Former Charleston radio DJ dies from complications of pancreatic cancer
CHARLESTON, S.C. (WCBD) – A former Charleston-area radio DJ has passed away due to complications of pancreatic cancer.
Lori Morris, known to many throughout the 80s and 90s as Lori Niks, died Monday at her Goose Creek home, according to an online obituary.
Morris was born in Lansing, Michigan, and later moved to Moncks Corner where she went on to graduate from Berkeley High School in 1980. She attended the School of Journalism at the University of South Carolina and soon began her career in broadcasting as a personality on WAVE FM (96Wave), and later spent 13 years on WEZL.
'She had always loved music, so music radio was just right,' her obituary said.
Morris eventually left broadcasting in 2002 after purchasing a small business with her brother, Joel, in Summerville.
Family members say Morris was comfortable in widely different situations like classical music concerts in Chicago or at a Garth Brooks concert at the North Charleston Coliseum. They said she was a 'stalwart captain who spoke to City Council about the needs of her tennis teams, and she was a diplomatic leader.'
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
3 hours ago
- Yahoo
‘Bridget Jones' Director Michael Morris on the Emmy Longform Conundrum: What's The Difference Between a Film and a TV Movie?
Michael Morris agrees with you: Yes, it's kind of unusual that 'Bridget Jones: Mad About the Boy,' which he directed, is an Emmy contender in the outstanding television movie category. But, then again, this is a race that has become very unusual in recent years. 'I think once upon a time, there may have been such a thing as a 'made-for-TV movie' that had a certain characteristic, a certain look and feel, or a certain subject matter or tone,' Morris says. 'And I think now, TV streamers go shopping for movies at Cannes. So there are some really interesting feature films that are now on TV.' More from Variety Emmy Voters: Don't Forget About Zahn McClarnon and 'Dark Winds': He's Your Next Leading Man Short and Sweet: From 'Adolescence' to 'Sirens,' This Season's Best New Shows Are Barely Longer Than a Movie Limited Series Writers on the Impact of Casting, Writing Emotional Journeys, and Finding a Tonal Balance But are they, then, 'TV movies'? It's become a bone of contention for awards execs and consultants, who have been pushing the TV Academy to rename the category. One idea being floated, which my colleague Clayton Davis recently mentioned in a column, is 'outstanding film made for TV or streaming.' The idea is auteurs whose films wind up on the Emmy track instead of the Oscars track will be less offended by being called a TV movie. In the case of Renée Zellweger-starrer 'Bridget Jones,' what's extra unusual is that film appeared in actual theaters in the rest of the world. It was only here in the U.S. that it was a Peacock original movie. Morris says he knew that this would be the case, so he's not thrown off by the odd situation he finds himself in — mounting an Emmy campaign for a movie. 'Before we started shooting the film, it was communicated to me through Working Title that Universal's approach was to release it on Peacock in America but stick to the wide-release cinema strategy everywhere else,' he says. 'There's a million ways to watch things, and if being on a streaming platform is a good way for people in America to find the movie and experience the movie, then that's great. But what was weird about this one is that it wasn't made to be a streaming movie; it was very much made to be seen on the biggest possible screen and, ideally, made to be seen with people.' Morris is sanguine about it: 'Streaming and, in this case, Peacock, allowed this film to be made,' adding, 'First and foremost, that's a massive plus.' 'Black Mirror' may have broken the category. Episodic installments won in 2017, 2018 and 2019 (that one was at least a stand-alone longform), forcing the TV Academy to rewrite the rules and slide anthology shows into the limited series field. But around the same time, cablers pulled back on TV movies (broadcast had already abandoned the field), allowing all sorts of things to grab noms — including films that could have gone to theaters, but wound up on streaming. Now, it's really hard to distinguish between a film and a longform TV show. 'I just watched 'Disclaimer,' which was seven hours, all written and directed by Alfonso Cuarón, all shot in what seems to be in one big, sort of massive production,' says Morris. 'So what's the difference between that and a three-part movie? It's just split differently.' Morris says he's fascinated to be in the TV movie category this year because it's become a bit of an Emmy wild card. Last year, the film 'Quiz Lady' won the prize, finally securing an Emmy for Sandra Oh. In 2023, it was the satiric comedy 'Weird: The Al Yankovic Story,' and in 2022, an animated film won for the first time, 'Chip 'n Dale: Rescue Rangers.' This year, the category's frontrunners includes quite a mix: Netflix's 'Rebel Ridge,' Apple TV+'s 'The Gorge,' Disney+'s 'Out of My Mind' and Hulu's 'The Supremes at Earl's All-You-Can-Eat' in addition to 'Bridget Jones.' 'This is a story of a woman learning how to live again,' Morris says. 'And in that sense, it departs from the tone of the first three films, quite deliberately, but hopefully gives enough of the comedy and the joy that is just inherent in Renée and 'Bridget' to be fun.' Best of Variety 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? Emmy Predictions: Documentary Programs — Nonfiction Races Spotlight Pee-wee Herman, Simone Biles and YouTube Creators 25 Hollywood Legends Who Deserve an Honorary Oscar
Hamilton Spectator
3 hours ago
- Hamilton Spectator
Montreal Grand Prix fans stuck paying turbocharged prices for accommodation
