Prince Harry addresses social isolation at NYC event
The Duke of Sussex made an unannounced appearance as a featured speaker at the Nexus Global Summit in New York City.
He championed the importance of compassion and building stronger communities to address issues like disconnection and social isolation.
The Duke highlighted the work of his Archewell Foundation in fostering community and actively combating social isolation.
He urged attendees, who included next-gen philanthropists and social innovators, to use their platforms to serve the wider community.
During the summit, the Duke met with delegations from Australia and Brazil focused on mental health, social media safety, and tackling inequality.
Prince Harry talks of 'compassion' in surprise NYC appearance
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Daily Mail
31 minutes ago
- Daily Mail
Disney World fan sparks fierce debate after making major complaint about the beloved theme park
Walt Disney World fans have become embroiled in a heated debate about the transportation at the beloved theme park. A new map breaking down the complimentary transportation offered throughout the massive resort has detailed all the ways that the 130 million annual riders can get from park to park. Guests at the Happiest Place on Earth can travel all the way from Magic Kingdom to Epcot on Disney's Monorail - a quick and easy train that goes back and forth between the parks as well as to some of the hotels. Or they can use the 36-boat transportation services in both parks as well as at Disney Springs. To get from Epcot to Disney's Hollywood Studios, people can hop on the Skyliner, which is a gondola lift system. However, the only mode of transportation that touches Animal Kingdom is the free Disney buses - and some fans are not happy about it. After the new map was released, one Disney fan took to Reddit to express their outrage over the lack of options to get to Animal Kingdom. And the post lead to a massive argument about the Disney bus system. 'I'm someone that prefers Skyliner or Monorail transportation so it's really unfortunate that the ONLY way to get to Animal Kingdom right now is by bus,' the user expressed. 'The yellow line [is] there for the Skyliner [and] could easily be extended all the way to Animal Kingdom if they wanted.' They suggested: 'Maybe even have a station at [the hotel] Coronado Springs and [the water park] Blizzard Beach.' 'Having no way to get to Animal Kingdom except driving or taking the bus is really inconvenient and it's weird that it's the only non-water park to only be accessible via bus,' they continued. 'I'm someone that I would visit Animal Kingdom way more if I could just hop over there on the Skyliner from Hollywood Studios. So why is there no Skyliner?' Many other people rushed to the comment section to share their thoughts, and discussed the possibility of Disney adding more transportation to the park. 'I wouldn't be surprised if we eventually get some sort of transit line out to Animal Kingdom, but it's gonna take a lot of money and desire to make it happen,' one person wrote. Another added: 'Disney likes to avoid guests seeing the backstage areas. They do a really good job at Epcot to minimize the amount you can see from the Monorail and it is only a few seconds right at the end where you can see backstage.' 'I just went on Google Earth and measured [a] straight line from the [Hollywood] Studios gate to Animal Kingdom gate [which] is a little under two miles,' shared someone else. 'But that wouldn't even be feasible because said straight line is right through the middle of the studios.' Others said they had no problem with the bus and speculated the lack of Monorail or Skyliner transportation was due to the animal enclosures. 'It's literally not that hard. You get on a bus and sit down,' a person wrote. 'You do realize it's not as close as this map makes it look right?' another said. 'Not to mention it would have to be routed to avoid all animal areas,' someone else observed. 'Can you imagine how much trash would be dropped in the animal enclosures?' a different user shared. 'A free bus that runs all day is pretty convenient. I would suspect that the ANIMALS play a big factor into the lack of overhead rails and lifts,' a different comment read. 'We're so spoiled at Disney, honestly. One of the best bus systems in the world and we (including myself sometimes) complain about it,' another user admitted. 'Yeah, 15 to 20 minutes from the Contemporary to Animal Kingdom on a mostly empty bus with the AC set to like 60F didn't exactly seem like a burden during our visit earlier this month. [The] bus is good. Take [the] bus,' a person urged. 'Maybe it's just me but the bus ride to Animal Kingdom is totally reasonable,' someone else penned.
