
The Best New Thriller Novels
What would you do if your beloved, thoughtful husband inexplicably grabbed a gun, took some strangers hostage in a warehouse and instigated a tense standoff with the police? 'Tell my wife that I love her,' the husband, Luke, tells a police negotiator before shooting two of the hostages to death and escaping out the back, seemingly never to be seen again.
After this delectably unlikely opening, McAllister's latest domestic stress-fest, FAMOUS LAST WORDS (Morrow, 369 pp., $30), jumps ahead seven years. Luke has not been heard from all this time; the dead hostages have never been identified; and Luke's wife, Cam, a literary agent (and part-time narrator of the book), is trying to distract herself with Charlie, a nice guy she's dated a few times.
But she can't believe her once loving husband is gone for good, or that he's really an assassin. 'Sometimes, Cam thinks she sees him,' McAllister writes. There are strange happenings, like a cryptic text she receives consisting of a long string of numbers. Is Luke trying to communicate with her? And what about the clues being uncovered by the former police negotiator in the case, Niall, who has never gotten over what happened and still dreams of solving the mystery?
The pieces of the puzzle emerge slowly, but they come together very nicely. A bonus: the chance to read excerpts from a new thriller submitted by one of Cam's clients, which form part of the book. 'It's so delicious, the slide into make-believe,' McAllister writes, and she could be describing us as well as herself. 'She can almost feel it on her skin like a warm embrace.'
Binge thoroughly unsettled readers with his last book, 'Ascension,' an unusual account of a massive mountain that inexplicably appeared in the middle of the Pacific Ocean. In DISSOLUTION (Riverhead, 372 pp., $30), he messes with our heads once more. This chronology-hopping work of speculative fiction about time, memory and scientists run amok is suspenseful, provocative and surprisingly tender.
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Los Angeles Times
43 minutes ago
- Los Angeles Times
With federal employees under ‘grievous' threat, CIA office drama ‘The Agency' pushes back
The spy is the most devoted of employees. His or her line of work demands utter commitment, if not active contempt for the very concept of a 'personal life.' Cunningly, Jez and John-Henry Butterworth's 'The Agency' — a remake of the French series 'Le Bureau des Légendes'— pushes its central character to question that arrangement. Michael Fassbender stars as Martian, a CIA spy who's recalled to London after years of living deep undercover in Ethiopia. Once a free agent, he's now constrained by the rigid bureaucratic machinations of desk work and office politics, often pitting him against his boss, Henry Ogletree (Jeffrey Wright), and London Station bureau chief James 'Bosko' Bradley (Richard Gere). As escalating geopolitical tensions bubble up around them all — in Belarus, Sudan and beyond — Martian wonders what he might be willing to risk when his former lover, Samia Fatima Zahir (Jodie Turner-Smith), reappears in his life. 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He does everything his own way.' Henry, in tweed suits and suitably nebbishy glasses, feels more like a company man than his two colleagues. Jeffrey Wright, an Emmy winner for 'Angels in America' in 2004, channeled the Washington, D.C., world he grew up in to create a portrait of a dutiful government employee. 'I have a great deal of respect for federal employees, particularly more so now in a time when they're under such grievous and biased attack,' Wright says. 'I think we conflate, at times, our criticism of the government with criticism that should be leveled at the politicians. But I have a great deal more respect for the people who go to work every day to be a part of the government than I do for many of the politicians who are playing theatrics in the public eye.' The London office where much of 'The Agency' takes place captures the contradictions of this contemporary espionage drama. 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We get to live inside this literary experience and place ourselves inside of it.' It's not hard to see parallels between what agents like Martian go through when going deep undercover and what actors are called to do. Just don't ask Fassbender to be up for the job. 'It is terrifying, pretending to do this,' Fassbender points out. 'Constantly I'm thinking, 'Jesus, the reality of it is just terrifying.' And I would be so bad at it.'


