Fans Choose Lali & Duki's ‘Plástico' as Their Favorite New Latin Music of the Week
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience. Generate Key Takeaways
Lali and Duki's 'Plástico' has topped Billboard's latest new Latin music poll published on Friday, May 2. In support of the weekly New Music Latin roundup and playlist, curated by Billboard's Latin and Billboard Español editors, music fans voted for the Argentine artists' collaboration as their favorite music release of the week.
The electro-pop track — powered by a riveting, high-energy beat — is part of Lali's latest album, titled No Vayas a Atender Cuando El Demonio Llama, released April 30 via Sony Music Argentina. It garnered just a bit more than 50% of the vote. Coming in second place is Ivan Cornejo's powerful ballad 'Me Prometí,' which received nearly 44 percent of the votes.
More from Billboard
'Plástico,' one of the two collaborations featured on Lali's 15-track set (the other being 'Mejor Que Vos' with Miranda!), beat out other new releases including Grupo Frontera and Netón Vega's 'La Buena Eres Tú,' Gabito Ballesteros' 'Cleopatra,' Alisun's EP Vive En Mí and Ramon Vega and Carín León's take on 'Dueño de Ti,' plus, new albums by Fuerza Regida (111XPANTIA), Gloria Trevi (El Vuelo) and Adriel Favela, Danny Felix, Giovanny Ayala and Octavio Cuadras (Sueños de la Calle Vol. 1).
On the previous New Music Latin poll, fans crowned Cazzu's new album Latinaje as their favorite release, with the set garnering more than 90% of the vote. The Argentine artist's highly anticipated 14-track set, helmed by her longtime producer Nico Cotton, was released via Dale Play Records and Rimas Entertainment.
Below, see the complete results for the May 2-dated poll:
Best of Billboard
Sign up for Billboard's Newsletter. For the latest news, follow us on Facebook, Twitter, and Instagram.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
22 minutes ago
- Yahoo
Queens of the Stone Age Couldn't ‘Over-Rehearse' for Paris Catacombs Concert Film: ‘You Go Down There & All the Plans Are Off'
Queens of the Stone Age frontman Josh Homme has some sage advice for anyone who finds themselves in a difficult situation. 'If you're going through hell,' Homme says, 'keep going.' More from Billboard Queens of the Stone Age Announce 'Alive in the Catacombs' Concert Film, Album Billboard & Global Venture Partners Launch Billboard Africa Here's What Fans Think of SiR Claiming Drake Had His 2024 Toronto Show Canceled Easy for him to say: He's one of the few lucky souls who has left the Paris Catacombs, the subject of his band's new film and the final home to more than 6 million deceased Parisians following an 18th-century effort to fix Paris' overcrowded, dilapidated cemetery system. Homme has long been fascinated by the underground burial site, visited by more than a half-million people each year, and chose the dark and foreboding underground capsule as the central motif for Queens of the Stone Age's new project Alive in the Catacombs, a concert and concept film directed by Thomas Rames and produced by La Blogothèque. 'This place is like trying to run on a sheet of ice,' Hommes explains in the accompanying documentary Alive in Paris and Before, shot by the band's longtime visual collaborator Andreas Neumann. 'You have no idea how much time has passed up there, up above, and no time has passed below. It's the same time, all the time, every time.' It's easy to get lost in the maze-like film as it wanders through the subterranean tunnels and ossuaries buried deep beneath the City of Light. The film captures Homme at a low point in 2024, having to cancel a major European leg of the band's tour due to a cancer diagnosis from which he has since recovered. Performing in the Catacombs had been a lifelong dream of Homme's, and he pushes though the pain to delivery a carefully arranged performance of music from the band's back catalog, 'stripped down bare, without taking away what made each one wonderful,' band member Dean Fertita explains in the documentary. The band recruited violinist Christelle Lassort and viola player Arabella Bozig to repurpose tracks like 'Paper Machete,' 'Kalopsia' and 'Villains of Circumstance'; while each song was performed acoustically, Homme was adamant the project not simply feel like 'Queens of the Stone Age Unplugged.' 'When you go into the Catacombs, there are 6 million people in there, and I think about, 'What would you want to hear if you were one of those people?'' Homme said Wednesday night (June 4) during a Q&A in Los Angeles following a screening of the film. 'I'd want to hear about family and acceptance and things I care about. A lot of the songs we picked are about the moment you realize there's difficulty and the moment you realize you're past it, so a lot of the songs we picked were about letting the people down there know it's all right and that we care about them.' Homme said the challenges of the performance was that unlike a traditional concert where the band plays to the audience, 'We're in the belly of this thing. The ceiling is dripping and it's an organic thing that's really dominating.' The Paris Catacombs were built during a time of great upheaval in French society, as revolution completely reshaped civic life and laid siege to the political fabric of the French monarchy. There are no coffins or headstones in the Catacombs, with the bones of the princes and kings mixed with peasants and non-nobility. The band shot the entire film in one day, Homme said, securing permission from the historical group that oversees the Paris Catacombs to shoot on a day the space was closed to the public. 'We didn't over-rehearse; we just rehearsed twice,' Homme said. 'It's not supposed to be perfect. You try to make a plan, but you go down there and all the plans are off.' Fans can preorder the film in advance on Queens of the Stone Age's website; fans who order the video before Saturday will also receive the mini-documentary film. Watch the trailer below: Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Yahoo
