
EDEN CONFIDENTIAL: Cocaine trap earl takes a second shot at marriage
His might sound like a gilded, enviable life, not least because he inherited his grandfather's earldom before his fourth birthday and spent his infancy running barefoot around the Caribbean island of Mustique.
But that would gloss over the death of Joe Hardwicke's father Philip 'Pips', Viscount Royston, from heart failure aged 34 – and his mother Virginia 's battle with the bottle, which she lost at 47.
Those blows were made no easier to bear by society's hostility towards Virginia's choice of lover after Pips's death, Mustique bar-owner Basil Charles.
So it's heartening that, aged 54, Joe, the 10th Earl of Hardwicke, has a shot at lasting happiness. He has, I can disclose, become engaged to PR and media consultant Nicola Osmond-Evans, 51.
'We're delighted to confirm our engagement,' he tells me.
It's the second shot at marital bliss for Joe, a recruitment consultant, who was previously married to South African-born Siobhan Loftus, ten years his senior.
They wed in 2008 and she gave birth to a son, whom they named Philip after Joe's father, the following year.
A decade earlier, Joe had suffered the worst crisis of his adult life. By then, he'd become the youngest hereditary member of the House of Lords – he first took his seat aged 22 – and was also the co-owner of a business selling motor scooters.
In 1998, a Middle-Eastern caller placed an order for 50 off-road scooters, worth hundreds of thousands of pounds.
It was actually the first part of a 'sting' by an undercover reporter, which eventually led to Joe being given a two-year suspended sentence for supplying cocaine. But the jury made a point of recording the 'extreme provocation' of the methods used by the News of the World to entrap him.
He and his sister, Lady Jemima, regarded Basil as a surrogate father and his children, Reynold and Liz, as siblings.
A family friend recalls how the young Joe loathed leaving Mustique for prep school – and later for Marlborough College.
'He was aged about ten and came back, I think, with his aunt, [Lady] Amabel Lindsay,' the family friend tells me. 'They hadn't even got to Barbados when Joe said, 'I'm missing Basil already'.'
Basil attended Prince William and Kate's 2011 wedding. Let's hope he can make it to Joe's.
What an undignified end for The Lady, Britain's oldest – and stateliest – magazine for women.
I recently disclosed that the journal, which was founded two years before Queen Victoria's 1887 Golden Jubilee and included Alice In Wonderland author Lewis Carroll among its contributors, had gone into liquidation.
Yesterday, its Statement of Affairs was published, reporting that it owes creditors £700,000 as part of a £1.9million deficiency.
Actor cut from Musk doc
Homeland star David Harewood has revealed he was axed from narrating a documentary about billionaire Elon Musk because his voice was 'too warm'.
The actor, 59, says he was hired to do a voiceover for a programme about the Tesla and SpaceX boss, but the experience quickly soured.
'I was constantly being asked to re-record passages and told to make my voice colder, flatter, less warm – all the things that my voice isn't,' he says.
The next day he received a call from his agent to say he was being dropped from the job – but would be paid in full. 'Without skipping a beat I said, 'I see NO downside to this. Happy to move on',' says David.
Class? Check! Rosie poses for Burberry
After former EastEnders actress and chronic cocaine user Danniella Westbrook was splashed across the papers dressed head-to-toe in Burberry's check in 2002, the classic British label decided to take drastic action to shed its downmarket image.
It appointed US high-flyer Angela Ahrendts as chief executive and designer Christopher Bailey to make the brand fashionable again. And model Rosie Huntington-Whiteley is doing her best to keep Burberry classy.
Rosie, 38, who has two children with A-list actor Jason Statham, poses in a bikini for the brand's latest campaign, left. She first worked with Burberry in 2008.
Sir Ian McKellen will appear in a film directed by an Eton pupil after being contacted by the school.
Jacob Franklin, 14, says he 'wasn't really expecting a reply' from the actor, but Sir Ian, 85, said he was 'really inspired by this'.
In the film, Dragged Through Time, he plays a character inspired by gay people from the 1970s and 80s.
'I often look back to myself at [Jacob's] age and [have] regret,' says Sir Ian, who didn't publicly reveal he was gay until 1988.
Eugenie raises £1m
Some charities end up receiving little from fancy fundraising galas once costs are deducted.
So hats off to Princess Eugenie, whose organisation The Anti-Slavery Collective received £1.1million from its inaugural Force for Freedom Gala after £280,000 was spent on the London event.
