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Taylor Swift Reveals Why She Hasn't Released ‘Reputation TV' Yet: ‘I Kept Hitting a Stopping Point'

Taylor Swift Reveals Why She Hasn't Released ‘Reputation TV' Yet: ‘I Kept Hitting a Stopping Point'

Yahoo6 days ago

Taylor Swift finally revealed why we haven't seen Reputation (Taylor's Version) yet — are you ready for it?
In a heartfelt letter to fans, Swift excitedly announced that she regained control of her music, purchasing her recordings from the investment firm Shamrock Capital. 'I can't thank you enough for helping to reunite me with this art that I have dedicated my life to, but never owned until now,' she wrote. 'All I've ever wanted was the opportunity to work hard enough to be able to one day purchase my music outright with no strings attached, no partnership, with full autonomy.'
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While the news was certainly a reason to celebrate, it left fans with one major question: What about Reputation (Taylor's Version), one of two albums left to re-record and release? (Fans have also been waiting for her to release her debut album, as well, but Reputation was largely speculated to be the next drop.)
Well, Swift came with answers and offered an update on the re-recording of the 2017 album, which fans have been feverishly waiting for ever since the last Taylor's Version, 1989, in October 2023. 'I know, I know,' she wrote, causing the ears of every Swiftie across the globe to perk up. 'What about Rep TV? Full transparency: I haven't even re-recorded a quarter of it.'
She continued: 'The Reputation album was so specific to that time in my life, and I kept hitting a stopping point when I tried to remake it. All that defiance, that longing to be understood while feeling purposely misunderstood, that desperate hope, that shame-born snarl and mischief. To be perfectly honest, it's the one album in those first 6 that I thought couldn't be improved upon by redoing it. Not the music, or photos, or videos. So I kept putting it off.'
That's not to say that Swift won't release the Reputation vault tracks — or her complete re-recording of her 2006 self-titled debut, which she confirmed is already in the can. 'There will be a time (if you're into the idea) for the unreleased Vault tracks from that album to hatch,' she said. 'I've already completely re-recorded my entire debut album, and I really love how it sounds now. Those 2 albums can still have their moments to re-emerge when the time is right, if that would be something you guys would be excited about. But if it happens, it won't be from a place of sadness and longing for what I wish I could have. It will just be a celebration now.'
It's important to note that this doesn't kill the Debutation fan theory — that Swift would release both Reputation TV and the debut TV simultaneously. But neither appear to be imminent, as Swifties were anticipating (they most recently expected the announcement to be made during the 2025 AMAs).
Swift herself seemed to tease Reputation TV during the Eras tour, particularly during her first Miami show in October 2024, when she sported a new Reputation bodysuit — the only costume she hadn't swapped since launching the tour in March 2023. She premiered 'Look What You Made Me Do (Taylor's Version),' the first taste of the Reputation re-recording, on the Amazon Original series Wilderness in August 2023. It was featured on another series just last week, in the penultimate episode of The Handmaid's Tale (star and executive producer Elisabeth Moss confirmed she's a Swiftie).
Back in 2019, Swift spoke about Reputation in her Rolling Stone cover story, and how, despite it being dark and divisive, the album represented a period of happiness in her personal life. 'The one-two punch, bait-and-switch of Reputation is that it was actually a love story,' she said. 'It was a love story in amongst chaos. All the weaponized sort of metallic battle anthems were what was going on outside. That was the battle raging on that I could see from the windows, and then there was what was happening inside my world — my newly quiet, cozy world that was happening on my own terms for the first time.'
Swift first released Fearless (Taylor's Version) in April 2021, following Scooter Braun's multi-million-dollar acquisition of her original masters in 2019. She followed up Fearless TV with re-recordings of Red (November 2021), Speak Now (July 2023), and 1989 (October 2023).
Whether or not she ever releases Reputation TV and Taylor Swift TV, her re-recordings were highly influential to the music industry, encouraging other artists (including recently, John Fogerty), to do the same. 'Every time a new artist tells me they negotiated to own their master recordings in their record contract because of this flight, I'm reminded of how important it was for all of this to happen,' Swift said.
But Swift regaining control of her recorded music is a massive, joyous achievement in itself, one that she joked she might celebrate by getting a shamrock tattooed on her forehead (please don't).
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Key moments from the fourth week of Sean 'Diddy' Combs' sex trafficking trial
Key moments from the fourth week of Sean 'Diddy' Combs' sex trafficking trial

