All of the Kneecap gigs that have been cancelled amid police probe
A handful of Kneecap festival performances have been cancelled as counter-terrorism police investigate footage which allegedly shows the band calling for the deaths of MPs and shouting 'up Hamas, up Hezbollah'.
Politicians are pushing for the group to be dropped from the Glastonbury Festival line-up while artists including Pulp, Paul Weller, DJ Annie Mac, Massive Attack, and Primal Scream have defended the band.
The footage from November 2023 appears to show one member of the group saying: 'The only good Tory is a dead Tory. Kill your local MP.'
View this post on Instagram
A post shared by KNEECAP (@kneecap32)
The group apologised on Monday to the families of murdered MPs but claimed footage of the incident had been 'exploited and weaponised', while they also said they have 'never supported' Hamas or Hezbollah, which are both banned organisations in the UK.
– Cancelled Kneecap gigs
– Eden Sessions
The Irish rap group were due to perform their first show in Cornwall at the Eden Project on July 4.
An Eden Sessions spokesperson said on Tuesday: 'Eden Sessions Limited announced today that the Kneecap show at Eden Project scheduled for July 4 2025 has been cancelled.
'Ticket purchasers will be contacted directly and will be fully refunded.
'The refund process will commence from Wednesday, April 30 2025. Refunds will be processed against the original payment cards used.
'Purchasers should allow six working days for funds to be received into their accounts.'
The Eden Sessions are a series of concerts which take place at the Cornwall botanical gardens yearly, with this year's series including performances from Biffy Clyro, The Script and Texas.
The Streets frontman Mike Skinner was slated for a DJ set at the Kneecap concert.
A reason for the show's cancellation was not given.
– Plymouth Pavilions
After their Cornwall gig was cancelled, Moglai Bap, Mo Chara and DJ Provai announced they would be playing at Plymouth Pavilions on the date they were due to play at the Eden Project.
On Thursday, a note on the Plymouth Pavilions website said the concert had been scrapped.
'Having taken advice from relevant authorities and agencies, it has been agreed that Kneecap's performance at our venue will no longer go ahead', it said.
'The safety of our valued visitors is always our primary concern and as such we feel confident in this decision – no further communications will be entered into.'
– German festivals
On April 25 the band announced in a post to X, formerly Twitter, that they would no longer be performing at Hurricane or Southside Festival in Germany.
In the post they included links to performances in Cologne, Berlin and Hamburg, taking place in September, and wrote: 'Tickets for our first ever German headline shows are ON SALE NOW with links below.'
The links to the ticket websites now say that the event has been 'cancelled'.
– Where will Kneecap be performing this summer?
The band are supporting Irish rock band Fontaines DC at Boucher Playing Fields, Belfast, in August and said that tickets for the show sold out within half-an-hour after they went on sale on April 25.
In the UK and Ireland they are billed to perform at Wide Awake Festival in London on May 23, Fairview Park in Dublin on June 19 and Finsbury Park on July 5.
View this post on Instagram
A post shared by KNEECAP (@kneecap32)
There are also due to play at 2000trees rock festival on July 10, TRNSMT in Scotland on July 11, Wythenshawe Park in Manchester on August 15 and Belfast Vital on August 29.
Regarding the controversy and subsequent police investigation, festivals in the Netherlands and Czech Republic told the PA news agency that they are 'monitoring the situation'.
A spokesperson for Paradiso Festival in Amsterdam said: 'We are following the news around Kneecap and are aware of the investigation currently being conducted by the Counter Terrorism Police.
'We will see what comes out of that investigation. We will then take the investigation results into consideration and decide if it has consequences for the shows at Paradiso.'
Rock for People in the Czech Republic said in a statement: 'We understand your concerns. We will monitor the situation and will consider next steps.'
Kneecap previously came under fire for their performance at Coachella on April 18 where they displayed messages about the war in Gaza.
Kneecap has been contacted for comment.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Newsweek
an hour ago
- Newsweek
Dog Turns Into 'Wolf' After Mud Bath, Woman Forced To Call for Backup
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A German shepherd dog has gained millions of fans after she took the opportunity to go for a mud bath while out on a walk. Whiskey the dog became a social media sensation when a video of her was shared to TikTok account @ivycaponi. In the clip, viewed more than 30 million times, a woman records the pup lying in what may have one point been a puddle, but is now purely thick, wet mud. And as Whiskey rolls around in the mud, covering every inch of her fur with the grey-brown sludge, the woman sounds resigned as she says: "Oh, Whiskey. Oh, honey. Are you serious right now?" Whiskey is more than serious, as she continues rolling around in the mud, digging her face into it happily. And after warning Whiskey was "going to get me in trouble," the woman then called for backup. Speaking to someone off camera, she asks a man to come outside, warning it's nothing "urgent, just kind of funny and not cool at the same time"—as Whiskey continues getting as muddy as possible. There are myriad reasons a dog might enjoy playing in mud: it can help them cool down and mask their scent, they might enjoy the texture and taste, and it's generally a plaything for them, according to a vet-reviewed report from Modern Vet. A second video, viewed a whopping 84 million times, shows the smiling dog continuing her mud bath, now taking time to just stop and lie in the mud, possibly tired out from all the rolling around. And in a further update, Ivy shared the before and after photos of Ivy—completely covered in grey muck to the point she was essentially "now disguised as a wolf," and after a bath, with her coat now back to its shiny tan-and-black coloring. TikTok users were in stitches, with one person commenting on the first video: "Not you radioing for backup I'm DEAD." "Whiskey always gets me in trouble, too," another joked, while on admitted: "I don't get it! Why do dogs love mud but hate baths?" "I'm low-key jealous of the joy he's experiencing," one said, as another put it: "God forbid a girl has a spa day." And one praised the camerawoman: "I'm glad that you just let her finish because there was no turning back." Newsweek has contacted @ivycaponi on TikTok for comment on this story. Whiskey the German Shepherd Dog takes a bath in a huge puddle of mud. Whiskey the German Shepherd Dog takes a bath in a huge puddle of mud. TikTok @ivycaponi Do you have funny and adorable videos or pictures of your pet you want to share? Send them to life@ with some details about your best friend and they could appear in our Pet of the Week lineup.