The figures are reported in newly published accounts for the charity, which Eugenie co-founded in 2017. Superstar Ed Sheeran, Formula One reporter Natalie Pinkham and You're Beautiful singer James Blunt attended the fundraiser.
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Daily Mirror
2 hours ago
- Daily Mirror
Model wife castrated and cooked husband before 'taking a bite with BBQ sauce'
Omaiama Nelson, who worked as a model and a nanny after moving to California from Egypt, was convicted of murdering her pilot husband Bill Nelson and has been denied parole A model from California thought she had found her prince charming in Bill Nelson, and after a whirlwind romance, they tied the knot within three days. However, Omaiama Nelson's fairytale quickly turned dark as she recounted a marriage marred by violence shortly after exchanging vows. Omaiama, who had migrated from Egypt to the States, portrayed Bill as a man who swiftly revealed his abusive nature, alleging routine physical and sexual mistreatment. Reaching her breaking point, Omaiama Nelson committed an act of shocking brutality. She mutilated Bill, battered him to death with an iron, fried his hands, and consumed one of his fried fingers whilst declaring "I'm glad I lived". The Egyptian-born model made her way to California half a decade before these chilling events unfolded, earning her living as a nanny and chasing her modelling dreams. Crossing paths with Bill while playing pool at a bar in 1991, she entered into a relationship with the much older pilot, reports the Mirror US. Her ordeal began just days into the marriage, a tale corroborated by psychological assessments that later diagnosed her with PTSD. On Thanksgiving in 1991, after another alleged assault by Bill, Omaiama fought back with deadly force. Omaiama Nelson alleged that her husband had sexually assaulted her during a bondage session, where she was tied to the bed. She informed the police that she managed to escape her bindings and attacked him with a lamp, stabbed him with scissors, and bludgeoned him to death with a clothes iron. His cause of death was stab wounds. During this horrific assault, the former Egyptian model was clad in a red dress, red hat, and red boots, according to investigators. However, this was merely the start of Bill's horrifying end. After Bill's demise, Omaiama Nelson embarked on the macabre task of dismembering her spouse. It is believed she castrated him as retribution for her allegations of sexual assault. The murderer cooked her husband's head and boiled his hands in a desperate bid to erase his fingerprints. She then combined his body parts with leftover turkey from their Thanksgiving dinner and discarded this into the waste disposal unit. The entire gruesome act took 12 hours, with Omaiama Nelson claiming she was in a 'trance-like state'. Just days prior, a home video showed the couple enjoying family time in the Southern US with relatives - this footage was presented to the jury before Omaima's parole was rejected in 2011 by Orange County prosecutors. After the gruesome killing, Omaima Nelson was spotted behind the wheel of her husband's red Corvette, which was discovered with black bin bags on the front seat packed with dismembered body parts, CBS2 reported. A chilling video captured just after the police arrived reveals an officer shocked at uncovering organs in one of the bags. The trail of evidence led detectives to an appalling scene at the couple's flat, where it was believed Omaima Nelson had restrained her husband on the bed and butchered him. Two major pieces of proof in the case were a wooden knife and a butcher's cleaver. Neighbours had reported to the police that the sound of the waste disposal unit ran incessantly for two whole days. More human remains were later found stashed in a brown suitcase and the freezer. At her trial for the murder of her spouse, Omaiama Nelson confessed to the courtroom: "If I didn't defend my life, I would have been dead. I'm sorry it happened, but I'm glad I lived... I'm sorry I dismembered him." Omaima revealed to a psychiatrist that she had seasoned his ribs with barbecue sauce and sampled them, though she has refuted these claims ever since. Her attempt to persuade the jury that she had been the victim of her husband's abuse was unsuccessful, despite a pre-existing psychiatric evaluation and a complaint she lodged with a nurse at the Orange County Jail. The note she wrote highlighted her distress: "I am ready to lose it and go off on someone. Anyone. I can't sleep at night. I am extremely depressed."