Associated Press

timean hour ago

  • Associated Press

Key moments from the fourth week of Sean 'Diddy' Combs' sex trafficking trial

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Eddy Garcia, 33, recounted how the deal came to be, saying he first heard from a fast talking, stuttering and 'very nervous' Combs on a phone call seeking to obtain the video of him kicking and dragging Cassie from the hotel's elevator bank into a hallway because 'if this got out it could ruin him.' Days later, Garcia said, he was the nervous one when he was greeted in an office building by a smiling Combs who called him 'Eddy, my angel' before Garcia turned over a USB drive containing the security footage. Combs then made him sign a nondisclosure agreement promising it was the only copy of the video and that Garcia would never speak of it, he said. Then, Combs, with a bodyguard at his side, fed stacks of cash from a brown bag into a rectangular money counter machine until it reached $100,000, Garcia said. He said he pocketed $30,000 and gave $50,000 to his boss and $20,000 to another hotel security guard. Garcia testified under immunity. 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Steel confronted her with loving texts she sent Combs long after her employment ended and asked how she could tell him, as she did in a 2019 text, that she had imagined Combs rescuing her from a nightmare in which she was trapped in an elevator with R. Kelly, the singer who has since been convicted of sex trafficking. 'I was still brainwashed,' Mia explained. Defense has success with questioning of Cassie's friend The defense had one of its most successful moments of the trial when attorney Nicole Westmoreland cast doubt on the credibility of a graphic designer who says Combs once dangled her from the balcony of a 17th-floor apartment in Los Angeles. Bryana 'Bana' Bongolan, a friend of Cassie who is suing Combs, had taken a cellphone image of a softball-size welt on her leg that she said occurred when Combs held her over the balcony for 10 to 15 seconds and then threw her into furniture. After it was shown to the jury, Westmoreland showed the jury cellphone metadata revealing that the photograph was taken while Combs was on tour in September 2016, staying at a Manhattan hotel. 'You agree that one person can't be in two places at the same time?' Westmoreland asked. 'In, like, theory, yeah,' Bongolan responded. 'You're not sure?' Westmoreland asked. 'Hard to answer that one,' she said. Later, Bongolan said she did not recall the exact date, but she had no doubt the balcony episode happened. Woman recalls sex performances during three years as a Combs' girlfriend A woman testifying under the pseudonym 'Jane' fought through tears and sobs to recount frequent sexual performances she participated in with male sex workers to please Combs and keep their three-year relationship alive until his September arrest. Jane's testimony, which is likely to continue deep into next week, is identical in many ways to the four-day testimony in the trial's first week by Cassie. Jane said she never wanted to have sex with other men but did it to please Combs because she loved him. Cassie described having hundreds of drug-fueled sexual performances known as 'freak-offs' in which she had sex with male sex workers for days at a time while Combs watched, sometimes directed the activity, and pleasured himself. Jane described having nearly the same experiences from 2021 until last August, though she called them 'hotel nights.' She said her relationship with Combs began with romance but later became reliant upon the sexual performances, especially after Combs began paying rent for her apartment. Defense attorneys have insisted that Jane and Combs only engaged in consensual sex and that Jane's protests to Combs in text messages were fueled by jealousy.

Why a Minneapolis neighborhood sharpens a giant pencil every year
Why a Minneapolis neighborhood sharpens a giant pencil every year

Associated Press

timean hour ago

  • Associated Press

Why a Minneapolis neighborhood sharpens a giant pencil every year

MINNEAPOLIS (AP) — Residents will gather Saturday in a scenic Minneapolis neighborhood for an annual ritual — the sharpening of a gigantic No. 2 pencil. The 20-foot-tall (6-meter-tall) pencil was sculpted out of a mammoth oak tree at the home of John and Amy Higgins. The beloved tree was damaged in a storm a few years ago when fierce winds twisted the crown off. Neighbors mourned. A couple even wept. But the Higginses saw it not so much as a loss, but as a chance to give the tree new life. The sharpening ceremony on their front lawn has evolved into a community spectacle that draws hundreds of people to the leafy neighborhood on Lake of the Isles, complete with music and pageantry. Some people dress as pencils or erasers. Two Swiss alphorn players will provide part of this year's entertainment. The hosts will commemorate a Minneapolis icon, the late music superstar Prince, by handing out purple pencils on what would have been his 67th birthday. In the wake of the storm, the Higginses knew they wanted to create a sculpture out of their tree. They envisioned a whimsical piece of pop art that people could recognize, but not a stereotypical chainsaw-carved, north-woods bear. Given the shape and circumference of the log, they came up with the idea of an oversized pencil standing tall in their yard. 'Why a pencil? Everybody uses a pencil,' Amy Higgins said. 'Everybody knows a pencil. You see it in school, you see it in people's work, or drawings, everything. So, it's just so accessible to everybody, I think, and can easily mean something, and everyone can make what they want of it.' So they enlisted wood sculptor Curtis Ingvoldstad to transform it into a replica of a classic Trusty brand No. 2 pencil. 'People interpret this however they want to. They should. They should come to this and find whatever they want out of it,' Ingvoldstad said. That's true even if their reaction is negative, he added. 'Whatever you want to bring, you know, it's you at the end of the day. And it's a good place. It's good to have pieces that do that for people.' John Higgins said they wanted the celebration to pull the community together. 'We tell a story about the dull tip, and we're gonna get sharp,' he said. 'There's a renewal. We can write a new love letter, a thank you note. We can write a math problem, a to-do list. And that chance for renewal, that promise, people really seem to buy into and understand.' To keep the point pointy, they haul a giant, custom-made pencil sharpener up the scaffolding that's erected for the event. Like a real pencil, this one is ephemeral. Every year they sharpen it, it gets a bit shorter. They've taken anywhere from 3 to 10 inches (8 to 25 centimeters) off a year. They haven't decided how much to shave off this year. They're OK knowing that they could reduce it to a stub one day. The artist said they'll let time and life dictate its form — that's part of the magic. 'Like any ritual, you've got to sacrifice something,' Ingvoldstad said. 'So we're sacrificing part of the monumentality of the pencil, so that we can give that to the audience that comes, and say, 'This is our offering to you, and in goodwill to all the things that you've done this year.''

