logo
Glenn Maxwell to focus on T20 cricket after calling time on his one-day international career

Glenn Maxwell to focus on T20 cricket after calling time on his one-day international career

News.com.au2 days ago

Star all-rounder Glenn Maxwell has called time on a memorable one-day international career, saying he wanted to avoid playing on for 'selfish reasons'.
The 36-year-old big-hitting batsman and off-spin bowler made 149 ODI appearances for Australia, with his 50-over format career including two World Cup triumphs.
Maxwell's strike rate of 126 is the second highest in ODI cricket, with his statistics including four hundreds – including his heroic 201 not out from 128 balls against Afghanistan at the 2023 World Cup – 23 half-centuries and 77 wickets.
However, it was in field where Maxwell felt his standards were starting to slip, which had led to his ODI retirement.
'I felt like I was letting the team down a little bit with how body was reacting to the conditions,' Maxwell told the Final Word podcast.
'I had a good chat with (chairman of selectors) George Bailey, and I asked him what his thoughts were going forward.
'We talked about the 2027 (ODI) World Cup and I said to him 'I don't think I am going to make that, it's time to start planning for people in my position to have a crack at it and make the position their own'.
'I always said I wasn't going to hand my position over if I felt like I was still good enough to play. I didn't want to just hold on for a couple of series and almost play for selfish reasons.
'They are moving in such a clear direction, so this gives them the best look at what the line-up is leading into that next World Cup. I know how important that planning is.'
Bailey said Maxwell still had 'much to offer Australia in the T20 format'.
'All things going well he will be pivotal in the next 12 months as we build toward the (T20) World Cup early next year,' Bailey said.
'His level of natural talent and skill is remarkable. His energy in the field, under-rated ability with the ball and longevity has been superb.
'What else stands out is his passion for and commitment to playing for Australia.'
Cricket Australia chief executive officer Todd Greenberg praised Maxwell for 'one of the most exciting and influential one-day international careers in the format's history'.
'As with other greats of the game, crowds have flocked to grounds just to watch Glenn bat and children have been inspired to pick up a bat after seeing him put opposition attacks to the sword with a breathtaking array of shots.' Greenberg said.
'Australian cricket is indebted to Glenn for his ODI exploits. and excited that he will now focus on our quest to win the ICC T20 World Cup next year.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Tornado flips ute in WA, golf ball-sized hail damages property
Tornado flips ute in WA, golf ball-sized hail damages property

News.com.au

timean hour ago

  • News.com.au

Tornado flips ute in WA, golf ball-sized hail damages property

A tornado has flipped a car in southern Western Australia as large hail stones lashed a nearby town. Southern WA was pounded by storms on Tuesday, including a tornado about 300km southeast of Perth. A Frankland River farmer filmed the tornado; the weather system flipped a ute and ripped the cab walls off a tractor. The farmer told the ABC that he had been watching the storm's lightning strikes when the tornado funnel started forming. The tornado was about a kilometre away from him and lasted about two minutes. Numerous trees were ripped out of the ground as well. 'I was like, 'Wow, look at that'. The first thing you do is get your phone out and take some photos and video,' he said. Several storms brought damaging hail stones across the southern half of WA on Tuesday. Golf ball-sized stones fell at the town of Wagin. Video shows the stones pounding down on Wagin's homes and streets. A thunderstorm is forecast to bring up to 40mm of rain across Perth on Wednesday; much of the southern half of the state will be wet too. The Bureau of Meteorology has issued a marine wind warning but no other warnings for WA. There are frost warnings for areas of South Australia. Parts of the of the Mid North, Riverland, Murraylands, Upper South East and Lower South East are waking up to frozen conditions on Wednesday. Parts of northern and northeast Victoria have frosty conditions on Wednesday as well. Out well beyond the east coast, seas up to 5m are forecast around Lord Howe Island from Thursday morning. 'These conditions may produce significant beach erosion, particularly about south-facing coasts,' a bureau warning cautions. 'Beach conditions could be dangerous and people should stay well away from the surf and surf-exposed areas.' This weather system is causing dangerous conditions on the mainland too. People fishing, swimming or boating on the Hunter, Sydney and Illawarra coasts should be particularly cautious on Wednesday.