The Herald Scotland
3 hours ago
- The Herald Scotland
The projects transforming Edinburgh's cultural landscape
A cultural revolution stretching across the city will involve a rolling programme of openings of new and reborn venues embracing almost every imaginable art form. Significant gaps in the city's cultural infrastructure will be tackled by some projects, while others will see the future of some of the city's most important landmarks secured. The changes are expected to help the city attract a host of performers and companies who would otherwise bypass the city, as well as encourage a greater geographical spread of the city's festivals and events. The first taste of what is to come will unfold this weekend in Leith Theatre, when the venue reopens for the first time in nearly three years to host performances of a new musical inspired by the classic Scottish film comedy Restless Natives. A 'pop-up summer season' of shows, which also feature a stage adaptation of Leith-born author Irvine Welsh's Trainspotting sequel Porno, was announced shortly before an announcement that the National Lottery Heritage Fund had pledged £4.5 million to get a long-awaited full-scale refurbishment off the ground. The building was originally a gift from Edinburgh to Leith following its controversial amalgamation in 1920, although the venue did not open until 1932 and was forced to close in 1941 after almost being destroyed by a bomb blast during the Second World War. The Leith Theatre Trust launched in the wake of a campaign more than 20 years ago and successfully thwarted city council plans to sell off the building, which closed in 1988 due to its declining condition. Leith Theatre has been reopened on a temporary basis for events like the Hidden Door festival since 2017. (Image: Chris Scott) More than two decades after the original campaign and eight years on from the first of a series of temporary openings for events, including Hidden Door and the Edinburgh International Festival, the trust has also finally secured a 50-year lease from the city council, which was seen as critical to unlock the long-term revamp. Leith Theatre has not been open as a year-round venue since the 1980s. (Image: RYAN BUCHANAN / LEITH THEATRE) Trust chief executive Lynn Morrison described the funding breakthrough as a 'zeitgeist moment' after years of behind-the-scenes efforts to get a refurbishment off the ground. She told The Herald: 'It allows us to develop a plan that celebrates this beautiful building design and original intent while preparing it for its future life. 'By celebrating both heritage and innovation we are creating a space that honours its past while we head full steam in to our exciting future. 'Leith Theatre's potential is extraordinary. It's a space where music, performance and community activity can coexist. This building is and will be for everyone – a cultural treasure on your doorstep.' Edinburgh's reborn Filmhouse cinema is due to open to the public on June 27. (Image: Filmhouse) The campaign to reopen the Filmhouse on Lothian Road may not be as long as the one to bring Leith Theatre back to life, but its supporters will finally be able to celebrate its return this month, after nearly three years of efforts to bring the art house cinema back to life. The Filmhouse had been running for more than 40 years when its doors suddenly closed in October 2022 after its operating company went into administration. Both the cinema and the Edinburgh International Film Festival, which was also run by the Centre for Moving Image, ceased trading with immediate effect. The campaign to bring Edinburgh's Filmhouse cinema back to life saw images of classic films, including Gregory's Girl, projected onto the building. (Image: PA) Within weeks, a Save the Filmhouse campaign was up and running, while a group of former staff launched a bid to raised £2m to buy the building from the administrators after it was put on the open market. Although initially unsuccessful, the four-strong team led by former chief executive Ginnie Atkinson persuaded Caledonian Heritable, the Edinburgh-based bar and restaurant operator who snapped up the building for £2.65m, to agree to negotiations over a potential lease agreement to bring the Filmhouse back to life. Their new charity, Filmhouse (Edinburgh) Ltd, would go on to secure a 25-year lease, and £1.5m in funding from the UK Government to pay for a refurbishment which was seen as critical to the future success of the reopened cinema. A crowdfunding campaign supported by screen industry figures like Jack Lowden, Alan Cumming, Ewen Bremner, Kate Dickie, Charlotte Wells, Dougray Scott, Brian Cox and Emma Thompson has generated £325,000 to date. The fundraising is expected to continue after the planned public opening date on June 27, with a second phase of work expected to add a fourth screen to the venue later in the summer. New seating has been installed in the three screenings rooms, which will have a lower capacity but more leg room, while the much-loved café-bar Ms Atkinson said: 'The whole place is looking absolutely gorgeous. All the seats are in, the café-bar has been completely redone and the foyer looks amazing. It really will be a different place. 'We're really pleased and happy. It's been a long haul, but the reason Filmhouse been sustainable is because we've had so much support from our audiences. 