ظهور نادر لابن جوني ديب في عيد الميلاد
Johnny Depp's look-alike son Jack, 22, spotted out in Paris in rare sightings over the holidays https://t.co/g0XCWBAvDL pic.twitter.com/1SFHk1WpE7
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Saudi Gazette
5 hours ago
- Saudi Gazette
Inside the region's first-ever skin Summit: Why L'Oréal chose Saudi as a launchpad for science-led beauty storytelling
When over 400 content creators gathered in the capital for the first-ever L'Oréal Skin Summit, it marked more than a milestone in beauty—it was a glimpse into the future of skincare. Among the expert voices contributing to this conversation was Xavier Fastinger, Head of R&I Development – Skin & Makeup for SAPMENA, whose extensive global experience has helped L'Oréal bridge science, innovation, and local insight across diverse markets. We caught up with Xavier during the summit to discuss the Kingdom's unique potential, the evolving consumer mindset, and why science-first storytelling is the future of beauty. 1) Why was hosting this summit in Saudi such a defining move for L'Oréal? This was a deliberate choice. Saudi Arabia has become one of the most digitally influential markets in the region, and its creator economy is thriving. Bringing the Skin Summit to Riyadh wasn't just about launching a first — it was about connecting directly with a community that's already driving beauty conversations online. The goal was to move beyond product showcases and immerse creators in the science that fuels innovation. That kind of transparency helps foster trust, credibility, and a deeper relationship with skincare itself. 2) You've worked across France, Brazil, and India—how does this region compare in terms of pace and potential? The region's energy is distinct. There's a strong appetite for progress, for knowledge, and for redefining standards. What's inspiring here is that innovation doesn't sit only in the labs—it lives in conversations happening online, in pharmacies, in salons, and on social platforms. In Saudi, you can see creators and consumers alike approaching skincare not just as a routine but as a form of identity and expression. That creates a unique ecosystem where science and creativity can truly collaborate. 3) Sustainability is also becoming central to L'Oréal's R&D. How is that reflected in your work? Sustainability isn't just a trend for us—it's embedded into our research model. Through our Green Sciences initiative, we're working toward a future where 95% of our ingredients are bio-based, mineral, or derived from circular processes by 2030. For instance, we now use fermentation techniques to produce ingredients like Vitamin C from plant starch, reducing environmental impact while maintaining potency. In the long term, sustainable innovation allows us to meet the needs of increasingly conscious consumers without compromising on performance. And it's clear that consumers in this region are increasingly paying attention to these values when choosing their products. 4) What message would you leave with Saudi content creators after this summit? Use your platform to inform as well as inspire. The knowledge shared at the summit—from ingredient science to diagnostic tools—was meant to empower creators to elevate the quality of skincare conversations in the region. You now have access to information and resources that allow you to create content that is not only visually engaging but also rooted in credibility. By combining storytelling with science, you can build stronger trust with your audience—and play a part in shaping a more informed and inclusive beauty culture in Saudi and beyond.
Arab News
6 hours ago
- Arab News
In Marseille, a shadow becomes art in Banksy's latest street mural
MARSEILLE, France: The lighthouse appeared overnight. Painted on a wall tucked away in a quiet Marseille street, its beam aligned perfectly with the real-life shadow of a metal post on the pavement. At its center, stenciled in crisp white, are the words: 'I want to be what you saw in me.' Banksy had struck again. On Friday, the elusive British street artist confirmed the work by posting two images on his official Instagram account — without caption or coordinates. Fans quickly identified the location as 1 Rue Félix Frégier, in the Catalans district of Marseille's 7th arrondissement, near the sea. Since then, crowds have gathered at the site. Tourists snap photos. Children point. Locals who usually walk past the building stop to take a closer look. There is no official explanation for the phrase. But its emotional pull is unmistakable — a quiet plea for recognition, love or redemption. Some speculate it references a country ballad by Lonestar. Others call it a love letter. Or a lament. Or both. The image is deceptively simple: a lone lighthouse, dark and weathered, casting a stark white beam. But what gives it power is the way it plays with light — the real and the painted, the seen and the imagined. The post in front of the wall becomes part of the piece. Reality becomes the frame. Marseille's mayor, Benoît Payan, was quick to react online. 'Marseille x Banksy,' he wrote, adding a flame emoji. By midday, the hashtag #BanksyMarseille was trending across France, and beyond. Though often political, Banksy's art is just as often personal, exploring themes of loss, longing and identity. In recent years, his works have appeared on war-ravaged buildings in Ukraine, in support of migrants crossing the Mediterranean and on walls condemning capitalism, Brexit, and police brutality. The artist, who has never confirmed his full identity, began his career spray-painting buildings in Bristol, England, and has become one of the world's best-known artists. His mischievous and often satirical images include two male police officers kissing, armed riot police with yellow smiley faces and a chimpanzee with a sign bearing the words, 'Laugh now, but one day I'll be in charge.' His work has sold for millions of dollars at auction, and past murals on outdoor sites have often been stolen or removed by building owners soon after going up. In December 2023, after Banksy stenciled military drones on a stop sign in south London, a man was photographed taking down the sign with bolt cutters. Police later arrested two men on suspicion of theft and criminal damage. In March 2024, an environmentally themed work on a wall beside a tree in north London was splashed with paint, covered with plastic sheeting and fenced off within days of being created. Despite the fame — or infamy — at least in Marseille, not everyone walking past noticed it. Some didn't even know who Banksy was, according to the local press. On Instagram observers say this Marseille piece feels quieter. More interior. And yet, it is no less global. The work arrives just ahead of a major Banksy retrospective opening June 14 at the Museum of Art in nearby Toulon featuring 80 works, including rare originals. Another exhibit opens Saturday in Montpellier. But the Marseille mural wasn't meant for a museum. It lives in the street, exposed to weather, footsteps and time. As of Friday evening, no barriers had been erected. No glass shield installed. Just a shadow, a beam and a message that's already circling the world.
Asharq Al-Awsat
6 hours ago
- Asharq Al-Awsat
Taylor Swift Buys Back Rights to her Old Music
Pop icon Taylor Swift, who has been publicly feuding with record executives since 2019 over the rights to her early music, now owns her entire catalogue, she said on her website Friday. "All of the music I've ever made ... now belongs ... to me," she wrote, after years of dispute over her first six albums, a number of which she has rerecorded to create copies. The pop star said she purchased her catalog of recordings — originally released through Big Machine Records — from their most recent owner, the private equity firm Shamrock Capital. She did not disclose the amount. 'We are thrilled with this outcome and are so happy for Taylor,' Shamrock Capital said in a statement.
