Chummy Tees Reviews Graphic Tees Sales to Predict 2025 Style Trends
SONORA, CA / ACCESS Newswire / March 24, 2025 / After a comprehensive review of 2024 sales data, Chummy Tees, a California-based graphic t-shirt brand, is releasing insights into the emerging graphic tee trends expected to shape 2025. The findings offer a unique look at how consumers are expressing themselves through casual apparel and how certain styles and themes are gaining traction across demographics.
Chummy Tees, known for its humor-based and statement-driven designs, conducted a full internal review of product performance to identify which trends are sticking, which are fading, and what new preferences are emerging. The report, compiled from both sales patterns and operational data, avoids speculation and instead focuses on measurable patterns drawn directly from customer behavior.
'Our shirts have always reflected cultural undercurrents,' said Josh Neuman, founder of Chummy Tees. 'By taking time to properly review what resonated with customers-and what didn't-we're able to get a clearer picture of where casual style is heading.'
The Review Process
Over several weeks, the Chummy Tees team conducted a multi-layered analysis of sales data across its catalog. This included tracking top-selling designs, product views, size preferences, color selections, and cart behavior. Additionally, they assessed year-over-year performance shifts, repeat purchase behavior, and notable changes in seasonal or regional patterns.
This annual review process gives the company a strategic edge-using actual buyer behavior rather than guesses or fashion industry speculation to guide its upcoming collections.
2025 Graphic Tee Trends: What the Data Says
Here are the five most notable trends identified through Chummy Tees' internal review:
1. Niche Humor Is Leading the Pack
Buyers are increasingly favoring graphic tees with specific, targeted humor over broad or generic jokes. Tees that reference narrow subcultures, internet tropes, or quirky wordplay consistently outperformed more traditional humor designs throughout 2024.
This trend reflects a growing desire for individuality in self-expression. Rather than looking for shirts that 'everyone will get,' customers seem to prefer designs that reflect their own unique sense of humor-even if only a few people understand the reference.
2. Minimalism Is Gaining Ground
While bold, complex designs still have their place, minimalist styles saw a significant rise in performance. Simple phrases, single-word designs, and clean graphical elements gained popularity in the second half of 2024 and are continuing strong into 2025.
This design direction aligns with broader fashion and lifestyle trends favoring simplicity, quiet design, and less visual clutter. The Chummy Tees team expects this to carry over into more subdued layout choices and refined typography in upcoming releases.
3. Muted Colors and Earth Tones Are Trending
An ongoing review of color performance revealed a clear shift: buyers are moving away from ultra-bright or neon tones in favor of earthy, muted shades. Colors like light tan, heather gray, latte, and natural heather climbed in sales throughout the year.
This color shift suggests a broadening preference for graphic tees that can be worn in a wider range of settings-less as novelty items, more as part of daily wear.
4. Message Tees Remain Steady and Strong
Contrary to some industry predictions, message-based tees-those featuring short statements, slogans, or reflective phrases-continue to perform reliably. In Chummy Tees' review, these designs remained among the most consistently viewed and purchased, with no noticeable spike in return rates or drop-off in interest.
Rather than being polarizing, these shirts appear to serve as a casual and approachable way for customers to share pieces of their personality or worldview without overstating them.
5. Oversized and Relaxed Fits Are Still in Demand
Fit preferences remain centered around comfort. The review of size trends shows increased demand for larger, oversized and relaxed cuts, even in smaller size ranges. Customers are often choosing to size up intentionally, favoring loose silhouettes over slim-fit styles.
Looking Forward
Chummy Tees is applying these insights directly to its upcoming graphic t-shirt releases. Designers are prioritizing subtlety, and visual clarity, while still keeping the brand's hallmark sense of humor intact. Rather than chasing fads, the team plans to remain responsive to patterns revealed in its own data.
'We believe in creating products rooted in observation, not assumption,' said Neuman. 'These reviews reinforced our belief that customers are moving toward intentional, meaningful clothing-even when it's something as simple as a t-shirt.'
Upcoming collections will focus on clean compositions, a deeper variety of neutral tones, and more designs that allow for personal interpretation. While humor will remain central, the brand plans to explore humor that resonates in more nuanced, less obvious ways.
Why Internal Reviews Matter
Chummy Tees conducts a structured internal review every year, not just to assess product performance, but to understand what's changing in consumer behavior. In an era where customer attention is fragmented and fashion trends move quickly, this practice allows the brand to focus on relevance over noise.
'We don't make decisions based on what's trending on a runway,' Neuman added. 'We make decisions based on what our customers actually bought, wore, and came back for.'
By grounding its decisions in internal reviews of sales and behavior, Chummy Tees keeps its collections both authentic and adaptable.
