I Asked Nicole Kidman For Dating Advice
Joyce is back at the Nine Perfect Strangers premiere to flirt and... not really report. #NinePerfectStrangers #FlirtandReport
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New York Times
10 hours ago
- New York Times
Nicole Kidman's 5 Favorite Places in Sydney, Australia
In the Hulu drama 'Nine Perfect Strangers,' now in its second season, Nicole Kidman plays Masha, the unorthodox director of an unorthodox wellness retreat. Alpine trekking, dangerously cold ice plunges, hallucinogens — they're all on the menu. Her approach might be unexpected, some might even say illegal, but Masha insists her motives are pure. 'It's a cleansing of the mind,' Ms. Kidman's character tells her clients, 'to recharge, to rediscover inspiration.' It's a rare moment in the series when Ms. Kidman and her character seem to overlap: They both need the occasional recharge. To the moviegoing, Hulu-subscribing public, Ms. Kidman is everywhere; she has been working almost at a superhuman level, starring in four series and four movies just in the last 18 months. Her most recent projects have taken the actress from Austria to Michigan to New York to Cape Cod to Majorca and on and on. But one place always holds special status on Ms. Kidman's itinerary. 'Every time I return to Sydney, there's a feeling of comfort and ease,' she said via email. 'This city is where I grew up, where my sister and her family live, where my children love to spend their holidays.' Want all of The Times? Subscribe.
USA Today
16 hours ago
- USA Today
USWNT vs. Jamaica player ratings: Sentnor, Biyendolo bag doubles in easy win
USWNT vs. Jamaica player ratings: Sentnor, Biyendolo bag doubles in easy win Show Caption Hide Caption 'Heartbeat' and 'Brilliant' kits unveiled for USWNT, USMNT U.S. Soccer on May 13 unveiled the 2025 Nike U.S. National Team Kit Collection, introducing new kits for the men's and women's teams . U.S. Soccer The U.S. women's national team made easy work of Jamaica on Tuesday night, defeating the Reggae Girlz 4-0 in a friendly in St. Louis. Ally Sentnor and Lynn Biyendolo both scored a brace at Energizer Park, as the U.S. closed out a two-match window with a pair of victories after defeating China over the weekend. Emma Hayes will be satisfied with a dominant display that saw her team out-possess Jamaica by an 82-18 percent margin and outshoot the Reggae Girlz 23-2. Here are our ratings for the USWNT's comfortable win over Jamaica. As a reminder, here's the Pro Soccer Wire player rating scale: 1: Abysmal. Literally any member of our staff would have been been able to play at this level. 6: Adequate. This is our base score. 10: Transcendent, era-defining performance. This is Carli Lloyd vs. Japan in the 2015 World Cup final. GK: Phallon Tullis-Joyce - 6 The most significant moment of the night for Tullis-Joyce was when the lineups were announced, as the goalkeeper made her second straight start. It was a major sign she may be taking the lead in the race to replace Alyssa Naeher. As for the actual game? Tullis-Joyce had no saves to make and her 26-for-26 passing night was more about Jamaica's lack of pressure than anything else. LB: Kerry Abello - 6 Abello got high on the left flank with regularity in her USWNT debut, putting pressure on Jamaica's back line. The Orlando Pride defender nearly capped off her night with a debut goal, but dragged a late chance just wide of the far post after winning back possession. CB: Tara McKeown - 6.5 McKeown continues to earn Hayes' trust as the Spirit center back turned in an assured performance while under little pressure. But McKeown made the defensive plays when she was called on and completed a ridiculous 101 passes out of 108 on the night. CB: Naomi Girma - 6.5 The USWNT always looks more in control with Girma as the team's quarterback in possession. With Jamaica dropping off, the Chelsea defender had a comfortable 99-for-102 passing night and also chipped in a team-high seven clearances. RB: Emily Fox - 7.5 Fox started the game dropping back into possession with Abello getting high on the left flank, but Hayes quickly changed her tactics and the Arsenal right back proceeded to fly up and down the right flank with abandon. Fox's layoff for Sentnor on the USWNT's opener was superb, and the defender led her team with three key passes in the game. CM: Sam Coffey - 7 Coffey was the tempo-setter for the USWNT in midfield, and the Portland Thorns star did her job well as she looked to keep things moving quickly. The midfielder had a key slipped pass for Thompson that led to the second goal, won eight of her nine duels and had a team-high four tackles. CM: Claire Hutton - 6 Hutton delivered an up-and-down performance while playing a No. 8 role. The Kansas City Current teenager was