negotiables and your flexibility. Maybe the pool is essential for one of you, and the other needs a sunrise walk – both can happen, if they're spoken about early.' For some couples, the friction isn't about activities but accommodation standards. 'I told my husband not to unpack' 'My husband teases me every time we settle into a hotel room – he jokingly asks if it's OK to unpack,' says Lydia Berman, a brand consultant from Hemel Hempstead. 'I'm notorious for finding an issue.' Once, she recalls, 'I was heavily pregnant and the hotel gave us a room with no windows that opened. It was during a heatwave and they only had a small fan. I was melting and asked for another room. The first they gave us, someone was still sleeping in it! The second had no beds… the third had another problem, and the fourth was finally okay.' After their baby arrived, Lydia remembers a trip to Crete: 'We stayed two weeks in a room with no bath and nowhere to put a cot – despite the booking info being clear. The first room they offered had an overflowing toilet. They admitted the fault, so we ended up with an upgrade.' More recently, she says, 'we were in Mexico and the room smelled damp, which triggered my asthma. I was mortified to tell my husband not to unpack as I went to reception to complain.' Despite her success moving rooms, she admits, 'I think my husband would rather we just stayed quiet!' But differing needs like these can be managed, says couples counsellor Yasmin Shaheen-Zaffar. 'Make a plan for if you fall out – which is likely, given so many new variables,' she advises. 'How will you repair things without escalating the tension? Having a clear plan stops disagreements from spiralling, so you can both enjoy the rest of the holiday.'


Telegraph
43 minutes ago
- Telegraph
The Last Journey: behind the scenes of the feel-good film of the summer
When Filip Hammar was growing up in Köping, a Swedish town less than two hours' drive from Stockholm, his father Lars's obsession with France was an acute source of embarrassment. 'It was a very working-class town – they manufacture Volvo cars there – and this guy is sitting round wearing a beret,' recalls 50-year-old Hammar, who, with his friend Fredrik Wikingsson, 51, is one half of Sweden's best-known double-act, presenters of TV documentaries, quiz shows and podcasts. 'Now, I look back and think, 'Wow, that took a lot of courage!'' Every summer throughout Filip's childhood, Lars, a school teacher, would drive the family in his orange Renault 4 to Beaulieu-sur-Mer, on the French Riviera, a journey of 1,450 miles. 'He was such a Francophile that when France did nuclear tests in Polynesia in the 1980s, the local newspaper called and asked if he was going to stop teaching French and drinking French wine.' In 2008, after 40 years of teaching, Lars retired, aged 66. He had been looking forward to this new phase of life: he and his wife, Tiina, could now travel to France as often as they wished; it would be his troisième âge. It didn't turn out that way. Without his job, Lars lost his spark; the school had been his stage, and the performance was over. Although medical tests found nothing wrong physically, he took to spending his days slumped in his armchair, as if waiting for the end to come. Something had to be done. So Filip came up with a plan, a road trip to reinvigorate his father, destination: Beaulieu-sur-Mer. He tracked down a vintage Renault, identical to the old family car, and roped in Fredrik – as well as a tiny film crew, so that the nostalgic journey could be documented. Lars, then aged 80 and armed with a French dictionary and a big fat book about Charles de Gaulle, was installed in the passenger seat, with Filip taking the wheel, and long-legged Fredrik crammed into the back seat, and off they went. When the film of their adventure, The Last Journey, was released in Sweden last year, it quickly became Scandinavia's highest-grossing documentary of all time. Now, this funny, life-affirming film is coming to British cinemas, which is how I come to find myself in London's Soho Hotel, asking Filip and Fredrik how Lars is handling his late-life fame. 'He said, 'I wish I was a little bit younger, a bit less frail, so I could enjoy the success more,'' replies Filip. 'But he gets so many lovely letters and emails from people who've seen the film, and Facebook messages from ex-students. I think he loves it.' There were points in the filming when this happy ending seemed far from assured. Only a couple of days into the journey, in Malmö, Lars fell, cracking a bone in his leg and requiring hospitalisation: it looked as if the whole trip was off. Instead, Filip and Fredrik decided to drive the ancient Renault ('Europe's most overtaken car', as Fredrik calls it) across Denmark, Germany and Belgium, where they were reunited with Lars, who had travelled there by train with Tiina, after being discharged from hospital. The documentary captures the playful, staged moment when the two friends plant Lars behind the wheel and push the Renault 4 over the border into France, a smile of sheer delight breaking across his face. His troisième âge had begun. 