
Flying Beast freezes as he simulates Air India Flight 171 crash: ‘All you can do is watch the ground come at you'
YouTuber Gaurav Taneja, aka Flying Beast, suggested that overloading might be one of the reasons behind the recent Air India Flight 171 crash in Ahmedabad, which claimed the lives of 270 people. In a new video posted on his YouTube channel, which has nearly 10 million subscribers, he simulated the crash under different settings, and debunked several theories around it. At first, he had suggested that a dual engine failure could be the only reason behind a Boeing 787 Dreamliner crashing in the manner that Flight 171 did. In the new video, he seemed to point in the direction of pilot error, combined with several other issues.
Carrying out further analysis of the dual engine failure theory, he conducted a simulation. 'I was fixated on this reason until today evening. In the sim, everything was falling into place. After takeoff, we killed both engines at 100 feet,' he said, adding that he made the aircraft 'a little heavy'. He said, 'Usually, this aircraft is 62 tonnes, but considering that it was a long flight to London, I've made it 70 tonnes.' After conducting the first simulation, he said, 'It was scary. I froze. There was nothing that you could do. What could you do? All you can do is pray and watch the ground come at you.'
Also read – Gaurav Taneja, aka Flying Beast, reveals 'every flight has snags' but airlines have 'habit' of ignoring safety issues
Citing the video of the crash, he said that the aircraft's nose seemed to tilt up in the moments ahead of the crash, which suggests that the pilot made a last-ditch effort to pull up. 'It's very scary. You have 10 seconds, basically. You can do nothing. You pull the nose up to avoid a heavy impact, and perhaps save a few lives on the ground. It fell like a rock on the ground,' he said. He conducted another simulation with an even heavier aircraft, and discovered that, like Flight 171, it didn't take off at the normal stage. 'I was terrified, I could see the runway about to end. 'Because of the late liftoff, the pilots' were too distracted to pull the landing gear up,' he speculated.
In the same video, Taneja suggested that the pilots aboard the aircraft might've been startled when the first engine failed during takeoff, and were left with no choice but to proceed because the engine failure happened after the point of no return on the runway. Once the aircraft was airborne, they mistakenly killed the second engine, and forgot to pull the landing gear up. Previously, Taneja had defended the pilots against any criticism, saying that they are the easiest people to blame in such events, because they aren't around to defend themselves. He has also said that both engines of a Boeing 787 failing is practically unheard of.
He said, 'They were distracted. They were supposed to pull up the landing gear at around 100 feet. Now, listen carefully. They climbed for 100-150 feet with a damaged engine, and forgot to pull the landing gear up. In the Boeing 787, pilots are required to follow 'memory items' in the event of an engine failure. When they hit 400 feet, the pilot 'flying' pulled the thrust idle switch for the faulty engine, and the pilot 'monitoring' pulled the fuel control switch off for the wrong engine… One engine was damaged on the ground, the other engine they killed themselves.'
In the wake of several flight cancellations following the Flight 171 disaster on June 12, Taneja praised pilots for putting their foot down and refusing to fly potentially unsafe machines. On Saturday, the Directorate General of Civil Aviation (DGCA) ordered immediate action against three senior Air India officials following 'serious and repeated violations,' the Hindustan Times reported.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Mint
an hour ago
- Mint
Rohit Sharma lifts lids on Ritika Sajdeh proposal story - India captain says ‘I went on my knees, it was quite romantic'
Rohit Sharma finally spilled the beans on his proposal to Ritika Sajdeh, almost a decade after their marriage. Having tied the knot with Ritika in 2015, the Indian captain is now a father of two - Samaira and Ahaan. The 37-year-old revealed the story in a show hosted former India cricketer Harbhajan Singh and wife Geeta Basra. Rohit, who retired from Test cricket last month, recalled how he tricked Ritika on the pretext of having ice cream. Instead, Rohit drove her to a cricket ground where he grew up playing cricket. 'My proposal was quite romantic. I took her to the place where I started playing cricket. We were here only (somewhere along Marine Drive apparently). She had brought food from home. We ate it. So, I was just sitting. Then I told her let's go out to eat ice cream, I'm bored," Rohit recalled on the YouTube show. "Then we took the car out, we left. We left from Marine Drive, crossed Haji Ali, Worli. So, she asked where is the ice cream shop? She does not know anything after Bandra. I told her there's a good one in Borivali, where I live. You've never come, so let me show you. "It was a ground and it was pitch dark and she didn't realise it was a ground. Then I had already told my friend to set up something there at the ground and just be there to capture the moment. We parked the car. Then I went on my knees, in the middle of the pitch. Then, I proposed to her,' added Rohit with a beaming smile on his face.


