logo

After conquering cancer as a teen, this Newfoundland opera singer looks forward to career on the stage

CBC08-04-2025

Paige Sargent will be five years cancer free in May
After a central Newfoundland woman's life was uprooted with a cancer diagnosis at a young age, she turned to her passion for music.
Now, Paige Sargent, a mezzo-soprano opera singer from Lewisporte, N.L., is embarking on a career on the stage with her graduating recital this week at Memorial University's School of Music in St. John's.
"When I was 16, I was diagnosed with Stage 4 Hodgkin's lymphoma and so I had to kind of stop school, [and] moved to the Janeway to undergo treatment for my cancer," she told CBC Radio's Weekend AM.
"But while I was doing that, I continued my music all throughout."
Sargent was in the hospital for six months and had to undergo eight rounds of chemotherapy. In May she will mark five years of being cancer free.
"Obviously, it was a very traumatic experience to have cancer at 16," she said.
She spent her first year at university recovering mentally. But, she said, her professors were understanding and welcoming.
Falling in love with opera
Sargent says she was introduced to opera by a cousin, who had just come home from a U.K. trip where they had seen a musical.
After learning more, she fell in love with opera, she said.
Sargent took singing lessons as a child and developed her operatic skills, like using her voice to fill a big room.
"I started taking lessons with Leslie Hewlett and we worked on my classical technique, doing baby bits of opera, while she helped gear me up to get ready to go to music school and really fine tune that technique," said Sargent.
In the middle of it all was the COVID-19 pandemic, which she says added more isolation on top of her treatment.
But even through that, Sargent says she told her music instructor she still wanted to continue with her voice, piano and acting lessons, which they did over Zoom.
"I was the lead in a musical and I said, 'Please let me still do it even though I'm in the Janeway.' And they said, 'You know what, we'll make it work.'" Sargent said.
Sargent says she attended rehearsals on FaceTime, singing songs hundreds of kilometres away while in the hospital.
"The nurses, I think, seem to like that I was singing opera. I think they found it a bit entertaining, I hope," she said.
After Sargent graduates from MUN, she's heading to British Columbia to complete a masters degree.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Just Trust Me off to a storybook start
Just Trust Me off to a storybook start

Winnipeg Free Press

time2 days ago

  • Winnipeg Free Press

Just Trust Me off to a storybook start

Former horse trainer John Mulligan said it looked like a scene from the movie 50-1, a film based on the true story of longshot Kentucky Derby winner Mine That Bird and his happy-go-lucky group of crazy cowboy owners who beat the bluebloods at their own game in 2009. This wasn't Kentucky and groom-owner-trainers Dewey Williams and Eugene Burns weren't quite in the Derby. Yet. This was Tuesday night racing at Assiniboia Downs. 'They just looked like a couple of good ole boys, happier than ever, walking into the winner's circle,' said Mulligan. 'It was a scene right out of that movie.' With a smile from ear to ear and a jovial laugh, the big orange-haired Burns led slick three-year-old colt Just Trust Me and jockey Antonio Whitehall into the winner's circle to meet trainer Williams after winning the first stakes race of the local season. Their $3,500 purchase had just won the $24,000 Fancy As Overnight Stakes, but it might as well have been the Kentucky Derby based on the happiness meter. Jason Halstead / Assiniboia Photo Just Trust Me and jockey Antonio Whitehall won the Fancy As Overnight Stakes at Assiniboia Downs on Tuesday. Not only did the Williams-Burns combo win the first stakes race of the season, they also upped their local record to a perfect three-for-three. Just Trust Me drew off to win by five lengths and it could have been more. It was a mismatch for a horse that might just be the local Manitoba Derby horse to beat. 'We'll see,' said Burns. 'He's going to the Golden Boy next.' Burns and Williams arrived from Turf Paradise with nine horses, four purchased in Northern California for less than US$10,000. All have won. Just Trust Me's victory was another triumph for red-hot jockey Antonio Whitehall. The three-time riding champion scored a hat trick Monday and added two more wins Tuesday, tying him atop the jockey standings with nine victories. 'Whitehall's been coming down and getting on a bunch of these,' said Williams. 'Sheldon Chickeness has been getting on horses for us too. He's a big part of our program. And Will Tourangeau, Monique Goulet, and Jared Brown have all helped us out. People are just nicer here.' Besides Williams and Burns, the barn crew includes Michelle Bennett and blacksmith Chance Dale, who's followed them from Phoenix to Wyoming to Winnipeg. Burns splits time between the track and his Georgia farm, where his wife Lindsay conditions show horses. Williams' better half Connie holds down the fort in Gooding, Idaho. Thursdays Keep up to date on sports with Mike McIntyre's weekly newsletter. The 40-year-old Burns and 71-year-old Williams started their partnership in Boise, Idaho, and have worked together since 2012. 'He came looking for me one day,' said Williams. 'And now he can't get rid of me.' After leaving Assiniboia Downs in 2018, Williams and Burns spent two years at Prescott and two in Wyoming. 'We were leading owner in Wyoming, and tied for leading trainer one year,' said Williams. COVID delayed their return to the Downs. Now they're back with serious Derby aspirations. 'One of the big factors for us coming here is we had this horse and we were debating on where to go to run him,' said Burns. 'They have a really good three-year-old program here, starting with the Fancy As Stakes, then the Golden Boy, and another mile prep before the Manitoba Derby. That's why we came.' Just Trust Me had already established solid credentials in California and Arizona before his local triumph. He broke his maiden at Del Mar in California, won an allowance race at Pleasanton, and finished second in the Luke Kruytbosch Overnight Stakes at Turf Paradise. When asked about their best horse ever, Williams was direct: 'Probably this one.' Burns and Williams have both won Idaho Cups and Colorado Derbies. Williams has also won the Sunray Park Futurity, the Sunray Park Derby, and the Albuquerque Derby in the past. Now they have a Manitoba Derby horse, and that's a whole different world. With their perfect start and genuine aspirations, these good ole boys from Idaho are proving sometimes the best stories come from the most unlikely places.