Sophie Somerville wanted her debut film Fwends to 'normalise being an Australian woman'
Sophie Somerville wanted her debut film Fwends to 'normalise being an Australian woman'

ABC News

timean hour ago

  • ABC News

Sophie Somerville wanted her debut film Fwends to 'normalise being an Australian woman'

Emerging Australian filmmaker Sophie Somerville is about to premiere her debut feature film, Fwends, at the Sydney Film Festival. It's the same festival where she was previously lauded for her award-winning shorts, Peeps and Linda 4 Eva. But Somerville — who, like most Australian creatives, already has one eye on her next project — finds it difficult to slow down and soak in the success of her work. "It's easy to forget that it's real, and then you're like, 'Shit, everyone is going to be watching my movie,'" she tells ABC Entertainment. "It's always a little nerve-wracking because you can't change the film, the film is done. You just have to kind of endure it while everyone else takes it in." Somerville is, of course, being delightfully humble. Her poignant and hilarious rumination on female friendships is fresh from being accepted into the prestigious Berlin Film Festival, where it took home the Caligari Prize for "stylistically and thematically innovative film". Later in the year, Fwends will feature in the Melbourne International Film Festival. "It is ramping up now," Somerville says. On the surface, Fwends masquerades as a traditional buddy comedy. Sydney-based lawyer Em (Emmanuelle Mattana) travels interstate to visit struggling Melburnian Jessie (Melissa Gan), to rekindle their friendship and go on an adventure through the city. But the vibe of the film will be intensely relatable for any person who has tried to revive a long-term relationship with a long-distance best friend. The connection of shared experience between Em and Jessie remains, but how they've changed over time creates friction for the young women. "It's fun to explore the layers of that kind of relationship: you have this surface level where you fall into those old patterns, [but] it just inevitably creates this pressure cooker until they actually witness each other in the present," Somerville says. "We thought, 'Let's start with two people and see them on the surface, and then just wear them down.'" As the two women traverse the city, they talk about everything — from the increasingly unmanageable cost of living to if they're really good people. They're familiar conversations refreshed by Em and Jessie's local takes. "I remember watching [Girls] and being so obsessed because you do feel seen as a young person, but then at the same time, they're these privileged girls in New York who have access to this kind of lifestyle that we just don't have," Somerville says. Drawing on her past experiences in short film, Somerville abandoned the rigidity of a traditional script, instead opting for an almost entirely improvised narrative. The director wrote the background and worked with Mattana and Gan to flesh out their characters, but the dialogue was completely improvised. "We had a pretty clear idea of what they were going through, the sort of core conflicts that they had going on inside and we needed them to reach a cathartic moment towards the end of the film," she explains. "But it was pretty loose with how they got there and when they got there." Operating on a minuscule budget and even fewer resources, Somerville and her small-but-mighty production team had to get creative to capture the beautiful and varied shots of inner-city Melbourne. "Even though the film is fiction, we approached it like we were shooting a documentary," she says. "Melbourne City Council had some really lovely filming permit rules where, if you have a small number of crew, you don't need a whole complicated film permit. So we just worked around that." Wide shots using long lenses give the action a guerilla feeling, like the audience is a secret passenger on Em and Jessie's physical and philosophical journey. That's not to say the documentary-style filming didn't throw up its own complications. "You'd have random kids who walk past and give the middle finger to the camera, old people who come up to you and are like, 'Oh, are you making Today Tonight?'" Somerville says. "It's awesome, though, because you come home with footage that is so rich and detailed. It's a really beautiful way to observe the world." As Em and Jessie's journey progresses, their interactions go deeper: long-held grievances are shared and situations are re-examined. A story from Em about her boss getting a bit too handsy — which was sarcastically brushed away by both women in the daylight hours — is given the weight it deserves as the sun sets and their barriers break down. At the same time, Jessie's casual break-up is revealed to be more complicated than she previously let on. "They were issues I was dealing with when I was writing background, so that was built into the characters. But I was also aware it's like two of the main things women experience," Somerville says. As Fwends made its way around the European film circuit, it collected rave reviews. But it also picked up a label that Somerville chafes at: mumblecore. A staple of the early and mid-2000s indie film scene, the genre is famous for improvised dialogue and lackadaisical narratives. "It just implies that it's this low-key kind of film, and the film's not low-key to me. The film's a big deal for the characters who are living it," Somerville says. Ultimately, she's grateful the uniquely Australian film resonated with international audiences, and she's hoping its warm reception will continue closer to home. "[As a new filmmaker] it's really, really easy to be very discouraged and to think that your voice isn't going to be commercial or isn't going to be listened to or taken seriously, but I just knew that we had to make [Fwends]," she says. "I wanted to make a movie that takes on these dark themes but makes you want to get up in the morning afterwards. That just makes you feel not alone." Fwends will premiere at the Sydney Opera House on June 7, with additional screenings on June 8 and 10 as a part of Sydney Film Festival.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store