The Hindu
an hour ago
- The Hindu
Cop turns his composition into video album featuring colleagues
Humming tunes come naturally to A. Ajithdev, 49, an assistant sub-inspector attached to the Nemom police station in Thiruvananthapuram. And often, those tunes are his own. Mr. Ajithdev, a former student of Maharaja's College, Ernakulam, has turned one such tune that came to him three years ago into a video album featuring his colleagues from the force. The album has made its way to YouTube and is now doing the rounds of police WhatsApp groups. Binoop S., a civil police officer and Mr. Ajithdev's colleague at the Nemom station, and Saboora B., attached to the Malappuram District Police Headquarters, starred in the album, which was shot over two days in Ponmudi. Mr. Ajithdev also wrote the lyrics and filmed the album. William Isaac, of Asianet Star Singer fame, rendered the song, which narrates a cop's love affair with a senior officer. 'I had almost forgotten the song until Binoop joined me at the station. That is when I decided to dust it off and turn it into a video album,' said Mr. Ajithdev. While it was Binoop's first acting assignment, Saboora was already active on social media, regularly posting videos. The tunes often come to him while travelling, one of his passions. He records them immediately on his mobile phone, only to forget about them as the pressures of duty sucks him up. Later, when he comes across those recordings, he sits down to write the lyrics. Since joining the force 23 years ago, Ajithdev has composed and penned around 10 such songs. 'Those songs, which were mostly created for office purposes, were always appreciated by colleagues. That was when I thought of taking them to a wider audience,' said Mr. Ajithdev, who holds a postgraduate diploma in Journalism from the Kerala Press Academy, now renamed the Kerala Media Academy. Though not formally trained, his love for music comes from his father, Ashokan A., a dyed-in-the-wool communist who used to write songs for the party. Mr. Ajithdev recalls singing one of his father's songs with his brother at the CPI(M)'s 13th Party Congress at Shankhumukham beach in Thiruvananthapuram in the late 1980s. 'So, the influence was always there. Probably, it took me longer to realise it,' said Mr. Ajithdev.


New Indian Express
an hour ago
- New Indian Express
Celebration of global harmony
In a world more interconnected than ever, music has become a universal language transcending geography and culture. What was once seen as niche or regional, now resonates with global audiences in real-time. Artistes across continents are embracing this fluidity, collaborating in bold, genre-defying ways, from Afrobeat-meets-K-pop anthems to Carnatic melodies flowing into jazz improvisations. These collaborations are no longer just artistic experiments; they are cultural dialogues. Thanks to streaming platforms and social media, the global music landscape has flattened. Influences cross-pollinate organically, allowing diverse sounds to merge and evolve. These partnerships do more than just boost chart positions, they open listeners to new worlds of rhythm, tradition, and identity. Our own Carnatic music, once reserved for sabhas and concert halls, is now finding a stage at global jazz festivals. Artistes like Ranjani-Gayatri and saxophonist Rudresh Mahanthappa are proving how ragas can converse fluently with blue notes and swing rhythms. American jazz musicians, in turn, are collaborating with mridangam players and veena artistes, creating new harmonic frontiers. This is not fusion for fusion's sake. It's a deep, intentional exploration. Jazz's improvisational core aligns beautifully with Carnatic music's manodharma, its emphasis on creative expression. The tabla steps in for the snare, the tanpura hums in place of the bass line, and together they conjure a sound that feels both ancient and avant-garde. Technology, too, is a vital player in this cross-cultural symphony. Digital audio workstations, cloud-based production, and platforms like YouTube and SoundCloud have democratised creation and collaboration. Just as significant is the global diaspora, artistes of Indian, African, or Latin American origin, living abroad, who act as cultural conduits between their heritage and the contemporary sounds of their adopted homes. As political boundaries tighten, musical ones continue to dissolve. Young listeners, guided by curiosity and free of cultural bias, are fuelling the demand for these genre-fluid, borderless sounds. This World Music Day (June 21), CE speaks to eminent singers who have embraced this global rhythm.