The Guardian
38 minutes ago
- The Guardian
Death Stranding 2: On the Beach review – a hypnotising arthouse game with an A-list cast
What is Death Stranding 2 trying to say? It's a question you will ask yourself on many occasions during the second instalment of Hideo Kojima's hypnotising, mystifying, and provocatively slow-paced cargo management simulator series. First, because during the many long and uneventful treks across its supernatural vision of Mexico and Australia, you have all the headspace in the world to ponder its small details and decipher the perplexing things you just witnessed. And second, because the question so often reveals something profound. That it can stand up to such extended contemplation is a marker of the fine craftsmanship that went into this game. Nobody is scribbling down notes to uncover what Doom: The Dark Ages is getting at or poring over Marvel Rivals' cutscenes for clues, fantastic as those games are. It is rare for any game to invite this kind of scrutiny, let alone hold up to it. But Death Stranding 2 has the atmosphere and narrative delivery of arthouse cinema. It's light of touch in its storytelling but exhaustive in its gameplay systems, and the tension between the two makes it so compelling. At first you brave one for the other; then, over time, you savour both. For anyone who missed the first Death Stranding, yes, this really is the second in a series of games about moving cargo between waypoints, on foot or by vehicle; delivering packages of food, tech and luxury items, like a post-apocalyptic Amazon driver. A mysterious event fundamentally changed the world at the start of the first game, allowing the dead to return to the realm of the living as spectral entities known as Beached Things (BTs). When a BT kills a human, it creates a disastrous event called a 'voidout', a kind of supernatural nuclear bomb explosion that leaves behind nothing but a vast crater. With humanity fragmented and sequestered in underground bunkers, protagonist Sam Porter Bridges (Norman Reedus) was entrusted with connecting the remaining pockets of civilisation in the US to a global tech infrastructure called 'the chiral network', restoring hope for a better tomorrow. He managed it, too, making it across the entire continent with a sort of supernatural infant, Lou, carried in an artificial womb. As this sequel begins he is enjoying a secluded life in Mexico with Lou, now a toddler. And believe me, those are the scantest cliff notes possible. Death Stranding 2 begins with six solid minutes of cutscenes that attempt to convey the strange world of sci-fi and poetic metaphors that Kojima has constructed, and even that feels like a cursory summary. Decrypting the mysteries is half the fun here (the other half being the box-shifting) but even if you don't engage that deeply with the world, it follows its own kind of dreamlike logic and starts to make intuitive sense. It is not clear whether Death Stranding 2's Australian once looked like the one we know, for example, or whether it was always a patchwork of Icelandic tundra, snowcapped mountains and multicoloured desert. What matters is that it feels consistent. Meditative it may be, but this isn't a game about watching Sam enjoy retirement and fatherhood for 50 hours. He is inevitably called back into action, this time reconnecting the Mexican and Australian populations to the chiral network for an outfit called Drawbridge, a logistics company funded by an unknown benefactor and headed by returning character Fragile (Léa Seydoux). If that sounds a bit dry, what if I told you that Fragile wears a pair of long Greta Garbo gloves around her neck, which she can move like a second set of hands? A swashbuckling gang of assists Sam on his mission, following him around on the DHV Magellan, a ship with more A-listers on board than a Cannes red carpet. Seydoux, George Miller, Guillermo del Toro, Nicolas Winding Refn, Elle Fanning and Shioli Kutsuna all give brilliant performances, as does veteran game actor Troy Baker as chief baddie Higgs. The major characters exist primarily as poetic devices and morbid metaphors: Rainy (Kutsuna) is an ostracised optimist who makes it rain whenever she goes outside; Tarman (Miller) lost a hand to supernatural tar, and can now use it to guide the ship through its currents; Heartman (Darren Jacobs) dies and is reborn every few minutes. By rights, they should all be simply too strange to invoke pathos, but there are rare moments when the allegory is dialled down and they interact in human and poignant ways. If you don't feel a lump in your throat watching Rainy and Tomorrow (Fanning) sing together, it's not just Deadman who is dead inside. Package delivery is, strangely, depicted to the highest of gameplay standards. It sounds