
Three Reasons Universal's New UK Park Could Redefine Theme Park Retail And Dining
The announcement of Universal's ambitious new UK theme park — a vast entertainment resort set to ... More open near Bedford — is already sparking excitement across the leisure and retail industries. Yet beyond the headlines about Minions, dinosaurs, and secret agents lies a deeper opportunity: a chance to redefine how retail and dining live inside the modern theme park experience.(Photo by Costfoto/NurPhoto via Getty Images)
The announcement of Universal's ambitious new UK theme park — a vast entertainment resort set to open near Bedford — is already sparking excitement across the leisure and retail industries.
Yet beyond the headlines about Minions, dinosaurs, and secret agents lies a deeper opportunity: a chance to redefine how retail and dining live inside the modern theme park experience.
Today's consumers demand more than thrills. They expect storytelling, emotional connection, and memorable experiences at every touchpoint. With this new project, Universal has the chance to set an entirely new standard — not just for attractions, but for the total guest journey.
Here are three reasons why Universal's UK park could become a global blueprint for the future of integrated retail and leisure.
The global theme park industry is enjoying a strong resurgence. Attendance grew by 19% in 2023, ... More reaching over 410 million visitors worldwide. Yet visitor expectations have risen even faster.
The global theme park industry is enjoying a strong resurgence. Attendance grew by 19% in 2023, reaching over 410 million visitors worldwide. Yet visitor expectations have risen even faster.
It's no longer enough to deliver a memorable rollercoaster or a dazzling show. Today's guests expect every aspect of their visit — shopping, dining, transport, even wayfinding — to feel as immersive and emotionally engaging as the attractions themselves.
Universal has already shown an understanding of this shift. Its newly launched Epic Universe park in Orlando showcases a new generation of retail: themed environments that continue the story beyond the ride exit. Guests can browse a wizarding arcade in 1920's Paris, adopt a dragon in a fantasy nursery, or explore a Mushroom Kingdom marketplace — with every item and environment deepening the emotional connection to the land.
For the Bedford project, guests will arrive with these standards in mind. They will expect ... More Paddington Bear's London to extend beyond the ride queue into tea rooms and retail promenades.
For the Bedford project, guests will arrive with these standards in mind. They will expect Paddington Bear's London to extend beyond the ride queue into tea rooms and retail promenades. They will expect James Bond's world to unfold not just in attractions, but in finely crafted merchandising experiences.
The challenge — and opportunity — is clear: to create retail and dining spaces that feel as wondrous and essential as the rides themselves.
It's a vision I've championed in many projects: a guest who is delighted before they even reach the first ride is a guest who is more relaxed, more engaged—and ultimately, more willing to explore, spend, and return.
Universal's UK development has the advantage of learning from these successful templates. The ... More opportunity exists to create truly extraordinary experiences — perhaps a secretive Bond gadget emporium, a grand Lord of the Rings hall of artefacts, or a Minions-inspired chaos bazaar.
At the most innovative theme parks today, dining and retail are no longer secondary spend channels — they are standalone reasons to visit.
Universal's strategy at Epic Universe reinforces this point. Across its five themed lands, more than 30 dining venues and over 20 major retail locations have been designed not merely for convenience, but as immersive attractions in their own right.
In Super Nintendo World, for example, restaurants and stores are integral parts of the narrative journey — offering moments of discovery and interaction, not simply transactions. In the Wizarding World, visitors linger in carefully detailed shops, each with its own layered story and exclusive products.
Universal's UK development has the advantage of learning from these successful templates. The opportunity exists to create truly extraordinary experiences — perhaps a secretive Bond gadget emporium, a grand Lord of the Rings hall of artefacts, or a Minions-inspired chaos bazaar.
When retail and dining are executed with this level of creativity and authenticity, they no longer feel like commercial interruptions. They enhance the guest journey, create new revenue opportunities, and become destinations guests actively seek out — and share.
