
25 Chinese Movies That Everyone Should See
Theater goers watching a movie at a cinema in Wanda Group's Oriental Movie Metropolis in Qingdao, ... More Shandong , China.
China has one of the biggest box offices in the world, so it only makes sense that there is also a bombing industry for Chinese language films. While many Chinese language movies come from the historic Hong Kong Cinema, many others come from Mainland China and the Taiwanese film industry. Each industry has a different history and feel, but they all have produced timeless classics. Between the three industries, Chinese language cinema has flourished with many iconic and beautiful Chinese films. The best Chinese movies range in genre from melodramas to martial arts spectaculars and there is something for everyone when it comes to the best Chinese films.
Chinese cinema dates back to the silent film era. However, the industry has gone through peaks and valleys when it comes to production. This list looks mainly at three distinct industries: mainland Chinese films, Hong Kong cinema and Taiwan's movie industry. However, it considers 'films made mainly in a Chinese language' broadly, including many co-productions (and even one U.S.-made film appears on the list).
Chinese language cinema has produced iconic directors like Chen Kaige, Yimou Zhang, Ang Lee and Wong Kar-wai, as well as actors like Tony Leung Chiu-wai, Gong Li, Jackie Chan, Andy Lau and many others. While this list doesn't include the highest-grossing Chinese movie, 2025's Ne Zha 2, it's a very notable film that is worth a watch. Ne Zha 2 is an animated sequel to 2018's Ne Zha and is currently the fifth highest-grossing film worldwide and the No. 1 highest-grossing animated film of all time. Generally, it should be said that this list comes from a Western perspective and a writer who doesn't speak any of the many languages spoken in China. However, this list tries to be the perfect primer for those interested in Chinese cinema and takes quality and historical significance into its ranking.
Directed by Derek Tsang, Better Days follows a petty criminal and a bullied high school student after the murder of a teenage girl in the lead-up to college entrance exams. The film stars Zhou Dongyu and Jackson Yee.
The film was highly anticipated in China (mainly due to the popularity of Zhou and Yee) and was both a critical and commercial success. It was nominated for an Oscar for Best International Feature Film as the entry from Hong Kong. It's a beautiful melodrama that feels perfectly modern. Find Better Days on streaming here.
The Farewell is possibly an odd choice for this list. While it is mainly in Mandarin (with sections in English), it is an American film. There are several great American films that are partially in Chinese in recent years (Everything, Everywhere, All At Once; Didi; and Lucky Grandma especially come to mind). While some of these films feel more like English films, with some sections in Chinese, The Farewell feels like a Chinese language film.
From director Lulu Wang, the film follows a Chinese-American woman who returns to Changchun to say goodbye to her Grandmother, who has recently been secretly diagnosed with cancer. The film stars Awkwafina, Tzi Ma, Diana Lin and Zhao Shu-zhen. It is available to stream here.
Directed by Jia Zhangke, Still Life tells the story of two people searching for missing spouses in Fengjie, a town destroyed by the building of the Three Gorges Dam. The film stars Zhao Tao and Han Sanming.
Jia has become synonymous with slow storytelling, which won't be for everyone, but Still Life feels like one of his most accessible films. The film was well-received by critics, especially after it was released in the U.S. in 2008 (it had previously won the Golden Lion at the Venice Film Festival in 2006, as well as other film festival prizes in 2007). It is currently available to stream on multiple platforms.
Leslie Cheung Kwok-wing (right) in Chen Kaige's movie "Farewell My Concubine."
Farewell My Concubine is a romantic epic that follows two friends and actors in the Peking opera against the backdrop of the beginning of the Republic of China to the aftermath of the Cultural Revolution. Directed by Chen Kaige, the film stars Leslie Cheung, Zhang Fengyi and Gong Li.
The film is visually rich and heartbreaking. It was the first Chinese language film to win the Palme d'Or at the Cannes Film Festival. It also won a Golden Globe and was nominated for an Oscar for Best Foreign Language Film. However, it was controversial in China and weeks after it was released, the politburo demanded the film to be edited, and the government objected to the representation of homosexuality, 1960s China and suicide in the film. It is available here.
Goodbye, Dragon Inn won't be for everyone. However, it is a beautiful example of slow cinema. The film follows several characters at the final screening at the Taipei movie theater before it closes down as they watch the last 90 minutes of the 1967 film Dragon Inn.