Music Review: On Addison Rae's ‘Addison,' a new pop powerhouse is born
Music Review: On Addison Rae's ‘Addison,' a new pop powerhouse is born

Winnipeg Free Press

time3 days ago

  • Winnipeg Free Press

Music Review: On Addison Rae's ‘Addison,' a new pop powerhouse is born

NEW YORK (AP) — The pop album of the summer is here. Addison Rae's debut, 'Addison,' is full, stuffed with bejeweled, hypnotic pop songs for the post-'BRAT' crowd. Hedonism has a new hero. For those who've watched her rise, it's almost impossible to believe. It wasn't so long ago – almost exactly a year into the COVID-19 pandemic – that a young Rae went on 'The Tonight Show' and taught its host Jimmy Fallon a few stiff, meme-able TikTok dance moves, then what made up the bulk of her career. It was met with almost immediate backlash, as is common for young women with viral posts. But she wielded it like a weapon: Social media celebrity begat acting roles for Rae, then a coveted collaboration with Charli XCX in the form of a 'Von Dutch' remix, and now, at age 24, her final form: becoming the hyper-ambitious, hyper-femme pop star for the current moment. As a full body of work, 'Addison' taps into the genre-agnostic zeitgeist, where pop music appears edgy and elastic. The songs speak for themselves, from the pitch-shifted trip-hop 'Headphones On' and the snapped percussion, minor chords, NSFW lyrics and vanishing synths of 'High Fashion' to the Madonna 'Ray of Light'-cosplay 'Aquamarine' atop a house beat and its chantable, spoken chorus: 'The world is my oyster / Baby, come touch the pearl / The world is my oyster / And I'm the only girl.' Humor and girlhood are intertwined with less of a Sabrina Carpenter-wink and more of cheery irony. 'Money loves me,' she yells on 'Money Is Everything.' 'I'm the richest girl in the world!' Then, a giggle and a kiss. ('Girl,' to this writer's count, is uttered 20 times across the album. Across its 12 tracks, she is both the divine feminine and the girl next door. Often, they are one in the same.) Rae isn't reinventing the wheel here, but she is carefully pulling from her inspirations. Her story recalls Britney Spears: The pair are from Louisiana, became famous young, and recorded their unique, sensual, layered pop music in Stockholm, Sweden, in and around super producer Max Martin. There's the earned Lana Del Rey parity, like in the 'Born to Die'-channeling 'Diet Pepsi,' echoes of Charli in the bouncy opener 'New York,' and tinges of ethereal Enya production on the dreamy 'Summer Forever.' For 'Addison,' Rae partnered with two primary collaborators – Luka Kloser and Elvira Anderfjärd, who goes simply by Elvira – an unusually small team for a major label pop release. But that intimacy is one of the album's superpowers, a sensibility that teeters between close mic recordings and big late-night anthems. In the latter case, look no further than 'Fame Is a Gun,' an easy song-of-the-summer contender, a sunglasses-in-the-club banger with synthetic vocal textures and an unignorable chorus. In the lead up to the release of 'Addison,' Rae has positioned her early TikTok fame as a means to an end. There aren't many avenues to Hollywood from Lafayette, Louisiana, and social media, for some, is a democratizing tool. Rae used her dance training to build a name for herself on the platform, something that has no doubt laid an ideal foundation for pop superstardom – just consider how Justin Bieber did something similar with covers on YouTube not so many years ago. It feels full circle, then, that Rae's stellar debut album aims to do what her videos on TikTok attempted to do, what she's always wanted to do — dance, and get others to dance, too.

'Resurgence of WAGs': Sport researchers say spouses of athletes growing in popularity
'Resurgence of WAGs': Sport researchers say spouses of athletes growing in popularity

Edmonton Journal

time5 days ago

  • Edmonton Journal

'Resurgence of WAGs': Sport researchers say spouses of athletes growing in popularity

Article content The woman behind the venture, seen at the event clad in a glittery pink dress, is Lauren Kyle McDavid, the wife of Edmonton Oilers captain Connor McDavid. 'To have this star's wife putting money into our city and investing in our city is really special,' said Quinn Phillips, a spokeswoman for the Edmonton Downtown Business Association and a former sports reporter. 'Everything is kind of buzzing now in downtown.' Kyle McDavid was not immediately available for an interview, but she is one of several modern WAGs — an acronym for wives and girlfriends — making names for themselves. Judy Liao, who teaches sociology of sport and gender studies at the University of Alberta, says the buzz Kyle McDavid's business has been getting online shows how much of an interest people take in the lives of athletes' significant others. During the COVID-19 pandemic, sports wives saw their social media followers go up as they began posting more, Liao says. The popular streaming service Netflix has also created shows following the lives of WAGs in recent years.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store