boring, but you can't help get pulled in by the magnetic draw of these detailed systems. In the last game, combat felt like an afterthought, but there is more of it this time as missions bring you into conflict with both BTs and other humans, and it is supported by typically slick mechanics that make launching a grenade or snapping a neck feel equally gratifying. You can fabricate tools to take with you – ladders and climbing ropes for mountainous routes, assault rifles and grenades when a fight is likely. The pleasure is as much in the preparation as it is in the action; it feels good to impose some order on an otherwise chaotic and unknowable world. That's probably why we all baked so much banana bread during lockdown. Kojima had a draft for Death Stranding 2's story before the Covid-19 pandemic, but rewrote it from scratch after being locked down along with the rest of the world. You don't have to look too hard to see the influences – a population that is too scared to go outside, governments that promise to save you by putting an end to travel and physical contact, the profound loneliness of Sam's job as a porter travelling solo across barren landscapes. Fittingly, you can interact with other players, but only at a distance, sharing equipment, building structures and leaving holographic signs and likes for other players in their own games. This ends up being a biting piece of lockdown satire – as time goes by the world becomes clogged up with flickering icons, and as more structures appear you are confronted by constant 'like' symbols. It feels like the mind-numbing attention spam of social media, and there's no way this is an accident. The first game had the advantage of surprise. Death Stranding 2 does not. Much of what is good – and what is tedious – about this game was also true of the last, but at the same time it has refined each bizarre element. Combat feels punchier, the world map more hand-crafted, missions more varied. Asking you to do all of that schlepping about all over again in a whole new game should feel like a practical joke, but it is so mechanically rich and loaded with meaning, you just nod and don the backpack a second time. Of the many things Death Stranding 2 is trying to say, the message that comes to the fore is: you are never truly alone. Global disasters, big tech, even death itself – these things might abstract the way we connect to one another, but they can't sever the connection altogether. Not bad for a game about delivering boxes. Death Stranding 2 is released on 26 June, £69.99/US$69.99/A$124.95
The Sun
an hour ago
- The Sun
Is there a rematch clause for Jake Paul vs Julio Cesar Chavez Jr?
JAKE PAUL makes his highly-anticipated return to action over seven months since his last fight. Paul has not stepped back into the ring since his controversial victory over Mike Tyson in November last year. 2 2 The 28-year-old Problem Child comes into the clash with a record of 11-1-0, with his only loss at the hands of Tommy Fury. Chavez Jr, 12 years Paul's senior, comes into the fight with a record of 54-6-0, winning 34 fights by KO as well as holding the world middleweight title in 2011-12. However, despite his pedigree, the Mexican has only fought once in the past four years - a decision win over ex-UFC star Uriah Hall in July 2024. SunSport can reveal if there is a rematch clause in the contract. Jake Paul vs Julio Cesar Chavez Jr JAKE PAUL'S controversial boxing career rolls on this weekend with the Problem Child facing boxing royalty in Anaheim, California. Paul will face Julio Cesar Chavez Jr, a highly-decorated former world middleweight champion. The Mexican, 39, has fought just once in the last four years but has the best boxing resume of any fighter to step into a ring with Paul - bar Mike Tyson, who was aged 58 at the time they fought. Watch Jake Paul vs Julio Cesar Chavez Jr LIVE on DAZN PPV INFO Everything you need to know about Paul vs Chavez Jr LATEST NEWS & FEATURES Is there a rematch clause for Jake Paul vs Chavez Jr? It is not yet confirmed whether or not there is a rematch clause in the Jake Paul vs Chavez Jr contract. Paul does not often rematch his opponents, with Tyron Woodley being the only competitor he has faced twice. How to watch Jake Paul vs Julio Cesar Chavez Jr Jake Paul vs Julio Cesar Chavez Jr comes LIVE on Saturday, June 28. The fight will be available on DAZN PPV - with viewers able to watch on DAZN TV or live stream via the website/app. The pay-per-view event is priced at £24.99 / $59.99. Fans are also able to purchase this event plus Oleksandr Usyk vs Daniel Dubois 2 for a discounted price of £39.99 / $94.99. The main event between Paul and Chavez Jr is expected around 4am BST. Alternatively, SunSport will blog all the action as it happens live.