23 minutes ago
- Yahoo
Jimmy Barnes Drops ‘DEFIANT' Album Ahead of Australian Tour: Stream It Now
Australian rock legend Jimmy Barnes has released his 21st solo studio album DEFIANT, just one day before launching a national tour across Australia. Out now via Mushroom Music, DEFIANT arrives after a difficult period for Barnes, who has undergone multiple surgeries in recent years, including a life-threatening heart operation. Despite the challenges, the Cold Chisel frontman says the new 10-track set carries a message of resilience. More from Billboard Queens of the Stone Age Couldn't 'Over-Rehearse' for Paris Catacombs Concert Film: 'You Go Down There & All the Plans Are Off' Billboard & Global Venture Partners Launch Billboard Africa Here's What Fans Think of SiR Claiming Drake Had His 2024 Toronto Show Canceled 'Nobody lives this long without copping some knocks and I've taken my fair share, particularly lately,' he said in a press statement. 'But none of us can control what life throws at us. We can only control how we respond — and for better or worse, I've never liked to take a backward step.' While he didn't intend for the album to take on a particular theme, Barnes says that in hindsight, DEFIANT reflects a consistent message. 'I didn't set out to do it deliberately but now that the album is finished, I can see there's a recurring theme about the satisfaction you can get from fighting back. That's why it's called DEFIANT.' The album marks his first new project since 2022's Blue Christmas and follows a career that includes a record-breaking 15 solo No. 1 albums on Australia's ARIA Albums Chart — more than any other artist in ARIA history. He's also notched five more chart-toppers with Cold Chisel, making him a singular force in Australian rock. 'I'm ready to rock!' Barnes said. 'All of the songs on DEFIANT are made to play live and I can't wait to blow the roofs off with them in my live set.' 'I'm really looking forward to getting back on stage with my band again. I'm so proud of this new record – all the songs mean a lot to me and I can't wait to share them with you. It's going to be some serious fun!' The Defiant Tour kicks off June 7 at Adelaide Entertainment Centre and will continue through major cities including Perth, Melbourne, Brisbane and Sydney, wrapping in Canberra later this month. In addition to the album and tour, Barnes will appear on the debut season of That Blackfella Show, billed as Australia's first national First Nations variety show. The series is filmed in front of a live studio audience and features a lineup that includes rapper BARKAA, comedians Steph Tisdell and Dane Simpson, and broadcaster Abbie Chatfield. DEFIANT is available now on all streaming platforms. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Yahoo
2 hours ago
- Yahoo
See John Wick spinoff 'Ballerina' in theaters, rent 'Sinners,' stream 'Presence' on Hulu, plus more movies to watch this weekend
We independently evaluate the products we review. When you buy via links on our site, we may receive compensation. Read more about how we vet products and deals. Hello, Yahoo Entertainment readers! I'm Brett Arnold, a longtime writer and editor at Yahoo and film critic for my podcast, Roger (Ebert) & Me, and welcome to Trust Me, I Watch Everything. I'm here to recommend what you should see in movie theaters, rent from the comfort of your couch or queue up from a streaming service you may already subscribe to. I watch it all so you don't have to. This week, Ballerina, the long-awaited John Wick spin-off starring Ana De Armas, hits theaters. If you're looking for a movie to keep you up at night, horror-thriller Dangerous Animals is a strong candidate, but don't miss out on the smash hit Sinners either. Also available is an animated take on the Predator franchise and a nostalgic documentary in Becoming Led Zeppelin. What to watch in theaters Movies newly available to rent or buy Movies debuting on streaming services you may already have Movies newly available on streaming services you may already have My "it's just good enough" recommendation: Why you should watch it: After a lengthy delay and reports of extensive reshoots, stuntman-turned-filmmaker Chad Stahelski, the brainchild of the franchise and director of all four John Wick films, was brought in to replace director Len Wiseman. One of its stars, Ian McShane, confirmed in an interview that Stahelski came onboard to "protect the franchise." He did what he could. Whenever the movie is in hyper-violent action mode, it's a lot of fun. The problem is, that awesome action is almost entirely relegated to the final 45 minutes, which leaves about an hour and 15 minutes of laborious setup. Anytime the movie slows down to get into the minutiae of the world-building or the backstory of the lead character, it's a bore, missing the mark of what makes Wick satisfying. The dark humor that punctuates the violence, a staple of the series, is firmly in tact here though, and the more inventive kills involve grenades, flamethrowers and an ice skate. Keeping with franchise tradition, it does appear that Ana de Armas does a lot of her own fighting and stunt work, and it looks great. While the reshoots clearly added the fluid action that works, they also added in John Wick himself in a way that felt unneeded, taking away from the lead character's story. I guess the writing was on the wall when the title changed from Ballerina to From the World of John Wick: Ballerina. 