
McDonald's Japan taps three '80s anime legends for a moving, nostalgic video【Video】
Three of the greatest anime series ever produced featured in video that's not quite as simple as it might look.
Young diners are a big part of fast food chains' clientele, and so it's no surprise that McDonald's Japan often has tie-ups with popular contemporary anime series and characters. In just the past few months, we've seen collaborations with Pokémon, Chiikawa, and Hatsune Miku, for example.
But for its latest anime endeavor, McDonald's Japan is widening its scope and looking back to the '80s, creating a heartwarming video featuring three all-time classics of Japanese animation.
Things start off with a finger pressing down on a boombox play button, and it's not just the electronics design but the hand-drawn and hand-painted artwork that immediately tells us we've gone back a few decades, and we get further confirmation as Yusaku Godai and Kyoko Otonashi make their first appearances. The two are the main characters of Maison Ikkoku, a landmark romantic comedy from Rumiko Takahashi (creator of Inuyasha and Ranma 1/2) that aired on Japan TV from 1986 to 1988.
Yusaku and Kyoko aren't the only '80s anime stars here, though. Next up are Madoka Ayukawa and Kyosuke Kasuga, hailing from Kimagure Orange Road, an anime series broadcast in 1987 and 1988. Kimagure Orange Road was also a romantic comedy, with Kyosuke being a recent transfer to Madoka's school who's trying to hide he fact that he has psychic powers, and Madoka herself having aspects of her life that she keeps just as tightly under wraps as Kyosuke does his secret.
And finally, we come to Lin Minmei and Hikaru Ichijo, first seen in 1982's Macross TV series, and then in 1984's Do You Remember Love? theatrical anime retelling, from which the clips in McDonald's video are taken.
For extra sentimental seasoning, the video is set to 'I Feel Coke,' a Japanese Coca-Cola commercial tune from the 1980s that's an unforgettable audio representation of the era within Japanese pop culture.
▼ An extended version of the video, with some different anime images. Like the shorter version, it preserves the anime's original aspect ratios.
The title of the video is Ashita mo Waraou, Ano Koro mo Ima mo, which translates to 'Let's Smile Tomorrow, in Those Days and Now Too.' Interspersed with the cuts of '80s anime are scenes of people enjoying life and enjoying McDonald's, some of them old enough to have been in the target market for the featured anime when they were first airing, and others, like 25-year-old idol singer Rena Moriya, of Sakurazaka 46, considerably younger.
▼ Rena Moriya
Japan is experiencing a wave of '80s nostalgia these days. Part of that is just the cyclical nature of pop culture, with styles and motifs from the era having progressed from feeling outdated to freshly retro in the minds of young people. Japan being in the midst of an economic slump also has more than a few people, regardless of age, looking longingly at the rosier business climate of the early to mid-'80s, when it looked like the boom times would never end.
And yet, the video isn't just a way of saying 'The good old days sure were good, weren't they?' As fans of the featured anime know, while Maison Ikkoku, Kimagure Orange Road, and Macross are all fundamentally positive-minded series, none of them is all sunshine and rainbows. Each one has a love triangle as a major part of its storyline, and none of them take the common modern-day anime writing escape route of ending with a vague, non-conclusive final act that keeps all of the players' relationships in a will-they-or-won't-they balancing act so that viewers can create whatever head cannon they want for how the situation sorted itself out with no hurt feelings. There are characters who get their hearts absolutely crushed in Maison Ikkoku, Kimagure Orange Road, and Macross, and part of what makes them all incredible series is how they show that even when you put everything you've got into something and don't get the ending you wanted, you have to find a way to pick yourself up and find a new source of happiness.
▼ Shine on, Mitaka.
And that's not even getting into all the other trials and tribulations the characters face, such as figuring out what your professional calling is in life, being trapped in a time warp, or fighting off an alien invasion.
So yeah, on the surface the video can be seen as just a way to remind everyone that anime, burgers, and soda have all been very enjoyable things since the '80s, but there's also the message that even when times are tough, we can find a way to get through them with the help of friends, family, and the other people we love, including ourselves.
Source: Twitter/@McDonaldsJapan via Jin
Top image: Twitter/@McDonaldsJapan
Insert images: Twitter/@McDonaldsJapan, YouTube/マクドナルド公式(McDonald's)
● Want to hear about SoraNews24's latest articles as soon as they're published? Follow us on Facebook and Twitter!
