
Brotherhood of Man singer Martin Lee who won Eurovision with Save Your Kisses For Me left surprising amount after he died aged 77
Brotherhood of Man singer Martin Lee, who won Eurovision with Save Your Kisses For Me left an estate valued at £141,000 following his death last year at the age of 77.
Lee, who lived in Cobham, Surrey, was part of the two-boy, two-girl band that led Britain to victory at the 1976 Eurovision Song Contest with the song.
The track went to No.1 in more than 30 countries, sold six million copies and was at the top of the UK charts for six weeks.
Brotherhood of Man followed up their Eurovision success with two more UK No.1 singles, Angelo in 1977 and Figaro in 1978.
His will states his estate should pass to his wife Sandra Stevens, 80, who was also a singer in the group, and who he married in 1979.
As well as singing and playing guitar, Lee also co-wrote a number of the band's songs alongside Lee Sheriden.
Before joining the band, Martin also released a solo single called Cry Jose, and was part of the Johnny Howard Band.
The singer was born as Martin Barnes on November 26, 1946, in Purley, London and spent five of his younger years living in Australia.
Martin with his wife and band mate Sandra Stevens, who he was married to for 45 years (seen together in 2012)
The band were first formed in 1969 and Martin joined them three years later, singing lead vocals on their hit Save Your Kisses For Me (pictured second from right on Eurovision)
Before the Eurovision competition, which took place in The Hague, Brotherhood Of Man initially found success with their single United We Stand, which was also the name of their debut album.
It became a top 20 hit in the UK, Canada, Australia and the US.
They released some more successful singles, including Oh Boy (The Mood I'm In) and Angelo, as well as a second album called B for Brotherhood.
The group split up in the 1980s for a few years, but reunited for a TV show in 1985 and have stayed in touch ever since.
They have reunited a few times since their peak period of success and continued performing together, but officially retired from touring in 2022.
Announcing his death at the time, the band said in a statement: 'It is with great sadness that we announce the passing of our great friend and colleague Brotherhood of Man's Martin Lee who slipped peacefully away on the evening of Sunday 29th September 2024 from heart failure after a short illness. Martin was 77.
'Martin sang lead vocals on the 1976 Eurovision Winner 'Save your kisses for me' which was number 1 in 31 countries and the Guinness book biggest selling eurovision single of all time plus the biggest winner by percentage of vote.
'He was not only a wonderful singer but also co-wrote with band mate Lee Sheriden most of the Brotherhood of Man hits including the 3 number one records.
'Other awards include 26 Platinum, Gold & Silver Discs, 3 Ivor Novello awards and an ASCAP Shield for writing a top 10 hit in the United States.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Guardian
21 minutes ago
- The Guardian
David Beckham's knighthood shows the unique - and utterly absurd - power of the British class system
When the unauthorised, warts-and-all biography of the Beckhams, The House of Beckham, came out last year, it was in the distinctive style of its author, Tom Bower, which is to say, incredibly mean. But it was quite short of warts, to be honest: of course, there were youthful indiscretions – David Beckham's Madrid years featured an alleged affair and an insufficient tip in a restaurant, and Posh once made a TV show that people didn't like. But the Beckhams of today were guilty of nothing greater than that they wanted a knighthood, and had done for a really long time. That was why, according to Bower, David volunteered to help in the Philippines after the 2013 Typhoon Haiyan, and why Victoria gave all her castoffs to the Chelsea Red Cross which raised some eyebrows at the time, just because the last imaginable thing you would need after being hit by a typhoon would be 78 pairs of cerise stilettos. That was why David had reportedly 'unleashed his foul-mouthed tirade' (to use the proper tabloid phrase) by email once his honour was rejected, calling the honours committee a 'bunch of cunts' and lambasting Katherine Jenkins because she got an OBE 'for what? Singing at the rugby and going to see the troops plus taking coke. F—ing joke.' Becks had a point. In the 2010s – if the highest honour is reserved for those who are nationally significant, inspirational, and have demonstrated commitment at the highest level - it was hard to think of anyone who did more football, in a more committed fashion and noticeable way, than he. If there's a tacit clause about charitable works, he had definitely done some of that, and if he hadn't done enough, they should have just produced some time sheets and minimum spend numbers, and he could have done more. If the real block on the honour was that Posh and Becks had thrones made of gold at their wedding in 1999, which apparently annoyed Prince Philip so much that he declined to sit on a throne at the subsequent Jubilee, well, it was surely time that everyone with a throne of any kind just got over themselves. As is almost always the case with anything connected to the British aristocracy, it was impossible to pick a side. The honours committee has a conception of seemly public behaviour, and generally speaking, they go the opposite way to any normal member of the British public, who don't mind 'foul-mouthed tirades' but do mind sycophancy and incompetence, and consequently would much prefer to see