Jun Shih and Miao Tien, who both appeared in the original Dragon Inn, appear as themselves in the film. They are joined by Lee Kang-sheng, Chen Shiang-chyi and Kiyonobu Mitamura. The film is directed by Tsai Ming-liang, who is one of the most noted filmmakers of the "Second New Wave' of Taiwanese cinema. Find it on streaming here.
Winston Chao and May Chin pose on set of the movie "The Wedding Banquet," circa 1993.
The Wedding Banquet follows a bisexual Taiwanese man, Gao Wai-Tung, who lives in New York with his Jewish boyfriend. He plans on marrying a friend to keep her from being deported to Mainland China and keep his parents off his back. However, when Wai-Tung's parents arrive for the courthouse wedding, his relationships are thrown into chaos. It stars Winston Chao, Gua Ah-leh, Lung Sihung, May Chin and Mitchell Lichtenstein.
While the film is at its core a romcom, it has a beautiful depth and complexity to it as it explores 1990s queer and immigrant culture. The film is the second in director Ang Lee's 'Father Knows Best' Trilogy (three films starring Lung that examine themes of Confucian families and changing cultures) with 1991's Pushing Hands and 1994's Eat Drink Man Woman. The Wedding Banquet was nominated for a Best Foreign-Language Film Oscar and Golden Globe. In 2023, it was also chosen for preservation at the Library of Congress. The Wedding Banquet is being remade in 2025 as an English Language film starring Bowen Yang, Lily Gladstone, Kelly Marie Tran and Han Gi-chan. Unfortunately, it is currently not available for streaming.
The Time to Love and the Time to Die (sometimes also called A Time to Live, A Time to Die) is a film inspired by director Hsiao-hsien Hou's childhood. It follows a boy whose family moves from Mainland China to Taiwan.
The coming-of-age drama stars Yu An-shun, Tien Feng and Xin Shufen. It is an emotionally rich and heartbreaking film about family, homeland and illness. However, it might be most notable for its top-notch directing and acting. Unfortunately, it is currently not available for streaming.
Director Zhang Yimou is a powerhouse of Chinese cinema, and Raise the Red Lantern is one of his most iconic films. Set in the 1920s, the film follows a teenager who becomes the fourth concubine or a wealthy man after her father's death, only to clash with the other women of the house.
The film stars Gong Li, Ma Jingwu, He Saifei and Cao Cuifen. Gong and Zhang are frequent collaborators; Raise the Red Lantern is the third of eight collaborations after 1987's Red Sorghum in 1987 and Ju Dou in 1990 (both great Chinese films in their own right). Raise the Red Lantern won the Silver Lion at the Venice International Film Festival and was nominated for the Academy Award for Best Foreign Language Film. Unfortunately, it is currently not available for streaming.
French re-release of poster art with an English title for "A Touch Of Zen," 1971.
A Touch of Zen is a wuxia (a genre that follows martial artists in ancient China) film and co-production between Taiwan and Hong Kong. It follows an unmotivated artist and a princess on the run from a murderous general while exploring themes like feminism, transcendence and Zen Buddhism.
A Touch of Zen won the Technical Grand Prize and was nominated for the Palme d'Or at the Cannes Film Festival. It was only the second Chinese-language film to win an award at Cannes and was the first wuxia film to win an international film festival award. The film was directed by King Hu and stars Hsu Feng and Shih Chun. It is currently available on streaming on multiple platforms.
Police Story follows a cop who fights to clear his name after being framed for murder. Directed, co-written by and starring Jackie Chan, Police Story is pure heart-racing fun and is surprisingly funny for an action film. Chan walks the line between comedy and impressive stunt work during the film's many action scenes. Contemporary reviews even liken Chan to silent comedians like Buster Keaton.
Police Story became a seven-movie franchise, and the films vary in quality. While the original is arguably the best, Police Story 3: Supercop (which features Chan teaming up with Michelle Yeoh for some of the best action scenes in the franchise) and Police Story 2 (which adds emotional depth to the series) are excellent films in their own right. The original Police Story is available to stream here.
Ann Hui's Boat People follows a Japanese photojournalist as he breaks away from a government-approved tour of Vietnam to photograph the real lives of Vietnamese people under communist rule. While parts of the film are in Cantonese, much of it is also in Vietnamese and Japanese.