🍿 What critics are saying: Don't come for the storyline! Variety's Owen Gleiberman called the plot of Ballerina "pure trash," with the Los Angeles Times's Amy Nicholson calling it "a snooze." That said, the fight scenes get high marks. "These movies lie or die by their action sequences, and to its credit, this franchise expansion pack has a few good ones up its sleeve," Rolling Stone's David Fear wrote. 👀 How to watch: From the World of John Wick: Ballerina is now in theaters nationwide. Get tickets ➕ Bonus recommendation: Dangerous Animals Why you should watch it: Dangerous Animals is one of those movies in which the very premise feels like a spoiler. The opening scene is such a terrific reveal, it's hard not to imagine how much better it'd play with zero knowledge going in. So stop reading now and watch it if you're into horror or survival thrillers or shark movies. If you need more convincing, read on, because boy does it have a killer premise. It's a serial killer movie with a shark-related twist, or a shark movie with a serial killer added for good measure. Let me explain: Jai Courtney plays a serial killer, and his method of killing people is to feed them to sharks. He films these killings because to him, the 'greatest show on Earth' is watching sharks, one of the ocean's most majestic creatures, do what comes naturally to them when a warm, bloodied human body is lowered into the waters. The movie mostly focuses on the final girl trapped on his boat as she tries to free herself before the next feeding. What more do you need to know? 🍿 What critics are saying: The reception has been largely positive; Kristy Puchko at Mashable says Jai Courtney is a "rip-roaring force of nature" and praises the film as "a satisfying, sick, and devilishly smart thriller." Peter Bradshaw of the Guardian, however, isn't a fan, calling it "derivative" and declaring it "has a bargain-basement straight-to-streaming feel to it." 👀 How to watch: Dangerous Animals is now in theaters nationwide. Get tickets 🤔 If those aren't for you... :The most generic exorcism/possession movie possible, you've seen every single thing this movie throws at you. Even though stars Dan Stevens and Al Pacino, it's very low-rent. — Get tickets. :Comedian Nick Kroll and Broadway star Andrew Rannells play a gay couple in this dark comedy that starts off strong and goes off the rails about halfway through, becoming a different movie with a completely different tone. A shame, because it was cute before it went nuts. — Get tickets. My recommendation: Why you should watch it: Sinners is one of the biggest hits of the year, which is no easy feat for an original movie not based on anything that already exists, and it's easy to see why: It's as audacious as it is purely entertaining. Yes, it's a vampire movie, but it takes half the film to get there — extreme From Dusk Till Dawn vibes — and before that, it's a period piece gangster movie that patiently sets up the stakes of its story. In the end, what's revealed is that the movie works entirely on its own terms as a spectacle — about a bunch of people holing up in a single location and warding off invaders — but it also works on an entirely different level: as a metaphor about its director's feelings on making art as a Black man in an industry that's eager to exploit his perspective. Calling it a musical is a stretch, but it has a blues element that pays off well. Sinners is a hell of a swing, and even if things occasionally get messy or certain elements feel pushed to the side, its vision comes through so strong that it's an incredibly impressive feat. 🍿 What critics are saying: Sinners is also one of the best-reviewed films of the year and has a great shot at Oscar gold. David Sims at the Atlantic said it "had [him] cheering for every thrill and spill, all while mulling the deeper concerns threaded through it" and AP's Jocelyn Novek wrote, "by far the most creatively ambitious, culturally layered, artistically bold twin-led cinematic outing yet — if this sentence feels like a lot, get ready for the movie!" 👀 How to watch: Sinners is now available to rent or purchase on digital and on-demand. Rent or buy 'Sinners' 🤔 If that's not for you... : A Nicolas Cage-led, laugh-out-loud funny but also quite stressful descent into madness that recalls the Ozploitation classic Wake in Fright. "Don't live here, don't surf here!" — Rent or buy. My recommendation: Why you should watch it: Prey, the Predator prequel that brought new life to the beloved sci-fi/action franchise, shocked everyone when it debuted on Hulu a few years ago with its unique spin on the series, centering Amber Midthunder's Naru. The filmmaker behind Prey returns with the animated Predator: Killer of Killers, his first of two new Predator movies releasing this year. It's an anthology film that feels inspired by any number of viral tweets suggesting, 'We need a Predator movie set in feudal Japan,' because that's exactly what we get here. We get three separate stories — one set in Viking times, one in feudal Japan and another set during World War II that's essentially one long dogfight between U.S. soldiers and a huge terrifying Predator ship. The premise is quite simple. In each short, we learn about some badass who is the most badass fighter of their time, and then a Predator shows up to fight them. The action is incredible, unencumbered by the limits of live-action and fully embracing the fact that it's a cartoon, delivering everything you'd want to see in a Predator movie. There's one sequence that legitimately may be the best scene in any one of these movies, period. The stories do also come together in a very satisfying way. I hope they immediately announce the sequel that's set up at the end here, because even if I didn't fully jibe with the animation style, this absolutely rocks. 