Yahoo
2 hours ago
- Yahoo
Emily Eavis reveals Glastonbury capacity cut to avoid overcrowding
Glastonbury organiser Emily Eavis has revealed that the festival sold 'a few thousand' fewer tickets this year in an attempt to reduce overcrowding. Last year, complaints emerged of huge crowds at certain sets to the point that security were forced to shut down entry to more fans. The 2025 event is sold out but apparently will not use its full 210,000 capacity when it takes place at Worthy Farm in Somerset later this month. Speaking to the BBC's Sidetracked podcast, Eavis said she wanted to see if the reduction could 'make an impact on some of the busier times'. 'It'll be interesting to see just how that affects the dynamics on site,' she said of the reduced crowd sizes. Organisers have apparently also created more room at the Other Stage, the festival's second-biggest arena, where Charli XCX will headline on the Saturday night. After the festival bought extra land, there will also be more room at the Shangri-La nightlife area. Eavis said she had held a meeting of around 250 Glastonbury staff and asked whether anyone believed the festival was overcrowded last year – apparently no one put their hand up. 'I was like, [that's] interesting because there's a lot of talk, some people think that it was,' she said. Ticket-holders will also be encouraged to use different routes and make use of the entire site in a bid to ease congestion. Eavis said that the festival's app planner, with which fans can note which artists they want to see, had helped organisers predict which areas were likely to be busiest at specific times. 'The app was really accurate last year. People plan what they're going to see,' she said. 'We can see what they're going to see, which is really useful for us from a crowd perspective.' She revealed that, since the Covid pandemic, people tended to move 'more in a herd' and so her goal was to emphasise that there are 'like 10 routes to anywhere'. This year's festival takes place between Wednesday 25 June to Monday 30 June and will be headlined by The 1975, Neil Young and Olivia Rodrigo. Other artists on the eclectic lineup include Grammy-winning rapper Doechii, rock band Wunderhorse, pop star Charli XCX, singer RAYE, Irish hip-hop trio Kneecap and mysterious band Patchwork.
11 hours ago
A debut novel explores family relationships and cultural displacement
In her debut novel, Misophonia, Dana Vowinckel explores the cultural diaspora through one teenager's summer across Berlin, Jerusalem, and Chicago. It's a coming of age story that balances the narratives of a daughter and her father as well as the fifteen-year-old protagonist's abrupt (and reluctant) reunion with her mother. The book is also a semi-autobiographical trek through parts of Vowinckel's own life. Born in Berlin into an American-Jewish-German family, the author grew up between Chicago and Berlin and her novel manages to capture the sometimes awkward, oftentimes tender, dynamics of a family pulled across continents and histories. Though it explores the travails of teenage girlhood, the book also delves into the nuances of being Jewish and German and the challenges of reconciliation when your goals and feelings collide with world events. 'Language is at the core of the book, not identity,' Vowinckel explained in a recent interview in New York. 'It would be a mistake to read it as purely an identity novel,' she says. Critics have praised the novel for its rich, contrasting ingredients and Vowinckel's ability to narrate the emotions of its teenage protagonist with warmth and clarity. The book won the Mara Cassens Prize, a German literary award given annually for the best German debut novel, and earned Vowinckel the literature prize of the Association of Arts and Culture of the German Economy. It was also shortlisted for the Leipzig Book Fair Prize which celebrates outstanding new publications written in German. The 27-year old Vowinckel, who studied linguistics and literature in Berlin, Toulouse and Cambridge, was in New York to promote the recently published English translation of Misophonia by HarperVia. (The book was translated from its original German by Adrian Nathan West.) Vowinckel's visit included events at Germany's Consulate General of New York - which promotes cultural, intellectual, and artistic exchanges with Germany - and Deutsches Haus at New York University. Misophonia opens in Chicago, with parts set in Berlin and Israel. It follows a teenage protagonist, Margarita, as she travels to her father's birthplace in Israel with the mother who left her when she was a toddler. Margarita shares a special bond with her father, Avi - a doting Israeli who is a cantor at their local synagogue - ever since her mother, Marsha, abandoned the family. Eventually, arrangements are made - without Margarita's knowledge - for her to meet Marsha in Israel before returning to Germany. Blindsided, she wants no part of this overdue reconciliation with a mother she hardly knows. Meanwhile, in Germany, Avi tries to fill the hole left by Margarita's absence with a trip of his own, embarking on a personal journey, both hope-inducing and despairing. Writing the book through the prism of dueling narratives - switching between a teenage girl, and her father - allowed Vowinckel to engage readers in an unusual point-of-view combination, she says. Accounts of Jewish congregational life in Berlin are mixed with detailed descriptions of the awkwardness and lust that go along with living inside a female teenage body. 'Both perspectives were very interesting to me,' Vowinckel told the Chicago Review of Books in May. 'With a 15-year-old, there's early sexuality and kind of being lost in the world, contrasted with the very lonely, quiet life of Avi,' she said. Straddling the two narratives also helped balance the exploration of imperfect family relationships and larger cultural displacement, the author says. 'I think it was very helpful for me to have a protagonist with a very specific job description because that gives you rhythm to the text,' Vowinckel says. 'It made it very easy for me to start this big novel project with this very calm, laconic voice, and then mix it with Margarita.'
