
Horoscope today, June 29, 2025: Daily star sign guide from Mystic Meg
OUR much-loved astrologer Meg sadly died in 2023 but her column will be kept alive by her friend and protégée Maggie Innes.
Read on to see what's written in the stars for you today.
♈ ARIES
March 21 to April 20
Any hesitation in love can disappear as Neptune stirs up your emotional self, and Venus makes you bolder in words and actions.
Partners old or new can be longing for this moment and be more than ready to respond.
But stay on the side of common sense when it comes to promising more than you can deliver.
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♉ TAURUS
April 21 to May 21
Your dreamier side can be a surprise, but as Neptune flips into reverse, this is the part of you that can fuel practical plans.
Do give what may seem impossible hopes a chance.
In love, Venus underlines security in feelings, rather than finances.
This can erase a recent cash shadow.
Luck revisits a series of numbers.
Get all the latest Taurus horoscope new s including your weekly and monthly predictions
♊ GEMINI
May 22 to June 21
You start your Venus time with a trove of positive personal feelings.
Instead of talking down your true self, you can boost it and believe in your right to succeed.
This can highlight love choices and the kind of work moves that enrich every part of you – even the hidden bits.
Friends who seem so together may need help.
Get all the latest Gemini horoscope news including your weekly and monthly predictions
♋ CANCER
June 22 to July 22
Neptune's retrograde may affect your goal-setting sector in unexpected ways.
You could take a deal in a new direction, or switch your focus from cash-rich careers to ones that centre on caring.
If it feels right, you should press on. A cash 'yes' may come with conditions – don't forget, you have the right to refuse.
Get all the latest Cancer horoscope news including your weekly and monthly predictions
♌ LEO
July 23 to August 23
Retrograde ripples radiate through your chart and a sense of facing the unknown can be strong.
But you have the loyal embrace of Venus to protect you and help you make plans, keeping your inner balance positive.
In love? Friendship can counteract hot tempers.
Single? The One has many qualifications.
♍ VIRGO
August 24 to September 22
Venus starts at the top, and so do you.
Your name can be leaping up a passion list, so stay in the game, even if you feel defeated.
Attached? Shared goals are good, but solo ones are also vital to keep the spark alive.
Your deepest sense of self is challenged by Neptune's retrograde in ways that reinforce what you believe.
Get all the latest Virgo horoscope news including your weekly and monthly predictions
♎ LIBRA
September 23 to October 23
Enjoyment and success can go hand in hand – and finding a study path you love is more feasible now.
Be realistic about where you want and need to go next.
Your relationship style may be rocked as Neptune reverses, but this can show where a close bond needs work.
You'll savour the chance to show your true self.
♏ SCORPIO
October 24 to November 22
A working style that is more instinctive and less by the book may feel a risk, but this can be right for you.
So relax some rules and see what happens.
If you're in love, Venus intensifies feelings and you will adore the thrill of this. If you're single, someone you have dismissed as 'too much' can start to seem exactly right.
Get all the latest Scorpio horoscope news including your weekly and monthly predictions
♐ SAGITTARIUS
November 23 to December 21
The key to creativity is an open mind and heart, which Neptune helps you achieve.
The less you expect this week, the more you receive – plus, you are ready to get more sensitive ideas and feelings out there, no matter the risks. In love, this breaks down a final barrier.
Single? Your soulmate stands while others sit.
Get all the latest Sagittarius horoscope news including your weekly and monthly predictions
♑ CAPRICORN
December 22 to January 20
You're not afraid of hard work, and love may demand it of you this week.
But big rewards are on the horizon and you can finally see them.
In a family setting, sensitive feelings may seem overwhelming, but stay calm and kind and you can navigate through.
Mars may try to speed up a journey, but set your own pace.
Get all the latest Capricorn horoscope news including your weekly and monthly predictions
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♒ AQUARIUS
January 21 to February 18
The kind of romance that movies are made of can be your reality this week – so don't overanalyse. Just go with the flow.
All you have to do is say 'yes' to happiness, instead of seeking reasons to say 'no'.
A task that has taken a lot of juggling can be near to closure, so do make sure all figures and facts are in line.
Get all the latest Aquarius horoscope news including your weekly and monthly predictions
♓ PISCES
February 19 to March 20
That forever home for your heart is moving closer, and advice from a family member may be unwanted but could be good.
So take time to listen and learn.
Hanging on to objects, ideas and maybe even people you no longer need can be a Pisces trait.
Neptune urges you to deal with this.