Boat People stars George Lam, Andy Lau, Cora Miao and Season Ma. The film won five Hong Kong Film Awards, including Best Film. While it is the third film in Hui's Vietnam Trilogy, it is largely seen as her masterpiece and cemented her as a fixture of Hong Kong's New Wave. However, it was also a controversial film as many saw it as anti-Vietnamese or at least one-sided against the Vietnamese government. The film was also banned in Taiwan and later China. It is available to steam here.
Leslie Cheung Kwok-wing in the Wong Kar-wai 1990 movie "Days of Being Wild."
Days of Being Wild is one of many great films by director Wong Kar-Wai. The film follows a a playboy, his former lover, his new girlfriend and a policeman after a family secret is revealed.
Days of Being Wild won best film at the Hong Kong Film Awards. The film has a star-studded cast, including Leslie Cheung, Andy Lau, Maggie Cheung and Tony Leung. It is the first film in an informal trilogy with 2000's In the Mood for Love and 2004's 2046, all of which are must-watches for those interested in contemporary Hong Kong Cinema. It is available to stream on multiple platforms.
The Blue Kite was actually banned in China upon its completion and led to a ten-year ban from filmmaking by its director, Tian Zhuangzhuang. However, it is now regarded as a classic of Chinese Cinema. The film follows a woman whose librarian husband is forced into a labor camp during the Maoist purges; she must then survive poverty during the 1950s to raise her young son.
The film stars Lü Liping, Pu Quanxin, Chen Xiaoman, Li Xuejian and Guo Baochang. The Blue Kite is a prime example of 'the Fifth Generation' of mainland Chinese filmmaking. It is a very political film; however, it's also a profoundly human film. The Blue Kite is currently streaming here.
Hou Hsiao-hsien's A City of Sadness is a historical drama that follows three brothers as they navigate the changing culture of Taiwan and the White Terror after the Japanese exit the Island in the 1940s.
The film stars Tony Leung, Xin Shufen, Chen Sung-young, Jack Kao and Li Tian-lu. It was the first Taiwanese film to win the Golden Lion award at the Venice Film Festival. The film is the first in Hou's loose "Taiwan Trilogy" with 1993's The Puppetmaster and 1995's Good Men, Good Women. Unfortunately, A City of Sadness is not currently available for streaming.
Street Angel follows two sisters who find work at a tea house in 1930s Shanghai and the trumpet player (who the younger sister falls in love with). There is a lot going on in the film, including romance, music, comedy, the struggles of poverty and the galvanization of left-wing politics. The film comes at the end of the Golden Age of Shanghai Cinema, and while it feels like an important film, it is also highly watchable.
Directed by Yuan Muzhi, the film stars Zhou Xuan and Zhao Dan. Zhou was a popular singer and even nicknamed the "Golden Voice.' The film popularized two songs, 'Song of the Four Seasons' and 'Songstress at the Ends of the Earth.' It falls under public domain in the U.S. and is available to stream here.
Infernal Affairs is the Hong Kong film on which Martin Scorsese's The Departed is based. The film follows a police cadet who goes undercover in the Triad and a mole installed by a crime boss. After they both rise in the organization, their covers become in danger of being blown.
Directed by Andrew Lau and Alan Mak, the film stars Andy Lau, Tony Leung, Anthony Wong and Eric Tsang. The film is emotional and visually rich. Infernal Affairs was nominated for 16 Hong Kong Film Awards and won seven, including Best Film. It is available to stream here.
The Goddess might be a hard sell to a modern audience. It is a silent film about a mother being forced into sex work to provide for her son in 1930s Shanghai. Directed by Wu Yonggang, the film stars Ruan Lingyu in one of her final roles.
The Goddess was popular when it came out. However, it experienced a reassurance in popularity after the 1991 Ruan biopic, Center Stage starring Maggie Chueng, used extracts of The Goddess and 1935's New Women to showcase the films of the "Chinese Garbo.' The Goddess is also notable for its early use of filmmaking techniques of montage and dissolve. Unfortunately, it is currently not available on streaming.
Written and directed by King Hu, Dragon Inn is a foundational film in the wuxia genre. Dragon Inn follows a warrior who seeks to defend the children of a condemned general from the secret police in 1400s China. While the plot is fairly simple, the action and imagery of this film are iconic.