sloppy at times in possession, losing the ball a team-high 15 times, while also displaying her array of skills and turning ability. She also showed her aerial prowess as her header off a corner kick led to a rebound Biyendolo scored for the USWNT's third. CM: Lily Yohannes - 7 Yohannes played a higher position than she normally has with the USWNT, as Hutton and Coffey lined up behind her. The 17-year-old responded with another excellent display as she had a hand on the first two goals. She played a magnificent lofted pass for Fox to set up Sentnor's opening goal, then her long ball for Alyssa Thompson helped start the sequence that led to the second. LW: Alyssa Thompson - 7 Thompson was always positive when she got the ball on the left flank, driving at Jamaica defenders and forcing them to deal with her speed. Her end product wasn't always there, but she played a big role on the USWNT's second as her blocked shot deflected right in the path of Sentnor. CF: Catarina Macario - 6 Macario took a back seat to others in the attack during her 57 minutes on the pitch, though she nearly scored right before she departed the match with a shot from distance that was tipped over. RW: Ally Sentnor - 8 Sentnor got her brace with a pair of goals on first-time shots, with her first a particularly well-taken effort on the bounce. The second was a rare goal from relatively close range as Sentnor showed a poacher's instinct inside the box. Sub: Lindsey Heaps - 6.5 Heaps made an impact after coming on in the 58th minute, completing three of four long balls including a pass over the top for Avery Patterson, who found Biyendolo for her second goal of the night. Sub: Lynn Biyendolo - 8 Biyendolo showed her striker's instincts when she put home a rebound off a corner kick just a minute after coming on as a substitute. The Seattle Reign forward capped off the night in style when she tapped home Patterson's cross from close range to make it two USWNT players with a brace on the night. Sub: Lo'eau Labonta - 6.5 Labonta once again showed her ability in her second U.S. appearance after a history-making first cap, spraying some nice passes forward to get her teammates involved. She also won all three of her duels in a bright cameo. Sub: Michelle Cooper - 5.5 Cooper should have scored a late fourth but completely mis-kicked her chance from close after a great low ball from Fox. Sub: Olivia Moultrie - 6 Moultrie looked to push the tempo on the left flank after coming on in the 67th minute, delivering several crosses that didn't quite find their intended target. Sub: Avery Patterson - 7 Patterson came on with 10 minutes to play and quickly got involved on the right flank, playing an outstanding low cross that Biyendolo couldn't help but slam home from close range. Patterson nearly scored one herself in stoppage time in a highly impactful cameo.
Yahoo
a day ago
- Yahoo
The Cast and Crew of ‘St. Denis Medical' Found Joy and Warmth in the Show's Hospital Setting
'Hospitals are very sexy places.' The seasoned TV viewer probably knows that; from 'E.R.' to 'Grey's Anatomy' to 'The Pitt,' fictional hospitals are always teeming with attractive people and tense relationships — which is what makes them such fruitful narrative territory. NBC's 'St. Denis Medical' is no exception, as the cast and creative team told IndieWire as part of a virtual panel for Universal Studio Group's USG University. More from IndieWire 'The Gilded Age' Season 3 Trailer: A New Generation Rises as Carrie Coon Tries to Secure Her Status in High Society David Gauvey Herbert Reveals 'Ren Faire' Director Lance Oppenheim's Disarming Methods 'I always wondered: those medical dramas where people have sex in the on-call rooms, is that a real thing?' showrunner Eric Ledgin said. 'My friend who's an oncological surgeon assured me it's a very real thing.' That was the spark for Season 1, Episode 8 of the show, which opens with the St. Denis staff being summoned to a meeting after two of them are caught in the aforementioned on-call room. Hospital administrator Joyce (Wendi McLendon-Covey) hopes it'll be a quick and efficient conversation, but it ends up opening the floodgates regarding sex, gossip, and more. 'It gets Alex (Allison Tolman) in her head about is she having enough sex in her marriage — which was something that was very relatable to me and many married people,' Ledgin said. 'Then the room sort of piles on these ideas of, what if Joyce gets really paranoid that she's not in the loop, and it just was such a funny point of view for that character. One by one, it all comes together in the room of how to turn this into a story about our characters.' The break room is just one of many settings that showcase the work of production designer Elliot LaPlante, and how she and Ledgin worked to create 'the level of hospital' that St. Denis would be from a visual standpoint. 