How Can Theme-park Merchandise Transform Beyond Typical Souvenirs ? Every touchpoint offers an ... More opportunity for storytelling. Train journeys could feature playful brand moments. Hotel corridors could tease the next day's adventures. Retail offers could evolve throughout the day, surprising guests with new layers of discovery.
Perhaps the greatest potential lies in Universal's ability to design the entire ecosystem — from arrival to departure — without legacy constraints.
The inclusion of a dedicated train station feeding directly into the resort signals a broader vision: one where the theme park is not a standalone site, but the anchor of a fully integrated leisure destination.
Retail, dining, hotels, entertainment, and transport can all be woven into a seamless, emotionally engaging journey.
The first moments — arriving at a bustling CityWalk-style district alive with music, street theatre, and immersive storefronts — could set the tone long before guests reach their first ride. Carefully themed dining and shopping experiences could extend the magic into the evenings, ensuring the energy and excitement never dip after park closing.
Moreover, every touchpoint offers an opportunity for storytelling. Train journeys could feature playful brand moments. Hotel corridors could tease the next day's adventures.
Retail offers could evolve throughout the day, surprising guests with new layers of discovery.
In an age where experience is everything, Universal's UK resort can pioneer an approach where the journey feels truly continuous — not a sequence of isolated moments, but one connected, captivating narrative.
Universal's investment in the UK comes at a pivotal time. Guests no longer separate shopping and dining from their overall satisfaction — they view the experience as a whole.
Across my career, supporting some of the world's most recognised destination brands to helping design hospitality and retail experiences for major global operators, I've seen firsthand how the best-loved attractions today aren't defined solely by their rides.
Done well, they will astonish guests, extend their immersion, deepen their loyalty, and strengthen every commercial outcome. Universal's new park has the rare opportunity to model that future — building an experience where every corner, every bite, and every souvenir carries the wonder and storytelling power that defines truly great leisure destinations.
Retail and dining in theme parks should never feel like an after-thought - but part of the headline act.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Screen Geek
8 hours ago
- Screen Geek
Aaron Pierre Reportedly Eyed To Be The Next James Bond
Actor Daniel Craig departed the James Bond film franchise with the release of No Time to Die in 2021. Additionally, Amazon MGM Studios acquired full creative control of the brand in 2025. As such, it was only a matter of time before plans went into play for reviving the property, and it looks like Aaron Pierre is reportedly being eyed to play the next James Bond. The James Bond character has been played by numerous different actors over the course of decades, leading to more than two dozen films to have been released with stars that include Sean Connery, Roger Moore, Timothy Dalton, Pierce Brosnan, and more. It's always a big moment when a new Bond actor is being chosen, especially knowing they'll have to walk in the shadow of those who previously played the role. Now, according to insider Daniel Richtman, actor Aaron Pierre is 'being considered' for the role. However, Richtman is unclear whether or not any official meetings have taken place, which means this information should be taken with a grain of salt. Pierre could very well just be one name on a list of many that the studio is considering for the part. However, Aaron Pierre would certainly be a major choice for James Bond, especially with some of his recent gigs. The actor surprised audiences with the release of Rebel Ridge on Netflix and he was also cast as John Stewart for the upcoming Green Lantern TV series Lanterns for HBO. An opportunity to play James Bond isn't that surprising at the rate his popularity has grown. If he were chosen, Pierre would also be the first black actor to play the character. Furthermore, he is an English actor, so he would still fit the bill in that regard. While it would be a big step forward for the franchise, many fans have been eager to see a more diverse take on Bond, especially with many hoping to see Idris Elba take the role. Ultimately, we'll have to see how this situation plays out, especially as this information hasn't been officially confirmed. One thing is for certain, however, and that's that there will be a new actor playing James Bond sooner or later. Stay tuned to ScreenGeek for any additional updates as we have them.