While the film has been remade twice (1992's New Dragon Gate Inn and 2011's Flying Swords of Dragon Gate), the original is the best of the three. There are very few Taiwanese films that were made before 1970, and Dragon Inn is easily the most iconic film of early Taiwanese cinema. It is available to stream here.
There are a couple of excellent martial arts films about the Chinese folk hero Wong Fei-hung (Jackie Chan's Drunken Master II and Donnie Yen's Iron Monkey especially come to mind); however, Once Upon a Time in China is the best. The film follows Wong's fight for family, love and his martial arts school against the backdrop of a rapidly modernizing way of life in late 1800s China and the rising tide of imperialism.
Directed by Tsui Hark, the film stars Jet Li. Once Upon a Time in China has become a staple of Hong Kong Cinema and the wuxia movie genre. It has led to five sequels and a TV series. It won four Hong Kong Film Awards and was a breakout film for Li. Find it here.
Election 2, also sometimes called Triad Election, is a sequel to 2000's Election. While both films are great movies, Election 2 is better. The film follows a boss who runs for an unheard-of second term to hold on to the top spot in a crime syndicate.
The film was shown at the Hong Kong International Film Festival and out of competition at the Cannes Film Festival. It has become a cult favorite, especially among fans of Hong Kong cinema and director Johnnie To. The film stars Louis Koo, Simon Yam, Nick Cheung, Cheung Siu-fai, Lam Suet and Gordon Lam. Unfortunately, it is currently not available on streaming.
Yellow Earth is Chen Kaige's directorial debut. The film follows a traveling communist soldier and a rebellious young girl who seeks freedom from her village's traditions. The film stars Xueqi Wang, Bai Xue, Quiang Liu and Tuo Tan.
The film is visually striking, with another iconic 'fifth-generation' director, Zhang Yimou, as cinematographer. Yellow Earth is an important film in Chinese history. In 1982, both Chen and Zhang were in The Beijing Film Academy's first graduating class since it was closed in the 1960s during Mao's Cultural Revolution. Unfortunately, it is currently not available on streaming.
Ang Lee's Crouching Tiger, Hidden Dragon is a beautifully made wuxia epic. Set in a stylized version of the Qing Dynasty, it follows a warrior, his lover, a princess and a thief after a 400-year-old sword is stolen. The film stars Chow Yun-fat, Michelle Yeoh, Zhang Ziyi and Chang Chen.
The film, which is a multinational co-production, was nominated for 10 Oscars, winning four, including Best Foreign Language Film. Lee also received a Golden Globe for Best Director. It was also a surprise international hit at the box office. The film feels half like a comic book and half like a folktale in a really effective way. It is available to stream here.
Spring in a Small Town follows a newly poor married couple as the wife's former lover visits their family compound. Directed by Fei Mu, the film was named the best Chinese film ever made by the Hong Kong Film Awards in 2005.
The film starts with an iconic elongated narration from actress Wei Wei as Zhou Yuwen. There are only five characters in the movie, making it feel incredibly intimate and lonely. While Spring in a Small Town is now a beloved classic, it was controversial upon its release. It was rejected by the Communist Party, which would come to power the following year in 1949. It was rediscovered when the China Film Archive released a new print of the film in the 1980s, and it has since become an enduring classic of mainland Chinese cinema. It is in the public domain in the U.S. and is available here.
Director Wong Kar-wai is a powerhouse of Hong Kong cinema, and In the Mood For Love is one of his greatest films. In the Mood For Love follows neighbors in 1960s British Hong Kong as they bond outside of their marriages. It's a dreamy and heartbreaking romance.
The film has been influential in the romance genre and has inspired films like Sofia Coppola's Lost in Translation and Barry Jenkins' Moonlight. It also served as inspiration for one of the alternate universes in The Daniels' Everything, Everywhere All at Once. Wong is a fabulous director and his films Chungking Express and Happy Together are other must-watches for those interested in Hong Kong Cinema. It is available to stream here.
Actor Yun-Fat Chow on set of the movie "A Better Tomorrow."
In the States, director John Woo is best known for films like Face/Off and Mission Impossible 2, but his Hong Kong action classic A Better Tomorrow is arguably his best film. The film follows an ex-triad member as he tries to connect with his estranged policeman brother and avoid the pull of gang life.
