Stella McCartney launches Generation Falabella limited-edition capsule 'It' bag
continues to champion all-things sustainable with the brand's launch of 'Generation Falabella', a limited-edition capsule spotlighting the first vegan 'It' bag.
Its launch is spearheaded by 'rising-stars', Role Model (the stage name of American singer Tucker Harrington Pillsbury), actress Odessa A'zion and influencer Quen Blackwell appearing in the campaign.
Shot in Los Angeles, it links 'the worlds of fashion, music, film and beyond', emphasising 'craftsmanship' the bag's embellished details 'connect its rock 'n' roll heritage to an emerging cohort of changemakers… meet Gen F'... a celebration of 'youthful friendship, free-spiritedness and fun".
Role Model, A'zion and Blackwell are all shot wearing Stella McCartney Autumn 2025 ready to wear.
Handmade by leather artisans in Italy that McCartney has retrained to work with vegan alternatives, the Falabella 'is revisited seasonally in industry-shifting regenerative, recycled, circular and lower-impact technologies'.
The Falabella bags also feature a monogrammed lining made of ocean plastics and are hand-laced with organic cotton rope.
The new Generation Falabella capsule's now available in Stella McCartney boutiques globally and on the brand's website.
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Euronews
4 hours ago
- Euronews
Why a robotic imitation of Walt Disney is causing controversy
The urban legend goes that Walt Disney was cryogenically frozen to one day be brought back to life. While there's never been any truth to that, the pioneering American animator has, in-sort, been revived - as a robot. To celebrate Disneyland California's 70th anniversary in July, the theme park recently unveiled an animatronic replica of their founder. Disney's granddaughter, Joanna Miller, has denounced the creation - calling it "dehumanizing". In an interview with the Los Angeles Times, Miller expressed her hurt upon seeing the mechanical figure: 'I think I started crying,' she said. 'It didn't look like him to me.' When the project was first announced last year, Miller voiced her concerns in a letter to Disney's CEO, Bob Iger, later meeting with him and some of the members involved in the attraction's creation. Miller told Iger she strongly felt that, for visitors, 'the last two minutes with the robot will do much more harm than good to Grampa's legacy,' adding that people would 'remember the robot - and not the man.' While Iger was reportedly 'very kind', her pleas for the robot to be scrapped were ultimately ignored. Miller also spoke out in a Facebook post last November, calling the idea of a 'Robotic Grampa' a disservice to the real Disney, who once loved to greet the park's visitors in person. 'You could never get the casualness of his talking, interacting with the camera, [or] his excitement to show and tell people about what is new at the park,' Miller wrote. 'You cannot add life to one empty of a soul or essence of the man.' Miller made it clear to The LA Times that she was speaking on behalf of her mother and grandfather, noting that it 'pains' her to be speaking out against his company. 'When you get older, you just start to get pissed off. And you get tired of being quiet. So I spoke up on Facebook,' she said. 'The fact that it got back to the company is pretty funny.' The Audio-Animatronics figure is due to debut in a new show titled 'Walt Disney – A Magical Life', which will open on 17 July 2025. 'Creating our first Walt figure is an idea that's been whispered in the hallowed halls of Imagineering for years – decades, even,' Disney Experiences Chairman Josh D'Amaro said during a company showcase. 'We just had to wait for innovation to catch up with our dreams. And we're finally ready,' he added. A Disney press release explains how Disney's Imagineers - the creative minds behind Disney park attractions - had 'worked closely with the Walt Disney Archives to ensure we had the details as accurate as possible.' As technology and, in particular, artificial intelligence (AI) has advanced, companies are increasingly experimenting with ways to bring back the dead. Last year, a film producer sued Disney for digitally recreating the late actor Peter Cushing's appearance in Star Wars: Episode IV - A New Hope for 2016's Rogue One: A Star Wars Story. Previously, Disney used CGI and unused footage to resurrect actress Carrie Fisher for Star Wars: The Rise of Skywalker, while the voice of James Earl Jones, who played iconic baddie Darth Vader and died last year, was artificially repurposed for the Disney+ miniseries Obi-Wan Kenobi. While sometimes agreed upon by the actors themselves or their estates, any artificial recreations remain highly controversial as people become increasingly wary of technology trying to imitate and dehumanise art. Meanwhile, despite the company riding a box office high with Lilo & Stitch - currently the second-highest grossing movie of the year - Disney announced on Tuesday that it is cutting hundreds of jobs worldwide to reduce costs and adapt to evolving industry conditions. 