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Hail the brave, defiant women who rightly shame their attackers
'Let them see what they've done.' On the flight back to Washington after her husband's assassination, that was Jackie Kennedy's reason for refusing to clean herself up and change out of that famous pink suit. It was spattered with blood, powdered bone and brain tissue, her stockings were soaked and her face was smeared with gore but she insisted on stepping off the plane bearing her battle scars for the world's cameras to record. The ensemble itself, the bloodied stockings folded into a white towel, is preserved in a climate-controlled vault outside Washington. Almost nobody has seen it since that day and, on the Kennedy family's strict instructions, the vault will not be opened for decades to come. Why didn't she change out of those bloodstained garments on the way back? It's a three-hour flight from Dallas to Washington and yet she sat there all the way in that suit, with the blood stiffening on her clothes, its metallic smell thickening the air, rather than wash and change to make herself presentable. She was clearly a woman who took great pride in her glamour — it must have gone against every instinct to appear in public in such a degraded state. Hours earlier she'd been first lady, a fashion icon, radiant in her custom-made outfit; now she was a widow, dishevelled, stained and dirty, a sight to horrify and repel rather than charm and attract. There must have been some, back in the day, who considered her display hysterical and unseemly, unbecoming to someone of her status. Not much has changed in the 60-odd years since. Women in the public eye are still expected to present themselves in a manner never required of men, and attractive women are under an added obligation to be decorative, as if to do otherwise were a defiance of their purpose. Sinéad O'Connor shaved her head to thwart industry executives who she feared prized her good looks above her music. Youth and beauty, for all the strides we've made, are still considered a woman's most valuable capital; old and ugly are the insults most often flung at contrary or controversial females to put them in their proper place. An Irish Times letter writer last week described how her 81-year-old mother confronted a man on Sandycove beach for breaching a ban on dogs in the bathing area, as he had two large hounds roaming free. His response was to put a heavy chain lead around the elderly woman's neck and tell her she was the only dog on the beach. The most striking image of the past week, for me, was the picture of Alanna Quinn Idris on her way to court to confront one of the thugs who blinded her in an unprovoked attack four years ago. She is an exceptionally beautiful young woman and, with the wind lifting her curls into a black halo, she looked like an ancient warrior goddess, striding into the criminal courts in Dublin in pursuit of justice. But her beauty was not being deployed for the male gaze or admiration; instead, she was deliberately subverting convention by displaying, to horrify, and even repel us, the evidence of her injuries. And it is shocking to see: her dead eye, a white orb in her lovely face, challenging, defiant and uncompromising. The author Salman Rushdie also lost an eye, in a stabbing attack provoked by the Satanic Verses fatwa during a speaking event in New York in 2022. He wrote a memoir, Knife, in which he reflected deeply on the incident and laid bare the chilling detail of the injury. His eye, he said, was left dangling on his cheek 'like a soft-boiled egg', and the lids are now stitched closed. But in public, he covers his wound with a darkened spectacle lens or an eye patch. By contrast, Quinn Idris offers her attackers no reprieve, and her decision to attend court without covering her ruined eye was a statement of astonishing power: let them see what they've done. By coincidence, another defiant sufferer of male violence, Natasha O'Brien was also back in the news last week, with an RTE documentary charting her emergence from victim of a brutal, random street attack to campaigner against gender-based violence. I suspect that by being beautiful women, way above the level of the scrawny, cowardly little thugs who attacked them, O'Brien and Quinn Idris somehow inflamed those inadequate men into trying to destroy their looks. Cathal Crotty, a soldier, held O'Brien by the hair and punched her repeatedly in the face, breaking her nose, after she challenged him for taunting a gay man on a night out. Quinn Idris had previously been harassed by Jack Cummins, who last week admitted procuring the attack in which she was struck in the face with the saddle of an e-scooter. Stigma, or shame, was cited last week by Sarah Benson, the Women's Aid chief executive, to explain the reluctance of women to admit to being victims of domestic abuse. 