A Better Tomorrow is a highly influential film in Hong Kong action cinema and is often credited for starting the Heroic Bloodshed or Hong Kong Blood Opera genre. The film was ranked number two on The Hong Kong Film Awards list of Best 100 Chinese Motion Pictures. The film stars Ti Lung, Leslie Cheung and Chow Yun-fat. Unfortunately, it is currently not available to stream.
Bottom Line
Whether you are looking for a quiet meditation on Chinese history or a loud Hong Kong action film, these films represent the beautiful depth and breadth of Chinese language cinema.
There are many directors who have become synonymous with great Chinese language cinema. From the mainland, Chen Kaige and Zhang Yimou became notable directors from the so-called 'fifth generation,' aka directors who started making films in the 1980s after the Beijing Film Academy reopened. Others like Jia Zhangke have become noted directors since as part of the sixth generation.
In Hong Kong, directors like Wong Kar-wai, Ann Hui and John Woo have risen to international prominence along with names like Johnnie To and Stephen Chow. Similarly, Taiwan has produced directors like Ang Lee and Hou Hsiao-Hsien (though Hou was born in Mainland China).
While several Chinese language films have been nominated for Best International Feature Film Oscars, only one, Crouching Tiger, Hidden Dragon, has won in the category. While it was a multinational co-production, it won as the selection from Taiwan. Ang Lee's Crouching Tiger, Hidden Dragon is a wuxia martial arts epic starring Chow Yun-fat, Michelle Yeoh, Zhang Ziyi and Chang Chen. It was also nominated for Best Picture but lost to Gladiator.
Yeoh (who is Malaysian but has been a fixture of the Hong Kong film industry) would go on to win an Oscar for Best Actress for her work on Everything Everywhere All at Once (which, while more of an English language film, includes scenes in Chinese and also won Best Picture).
China produces many of its own films. However, many Hollywood films are still released in China. Some Hollywood films are even very popular in China; for example, the ninth highest-grossing film in China is Avengers: Endgame. Traditionally, many movies made in Hong Kong have also been popular in Mainland China.
Three industries make the vast majority of Chinese language films: Taiwan, Hong Kong and mainland China. Each industry has its own history and output, but all three have produced popular and critically successful films.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
4 hours ago
- Yahoo
'It's Just for the Pure Love of This Art Form': ‘THR Frontrunners' Panel With ‘Étoile' Showrunners Amy Sherman-Palladino and Dan Palladino
Amy-Sherman Palladino and Daniel Palladino have dabbled in the world of ballet before — their 2012 series Bunheads focused on a ballet school and their Gilmore Girls character of Miss Patty (Liz Torres) was a dance teacher. But with Étoile, the showrunner couple wanted to explore the art form even deeper. 'I was a dancer, so I grew up in that world,' Sherman-Palladino said at a recent THR Frontrunners panel. 'Most of the stuff that I've seen done around the ballet world, it's usually like, 'Oh, they're so pretty and fluffy onstage,' but then offstage they push each other off buildings and murder each other. I'm kidding. But there's just so much more to it than that. They are actually a really interesting group of people, and it's the one art form where you're guaranteed to never make a dime. You're going to die poor and then your career will be over at 25 and you'll be teaching Pilates and you're giving up everything because it's just for the pure love of this art form, and I find that miraculous.' More from The Hollywood Reporter 'Nobody Wants This' Season 2 Premiere Date Set at Netflix 'Awards Chatter' Pod: Sissy Spacek on Her Collab 'Die My Love,' the 'New Hollywood' of the '70s and the Penises in 'Dying for Sex' HBO's 'Harry Potter' Series Finds Its Harry, Ron and Hermione Étoile follows two ballet companies in New York and Paris that swap their most talented stars in an attempt to boost ticket sales. Luke Kirby and Charlotte Gainsbourg lead the main cast, with Lou de Laâge, Gideon Glick, Ivan du Pontavice, Yanic Truesdale and David Alvarez rounding out the ensemble. The Palladinos, known for their rapid-fire dialogue across beloved series like Gilmore Girls and The Marvelous Mrs. Maisel, saw an added challenge to the writing of the script when they decided to incorporate the French language. 'We went through many translators,' Palladino admits. 