'As our industry transforms at a rapid pace, we continue to evaluate ways to efficiently manage our businesses while fuelling the state-of-the-art creativity and innovation that consumers value and expect from Disney,' a spokesperson said. 'As part of this ongoing work, we have identified opportunities to operate more efficiently and are eliminating a limited number of positions.' While film fans continue to wait for an official announcement regarding the identity of the new James Bond and when the secret agent will be back on the big screen, gamers will be thrilled by the announcement of a new video game which hits consoles next year. Developed and published by IO Interactive, the folks behind Hitman, 007 First Light just got its first trailer, which was released during PlayStation's State of Play. 'This is Bond as you've never seen him before - the youngest Bond fans have ever met,' reads the description. 'In 007 First Light, at only 26 years old, he isn't the fully fledged 007 you know from the tux-and-martini days but a man with sharp instincts, sometimes reckless, who is still learning when to fight, when to bluff, and when to disappear into the shadows." The 'completely original standalone story', developed in collaboration with Amazon MGM Studios, will see a young Bond earn his designation as 007 – much like he did at the start of Casino Royale, Daniel Craig's first outing as Bond. The trailer sees M describe the young spy as 'a bullet without a target' and assigns him a mission in hopes of giving Bond a sense of focus. Check it out below: The game was first announced in 2020 and a deeper look at 007 First Light's gameplay is set to be revealed this summer. In 2021, IO CEO Hakan Abrak said: 'It was very important for us that it wasn't a movie adaptation. It's not a game about a specific movie, where the story has already been told. Every Bond defines a generation and it's amazing how they kept reinventing themselves over so many years.' 007 First Light will be the first James Bond game to release in 14 years. The last Bond title to launch was 2012's poorly received 007 Legends, released to celebrate the iconic film series' 50th anniversary. Bond fans have already expressed their excitement for the new video game. 'I'm excited for this. I've got no doubt IOI can nail the infiltration gameplay and level design, hopefully they get the action elements right too,' wrote one fan, while another said: 'James Bond has been so under-utilised for the last few generations. I'm so stoked to see 007 make a return.' Others have been wondering whether the game reveal is a sign that things are speeding up for a cinematic announcement. The next James Bond film – now under the creative control of Amazon - is apparently being fast-tracked, with rumours suggesting that the 26th adventure will hit cinemas by the end of 2027. 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France 24
a day ago
- France 24
Boisson continues dream French Open run, Djokovic, Sinner eye semis
Boisson, making her debut at a Grand Slam event, powered her way to a thrilling 7-6 (8/6), 6-3 victory on a raucous Court Philippe Chatrier to become the first Frenchwoman to reach the semis since Marion Bartoli in 2011. The 22-year-old, who was due to play at last year's French Open but suffered a knee injury the week before the tournament, is the lowest-ranked woman to reach a major semi-final in 40 years. "It was incredible to play in front of this crowd and feel support like that," said Boisson, after hitting 24 winners past Russian sixth seed Andreeva to follow up her fourth-round win over world number three Jessica Pegula with an even more surprising victory. A dramatic first set saw Andreeva miss a set point after leading 5-3, before Boisson fought back only to see three chances of her own come and go in a marathon 12th game. But the wildcard fought off another set point in the tie-break, before taking her next opportunity, cupping her ear towards the adoring crowd in celebration. Andreeva gathered herself and quickly built a 3-0 lead in the second set, only to be left jumping up and down in anger after a missed backhand gave Boisson a much-needed hold of serve. The 18-year-old Andreeva started to crumble under the pressure, being given a warning for slamming a ball into the top tier of the stands as the atmosphere heated up under the Chatrier roof. She was roundly booed when she then argued with the umpire over a line call, and was broken later that game after another double-fault to