MONTREAL - Paula Wadden has been a huge Formula One fan ever since she got hooked on the Netflix show 'Drive to Survive' a few years ago. But the Halifax-area health-care worker says watching the Grand Prix in Montreal this weekend comes with high-octane prices. The Montreal hotel where she's spending the first part of the week doubles in price for the weekend. Instead, she'll spend the weekend at a hotel outside the city, near the airport, for about $600 a night. 'The tickets (prices) are OK, it's the accommodation and the means that are getting expensive,' she said Tuesday in Old Montreal. 'I don't know how the average Joe can afford it.' Wadden said the trip, which she's taking with her daughter and her daughter's partner, will cost $6,000 to $7,000. And that's despite the switch in hotels and the decision to save money by driving the 12 hours from Halifax rather than flying. While looking up hotels online, she said she saw even more eye-watering hotel prices ranging between $1,200 to more than $2,000 a night, as well as $4,000-per night Airbnbs. The Grand Prix is Montreal's biggest tourist event, expected to attract some 350,000 visitors and generate $162 million for the city, according to the head of Tourisme Montreal. Yves Lalumière estimates average hotel room prices on Grand Prix weekend at $600 to $800 per night — although some wealthy CEOs will pay $8,000 for a suite. 'This year's prices will probably stabilize quite a bit, maybe a two to three per cent increase over the previous year,' he said in an interview. 'But the last five years I've seen an increase year after year, and a substantial increase as well.' A ticket package for the three race days starts at $360, according to the Canadian Grand Prix website — though well-off fans can pay much more. Packages with perks such as VIP concierge service, reservations at popular restaurants and parties, and access to areas such as pit lanes and paddocks can run in the tens of thousands of dollars. However, Lalumière noted that the city also offers plenty of free entertainment, including a Grand Prix party on Crescent Street. And he said hotel room prices are still 'very competitive,' especially for those paying in U.S. dollars or euros. Crowds, meanwhile, are not only growing but also becoming more diverse, he said. 'I think F1 has done a great job in selling the sport over the media,' Lalumière said. 'And, therefore, now you're attracting a lot more ladies, you're attracting a lot more young people as well to the race.' Black-and-white checkered banners were already fluttering on St-Paul Street in Old Montreal on Tuesday, as tourists lined up to photograph a Formula One car on display outside Max Bitton's racing-themed store, Fanabox. Bitton said he brought in the car as a gift to fans after last year's Grand Prix, which was marred by mishaps on and off the track that left a bad taste in some fans' mouths. Those issues included traffic headaches, flooding from rain, fans turned away from a practice session they were led to believe was cancelled, and restaurants ordered to suddenly close their patios on one of the busiest evenings of the year. 'I'm trying to give back because last year was so tough,' Bitton said. While Grand Prix fans are generally well-off, Bitton also worries about rising prices, especially now that the city has imposed tougher new rules on short-term rentals for primary residences. Next year, the Grand Prix will be held from May 22 to 24, which is outside the June-to-September window in which primary residence rentals are allowed. 'A lot of the fans love to flock here because of the heritage and they love this place,' Bitton said. 'They're willing to pay more but at some point it doesn't make sense.' At Bitton's store, tourists said attending the Grand Prix was costly, but worthwhile. Max Harrison, from Bournemouth in southern England, said he managed to find a spot in a hostel for about $40 a night early in the week. For race weekend, he's spending $200 a night to stay in a room in an Airbnb shared with several others. 'It's a bit much, you can tell they've spiked (the prices),' he said. He believes 'Drive to Survive' has brought new fans to the sport, which means prices will only continue to go up. But for him, it's worth it to check the Montreal Grand Prix off his bucket list. 'The championship this year is looking really close, so it's going to be a really good race,' he said. 'And Canada is a beautiful place and I've always wanted to come.' Denise Beevor and Mark Omerod, from West Sussex in England, say they're spending 'a small fortune' for a 10-day trip that includes Sunday's race as well as stops in Quebec City and Mont-Tremblant. 'I think, particularly since COVID, it's important to have things to look forward to and to take memories away with you, and you can't replace that,' Beevor said. 'Possessions come and go, memories don't.' The CEO of the greater Montreal hotels association said the occupancy this weekend is expected to be around 90 per cent, similar to last year. Dominique Villeneuve said the industry was prepared to meet the demands of Grand Prix weekend 'enthusiastically and with the same professionalism that characterizes our industry.' This report by The Canadian Press was first published June 12, 2025. Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .
Yahoo
8 hours ago
- Yahoo
Bemidji Area Church Musicians Summer Recital Series continues June 18
Jun. 11—BEMIDJI — The 38th season of the Bemidji Area Church Musicians Summer Recital Series continues at noon on Wednesday, June 18, at Trinity Lutheran Church,123 29th St. NE. "The recital will feature musicians of the Trinity Lutheran congregation who are excited to perform," a release said. Attendees should expect to hear a variety of instrumental and vocal selections. A luncheon will follow the recital with a price to be announced. The event is free and open to the public. A free-will offering will be received at the door for the scholarship programs of the BACM. For more information, call Barbara Fisher at (218) 556-0098 or Carol L. Johnson at (218) 751-0415.