How groundbreaking gay author Edmund White paved the way for other writers
How groundbreaking gay author Edmund White paved the way for other writers

Associated Press

timean hour ago

  • Associated Press

How groundbreaking gay author Edmund White paved the way for other writers

NEW YORK (AP) — Andrew Sean Greer, a Pulitzer Prize-winning novelist, remembers the first time he read Edmund White. It was the summer of 1989, he was beginning his second year at Brown University and he had just come out. Having learned that White would be teaching at Brown, he found a copy of White's celebrated coming-of-age novel, 'A Boy's Own Story.' 'I'd never read anything like it — nobody had — and what strikes me looking back is the lack of shame or self-hatred or misery that imbued so many other gay male works of fiction of that time,' says Greer, whose 'Less' won the Pulitzer for fiction in 2018. 'I, of course, did not know then I was reading a truly important literary work. All I knew is I wanted to read more. 'Reading was all we had in those days — the private, unshared experience that could help you explore your private life,' he said. 'Ed invented so many of us.' White, a pioneer of contemporary gay literature, died this week at age 85. He left behind such widely read works as 'A Boy's Own Story' and 'The Beautiful Room Is Empty' and a gift to countless younger writers: Validation of their lives, the discovery of themselves through the stories of others. Greer and other authors speak of White's work as more than just an influence, but as a rite of passage: 'How a queer man might begin to question all of the deeply held, deeply religious, deeply American assumptions about desire, love, and sex — who is entitled to have it, how it must be had, what it looks like,' says Robert Jones Jr., whose novel above love between two enslaved men, ' The Prophets,' was a National Book Award finalist in 2021. Jones remembers being a teenager in the 1980s when he read 'A Boy's Own Story.' He found the book at a store in a gay neighborhood in Manhattan's Greenwich Village, 'the safest place for a person to be openly queer in New York City,' he said. 'It was a scary time for me because all the news stories about queer men revolved around AIDS and dying, and how the disease was the Christian god's vengeance against the 'sin of homosexuality,'' Jones added. 'It was the first time that I had come across any literature that confirmed that queer men have a childhood; that my own desires were not, in fact, some aberration, but were natural; and that any suffering and loneliness I was experiencing wasn't divine retribution, but was the intention of a human-made bigotry that could be, if I had the courage and the community, confronted and perhaps defeated,' he said. Starting in the 1970s, White published more than 25 books, including novels, memoirs, plays, biographies and 'The Joy of Gay Sex,' a response to the 1970s bestseller 'The Joy of Sex.' He held the rare stature for a living author of having a prize named for him, the Edmund White Award for Debut Fiction, as presented by the Publishing Triangle. 'White was very supportive of young writers, encouraging them to explore and expand new and individual visions,' said Carol Rosenfeld, chair of the Triangle. The award was 'one way of honoring that support.' Winners such the prize was founded, in 2006, have included 'The Prophets,' Myriam Gurba 's 'Dahlia Season' and Joe Okonkwo's 'Jazz Moon.' Earlier this year, the award was given to Jiaming Tang's ' Cinema Love,' a story of gay men in rural China. Tang remembered reading 'A Boy's Own Story' in his early 20s, and said that both the book and White were 'essential touchpoints in my gay coming-of-age.' 'He writes with intimate specificity and humor, and no other writer has captured the electric excitement and crushing loneliness that gay men experience as they come of age,' Tang said. 'He's a towering figure. There'd be no gay literature in America without Edmund White.'

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