'Persisting social attitudes to domestic violence,' she said, 'prevent women from coming forward.' Last year, however, Women's Aid received the highest number of disclosures of domestic violence in its 50-year history. More than 41,000 women reported abuse by a partner or former partner, up 17 per cent on 2023. Is it really the case that more women are being assaulted now than, say, during Covid, when UN Women described the global spike in domestic violence as a 'shadow pandemic'? Or is it just possible that, inspired by women like Quinn Idris and O'Brien, who are placing the shame where it belongs, more victims are emboldened to come forward, stand up to their abusers and let the world see what they've done? Coming soon after band member Mo Chara's court appearance in London on a terrorism charge, Kneecap's performance in Fairview Park this month was always going to be a big event. And so it proved: the rappers attracted their biggest crowd for a solo gig, playing to a capacity audience of 8,000 on home turf in Dublin. The controversy, which included the UK prime minister, Sir Keir Starmer, saying he didn't believe they should have been in yesterday's Glastonbury line-up, almost certainly attracted supporters for whom the band's music was a secondary consideration to their politics. Mo Chara, real name Liam Óg Ó hAnnaidh, is accused of displaying a jihadist flag at a London show in November. Also last weekend, a performer who has attracted very little controversy, been denounced by no world leaders, taken no stance, fashionable or otherwise, on the Gazan conflict and engaged in no divisive rhetoric, played in Dublin. Zach Bryan, of whom most people of my generation had never heard before his Irish appearances, played three shows in another park in the capital. Each night, the country-pop star, who sings of love, loss, longing, drinking beer and talking to his dead grandpa, drew a crowd of more than 60,000 people, evenly gender balanced and mostly twentysomethings, or almost 200,000 Irish fans over his Phoenix Park run. That's enough to fill Croke Park almost three times over, whereas a crowd of 8,000 at a Cavan-Monaghan Gaelic football match on a wet Sunday in April last year was considered paltry. Could it be that some people like their music to come without a side-order of political hectoring and a compulsory serving of performative virtue-signalling? Who'd have thought it?


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America's dive bars are disappearing. Montana didn't get the memo
It's been over two decades now, but as I remember it: the floor was sticky with peanut shells and beer. I could feel a crunch underfoot amid the din of garbled conversation as my young, righteous girlfriends and I made our way to a wobbly table at the Haufbrau in Bozeman, Montana. I was there to hear a friend play guitar and sing at open mic night. As it turns out, so was my future spouse. I was emboldened by the emotion of a recent breakup, the energy of a girls night and, perhaps, liquid courage. Maybe it was also the magic of the bar, because when I spotted him across the room, I flicked a peanut at him. Within a matter of hours, we were parting, and he was saying 'I love you.' These days instead of a group of friends, I come with a lot of media equipment – straps, cords, cameras, laptop, and a black paper journal and pen – as I set out to explore dive bar culture in Montana. I begin my reporting at the Filling Station, located on the outskirts of now trendy Bozeman, a few miles from my home. Inside, the walls are covered with vintage license plates, street signs, a large red flying horse at ceiling height, a buffalo mount with a Hawaiian lei and a stuffed deer head ridden by a skeleton. 'That stuff just accumulates,' says Bill Frye, who owns the bar with his mother, Cin, and brother Don. 'I think the skeleton was a Halloween prop that ended up on the deer that was already mounted.' 'The deer is new,' he adds. And by 'new' he means within the last 20 years. 'A regular who is a taxidermist brought that down.' In addition to the deer, many other things on the Filler's walls have been donated by customers, some en route to the city dump down the road. Others were collected by Bill's parents more than 20 years ago. 'The bison head is off the record,' Bill says. But then as the conversation unfolds, he reveals a few scant details: third floor, a lodge near Glacier national park, a rope, taxidermy and a bunch of guys who brought it down here. But, he concludes, thinking out loud, they are all dead now, so it's OK to write about it. The variety of people who come to the Filler (and the Hauf) are as colorful as the decor. You see everything from pressed Oxford shirts to cowboy boots to camouflage pants to 1980s attire to bare feet in Birkenstocks (in cold weather). These days, Bozeman is home to all kinds of fancy bars, from social club to wine to rooftop, yet 'there are no more [dive bars] coming in,' says Bill. Because of the high cost of commercial properties and alcohol licenses, '[it takes] a minimum of several million to open a new bar in Bozeman. When we purchased the Hauf in 1969 the whole thing was under $100,000. It was a lot at the time. But we couldn't afford to sell it now with the high property-gains tax. We are caught in a trap.' Given all the new high-end choices, it's a bit of curiosity that people continue to show up in cultlike fashion at both the Filler and the Hauf. 'People like the fact that they feel at home,' Cin says. 'We [the owners] can drive by one of the bars and know who's in there by the cars outside.' It's a community center where you feel relaxed, Bill and Cin agree. 