Follow Casey on Twitter, where putting Macross, Orange Road, and Maison Ikkoku in the same ad makes it feel like he's being personally targeted by McDonald's Japan.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Yomiuri Shimbun
an hour ago
- Yomiuri Shimbun
Dandyism, Decadence and a Taste of Rebellion at Junya Watanabe's Vision of Paris
PARIS (AP) — A new kind of dandy took over Junya Watanabe's runway on Friday — not the traditional gentleman, but a sharp-dressed rebel with a streak of punk at Paris Fashion Week. Watanabe, the pioneering Japanese designer known for mixing classic tailoring with a wild, creative edge, unveiled a lineup of bold, offbeat looks at the Lycée Carnot. The show was sharp but rebellious, rich in history but full of energy. It wasn't about looking back. It was an explosion of new ideas. Watanabe has built his reputation by smashing the line between elegance and rebellion. This season, he didn't just mix old and new, he turned history into a weapon. His spring men's collection borrowed from the past — rich brocades, jacquards and a hint of Rococo flair — but reimagined them with a bold, punk attitude. Jackets worthy of Venetian nobility were paired with rugged workwear and raw denim, creating looks that felt both grand and streetwise. The music followed the same energy, starting with a traditional piano piece breaking down into a thumping city beat. Classic style was pulled apart and rebuilt right on the runway. Some outfits showed off sharp, careful tailoring, but the order quickly fell away — seams went crooked, sashes trailed loose, wild patterns took over. Even the ties broke free, knotted multiple times in ways that broke from tradition. Despite the wild mix of styles, the show was more than just patchwork. Watanabe was making a statement about taste itself — a constant tug-of-war between old ideas and breaking the rules. Familiar touches — a monk's robe, the rooftops of Florence — were turned into clever fashion puzzles. Throughout the collection, Watanabe's eye for detail and contradiction remained. He's known for boldly mixing sharp tailoring with street style, blending Japanese tradition with punk energy. This season, he sharpened that approach into clothes that were both smart and full of electricity, pieces that challenged the idea of what it means to dress well. By the end, the dandy wasn't just a gentleman —he was sharper, braver, both thinker and rebel.


SoraNews24
3 hours ago
- SoraNews24
The Hayao Miyazaki anime we never got – New art book reveals Ghibli legend's unrealized concepts
Latest volume in Hayao Miyazaki Image Board Series traces the pre-history of Nausicaa, with over 50 never-before-seen Hayao Miyazaki illustrations. In 2024, Japanese publisher Iwamani Shoten began releasing its Hayao Miyazaki Image Board Series line. Each volume is filled with amazing artwork drawn by the legendary anime director, and with the fourth book in the series just about to go sale, the cover has been revealed. There's no mistaking Miyazaki's artistic style, with soft, almost abstract linework nonetheless being used to convey a wealth of small details, and coloring that's expressive and eye-catching without any garishly harsh contrasts. But while most anime enthusiasts can recognize the aesthetics, even the biggest Studio Ghibli fans are probably scratching their heads trying to figure out who the character on the book's cover is. Her outfit sort of looks like something Nausicaa of the Valley of the Wind's heroine would wear. That's just it, though: it looks like something she would wear, but nowhere in her film does Nausicaa wear this costume. That's not quite Princess Mononoke's San, either, plus that movie had wolves, not a dog like the one in the illustration above. The new book, titled Hayao Miyazaki Image Board Series-Nausicaa Prehistory, is a collection of nearly 200 pieces of Miyazaki-drawn artwork, including 58 that have never been shown before, which the famed artist drew before Nausicaa went into production or Studio Ghibli was formed. Miyazaki may have become the most lauded and respected figure in the history of Japanese animation, but that success didn't come overnight, nor did every idea he had materialize in completed anime form. In fact, even after the extremely positive response to Miyazaki's first effort as a theatrical feature director, Castle of Cagliostro , won him praise in 1979, it wouldn't be until 1984 that he directed his second anime movie, Nausicaä of the Valley of the Wind . Miyazaki wasn't just twiddling his thumbs for those five years, however. While working on a variety of anime TV series and teaching animation techniques at anime studio Telecom Animation Films, Miyazaki continued to draw characters and develop concept art