suddenly trail 4-3. Boisson made it six consecutive games to secure a seismic victory as Andreeva, one of the pre-tournament favourites, completely unravelled. Second seed Gauff battled back from a set down to defeat fellow American, and Australian Open champion, Madison Keys in an error-strewn opening match 6-7 (6/8), 6-4, 6-1. The former US Open champion upped her level enough after dropping the first set to get through a quarter-final littered with 14 double-faults and a whopping 101 unforced errors. "It means a lot, especially getting through this tough match today, it wasn't an easy match and I'm very happy to get through it," she said. Gauff, the 2022 losing finalist, will be hoping to go at least one better than when she lost to Iga Swiatek in last year's semi-final. Swiatek continues her bid for a fourth consecutive Roland Garros title in a blockbuster clash with world number one Aryna Sabalenka in Thursday's other semi-final. Zverev eyeing Djokovic scalp Djokovic will compete in a record 19th French Open quarter-final against last year's runner-up Alexander Zverev in the night-session match. The German third seed will be well rested after his last-16 opponent Tallon Griekspoor retired on Monday with an abdominal injury while trailing 6-4, 3-0. Zverev, who lost to Carlos Alcaraz in last year's final, continues his latest bid for a maiden Grand Slam title after three runner-up finishes. "For me, Carlos is the favourite. Then I would say the next three in line are Jannik, myself, and Novak, right? I still believe that," said Zverev, who could meet world number one Sinner in the semi-finals. Zverev has made at least the last four at the past four French Opens and is into his seventh quarter-final. The 28-year-old has won five of his 13 career matches with Djokovic, including in Melbourne in January when the Serb retired injured from their semi-final. 'Pretty dominant' Djokovic, a three-time champion at Roland Garros, is just the second player to record 100 wins at the event after 14-time winner Rafael Nadal (112). "It's a very pretty number, but 101 victories sounds better," said 38-year-old Djokovic who has reached the quarter-finals at the clay-court major for a 16th consecutive year. World number six Djokovic is chasing a record 25th major title. Italian Sinner takes on unseeded Kazakh Alexander Bublik, who hailed his emotional four-set win over fifth seed Jack Draper in the last 16 as the "best moment of his life". Sinner leads 62nd-ranked Bublik 3-1 in previous meetings. © 2025 AFP
France 24
a day ago
- France 24
US novelist Edmund White, chronicler of gay life, dead at 85: agent
"Ed passed last night at home in NYC (New York City) of natural causes," agent Bill Clegg told AFP, adding White is survived by his husband Michael Carroll and a sister. The literary pioneer's books includes "Forgetting Elena," his celebrated debut novel from 1973, "A Boy's Own Story," his 1982 coming-of-age exploration of sexual identity, and multiple memoirs, notably the revelatory "The Loves of My Life" published this year. From his earliest publications, homosexuality was at the heart of his writing -- from the 1950s, when being gay was considered a mental illness, to the sexual liberation after the Stonewall riots in 1969, which he witnessed firsthand. Then came the AIDS years that decimated an entire generation. White himself would be affected directly -- he was diagnosed HIV positive in 1985 and lived with the condition for four decades. Tributes to the award-winning writer began pouring in on social media, including from his longtime friend and fellow prolific American author Joyce Carol Oates. "There has been no one like Edmund White!" Oates posted on X. "Astonishing stylistic versatility, boldly pioneering subject matter; darkly funny; a friend to so many over decades." Fellow author and playwright Paul Rudnick said on X that White was a "gay icon" whose novels, memoirs and non-fiction "changed and enhanced American literature." White was an avid traveler, spending years researching biographies of French authors Jean Genet and Marcel Proust. In the 1970s he co-wrote "The Joy of Gay Sex," a how-to guide and resource on relationships, which was a queer counter to "The Joy of Sex," the hugely popular 1972 illustrated sex manual. In the 2010s White suffered two strokes and a heart attack. But he kept writing. In this year's "The Loves of My Life," he recalled all the men he had loved -- White numbered his sexual partners at some 3,000. The New York Times described the book as "gaspingly graphic, jaunty and tender." White himself acknowledged that literature was a powerful conduit for revealing the intimate sides of ourselves. "The most important things in our intimate lives can't be discussed with strangers, except in books," as he once wrote.