About Chummy Tees
Founded in 2016 and headquartered in Sonora, California, Chummy Tees is a direct-to-consumer graphic t-shirt company focused on originality, personality-driven design, and wearable comfort. New styles and colors are launched frequently, guided by internal reviews, customer feedback, and ongoing shifts in consumer culture.
The brand continues to grow by staying rooted in its core philosophy: make clothing that feels personal, fun, and enjoyable to wear.
PR Contact:

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Boston Globe
12 minutes ago
- Boston Globe
Other free courses colleges should offer now
Beth Wolfensberger Singer is a Boston-based artist. You can see more of her work at


Los Angeles Times
18 minutes ago
- Los Angeles Times
Hilbert Museum partners with Pageant of the Masters to tell a story of California art
When Diane Challis Davy, director of the Pageant of the Masters, was first invited to tour the Hilbert Museum of California Art in Orange last year, she was struck by the many images she knew would be a fit for Laguna Beach's famed living picture show. Mark Hilbert, who co-founded the museum with his late wife Janet, walked Challis Davy through the museum personally and sent her home with art books to look through. She came across a painting in one of those books that she knew had to be included in the Pageant. 'Mark gave me some of his beautiful books and I took them home and right away, I knew that 'Monday at the Crab Cooker' was perfect for a Pageant tableau,' said Challis Davy. The work by local artist Bradford J. Salamon depicted three men having dinner at the iconic Newport Beach restaurant. Challis Davy knew the scene inside the popular seafood eatery fit well with the 2025 Pageant of the Masters theme, 'Gold Coast: Treasures of California,' which is intended to be a tour of some of the most notable works of art on view at California's coastal museums. Unbeknownst to Challis Davy, she had just selected a piece that documents the beginnings of the Hilbert Museum itself. 'I chose it before Bradford told me he is [one of the men] in the picture, Mr. Hilbert is painted in the picture and Gordon McClelland is in the picture,' said Challis Davy. On Monday nights the three art lovers would get together over a fish dinner and discuss the idea of opening a museum that could display the collection amassed by Mark Hilbert and his late wife, Janet. 'We would just get together and talk about art until we were deaf,' Hilbert said. The meeting of the minds was the first imagining of the Hilbert Museum as it stands today and Salamon said he recognized history was being made. 'I felt privileged to be watching the soup being made with Mark and Gordon and the idea of a museum,' said Salamon. 'As we kept going every Monday and talking, I realized I was really dealing with people who could pull this off, I was dealing with a visionary who is going to do this; and I thought I should document it.' Salamon joined Challis Davy, Hilbert and Hilbert Museum director Mary Platt on the evening of June 4 in a panel discussion at the museum discussing the painting and other works selected from the Hilbert Collection that will be featured in this year's pageant. The Pageant of the Masters has been a tradition at Laguna Beach's Festival of Arts since 1932, when a few living pictures were presented as the 'Spirit of the Masters Pageant.' 'It grew over the years,' said Challis Davy. 'Thanks to a fellow by the name of Roy Ropp, who was a builder in town and a painter. He is considered the father of the pageant because he gave us our name, Pageant of the Masters.' Ropp used his expertise to add painted backdrops on a larger stage and incorporated music and narration in the show. He is also responsible for introducing 'The Last Supper,' as the finale, a tradition that continues today. Each year the show follows at theme, such as last year's 'À La Mode: The Art of Fashion,' which put the spotlight on popular styles of dress in various periods. Challis Davy works closely with her team to find the right works of art to present that best represent the theme. 'Proportion of overall canvas to figure is very important to us and how the figures are aligned,' said Challis Davy. 'We are going to take this two dimensional painting and we are going to turn it back into 3D, so it's all about the proportions.' Challis Davy said she also keeps an eye out for works with meaningful narratives, something the Hilbert Museum prides itself on. 'We specialize in what we call California narrative art, which is art that tells a story, ' Platt said of the Hilbert. 'You can also call it representational art or figurative art. It certainly has people in it, or the work of people. You might see a boat, or a pier or ranch or road.' In addition to 'Monday at the Crab Cooker,' the pageant has also selected Phil Dike's 'Afternoon at Diver's Cove,' Lee Blair's 'Mary by the Sea,' and another of Salamon's oil works, 'Seal Beach Nighthawks,' which depicts a cold night at a seaside corn dog shack. The Millard Sheets mosaic 'Pleasures Along the Beach,' which is the crown jewel of the expanded Hilbert Museum and was relocated from a Home Savings & Loan building in Santa Monica, will also be featured in the pageant along with a third Salamon painting, commissioned by the pageant. Since the segment on Salamon will include the Crab Cooker and the corn dog stand, Davy was hoping to include a third work that depicted a restaurant or bar. 