'Conventionally, you're not supposed to stage stuff in a documentary,' says Filip, who resists the idea that non-fiction films should maintain a po-faced, unmanipulated, 'fly-on-the-wall aesthetic'. Fredrik tells a story about the great German director Werner Herzog giving a talk to a class of film students. After one of them asked him if he'd ever staged something in any of his documentaries, 'Herzog said, 'Everyone who thinks a documentary needs to be straight up and fly-on-the-wall, raise your hand.' And everybody raised their hands. Then he said, 'Happy New Year, losers!' and left the room.' In The Last Journey, we see Filip ask his father what he used to love most about France. Lars thinks for a minute. 'It was great to meet people who don't stop at stop signs,' he says. 'Every Frenchman is his own president.' He also mentions that he used to enjoy seeing how the French would argue in traffic, which prompts Fredrik to visit a local casting agency, hire a couple of actors and stage a minor road-rage incident for the unwitting Lars. The following day, Filip takes his father to a roadside café for lunch, while Fredrik hides around the corner, directing proceedings via a walkie-talkie. ('Car number one – go! Car number two – go!') One of the actors pulls up in front of the café, blocking the road with his car; when a second actor drives up, an argument breaks out that ends with someone getting slapped. Lars watches, entranced, mouth slightly open, from his ringside seat at the café. I ask Fredrik when they broke it to Lars that the whole scene had been orchestrated. 'He was at a screening, two weeks before the premiere,' he says, 'and I suddenly realised we'd forgotten to tell him. When he was watching it and realised it was a set-up, he just turned to me with a lovely smile and said, 'You bastards.'' Filip laughs. 'He's always been a good sport.' The French trip functions as what Fredrik calls a sort of 'reverse bucket list' for Lars; repeating the same experiences he'd already ticked off decades before. They stay in the apartment where the family always used to go, enjoying the same old view from its balcony, and take trips to all the familiar haunts: the cemetery at Sète where Lars's hero the singer-songwriter Georges Brassens is buried; the beach; the market; the posh restaurants, where Filip now has to help his frail father keep the food on his fork and raise his wine glass high enough to swallow. 'And, in the editing, we realised that these almost desperate attempts to recreate the past also said so much about what Filip wants out of this,' says Fredrik. 'It's a metaphor for what he is trying to do, to recreate what was before.' And this is perhaps the film's most poignant aspect: Filip's desperation for his elderly father to enjoy life as he used to causes Lars in turn to feel sad that he is no longer living up to his son's expectations, that he is somehow disappointing him. It is Filip, it seems, who is in denial about ageing, not Lars. That realisation lands with unexpected emotional force. The process of making The Last Journey also led Filip to question his father's long-held view of France. While the country was always a source of happiness for Lars, 'I sometimes think, does France deserve all this love? We screened the film in Paris the other night, and it went down well, but to the French, it's like, 'You don't have to tell us that our country's great; we know!' I love France, but I also detest that self-congratulatory aura that almost every Frenchman has.' 'They take it for granted,' adds Fredrik, before admitting, slightly sheepishly, that he owns a second home in France. 'I love the weather, but the people..? The local baker treats me like s--- every morning.' The Last Journey is not the first time that Filip has turned the camera on his family. In 2007, he and Fredrik made an acclaimed series about Filip's sister Linda, who has a learning disability: I en annan del av Köping (In another part of Köping), which ran for four seasons. 'She was living in a home with three male friends, also learning disabled, and when you hung out with them, they were so funny, it was almost like Seinfeld,' Filip tells me. 'The first episode opened with her saying, 'Uh-oh, I've been unfaithful again...' and that set the tone for the series. It was not what people would expect.' The show was so popular that, for a while, Linda became a national celebrity. 'At one point, she was voted 'Woman of the Year' in Sweden. Ahead of the queen! 'For some reason, I tend to explore my family and my hometown in our work – it must be a kind of therapy, or a way of dealing with weirdness,' he says. 'But I have said to Fred, 'By the way, whenever you want to do something about your family, I would be open to that...'' 'They're not charismatic enough!' replies Fredrik. 'That's the harsh truth. They're so low-key.' 'But there is a sort of inverted charisma vibe to your parents,' says Filip, kindly. 'You'd have to dig really, really deep,' concedes Fredrik. When The Last Journey came out in Scandinavia, the scale of its success took both men by surprise. 'It had more admissions than Dune: Part Two, which had a huge marketing budget,' points out Fredrik. 'God, we're so boastful. There have been several successful documentaries in Sweden in recent years: one about the ex-prime minister Olof Palme; one about Ingrid Bergman; one about the footballer Zlatan Ibrahimović. And one is about a teacher from a small town: my dad. He beat them all.'