Yahoo
11 hours ago
- Yahoo
Ed Sheeran and Van Morrison guitars to go under hammer for sports stars
Guitars belonging to Ed Sheeran and Sir Van Morrison are set to go under the hammer to support the next generation of Northern Ireland's sports stars. They are among the lots to be auctioned both online and at the Mary Peters Trust's annual, Sport Inspires festive lunch this year. The trust, set up by Lady Peters after her gold medal win at the 1972 Olympics, supports young people, both disabled and able-bodied, to achieve their sporting dreams. Sir Van's guitar has been pre-signed by the music star whilst Sheeran is to autograph his Lowden guitar with a personal message to the ultimate owner post auction. Also going under the auctioneer's gavel will be artworks by Lisburn's Neil Shawcross and James Bond actress Jane Seymour, also famous for American Western series Dr Quinn, Medicine Woman. Lady Peters thanked all for their generosity. 'It's early stages and plans are still being created, so expect a sprinkling of surprises on Friday November 21,' she said. 'It's a fantastic lunch and afternoon out for businesses, sporting organisations and individuals alike to help get the festive season well underway and it raises much needed monies for the trust. 'I'd like to thank Ed Sheeran and Van Morrison for their huge generosity and, of course, my friend and artist, Neil Shawcross, and Jane Seymour who, in addition to her high-profile acting credits, is now an accomplished and highly respected watercolourist. 'The trust also greatly appreciates the work our fellow board director, Julie Hastings, did to secure such a beautiful Jane Seymour floral composition and a coveted, signed, Van Morrison guitar.' The fundraiser will look forward to next year's Commonwealth Games in Glasgow and the 2028 LA Olympics as well as paying tribute to the achievements of local athletes across five decades since the trust's inception in 1975.


Boston Globe
18 hours ago
- Boston Globe
50 years of ‘Jaws', 2 days of Martha's Vineyard
'My grandfather, Craig Kingsbury, was in that movie,' Jerry said. 'He played Ben Gardner.' Ben Gardner was the subject of the biggest jump scare in 'Jaws,' an addition so last-minute that it was shot in editor Verna Fields's swimming pool rather than the waters off Martha's Vineyard, where the rest of the film was shot. Gardner's disembodied head popping out from the hole in his sunken boat has been earning screams since 'Jaws' opened on June 20, 1975. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up My first hour in Falmouth was a harbinger for the two major truths I discovered during my time on the Vineyard. The first truth was that everybody had a story about, or a connection to, Steven Spielberg's masterpiece. 'Just find somebody who looks old enough to have been on the Vineyard at the time,' I was told, 'and they'll spin a yarn.' Advertisement Karl and Logan Larsen look at behind the scenes photos of the filming of "Jaws." Heather Diehl for the Boston Glo That was good advice. Everyone I spoke to said they knew Universal was shooting 'some movie about a fish.' It was common knowledge, and for the rare unaware person, there were big blue signs advertising work for extras. Advertisement The second, harsher truth I learned was to never, ever, ever trust your phone service. It will leave you faster than a scorned lover—and always at the worst possible moment. I discovered this when I had to summon a Lyft so I could get to the last boat out of Vineyard Haven. My phone mocked me relentlessly as my panic grew. Thankfully, a fellow journalist graciously shared her ride with me. But I digress. Though most of my short interviews were conducted at the press event held Sunday at the Martha's Vineyard Museum, Saturday's run-in with Jerry was pure rideshare kismet. Before he dropped me off at the hotel, he reminded me that Kingsbury was the inspiration for Robert Shaw's portrayal of Quint. Perhaps he did so because I was wearing a shirt that said 'Quint's Shark Fishing.' Beka El-Deiry, who was the youngest extra at the time of filming, poses with a still of her from "Jaws." Heather Diehl for the Boston Glo On Sunday, a slew of local celebrities were readily available to swap tales of their time on the fictional Amity Island. The common thread in every story I