Danny Dyer knighted than almost any name on the honours list of the past five departing prime ministers. Yet at the same time, it is tragic to want an honour in the first place, given that it pretends access to the nobility yet is completely ersatz; a fake VIP room where the champagne is fizzy apple juice and the really important people are in a different building. The culture of class deference is sustained on ideas that cannot be said out loud or even directly beheld, because they are too stupid: such as, 'Some people are born better than others, because they have a lineage going back to William the Conqueror'; such as, 'Great wealth connotes some endogenous personal merit, but only if you came by it the right way, several centuries ago and with violence'. By definition, you can't enter that system late, and in the very act of trying, you reveal how little you understand it. Which is fine, because to understand it and still want it would make you ridiculous, yet to want it uncomprehendingly still looks pretty foolish. As the Beckhams finally get what they've always wanted, apparently, what does it say about the institutions that put so much energy into blocking them? Have they finally run out of the energy it takes to make their minute distinctions? Or have they decided that it somehow works for the preservation of the system, to dignify a person only after they have waited an undignified amount of time? This might be the final, unique power of the British class system – the ability to make everyone who goes anywhere near it, in any capacity, look absurd, and at the same time, everyone who objects to it, at whatever volume, sound wholemeal and worthy. It's the last act of national unification, in which we all look as bad as one another. Zoe Williams is a Guardian columnist


BBC News
32 minutes ago
- BBC News
Painting of train window view is voted best UK railway art
A piece of art depicting the Wiltshire countryside through a train window has been voted as the public's favourite UK railway-themed Landscape was painted by Eric Ravilious in the 1940s, showing the Westbury White Horse through a third-class train carriage. His wife Tirzah Garwood made the collage section of the piece, using sections of different watercolours her husband had painted while travelling on artwork beat 19 others, including the works of JMW Turner and David Shepherd, in a global Railway 200 poll held to mark two centuries of the modern railway. The winner was announced earlier, on the anniversary of the birth of the railway pioneer George Stephenson. Mr Ravilious' granddaughter Ella Ravilious said she was "thrilled" her grandfather's work had won."He was quite a picky artist," she said. "He would tear up lots of his watercolours that he wasn't happy with."She said it's "fitting" the piece is now marking 200 years of the railway because it is a composite picture of elements from several different railway lines."I'm thrilled that interest in Eric's work has sustained and that he is becoming even more popular," Ms Ravilious added. Heritage Minister Baroness Twycross said the artwork was a worthy victor."This evocative watercolour invites us all to experience a railway journey through an artist's eye, capturing a uniquely British perspective that resonates today. "Art offers us a powerful way to engage with our past and this selection of artworks tell the unique story of Britain's relationship with railways over 200 years."The 20 most popular paintings are available to view on the Art UK website until the end of the year."I encourage everyone to explore these magnificent works and find inspiration from our shared cultural heritage," Baroness Twycross added.


BBC News
32 minutes ago
- BBC News
Droitwich Rik Mayall Comedy Festival boosts economy
The town that hosted the first Rik Mayall Comedy Festival has seen an economic boost with "best-ever" takings for businesses, a councillor has venues hosted 200 events in Droitwich, where the Young Ones star grew up – one of the most familiar faces on television in the 1980s and 1990s - but organisers said even the businesses that weren't hosting events have seen a record Morris, leader of Wychavon District Council, said the festival, which centred on Norbury Theatre where the performer first trod the boards, exceeded all expectations."It's been such a magnificent week," Morris said. "There's been such a buzz, such a great atmosphere, keeping Rik's memory alive. Antiques and pubs "It's 11 years ago to the day since he passed and as Greg Davies said, not enough was made of such an icon of comedy and we wanted to do that in Droitwich."Davies, one of the comedians who took part, had said Mayall "defined decades of comedy" and had not been celebrated told the BBC: "I think that him and his peers changed comedy totally. It moved it into an entirely different gear, a different arena, and I remember loving the fact that my parents didn't get it." Morris said he hoped the festival would become an annual event, adding: "Certainly, that's where we will be focusing on what have we learnt."Morris said there had been a big impact not only on Mayall's legacy, but also on the have not yet been compiled but the effect had been seen anecdotally, he said, adding: "Antique shops told me they had four times the takings they normally would, their best-ever takings."One of the pubs has said it's been their best-ever takings since they've been in operation."It's anecdotal and we've got to verify that, but if that's the feeling they've got, it's got to have had a really good effect." Follow BBC Hereford & Worcester on BBC Sounds, Facebook, X and Instagram.