Tom's Guide
an hour ago
- Tom's Guide
'The Institute' brings Stephen King's dark and suspenseful thriller series to life in first trailer
Stephen King has been my favorite author for as long as I can remember, so the moment I heard 'The Institute' was getting a TV adaptation, I was instantly on board. MGM Plus gave us a few first-look images last year, but now the streamer has dropped the official trailer along with a release date: July 13, 2025. For those who aren't familiar with King's work, 'The Institute" centers around a brilliant teenager who's abducted from his home and wakes up in a mysterious facility. There, he discovers he's not alone since dozens of other kids have been taken just like him, all of them gifted with strange, supernatural powers. It's part 'Stranger Things,' part 'Firestarter,' and classic King in its exploration of power and the abuse of authority. This is definitely one worth adding to your watchlist next month. The trailer introduces us to Luke (Joe Freeman) as he wakes up inside the mysterious facility known as the Institute, where he discovers he's not alone — other kids with strange abilities are being held there too. He quickly crosses paths with the cold and calculating Ms. Sigsby (Mary-Louise Parker), who tries to convince him that the purpose of the Institute is for the greater good. As Luke endures disturbing experiments, he learns the other kids are quietly planning a way out. Meanwhile, a separate storyline follows Tim (Ben Barnes), a former cop digging into something suspicious. The rest of the trailer builds toward a powerful turning point, with Luke emerging as a leader among the kidnapped kids. He begins to unite the group, encouraging them to stand up to their captors and take control of their fate. Along with the trailer we also got an official synopsis, which reads: 'The Institute follows the story of teen genius Luke Ellis (Freeman), who is kidnapped and awakens at The Institute, a facility full of children who all got there the same way he did and who are all possessed of unusual abilities. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. 'In a nearby town, haunted former police officer Tim Jamieson (Barnes) has come looking to start a new life, but the peace and quiet won't last, as his story and Luke's are destined to collide.' The series is helmed by director and executive producer Jack Bender, known for his work on 'Lost' and 'From' (one of my favorite shows ever), with the script penned by Benjamin Cavell, who previously wrote for 'Justified' and 'The Stand.' Both bring plenty of Stephen King experience to the table, having tackled his haunting stories before. Stephen King is on board as an executive producer, joining forces with Bender, Cavell, Gary Barber, Sam Sheridan, and Ed Redlich to bring the series to life. With King involved behind the scenes, fans can expect the show to hold true to the novel's intense, unsettling tone. Joining Freeman, Barnes, and Parker are joined by other strong talents including Simone Miller as Kalisha, Fionn Laird as Nick, Viggo Hanvelt as Avery, Arlen So as George, Julian Richings as Stackhouse, Robert Joy as Hendricks, and Hannah Galway as Wendy. In the TV adaptation, Luke's age has been increased by a few years compared to the original novel, and the same change applies to several other characters as well. During the panel at Content London (h/t Variety), Bender said: 'We were very aware of not wanting this to be as awful as it can be, what these kids go through. We didn't want it to be a sadistic experience. There's a fine line and, god knows, as storytellers we didn't want to go there.' MGM Plus has been drawing plenty of attention with its recent horror-thriller lineup, especially with hits like 'From,' which quickly became one of their standout series. They're also familiar territory when it comes to Stephen King adaptations, having worked on a limited series based on 'Jerusalem's Lot,' a prequel story to King's 'Salem's Lot.' The streaming service plans to release new episodes of 'The Institute' on a weekly basis to build anticipation and keep viewers coming back regularly. There will be eight episodes in total to enjoy. No matter if you've been reading King for decades or are just stepping into his universe for the first time, 'The Institute' is shaping up to be one of the most unmissable TV releases of summer 2025. 'The Institute' premieres with two episodes on July 13, 9pm ET/PT on MGM Plus.


USA Today
5 hours ago
- USA Today
Wordle hint today: Clues for June 11 2025 NYT puzzle #1453
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