'Several customers tell us if we weren't here they would be gone too,' says Bill. When I enter Dusty's Bar in the dry land farming community of Brady, Montana, my first reaction is: 'This is a dive bar? It's so clean.' The polished wooden bar and shiny floors are the result of a renovation during the pandemic in 2020, says owner Kourtney Combs, who purchased Dusty's in 2019. The spotlessness is a good thing, because many people come here to eat. Every Friday, Kourtney's partner, Travis Looney, starts smoking meat – barbecue pork, tri-tip, briquet, sausage, ribs, turkey – at around 3am so it's ready to go by 5pm. By 7pm, it's sold out. In addition to having great food, Dusty's is also a place where customers chip in. 'If I get too busy, people will just get up and start helping,' says Combs. 'They'll take their dishes back. They'll stock the cooler. They'll clear other people's plates. If I have to leave the bar for 20 minutes, it will take care of itself. Customers will get their own drinks. Honor system. We trust them.' When I sit at the bar with locals Gus Winterrowd, a retired farmer; Jeff Farkell, a crop consultant; and Dan Rouns, a retired farmer and previous Dusty's owner, the conversation spans topics as far-ranging as life before technology to soil samples to memories of spinning records in the disco bar upstairs. This is how we landed on the topic of the 'cancer belt'. Winterrowd tells the group he heard the term from his wife's doctor in Seattle when he asked: 'What's the deal with all the cancer in our area?' And the doctor responded: 'It's the cancer belt,' referring to the rate of illness in women in communities across the midwest to northern plains. 'She put up one hell of a fight,' says Rouns about Winterrowd's wife. 'She did anything any person could do.' At this point in the conversation, I realize that a big part of the beauty of the dive bar is that it's a place of connection, a place where real people come to know each othe in real time. Of course, such moments of gravity are balanced with humor: 'We give each other shit. Ninety-ninety percent of the time we all get along. And we don't talk politics unless we're really drunk,' says Farkell. Forty-six miles down the road from Brady on the Missouri River, in the small city of Great Falls, I'm crouched with my camera near a mannequin wearing a repurposed prom dress in a room overflowing with fabrics, threads and sequins. At center is a Singer sewing machine and at the helm, Sandra Thares, seamstress of mermaid costumes and owner of the Sip 'n Dip Lounge, a tiki retro cocktail bar. Yes, mermaid costumes. Sip 'n Dip features windows with underwater views of swimming mermaids. (Currently, there are no mermen.) As part of their employment, each mermaid receives two tails and two tops per tail – all handmade by Thares. In 1996, the first swimming mermaid was a housekeeper dressed in a green plastic tablecloth on New Year's Eve. Over time, the concept became popular and grew into a regular weekend event. It's now a defining aspect of the bar, with mermaids putting on a show six or seven times a week. Mermaid Bingo Night was added in 2024. The evening entails three rounds of bingo in which the mermaids hold up the number cards. It is, as Thares puts it, 'something to do on a cold Montana winter Monday'. Usually, everyone gets a Hawaiian lei. The prizes are not monetary but instead they are 'fabulous' rewards. No matter what is happening on any given evening, Thares says, 'I always tell people that the thing about the Sip 'n Dip is that it doesn't matter who you are, where you are from, what your background is, what your political beliefs are, none of that matters [at] the Sip' n Dip; there's always something to talk about. And no matter who you are, you make new friends.' At each dive bar that I visit, people share the details of other dive bars that I should go to. More than once, people point me in the direction of Sun River and the 'bra bar', more formally known as the Rambling Inn – a place where customers leave their bras behind to hang on the walls in exchange for free drinks. Alas, the bra theme is great fodder for good-natured double entendres regarding 'cups' and a fun starting point for lighthearted conversation. Throughout my dive bar tour, the Helsinki Bar – the last remaining building in Finn Town in the small mining community of Butte – kept calling me back. I was previously there on St Urho's Day, a Finnish holiday celebrating the fictional St Urho, when I met Fiina Heinze. Heinze is of Finnish descent, and I witnessed her crowning as the 2025 Queen of St Urho's Day amid a packed bar, jello shots and premade plastic bags filled with a mysterious mixed drink. According to Heinze, St Urho is celebrated for driving away the grasshoppers that were destroying the grape crops in Finland. The holiday is something of a whimsical Finnish rivalry to St Patrick's Day: 'It's just a day that the Finns decided to have [on] the day before St Patrick's Day. It's not a national holiday.' I think that's the thing about dive bars: in large part, they are about stories. The stories that we listen to and that we share. The stories we experience while we are there. And if you're lucky, it can mark the beginning of a new story with a lifelong partner. All this, I think, is like the dive bar itself: an expression of that imperfect, enduring and sometimes sticky thing called love.