'We also hope that a lot of new people will come and experience Filmhouse for the first time once we reopen.' Although the finishing line will not be reached till next year, the next capital project to completed will be the biggest ever refurbishment of the King's Theatre since it opened in 1906. Laurence Oliver, Noel Coward, Maggie Smith, Simon Callow, Maria Callas, Ian McKellen, Rikki Fulton, Chic Murray, Stanley Baxter, Harry Lauder, Sean Connery, James Corden and Cillian Murphy are among the famous names to have performed at the venue. However, it was said to be at increasing risk of closure without a full-scale refurbishment, which was first explored more than 20 years ago. The revamp, which has been delayed by around three years by the Covid pandemic and a rise in costs, from an estimated £20m in 2018 to more than £40m currently, is finally due to be unveiled in the spring of 2026 ahead of the Edinburgh International Festival returning in the summer. Key improvements include the installation of lifts to improve accessibility throughout the building, refurbished dressing rooms, bar and foyer spaces, the installation of a new 'fly tower,' a new stage and backstage area, a new ground-floor café and box office, and a new studio space. Work is underway to turn the former Royal High School building on Calton Hill into a new National Centre for Music and concert venue. (Image: Richard Murphy Architects) The next big project due for completion after the King's is expected to be the National Centre for Music, the project which will finally bring the long-running saga over one of Edinburgh's most prominent landmarks to an end. Work is well underway to transform the former Royal High School building on Calton Hill into a new National Centre for Music and concert venue after decades of discussion and debate about what it should be used for. The project will open up the A-listed building - last in permanent use when the school relocated to a new site in 1968 - and its grounds to the public throughout the year, is being pursued after a number of previously proposals for the building, including a parliament building before the 1979 devolution referendum, a luxury hotel and a National Photography Centre. (Image: Tom Stuart-Smith Studio) The National Centre for Music, which emerged out of plans to relocate an independent music school to the site, will have three indoor performance spaces and the first new public gardens in the city since the creation of Princes Street Gardens more than 200 years ago. It is one of two city centre cultural projects being bankrolled by Scotland's biggest arts philanthropist, Carol Colburn Grigor, through her Dunard Fund charity, which has committed at least £45m to the £69m project. The National Centre for Music is planned to be 'busy day and night,' with rehearsals, recordings, workshops and performances from orchestras, bands, choirs and small ensembles. The main hall will be able to accommodation audiences of up to 300, while two smaller spaces will each have a capacity of around 100. Chief executive Jenny Jamison, who is planning for a summer 2027 opening, told The Herald that various enabling, investigation and clearing works were currently being carried out in and around the site to allow the main construction work to get underway within the next few months. She said: 'We want this to be a place that celebrates the full richness of Scottish music-making, across all genres and across all levels of experience. 'You might come here to try out an instrument for the first time or you might come here or listen to a top artist. 'We want it to be a place where people are exposed and up-close to music-making and that the inspiring interaction hooks them in to explore further. 'The centre will offer really complementary new infrastructure to what already exists in the city. 'Our main hall will be at a really nice level for an emerging artist looking to step on to a bigger stage, but equally for established artists who are wanting to do something a bit more experimental.' Edinburgh's new indoor concert arena is due to open by 2028. (Image: AEG Europe) Concerts and events of a completely difference scale are to get underway less than a year after the National Centre of Music's planned opening. The first quarter of 2028 is now earmarked for the opening of a long-awaited new indoor arena for the city. AEG, the company behind The O2 in London, is spearheading the 8500-capacity complex, which is expected to host up to 150 shows and attract 750,000 ticket-holders a year once it is up and running. Edinburgh is due to get a new 8500-capacity indoor concert arena by 2028. (Image: Canva) The project, which is earmarked for a new 'urban quarter' already taking shape in the Edinburgh Park area, was backed by the city council a year ago after decades of complaints from music fans in the capital about having to travel to Glasgow or England to see the biggest names in the music business. Alistair Wood, executive vice-president of real estate and development at AEG Europe, told The Herald: 'Securing planning permission last year allowed us to move ahead with our plans, from progressing design work to entering discussions with contractors and sub-contractors. 'We have funding in place, and now we're in the procurement phase. Once we have a final design, suppliers and contractors we'll break ground. We hope to begin construction early in 2026. 'We're excited to start the build process as soon as possible so that we can bring world-class acts to Edinburgh. We're hoping that the new arena will open its doors during the first quarter of 2028, with fans able to purchase tickets to the first shows during 2027. 'We've initiated discussions with a range of brands regarding naming rights opportunities. As expected, there's been strong interest in what is set to become one of the UK's most iconic venues. 