ATMच्या शुल्कात 2 रुपयांची वाढ
ATM Charges Hike | ATMच्या शुल्कात 2 रुपयांची वाढ News18 Lokmat is one of the leading YouTube News channels which delivers news from across Maharashtra, India and the world 24x7 in Marathi. Stay updated on all the current events shaping Maharashtra's political landscape, with a special focus on key ...
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The Hindu
15 hours ago
- The Hindu
Tamil translation of Madhav Gadgil's autobiography A Walk Up the Hill launched
The Tamil translation of eminent ecologist Prof. Madhav Gadgil's autobiography A Walk Up the Hill: Living with Peopleand Nature was launched in Chennai on Thursday. Published in 2023, the book was written in the form of a memoir that included stories and episodes that Prof. Gadgil encountered during his long years of field surveys in different biodiversity hotspots across India, including the Western Ghats. Prof. Gadgil, who spoke to the audience through videoconferencing from Pune, recalled his long association with Tamil Nadu that began in 1973 when he started work in the Nilgiris and subsequently in Mudumalai Tiger Reserve. He was also tasked with preparing a report on the Nilgiris Biosphere Reserve following this. He expressed happiness that the book has been translated in Tamil after being made available in Marathi, Konkani, Malayalam, Kannada, Telugu and Bengali languages. He said this would enable a deeper penetration of his ideas and thoughts among people across these States. The Tamil translation, brought out by the Tamil Nadu Textbook Corporation, was done by N. Manoharan, a professor of Tamil who retired from Chittur Government College, Palakkad. V. Arivudai Nambi, independent biodiversity expert, who did the scientific editing of the publication, said the book had several chapters on different topics, in which a large number of his scientific publications were available in open source. The content of the book should be viewed as a starting point for deeper dive into the issues and topics. Giving examples, he said that the book had chapters on sacred groves, forms of nomadism and pastorals, and bamboo management, which the author wrote extensively in the form of scientific papers. A. Sathish, Associate Professor of Tamil, International Institute of Tamil Studies, who did the language editing for the publication, said that the book dwelt upon the fundamental question of development that included community participation. He said policymaking in conservation should be preceded by pilot studies to check for feasibility before scaling up. Shankara Saravanan, Joint Director, Tamil Nadu Textbook Corporation and R.J. Ranjit Daniels, Founder Trustee, CareEarth Trust also spoke at the occasion.
Time of India
a day ago
- Time of India
Amitabh Bachchan admired this actor. He once owned 25-room sea-facing bungalow in Mumbai but died penniless in slums
Bhagwan Dada , a celebrated name in Hindi cinema , carved a niche for himself during the golden age of Indian films. Renowned for his effortless comic delivery, exaggerated speech patterns, and a one-of-a-kind dance style, he captivated audiences across the country. His performance in the iconic film Albela turned him into a household name, establishing him as a pioneer of stylized performance in mainstream cinema. With a flair for rhythm and charm, his signature movements later served as creative inspiration for Bollywood legends like Amitabh Bachchan and Govinda, shaping the foundations of cinematic dance in India. Fame to Obscurity: A Difficult Descent Despite basking in stardom during the 1950s, Bhagwan Dada's life took a sharp downturn in his later years. The man who once commanded the spotlight and earned the admiration of millions eventually found himself in a state of neglect. He spent his twilight years confined to a cramped one-room flat in the Dadar area of Mumbai. Health complications gradually reduced him to a bedridden state, while mounting personal and financial difficulties stripped away the comforts of his former fame. A tragic fire that engulfed and destroyed the reels of his self-funded films only added to his grief, deepening the shadows over his once-glorious career. A Multifaceted Talent in Film Beyond his on-screen persona, Bhagwan Dada was a creative force behind the camera as well. He directed several films and played an integral role in shaping the artistic identity of Hindi cinema's golden era. He wasn't merely an actor who delivered punchlines and danced with flair—he was also a filmmaker who understood the pulse of his audience. However, time proved unkind, and as new faces and trends took over the industry, the man who once defined an era was quietly forgotten by the world he helped build. A Cinematic Tribute to an Overlooked Legend Years after his death in 2002 at the age of 88, the Marathi film Ekk Albela rekindled public memory of Bhagwan Dada. Released in 2016, the biopic honored his life's journey—its dazzling highs and painful lows. Actor Mangesh Desai portrayed the iconic performer, while Vidya Balan stepped into the role of Geeta Bali, adding a layer of poignancy to the narrative. Her performance not only brought sensitivity to the story but also marked her first appearance in Marathi cinema. An Enduring Influence in Indian Film History Though Bhagwan Dada's final years were clouded by hardship, his contribution to Indian cinema remains unforgettable. As Bollywood's earliest dance sensation, he transformed how movement was portrayed on screen. His legacy continues to inspire, echoing through every rhythmic step and expressive performance that graces the modern Indian film stage.
Time of India
2 days ago
- Time of India
Marathi short film ‘Changing Room' to feature at iconic theatre in LA fest
Pune: Marathi short film by Ruchir Kulkarni 'Changing Room' has been officially selected for the 28th edition of independent festival Dances With Films: LA (DWF:LA) and will be featured at Hollywood's iconic TCL Chinese Theatre, which hosted the Oscars in the 1940s The festival runs from June 19 to 29 and aims to bring forth fresh and original storytelling from across the world. Each year, it draws thousands of global submissions, making selection of 'Changing Room' a major milestone for Marathi-language cinema and young Indian filmmakers abroad. Kulkarni was born and raised in Pune. He completed his engineering degree from Vishwakarma Institute of Technology in 2020. "My course was slightly delayed due to the pandemic. I belong to what is often referred to as the Covid batch — those of us who graduated in a world on pause. However, even before I got my degree, I knew I wanted to change course and commit myself to filmmaking. It was a decision I discussed at length with my parents. I was fortunate that they understood and wholeheartedly supported me," he said. The movie buff took courses in video editing and film orientation from FTII before moving to the US two years ago to pursue an MFA in filmmaking from New York Film Academy in Los Angeles. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Giao dịch vàng CFDs với mức chênh lệch giá thấp nhất IC Markets Đăng ký Undo 'Changing Room' is a personal narrative, he said. "It is the most personal story I've ever told. It explores themes of body image and self-worth through the eyes of a 12-year-old boy. I felt a certain vulnerability for the first time in my journey, as though I were revealing a piece of myself to the world. I knew this story had to be told with emotional honesty and cultural authenticity. So I flew back from Los Angeles to Pune to shoot the film in the environment where I was born and raised," said Kulkarni. The film features students of Jnana Prabodhini Prashala playing short, but meaningful roles. "Their enthusiastic participation, together with the support of their teachers and parents, made a real difference to the production. We shot inside an actual, cramped changing room, with crew members squeezed alongside our actors in a space barely large enough to move in. Somehow, we pulled through. Experts from the fraternity have said that making a film is nothing short of a miracle, and I understand the truth in that now," said Kulkarni. He said living in Los Angeles broadened his understanding of cinema. "Here, films are celebrated for their artistry, regardless of language, origin or scale. I've sat in theatres alongside audiences of all backgrounds, watching deeply rooted Indian films like 'Cactus Pears', a Sundance-winning Marathi film and 'All We Imagine As Light' — the Cannes Grand Prix winner. In those rooms, stories in Marathi and Malayalam resonated with people from across the world. It reaffirmed what I've always believed, that cinema is a universal language," said Kulkarni.