Telegraph
4 hours ago
- Telegraph
Why a cruise is the best way to see off-the-beaten-path Japan
When I told friends I was going on a cruise in Japan, the response was mostly bemusement. 'Isn't it better to take the train?' they'd ask. It's a fair question. Japan's high-speed rail network is one of the best in the world, and the journey I'd be making – from Tokyo to Kagoshima in Kyushu, the country's most southerly island – takes just under seven hours. The cruise ship would take three days. But the point here is to travel slowly, experiencing towns and destinations off the well-trodden tourist trail, and to enjoy the ship in between. Princess Cruises' Diamond Princess was the vessel I boarded in Tokyo. Built in Japan specifically for cruises around the country, it boasts a traditional izumi Japanese baths, a high-grade sushi restaurant (where Japanese chefs carve up fresh, local fish and seafood), and even Tai Chi classes held daily on the pool deck. I arrived in Tokyo early, allowing myself time to explore this frenetic city at my own pace, wandering amongst its ultra-modern high rises and winding narrow back streets stuffed with hole-in-the-wall izakaya bars, and spending long lazy lunches at tiny ramen restaurants – where I was just one of a handful of diners seated at a counter – watching the chef working a cauldron of steaming hand-pulled noodles. On my final afternoon, I headed to Tokyo's Meiji Jingu Shrine to pull my ' omikuji ', or oracle, ahead of my voyage. These fortunes – which usually contain words of affirmation, thoughts about the world and ethical musings – come in the form of ' waka ' (traditional Japanese poems of 31 syllables), of which Emperor Meiji and Empress Shoken (to whom the shrine is dedicated) were said to be prolific composers. To receive one, visitors shake a hexagonal box with a small hole until a single, numbered chopstick falls out. Each number corresponds to a numbered wooden box, and inside it is a waka, written on a thin strip of paper. It is hoped that the poem's message, based on the traditional Shinto ethics, will have particular meaning for the reader. I was pleased to see my oracle telling of success in health, wealth, love and family matters – and especially delighted when it declared that my travels would be 'pleasing'. A promising omen. The following day – waka safely tucked into my luggage – I boarded the ship and we headed for Miyazaki, Japan's warmest city. This was immediately evident in the change in the landscape: where Gingko, maple and candyfloss-pink puffballs of early cherry blossom had characterised the scene in Tokyo, here these were supplanted by palm trees, tangled jungle greenery and beaches – home to some of the best for surfing in all of Japan. We stopped at a viewpoint and, as I gazed out across the lush scenery, a peregrine falcon suddenly swooped menacingly towards me, its coal-black eyes fixed on the packet of wagyu-flavoured crisps in my hands. I lurched backwards but, at the last minute, it peeled away from me, talons retracted. A lucky escape, perhaps – or was my oracle looking out for me? From there, we made for Aoshima, a diminutive island with a circumference of just 1.5km, connected to the mainland by a slender footbridge and surrounded by curious rock formations known as 'the Devil's Washboard'. It was all too easy to imagine a giant dragging its claws through the ebony mudstone and watching as it hardened into lines. The bewitching Aoshima Shrine sits at the centre of the island, surrounded by more than 400 species of subtropical plants. At the temple's oracle zone, I tossed a clay disk into a ring and it shattered, giving me – the oracle there claimed – another dose of Japanese luck. Next was Kagoshima, known as the 'Naples of the Orient' due to its coastal location and active volcano, Sakura Jima, which puffs clouds of ash (grey safe; white danger) into the bay. We visited the popular Ibusuki spa resort on the outskirts of the city, where I was buried up to my neck in black volcanic sand, then feasted on steaming bowls of sabi-sabi hot pot. That afternoon, we travelled inland to the Chiran Samurai Houses, a village of well-preserved Samurai dwellings – some still inhabited by descendants of the Shimazu samurai. Their clan had once ruled the area, until – during the Meiji Restoration of 1868 – Kagoshima's Satsuma samurai led a battle that toppled the Shogun (local feudal commander) and restored power to the Emperor. But it was our arrival in Nagasaki which proved the most poignant. As the sun rose over the East China Sea, the city's iconic Hirado O-hashi suspension bridge (tomato red, often likened to San Francisco's Golden Gate) appeared to part the low-lying clouds. Our first stop was the Atomic Bomb Museum, which displays a sobering and comprehensive collection that recounts the devastation inflicted on the city and its residents in 1945. More moving still is the peace memorial, located in a tranquil park nearby. With much to process, we broke for lunch, feasting on delicate sashimi and bento served in beautiful lacquerware boxes decorated with traditional Maki-e patterns, a 1,200-year-old technique of painting motifs onto lacquer and sprinkling gold powder before the material hardens. But there is far more to Nagasaki than its tragedy – and our afternoon was dedicated to exploring other aspects of its fascinating past. A notable highlight was the city's Dejima district, a former island built first to contain Portuguese missionaries, and later Dutch traders, to keep them away from the city's Japanese population during Japan's two centuries of isolation. The reconstructed residences show how life was for the only Westerners permitted in the country during that time. On the last day of the cruise – bound for Tokyo once more – I stood on the deck of Diamond Princess, watching southern Japan's craggy mountains melting into the horizon. I looked again at my waka. 'Your request will be granted.' It read. 'The patient will get well. Building a new house will be well. Marriage of any kind and a new employment are both well.' The waka was as good as its word. That week, I returned home to find a job offer awaiting me, our application for a loft extension approved, and news that a family member, who had been waiting on hospital test results, had been declared healthy. Suffice to say, the Shinto oracles had worked their magic. Essentials Emilee Tombs was a guest of Princess Cruises, which offers the 10-night Japan Explorer sailing from £979 per person (based on two sharing an inside stateroom) or £2,219 per person (based on two sharing a balcony stateroom). Departs February 24, 2026.