'While we're still three years away from opening, these conversations mark the early stages of an exciting journey.' Edinburgh's first new concert hall for a century is due to be created in a gap site off St Andrew Square by 2029. (Image: David Chipperfield Architects) Back in the city centre, a gap site in the New Town, just off St Andrew Square, has already been cleared for what will become Edinburgh's first new concert hall for a century, which is pencilled in for a 2029 opening. The project is the second in the city centre being bankrolled by the Dunard Fund, this tune to the tune of £35m. Another £45m worth of private donations are said to have been pledged to date, with a further £25m in total committed by the Scottish and UK governments, and the city council. The Dunard Centre is due to open in the heart of Edinburgh's New Town in 2029. (Image: David Chipperfield Architects) First announced almost nine years ago, the Dunard Centre will be created on the site of former Royal Bank of Scotland offices, which were built in the 1960s behind Dundas House, the historic building which was acquired in 1825 for the bank's new headquarters and is still the registered head office. The 1000-capacity all-seater venue will provide a year-round home for the Scottish Chamber Orchestra and become one of the Edinburgh International Festival's key venues. The Dunard Centre is being designed by the award-winning British architect David Chipperfield and the world-leading Japanese acousticians Nagata, for the company's first venue in the UK. The venue is expected to host combines classical, pop, rock, folk, jazz and electronica concerts, as well as spoken word events. Chief executive Jo Buckley told The Herald: 'Edinburgh is a cultural capital, but that is only going to keep being a cultural if it keeps investing in that future. 'We have astonishing venues in the city, but they are not modern purpose-built concert halls. The Dunard Centre is about what the city already has. 'There have been a raft of reports showing the need for a mid-sized concert hall in Edinburgh – it's the gap in the market that we don't have. 'There is a whole range of artists who are just not coming to Edinburgh at the moment. They are coming from the United States or Europe to do a gig in London, but don't come up to Scotland. 'The infrastructure is missing but also missing is a promoter curating a programme that brings together quality and diversity in the one place. A lot of Scottish artists are going elsewhere to perform but I don't know that we are seeing the return traffic as much as we should be. 'I think people will travel to Edinburgh for the building and its acoustics, as I don't think you will get better sound anywhere else in the UK.'

Leader Live
3 hours ago
- Leader Live
Mike Fondop played for Wrexham during non-league era
In the build-up to The Latics' thrilling 3-2 win over Southend United that secured the Lancashire club promotion back to the Football League, what was Fondop listening to? "I love Andrea Bocelli, Time to Say Goodbye is one of my favourites," former Wrexham striker Fondop told BBC Radio Manchester "On game-days I listen to gospel and that is what calms me. I love jazz music as well, I don't have one specific type of song, I love a bit of everything. "Usually in my downtime I can listen to opera and jazz. I don't like listening to things that give me headaches." Fondop, who played for Wrexham in the Sam Ricketts era in the 2018/19 season, scored 18 league goals as Oldham made it through to the National League play-offs where they beat Yorkshire duo Halifax and York before coming from behind in extra-time to beat Southend last Sunday. He's been at Boundary Park since 2022 when The Latics became the first former Premier League team to be relegated to non-league. Fondop could have been tempted away with Football League clubs looking to sign him but the 31-year-old Cameroon-born frontman stayed loyal to The Latics. "The manager at the time, John Sheridan, called me after the end of the season and said 'I need you to come back," added Fondop. "You owe me because I signed you and you only played two games, 'I want you to get this club back where it belongs.' "So that has always been an objective because I came and I didn't have a chance to help them stay in League Two. Oldham now have new owners in place with businessman Frank Rothwell taking over from Abdallah Lemsagam. "The club is absolutely different now," said Fondop. "The ownership now is more family orientated. The owners are approachable and want everyone to feel part of a family," he added. "In the past it felt toxic. As a player I was focused on what I was signed to do but the environment at the time felt toxic. Now it is so different. "If a club doesn't treat its players well you might think in the long run you can get away with it, you might for a period of time, but eventually it is going to affect results. Now the treatment is completely different." MORE WREXHAM AFC NEWS Fondop, who lists Halifax, Chesterfield, Burton Albion and Hartlepool as his former clubs, can now look forward to life back in League Two. "It has been 34 years since we experienced promotion. I'm 31 so last time they won promotion I wasn't even born," Fondop added in the build-up to their tremendous win at Wembley. "After the gaffer said that I went home and wrote down 34 years in bold on a piece of paper with my goals for the season and I put it on my kitchen wall. It's always in my mind. "It's in my head every day because I want to be part of history and I want the fans to get back into the feeling of what Oldham deserves."