'We used Charlotte Gainsbourg and Lou de Laâge mainly as our judges because they were familiar with what we had done with Maisel and Gilmore Girls, and they knew about the snap [referring to the cadence of the Palladino dialogue] and they really wanted to do that, and they really wanted to do it in English. But neither of them had really done comedy in English before. But we kept getting head-shaking when we asked, 'what about these translations?' and they were like 'NO!' The worst thing they said was, 'well, it is the words.' … We finally found this really great lady, who really knows both languages, and she was on set with us.' Once the scripts were ready, the Palladinos knew casting would be an extra challenge due to the fact that they had to hire dancers who could act and vice versa as well as professional dancers for the performance sequences and body doubles for certain actors. 'The casting took forever,' says Palladino. 'For the dance companies, we basically had to put 20 professional grade dancers in each country, and that took a long time. … We tried to give all of them something to say at some point because they wanted to and we wanted to do that for them.' 'And this show is about the dancers — it's not a dance show — it's really about them and their lives and their work,' adds Sherman-Palladino. 'And so when we went to them first to say, 'we come in peace,' we wanted them to understand that they weren't window dressing to us, they were real characters. We got to know them and their voices so that when we gave them dialogue, it was something that was akin to who they were.' For de Laâge's character Cheyenne, the premier ballerina in the world, the duo knew that they wouldn't be able to 'find a dancer who could take on a role as complex as Cheyenne,' says Palladino. 'Here, the acting came first, so we did cast Lou, who was not a dancer, but as Amy said, because dancers give off being a dancer by walking, sitting in a certain way, we went through very, very vigorous training, but we also had a dance double come in. … I know a lot of people didn't know that [Lou] was not a dancer.' Of course, Taïs Vinolo, who plays Mishi, is a dancer in real life, as is Alvarez, who plays Gael. 'David was Bernardo in West Side Story, and we saw him when he was 14 in Billy Elliot,' says Palladino, to which Sherman-Palladino adds, 'Gael was not in the show. We were looking for at least two or three ringers that we could have as actors who also did their own dancing. He's an interesting guy: He was on Broadway; he won a Tony; then he danced at ABT [American Ballet Theatre] for a while; then he joined the army; then he backpacked across Mexico for two years. … And so we thought, well, that's kind of a fun character and we asked him, 'Do you mind if we steal your entire life for our evil purposes?' And I don't know if he knew we were serious until he saw the script [and who Gael is in the series].' The show, almost three years in the making, received a two-season order from Amazon in 2023 — and while the season one finale ended with some twists and turns, Sherman-Palladino says there's been no progress on a second season so far. 'Let's talk about Hollywood a little bit,' Sherman-Palladino says. 'When they say two-year pickup, they don't mean it. They mean one year and then we'll see who's still working at Amazon by the time the second year comes around to be greenlit. So as of yet, there is no second season pickup. So what I'm saying is if you want Étoile, please go home and buy a lot of toilet paper on Amazon. I know Amazon loves selling toilet paper. So if you watch Étoile and go buy 40,000 things of toilet paper, they'll be like, 'wow, look at all the toilet paper that we sell when people watch Étoile.' And then maybe we'll get a second season.' This edition of THR Frontrunners is sponsored by Prime Video. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise


Los Angeles Times
6 hours ago
- Los Angeles Times
Teacher, magician, performer: Gonçalo Fino de Sousa brings magic to every role he plays
There are three Gonçalo Fino de Sousas. On weekdays, he takes the form of an excited calculus teacher with derivatives and integrals galore. He shifts personas on Friday nights, donning a suit and just the right amount of melodramatic flair for a weekend of pure magic. In between the two, there is a hidden version of Sousa, flitting between his passions to find his next adventure. There's no doubt about it: Gonçalo Fino de Sousa was born to perform. Born in Portugal, Sousa made his debut on stage at a piano recital when he was four years old, years before he became a magician. 'At the time, my feet didn't even touch the floor when I played,' Sousa said. 'My mother would show me the photo time and time again as my first experience on stage.' Sousa soon found a new outlet for his creative artistry: magic. Fervently searching up YouTube tutorials, he found his undying love for the craft. 'Then, I was living and breathing magic tricks day in and day out,' Sousa recalled. 'In Portugal, there wasn't much of a magic community — I think I was one of 12 Portuguese magicians.' Sousa regards that time as an era of comfort, where he was free to perform for the sake of performing. His daily routine consisted of blowing the dust off his magician's table and creating tutorials as well, tracking the progression of his proficiency. These videos served a second purpose: they were also how he learned English. 