'This was not a cold, inner city hospital, and that allowed us to have a little bit more charm and a little bit more of a community feel, while keeping the balance of feeling real,' said Ledgin. For LaPlante, the show's Oregon setting took her back to her Pacific Northwest roots and to the atmosphere of that region. 'How do we bring the heart that we experience in these scripts to the visuals that we're seeing, and how do we make it as authentic as possible?' she said. 'What are those things that someone who is a medical professional will see and be like, 'Oh my gosh, that is right on. We have that in our hospital.' That's what we were always looking to find in all of our sets.' That extends to Joyce's office, cluttered with memorabilia from her time at the hospital and clues about how much time she devotes to work (as much as she wants to have a richer life outside). 'She sometimes does feel removed from things, but we wanted to get out that reminder [that] she still is integral into everything that's happening and has had such an impact on the community,' Laplante said. 'As we go on through the season, you just understand that Joyce is excluded from a lot of things, and it's because she is a disaster of a person,' McLendon-Covey offered. 'She sure wants to be a cuddly person, but she just isn't. All her plants have to be fake, because she doesn't have time to take care of them, and she has stuffed animals because those are her pets.' She and Tolman expressed gratitude for the stability of something like 'St. Denis.' The sets stay up, the departments have found their rhythm, and production rarely goes into overtime, making everyone 'able to be fully present and able to be pleasant at work for every single hour of every single day, because we weren't working crazy schedules, and we're working these coveted sitcom hours,' Tolman said. Even in a hospital, 'St. Denis' is a workplace comedy, a genre now comfortably depicted in the single-camera mockumentary style. The handheld cameras require minimal set up (cutting down prep time for someone like Tolman, who usually counts on her quick memory to learn lines on set), and performers develop a relationship with their camera operators, who function as moving pieces of the scene like anyone else. 'Whatever brand of gentle psychosis it is where you go through your life as if there was an audience — I've had that since I was a kid,' Tolman said. 'You can share things with the audience, and you can look at the camera and draw them in. There's all these opportunities to make other jokes and have other reactions, and then we get to surprise each other, and we get to surprise our writers and our directors. It just keeps it really alive.' Everyone from the 'St. Denis' team was eager to praise other departments, from the camera crew and writing staff to costume designer Alex Hester, producer Meg A. Schave, and more. As they prepare for Season 2, there was palpable excitement about working on the show with so much established. 'Normally we build something that is for a season and then it comes down,' LaPlante said about her job specifically. 'This set had to be waterproof. It had to be engineered. We built an ambulance bay with a 40-foot cantilevered awning, and we really had to be strategic throughout the Season of how we were able to shoot that area… I'm so glad it's done. It's ready to go for Season 2.' For Ledgin, his years of experience as a writer and executive producer led him to being a full-fledged showrunner — on unexpected levels. 'I am a little surprised by how much I couldn't get away from it, even when I went to sleep,' Ledgin said of the show's first season, which is now streaming in full on Peacock. 'It was in my dreams. I was waking up with an idea, and the problem was that I liked the idea so I had to actually get my phone and write it down. I was like, 'This is going to save me an hour tomorrow then I'm banging my head against the wall trying to think about what it was…' I think that was probably the biggest challenge that I am working on for Season 2.' IndieWire partnered with Universal Studio Group for USG University, a series of virtual panels celebrating the best in television art from the 2024-2025 TV season across NBC Universal's portfolio of shows. USG University (a Universal Studio Group program) is presented in partnership with Roybal Film & TV Magnet and IndieWire's Future of Filmmaking. Catch up on the latest USG University videos here or directly at the USG University site. Best of IndieWire 2023 Emmy Predictions: Who Will Win at the Primetime Emmy Awards? 2023 Emmy Predictions: Outstanding Documentary or Nonfiction Special 2023 Emmy Predictions: Outstanding Documentary or Nonfiction Series