🍿 What critics are saying: The Guardian's Catherine Bray felt the animation was "lacking a little something," adding, "you can't help picturing how much more spectacular it would look in live action." 👀 How to watch: Predator: Killer of Killers is now streaming on Hulu. Stream on Hulu 🤔 If that's not for you... : Taraji P. Henson stars as a single mother facing a series of painful events in Tyler Perry's new movie, out now on Netflix. Netflix did not provide a review copy for critics. My recommendation: Why you should watch it: This one's an easy sell: it's a documentary about Led Zeppelin, featuring interviews with the surviving members of the band about their origins and their meteoric rise. It also features fantastic concert footage, much of which has never been seen before. It's a treat for Led Heads, even if the movie doesn't get into any of the dirty details about the animosity between them that necessitates all members being interviewed separately over the course of the film and, of course, the fact that they haven't played a show together since 2007. It's a fun, rocking trip down memory lane; if you missed it in IMAX theaters, it's now streaming on Netflix. 🍿 What critics are saying: The reception has been largely positive; Steve Pond at the Wrap correctly notes that it "offers glimpses of the band we've never seen before, but it also withholds a lot." Joshua Rothkopf at the Los Angeles Times asks, "Why are these guys so boring?" and also laments that "no other voices have been allowed," knocking the lack of historical context. 👀 How to watch: Becoming Led Zeppelin is now streaming on Netflix. Stream on Netflix ➕ Bonus recommendation: Presence Why you should watch it: Presence isn't the horror movie it's being marketed as, but it's absolutely haunting and chilling in a different way. Here, the camera is the ghost that's haunting a house, and the entire movie takes place from that perspective. The viewers are along for the ride, limited to what the ghost knows and doesn't know, as the lost soul tries to solve the case of its own death and figure out why it's haunting this What unfolds is a compelling family drama with moments of pure terror. It hits you on a deeper level and stays there rather than leave you screaming over a loud noise or a jump scare. It's certainly a horror movie, just not the register we've come to expect from the premise of 'family moves into a haunted house.' It cleverly ends up being a movie about parenting, among other themes. Director Steven Soderbergh and screenwriter David Koepp are more interested in the dynamics between the family inhabiting the house than delivering cheap thrills, and it pays off with a gut-punch of an ending. The entire cast is great, but it's particularly nice to see Lucy Liu again. 🍿 What critics are saying: Critics love Soderbergh, and this time is no different. Stephanie Zacharek at Time writes, "it's so compact, smart, and elegant that it feels quietly momentous. Without handing everything over, it gives you all you need," though the Telegraph's Tim Robey was more mixed, writing that it's "certainly not a bad time" while taking issue with certain elements. 👀 How to watch: Presence is now streaming on Hulu. Stream on Hulu 🤔 If those aren't for you... : If you thought The Accountant was silly, hold on to your briefcase and pocket protector! Ben Affleck and Jon Bernthal both return in the much, much goofier sequel, which leans into not only the humor but also becomes more of a hangout movie than you'd expect. Any grounding in reality is gone here, so your mileage may vary, even if you dug the first one. Now streaming on Amazon Prime. :Jack Quaid continues his streak of being in yet another movie where he's out to save a kidnapped woman, This time, he plays a mentally ill man who teams up with his neighbor Jeffrey Dean Morgan to solve an abduction he witnesses. It's pretty fun! Now streaming on AMC+ : This is a sweet and nice movie about a a lottery winner who lives alone on a remote island who dreams of getting his favorite musicians back together. His fantasy turns into reality when the bandmates and former lovers accept his invitation. Carey Mulligan is in it! Now streaming on Peacock. :The selling point of this movie is not only that Robert De Niro is returning to the mob movie genre, but that he's playing two distinct leading roles in it. The problem is, the characters are not related, so it's just a strange gimmick that never really makes sense outside of "wouldn't it be fun to see De Niro play against himself?" The movie is a familiar bore, but it's now on HBO Max, so if you're curious, it won't cost you anything extra. Now streaming on HBO Max. What an exhaustive week! We'll see you again next Friday at the movies.