'I was having the time of my life performing on the ground in front of my iPad for the internet void,' Sousa laughed. His target audience shifted from online viewers to a live, tangible crowd when he attended a cultural exchange and English program the summer he turned 12. 'It was my first big show, at their talent showcase,' Sousa said. 'There were kids from Germany, Austria and all around the world.' Sousa felt like a performer for the first time. 'This was when I first felt the butterflies on stage, and the high after,' he said. In the summer of 2015, Sousa left Portugal's crystal shores for the promise of California, finding himself at the center of the Hollywood scene. It was in the heart of Los Angeles that he found his next big dream: to perform for the Magic Castle. As he went to watch his first live magic demonstration, he envisioned himself on stage. With the applause ringing in his ears, he made up his mind — he was going to audition. The first time he auditioned, he was rejected. His failure was accentuated in big, bold letters, with the text 'Thank you for trying out for the Magic Castle' scrawled in type across the paper. But Sousa was not resigned. He auditioned again. 'I still keep the rejection letter with me, as remembrance,' Sousa said, drawing out the envelope from his pocket. 'Because really, it changed my life.' Sousa was accepted to the Magic Castle on his second attempt. He was overjoyed. 'That was my first intro to the real magic world,' Sousa said. 'Suddenly, I was 16 years old and part of the most exclusive magic community in the world.' Then, COVID-19 hit. The global pandemic abruptly halted all live performances, leaving the industry in limbo. Sousa took this time to refine his work. 'Every morning I would read, and every afternoon I would write. Every day I would learn, learn, learn more magic.' He even took this opportunity to start his own podcast with friends, 'Ungimmicked,' analyzing and discussing performance theory, scripting and the philosophy behind magic as a performing art. As the performing world slowly whirred back to life, Sousa was ready. He dabbled in magic consulting, creating the 'magic behind the magic' with the production and presentation of shows. 'This was really my first teaching role,' Sousa said. 'I was consulting for kids who wanted to audition for the Magic Castle.' Going back to the start of it all, Sousa even orchestrated his own magic show titled 'Stepping Stool,' a nod to the stool next to the piano bench as he dazzled his first audience. Now, Sousa has found yet another sea of inquisitive faces — this time, in the classroom. He notes how attendees to his magic show and the students in his math classes share similarities, both wanting 'to be simply entertained for an hour.' For his plans now, Sousa refuses to be limited. 'I plan as far as lunch tomorrow,' Sousa admits. 'I don't want a career; I want careers. I have dreams, I have goals and I spend each day chasing those for happiness.' But for now, let the lights shine and the curtains open. Gonçalo Fino de Sousa is ready to perform. Related


Fox Sports
7 hours ago
- Fox Sports
FOX Sports and FIFA Present ‘FIFA World Cup 26™: One Year to Go' Live on FOX, Friday June 13, From South Beach - Fox Sports Press Pass
Charissa Thompson, Alexi Lalas, Stu Holden and Tom Rinaldi Host Star Soccer Celebration in Primetime from South Beach Live Musical Performances, FIFA Legends, Celebrities and More Commemorate One Year to Go to the World's Greatest Sporting Event LOS ANGELES – FOX Sports, America's English-language home for the FIFA World Cup 26™, today announces plans to celebrate reaching the one-year-to-go mark until the world's greatest sporting event with a live one-hour broadcast special airing Friday, June 13 at 8 PM ET / 8 PM PT on FOX. FIFA World Cup 26™: One Year to Go will originate from the sand on Miami's famed South Beach and feature a celebration with live performances, FIFA legends, celebrities and more hosted from multiple stages. FOX Sports' Charissa Thompson and former U.S. Men's National Team (USMNT) star Stu Holden will serve as hosts for the event with National Soccer Hall of Famer and FOX Soccer analyst Alexi Lalas and 17-time Sports Emmy winner Tom Rinaldi providing interviews with FIFA dignitaries, international and U.S. soccer legends and more throughout the night. Show highlights include an exclusive sit-down interview with USMNT Head Coach Mauricio Pochettino and Rinaldi, and live musical performances and special guests to be announced. From Thursday, June 11, 2026 to Sunday, July 19, 2026 , FOX Sports presents the biggest ever edition of the world's great sporting event with 48 teams and 104 matches being played across North America in the FIFA World Cup 26™.