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Kanye West ‘wants to attend Sean ‘Diddy' Combs' criminal trial

Kanye West ‘wants to attend Sean ‘Diddy' Combs' criminal trial

Perth Now21 hours ago

Kanye West reportedly wants to attend Sean 'Diddy' Combs' criminal trial in New York to publicly support the embattled music mogul.
The 47-year-old rapper, who now goes by Ye, is currently in New York City, though he was not present at this week's court proceedings, but a source has told CNN he has been communicating with 26-year-old Christian 'King' Combs, one of Combs' sons, about possibly joining the family in court once the defence begins presenting their case.
An insider 'close to Combs' told the network: 'Ye has been in touch with Christian and would like to attend the trial with the family to show his support.'
Combs' federal trial, which includes serious charges against the 55-year-old such as sex trafficking, racketeering conspiracy and transportation to engage in prostitution, has so far featured appearances in court from several members of Combs' family, including his sons.
Prosecutors are expected to conclude their case next week, paving the way for the defence to begin calling witnesses – a point at which Kanye may make an appearance.
Combs has pleaded not guilty to all charges and has denied all allegations of misconduct.
More than 60 civil suits have also been filed against Combs alleging sexual assault or other abuses on top of his criminal trial.
The source also confirmed to CNN Christian and Kanye are currently collaborating on new music.
They previously worked together on a track released in March, which included audio of a jailhouse phone call between West and Combs.
The track also featured vocals from Kanye's daughter with Kim Kardashian.
Scandal-plagued Kanye, who has been widely criticised in recent years for repeated antisemitic remarks and inflammatory behaviour, is one of the few public figures to voice support for Combs.
Ahead of his fellow rapper's trial, he posted messages on social media advocating for Combs' release.
In February, West sparked further backlash after he promoted and sold T-shirts emblazoned with swastikas — an incident he publicised in a Super Bowl advertisement.
Neither Combs nor Christian responded to CNN's request for comment.

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A family thought the sculpture on their piano was a ‘fake' Rodin. Now it's sold for more than $1.5 million
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A family thought the sculpture on their piano was a ‘fake' Rodin. Now it's sold for more than $1.5 million

A sculpture by French artist Auguste Rodin — which had disappeared from public view for almost 120 years and was thought to be a copy — has sold for €860,000 ($A1,507,783.20) at auction. Le Désespoir (Despair) — which shows a female figure sitting on a rock holding one foot, with her knee hugged to her chest — was rediscovered at the end of 2024 after last being sold in 1906, French auction house Rouillac said. Rodin, who lived from 1840-1917, made several versions of Le Désespoir. This particular sculpture was modelled in 1890 and sculpted from marble in 1892-1893. Measuring just 28.5cm by 15cm by 25cm, the sculpture was originally modelled to form part of Rodin's monumental work The Gates Of Hell which features more than 200 figures and groups. The previous owners — a family from central France — had no idea of its value and had displayed the sculpture on top of a piano alongside family photos, auctioneer Aymeric Rouillac told CNN. 'They said 'it's a fake, it's a copy',' Rouillac said, adding he nevertheless decided to investigate further. The details of this sculpture are striking, Rouillac told CNN. 'The back, the muscles, they are perfect,' he said. 'You can feel every vertebra in the spinal column.' Following his own investigation, Rouillac took the sculpture for assessment by the Comité Rodin, which maintains a catalogue of the artist's work. Comité Rodin founder Jérôme Le Blay told CNN he was immediately struck by the 'exceptional' piece. 'I realised in a second that it was real,' he said. 'I had absolutely no doubt.' This particular example is 'extremely well made,' Le Blay said, adding it dates back to a period when Rodin was dedicating a huge amount of time to making a small number of sculptures. Rodin would have worked with assistants who would have carried out the initial work on a piece of marble, before he performed the final stages, he explained. According to Le Blay, the sculpture dates to 'one of the best moments of Rodin's career' before his growing fame meant he started to produce more and more works after the turn of the century. Upon his death, Rodin left his works to the Musée Rodin in Paris, as well as granting it permission to continue producing his bronze sculptures. While many of these posthumous bronzes go under the hammer each year, marbles are much harder to find, Le Blay said. Most of Rodin's marbles are owned by the Musée Rodin or by other large museums around the world. 'Marbles in private collections are rare,' he said, adding this piece has a 'kind of magic' due to the fact it has reappeared for sale after such a long time. In a 'passionate' auction, the top bid was made by a young banker from the US West Coast, according to the auction house.