heard from people on the set was Spielberg's constant directorial refrain of 'everybody in the water' and 'everybody out of the water!' There was also mention of Shark City, the place where Bruce the mechanical shark spent his downtime being repaired. But when I arrived on Martha's Vineyard the day before, I was met by a sea of fans wearing 'Jaws'-based t-shirts and hats, many of them from out of town. At Saturday night's screening of the film, there were fans who had travelled from Scotland. That's a lot farther distance than New Jersey, though my hometown was definitely 'in the house.' I met a guy named Valentino who grew up in Jersey City and who'd seen 'Jaws' at the same theater I did. Advertisement Edith Dewart and Michelle Karabelnik enjoy drinks in one of the tents at the Jaws 50th anniversary festival. They traveled to Martha's Vineyard for the first time to enjoy the festival. Heather Diehl for the Boston Glo Rumors swirled that a major 'Jaws' celebrity would be on the Vineyard to commemorate the film's golden anniversary. I kept hearing that celebrity was Spielberg. It turned out to be Richard Dreyfuss, spotted signing autographs somewhere in Oak Bluffs on Friday and Saturday. The man who played Hooper also made a surprise appearance at the screening of 'Jaws' at the Winnetu Oceanside Resort. He was joined by TCM host, Ben Mankiewicz, and the Cape Symphony, who were about to play John Williams's Oscar-winning score live. Since I had to make that last boat out, I only got to hear the live accompaniment until the film cut to the guitar player on the beach in the opening scene. However, I did meet the guitarist in that scene, Michael Haydn. Not only did he perform at Sunday's event, he talked with me at length about music and explained the origin of the phrase, 'break a leg.' Piper Bonnette proudly carries a new shark toy at the Jaws 50th anniversary festival. Heather Diehl for the Boston Glo I also met Gregory Dole, the actor who appeared in the The Falmouth native was 24 and parking cars at a summer job when he auditioned for the role. By coincidence, Spielberg was walking by during his audition and decided to cast him on the spot. Advertisement As for the two kids who pulled the prank, brothers Jonathan and Stephen Searle, they were going to be reunited at the museum with Dole 51 years after they filmed the scene of him pulling them out of the water. Like Roy Scheider's Brody, Jonathan is also a Chief of Police—in Oak Bluffs, not Amity Island. 'You know why everyone remembers our scene?' Jonathan asked me during the reunion with Dole. 'Because at that moment, we hadn't seen the shark yet. Everyone thought our scene was going to show the shark.' You didn't need a major scene to be a celebrity here. Peter Robb snuck onto the beach as a kid and appeared in three scenes (I heard far too many tales of people doing this). He's wearing yellow shorts. Another guy, who introduced himself as 'Willie B from Arlington,' was 23 at the time and also snuck on the beach and was almost selected to be in the scene on the 'Jaws Bridge' in Edgartown. His inability to show an extra's credential to crew members cost him the part. Even the fans had great stories. Turns out I wasn't the only cinephile born after A fan photographs sketches of the final shark attack scene. Heather Diehl for the Boston Glo The biggest surprise in my visit was a passionate and informative defense of Bruce, the Advertisement Marty Milner worked on Bruce every night when the shark retired to Shark City for repairs. Milner did everything. 'I was Bruce's dermatologist, dentist, periodontist and orthopedic doctor,' he said. Then he launched into an extremely detailed explanation about the materials Bruce was made from, and how it worked. I ate all these details up—you know me, I love stories about process! 'It's not that the shark didn't work,' Milner told me. 'Bruce worked like he was supposed to; it was the learning curve that was difficult. No one had ever done this type of thing before.' Well, he convinced me! It was appropriate that my last day on the Vineyard ended with me hearing Dan London sing a song he wrote for the event. It was called 'You're Gonna Need a Bigger Boat.' The perfect tribute to a perfect movie. Happy 50th Anniversary! Odie Henderson is the Boston Globe's film critic.