'I thought there is got to be a third one and I look and looked and I couldn't find one that was suitable for our stage, so I thought 'OK, let's take a leap of faith and let's commission an artwork' and that painting is now in the Festival of Arts' permanent collection.' Salamon was given a choice of painting the landmark Sandpiper lounge in Laguna Beach — affectionately called the 'Dirty Bird' by locals — the Swallows Inn or the Marine Room Tavern on Ocean Avenue in Downtown Laguna Beach. The artist went with the Marine Room, painting a scene of patrons at the bar and in front of the fireplace. 'I put different little Easter eggs in there regarding art history; on the far left there is 'Folies-Bergère' by Monet, there is Winslow Homer's 'Breezing Up,' which they have done at the pageant for many years,' Salamon pointed during the panel discussion. There is also a small cat peeking out from behind a bar stool, a reference to the 'McSorley's Cats' by John Sloan, and a balloon dog on one patron's hat, a nod to Jeff Koons. 'These were all little things that I thought would be fun to put in,' Salamon said. Mark Hilbert will also get in on the fun this summer, joining the cast of volunteers at the pageant on 'Hilbert Museum Night at the Pageant' on July 9 to play himself in the 'Monday at the Crab Cooker' painting. 'We are not going to ask him to shave for this but he will have to be subjected to the make up application process,' Davy said. The 2025 Pageant of the Masters opens July 5 and recipients of the Hilbert Museum e-newsletter will receive a 20% ticket discount. For more information on the 2025 Festival of the Arts and Pageant of the Masters, visit For details on the Hilbert Museum exhibitions and the five works selected from the Hilbert Museum collection go to


Business Wire
25 minutes ago
- Business Wire
Populous Acquires Fentress Architects, Expanding Global Aviation Portfolio
KANSAS CITY, Mo.--(BUSINESS WIRE)--Populous, the world-renowned design firm specializing in sport and entertainment venues, today announced the acquisition of Denver-based Fentress Architects, a global leader in iconic aviation projects and prominent public buildings, including convention centers, museums and government facilities. "Adding Fentress' expertise and client base to the Populous global aviation and transportation portfolio will enable us to transform the future of people-centric design and supercharge our global impact in those sectors." This strategic acquisition unites two of the most respected names in architecture, combining Populous' unparalleled expertise in designing memorable experiences with Fentress' award-winning portfolio of aviation, civic and cultural landmarks. The acquisition significantly broadens the scope and scale of services that Populous can offer clients across the globe. Bruce Miller, Populous Global Chair and CEO, commented: 'We are committed to expanding the breadth of our practice. Fentress Architects has long been known for its visionary aviation and public architecture, exceptional design quality and commitment to innovation. Uniting our aviation team with Fentress to form Fentress Studios, a Populous Company, symbolizes our dedication to design quality. Adding Fentress' expertise and client base to the Populous global aviation and transportation portfolio, as well as synergies across convention center design, will enable us to transform the future of people-centric design and supercharge our global impact in those sectors.' Founded in 1980, Fentress Architects has designed more than $52 billion of architectural landmarks worldwide, including Denver International Airport, Incheon International Airport, Miami Beach Convention Center and the National Museum of the Marine Corps. The firm is known for creating architecture that is sustainable, contextual and deeply connected to the communities it serves. Curt Fentress, Founder and Principal in Charge of Design at Fentress Architects, commented: 'Populous shares our values of design excellence and people-centric thinking. Together, we will continue to redefine great architecture and its capacity to ignite social and economic change through inspired design for people." Fentress Architects will rebrand as Fentress Studios, a Populous Company, with the studios continuing to be based in Denver and Washington D.C. The acquisition further propels Populous' capabilities in aviation, transportation and public sector design. About Populous Populous is a global design firm that began with a singular focus — to draw people together around the things they love, through experiences that capture all the senses and amplify the pure emotion shared in human moments. Over the last 40+ years, the firm has designed more than 3,500 projects worth over $60 billion across emerging and established markets. Populous' comprehensive services include architecture, interior design, event planning and overlay, branded environments, wayfinding, and graphics, planning and urban design, landscape architecture, aviation and transport design, hospitality and sustainable design consulting. Populous has over 1,500 employees in 32 global offices on four continents with regional centers in Kansas City, London and Brisbane. For more information, visit About Fentress Architects Fentress Architects is an international design firm that passionately pursues the creation of innovative, sustainable, and iconic architecture. The firm's work includes landmarks such as the Tom Bradley International Terminal at LAX, the Ralph L. Carr Colorado Supreme Courts, and the Royal Norwegian Embassy.