Family's ‘fake' art piece sells for more than $1.5 million
Family's ‘fake' art piece sells for more than $1.5 million

Perth Now

time6 hours ago

  • Perth Now

Family's ‘fake' art piece sells for more than $1.5 million

A sculpture by French artist Auguste Rodin — which had disappeared from public view for almost 120 years and was thought to be a copy — has sold for €860,000 ($A1,507,783.20) at auction. Le Désespoir (Despair) — which shows a female figure sitting on a rock holding one foot, with her knee hugged to her chest — was rediscovered at the end of 2024 after last being sold in 1906, French auction house Rouillac said. Rodin, who lived from 1840-1917, made several versions of Le Désespoir. This particular sculpture was modelled in 1890 and sculpted from marble in 1892-1893. Measuring just 28.5cm by 15cm by 25cm, the sculpture was originally modelled to form part of Rodin's monumental work The Gates Of Hell which features more than 200 figures and groups. The previous owners — a family from central France — had no idea of its value and had displayed the sculpture on top of a piano alongside family photos, auctioneer Aymeric Rouillac told CNN. 'They said 'it's a fake, it's a copy',' Rouillac said, adding he nevertheless decided to investigate further. The details of this sculpture are striking, Rouillac told CNN. 'The back, the muscles, they are perfect,' he said. 'You can feel every vertebra in the spinal column.' Following his own investigation, Rouillac took the sculpture for assessment by the Comité Rodin, which maintains a catalogue of the artist's work. The detail on one of the feet of the sculpture. Credit: Guillaume Souvant/AFP via Getty Images Comité Rodin founder Jérôme Le Blay told CNN he was immediately struck by the 'exceptional' piece. 'I realised in a second that it was real,' he said. 'I had absolutely no doubt.' This particular example is 'extremely well made,' Le Blay said, adding it dates back to a period when Rodin was dedicating a huge amount of time to making a small number of sculptures. Rodin would have worked with assistants who would have carried out the initial work on a piece of marble, before he performed the final stages, he explained. According to Le Blay, the sculpture dates to 'one of the best moments of Rodin's career' before his growing fame meant he started to produce more and more works after the turn of the century. Upon his death, Rodin left his works to the Musée Rodin in Paris, as well as granting it permission to continue producing his bronze sculptures. While many of these posthumous bronzes go under the hammer each year, marbles are much harder to find, Le Blay said. Most of Rodin's marbles are owned by the Musée Rodin or by other large museums around the world. 'Marbles in private collections are rare,' he said, adding this piece has a 'kind of magic' due to the fact it has reappeared for sale after such a long time. In a 'passionate' auction, the top bid was made by a young banker from the US West Coast, according to the auction house.

A family thought the sculpture on their piano was a ‘fake' Rodin. Now it's sold for more than $1.5 million
A family thought the sculpture on their piano was a ‘fake' Rodin. Now it's sold for more than $1.5 million

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time10 hours ago

  • 7NEWS

A family thought the sculpture on their piano was a ‘fake' Rodin. Now it's sold for more than $1.5 million

A sculpture by French artist Auguste Rodin — which had disappeared from public view for almost 120 years and was thought to be a copy — has sold for €860,000 ($A1,507,783.20) at auction. Le Désespoir (Despair) — which shows a female figure sitting on a rock holding one foot, with her knee hugged to her chest — was rediscovered at the end of 2024 after last being sold in 1906, French auction house Rouillac said. Rodin, who lived from 1840-1917, made several versions of Le Désespoir. This particular sculpture was modelled in 1890 and sculpted from marble in 1892-1893. Measuring just 28.5cm by 15cm by 25cm, the sculpture was originally modelled to form part of Rodin's monumental work The Gates Of Hell which features more than 200 figures and groups. The previous owners — a family from central France — had no idea of its value and had displayed the sculpture on top of a piano alongside family photos, auctioneer Aymeric Rouillac told CNN. 'They said 'it's a fake, it's a copy',' Rouillac said, adding he nevertheless decided to investigate further. The details of this sculpture are striking, Rouillac told CNN. 'The back, the muscles, they are perfect,' he said. 'You can feel every vertebra in the spinal column.' Following his own investigation, Rouillac took the sculpture for assessment by the Comité Rodin, which maintains a catalogue of the artist's work. Comité Rodin founder Jérôme Le Blay told CNN he was immediately struck by the 'exceptional' piece. 'I realised in a second that it was real,' he said. 'I had absolutely no doubt.' This particular example is 'extremely well made,' Le Blay said, adding it dates back to a period when Rodin was dedicating a huge amount of time to making a small number of sculptures. Rodin would have worked with assistants who would have carried out the initial work on a piece of marble, before he performed the final stages, he explained. According to Le Blay, the sculpture dates to 'one of the best moments of Rodin's career' before his growing fame meant he started to produce more and more works after the turn of the century. Upon his death, Rodin left his works to the Musée Rodin in Paris, as well as granting it permission to continue producing his bronze sculptures. While many of these posthumous bronzes go under the hammer each year, marbles are much harder to find, Le Blay said. Most of Rodin's marbles are owned by the Musée Rodin or by other large museums around the world. 'Marbles in private collections are rare,' he said, adding this piece has a 'kind of magic' due to the fact it has reappeared for sale after such a long time. In a 'passionate' auction, the top bid was made by a young banker from the US West Coast, according to the auction house.

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