on his own, something he'd been doing since even before his work on Cagliostro . Eventually, it was his story and art concepts for Nausicaa that convinced anime magazine Animage to run it as a serialized manga, with parent company Tokuma Shoten eventually bankrolling its theatrical anime adaptation and Miyazaki using its success a springboard to co-founding Studio Ghibli. Iwanami Shoten describes the book as 'tracing the 10 years leading to the birth' of Nausicaa, and it includes, among other things, Miyazaki's drawings for his imagined adaptation of American comic artist Richard Corben's Rowlf, which unfortunately never made it past the early rights-negotiation stages. In that sense, looking through the pages of Hayao Miyazaki Image Board Series-Nausicaa Prehistory will be a little bittersweet, as in some ways it's a brief glimpse at the Miyazaki anime that could have been, but with an artist of his caliber, even a glimpse is something for fans to be happy about. And who knows? Since Miyazaki hasn't said he's officially retired, maybe some of the concepts in the book will end up making their way to the movie screen after all. The 192-page Hayao Miyazaki Image Board Series-Nausicaa Prehistory goes on sale July 8, priced at 6,000 yen (US$41), and can be ordered through Amazon Japan here. Source, images: PR Times ● Want to hear about SoraNews24's latest articles as soon as they're published? Follow us on Facebook and Twitter!


Japan Today
7 hours ago
- Japan Today
Fans bid teary farewell to four giant pandas at a zoo in Japan before their return to China
Giant panda Saihin, one among the four pandas on loan to Japan which will soon be heading back to China chews bamboo inside an enclosure at Adventure World in Shirahama, Wakayama Prefecture, on Friday. By AYAKA MCGILL and MARI YAMAGUCHI Thousands of fans bid a teary farewell Friday to a family of four giant pandas at a zoo in Japan's coastal town of Shirahama as the animals made their last public appearance before their return to China. Around 3,000 visitors flocked to the Adventure World theme park to get a last glimpse of the beloved animals. Many rushed straight to the panda exhibit zone, calling out the names of their favorites. Although the 24-year-old mother Rauhin and her three daughters — Yuihin, Saihin and Fuhin — were all born and raised at the park, they remain on loan from China and must now be returned. Once they return to China, Xiao Xiao and Lei Lei at Tokyo's Ueno Zoo will be the only pandas left in Japan. More than 1,000 people, many wearing panda-themed attire, queued outside the entrance of the theme park hours before it opened while some camped outside the night before. Some people wiped off tears while viewing throwback images of the pandas when they were cubs. Yoshihiko Fukuzumi recalls the arrival of the first two pandas at the park 30 years ago and has watch their family grow. Since retiring three years ago, he and his wife have visited them nearly everyweek. 'To us, they are like our grandchildren." Giant pandas are native to southwestern China and serve as an unofficial national mascot. Beijing lends them to other countries as a sign of goodwill but maintains ownership over them and any cubs they produce. Born in 2000, Rauhin had seven other cubs with Eimei, a male panda sent from China in 1994. Eimei returned home two years ago and has since died. Despite strained political ties between Japan and China, giant pandas are hugely popular in Japan. 'We feel comforted just by looking at pandas,' said zoo director Koji Imazu. Imazu said the departure of the four pandas marks the end of the zoo's 30-year joint project with China. He thanked Chinese specialists for sharing their expertise with the Japanese staff and said the zoo will be ready for a new arrival at any time. 'Of course we all miss them, but I hope you could send them off with a cheerful wave and wish them well in China,' Imazu said. In Beijing, China's Foreign Ministry spokesperson Guo Jiakun said giant pandas are 'friendly ambassadors" conveying the goodwill of the Chinese people. Guo said that China and Japan have collaborated on panda conservation and research since 2000, and that China is ready to further strengthen international cooperation, including with Japan. Rauhin and her daughters will be flown to China on Saturday where they will join other pandas at a facility in Sichuan province near their original habitat. There, the three young ones will find partners. 'I still can't believe they're all leaving,' said Junko Ikeda, a Fuhin fan from neighboring Nara prefecture who spent Thursday night in her camper van for the send-off. "I hope she finds a partner, becomes a mother and lives a happy life.' © Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.