logo
Movie Review: A deeply disturbing portrait of grief in gory horror ‘Bring Her Back'

Movie Review: A deeply disturbing portrait of grief in gory horror ‘Bring Her Back'

Yahoo28-05-2025

Beware the quirky foster mother who introduces herself as a bit of a weirdo. That's how Laura (Sally Hawkins) cheerily greets the newly orphaned teenage siblings Andy and Piper in the new horror 'Bring Her Back,' which opens in theaters Friday.
The comment, more telling than the kids realize at the time, comes after Laura excitedly introduces Piper, who is non-sighted, to her dog. She thinks it's a good joke to not explain first that the animal is not alive.
The taxidermy is in fact the least weird thing about Laura. Australian filmmakers Michael and Danny Philippou, also behind the teen chiller debut 'Talk to Me,' have dreamed up a new nightmare of trauma, grief, resurrection and the deep failures of Australia's child protective services. That last part is not actually a prominent throughline in the film, but after witnessing what these kids endure in the brisk 99-minute runtime, you too might have some questions about that department's standard practices.
Many horror movies and stories have utilized non-seeing characters to enhance the suspense. 'Bring Her Back' strives to make Piper (newcomer Sora Wong) more than a gimmick but a young woman trying to assert her independence — she refuses to use her cane, which she thinks makes everyone baby her.
Piper's main protector is her sweet and attentive older brother Andy (Billy Barratt). The film gives the audience a morsel of normality with these two before plunging us into the horror, first with the sudden death of their father, and then with the strange goings on at Laura's secluded home.
They're surprised when they arrive to find there's another child there as well: Olly (Jonah Wren Phillips), who is mute, deeply strange and, when not locked in his room, getting into bloody messes of his own making. If you're squeamish about gaping wounds and the full surround sound experience of their squishing and oozing, this might not be the movie for you. For those who delight in the crafts behind it all, the makeup and sound work here is truly top notch.
Like many of 'Bring Her Back's' genre peers, the occult, nude older men and grainy VHS tapes also co-star in the proceedings. Laura, whose non-seeing daughter drowned recently, is particularly fixated on Piper and equally as dismissive of poor Andy.
While you can probably guess her endgame, the way it comes together is more of the point, and the Philippou twins certainly infuse the film with a fair amount of foreboding before anything truly deranged starts happening. It's a fun mystery to watch Laura's strange behavior, which one eventful day includes encouraging Andy to kiss his dead father on the lips ("it's custom"), getting the kids drunk and peeing in a measuring cup.
Andy, three months shy of 18, was not originally supposed to accompany his sister to the foster home. But he convinces the social worker to give him a chance until he can apply for legal guardianship. Unfortunately, Laura seems intent on driving him away. He already has lingering trauma from finding his dead father (and other things that will be revealed in time), and now there's this chipper, tiny woman ready to gaslight him into insanity. Barratt, who won acclaim for his portrayal of a 12-year-old accused of killing his mother's boyfriend in the British television film 'Responsible Child,' is excellent in a difficult role.
Hawkins, meanwhile, gets to be bigger and wilder with Laura, shedding the nurturing mothers of 'Paddington' and 'Wonka' for something defiantly disturbed. She's also got a few delightfully chilling lines that I won't spoil. And yet somehow Hawkins is also able to stay clear of campiness and make Laura, unhinged though she may be, the teeniest bit empathetic.
The film doesn't quite earn the emotional catharsis it seems to be striving for. It's a little too insane and also underdeveloped, especially Piper's character, to let the audience in on that level. But if you've come for unexpected scares and creativity, 'Bring Her Back' will not disappoint.
'Bring Her Back,' an A24 release in theaters Friday, is rated R by the Motion Picture Association for 'some grisly images, language, graphic nudity, strong violent content, underage drinking). Running time: 99 minutes. Two and a half stars out of four.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Controversial 'alcohol alternative' coming to Woolworths this month: 'Impacts can vary'
Controversial 'alcohol alternative' coming to Woolworths this month: 'Impacts can vary'

Yahoo

timean hour ago

  • Yahoo

Controversial 'alcohol alternative' coming to Woolworths this month: 'Impacts can vary'

A plant-based product promising relaxation, mood boosts, and even a safer alternative to alcohol is set to hit Woolworths shelves this month. A bitter-tasting drink made from the root of a Pacific Island plant, kava has long been used in traditional ceremonies across Polynesia. Now, it's being marketed as a wellness beverage in supermarkets across Australia. But not everyone is convinced. While the plant is often marketed as natural and non-intoxicating, the science behind kava's safety and efficacy is still emerging, particularly when it comes to modern, concentrated formulations, Dr Blair Aitken from Swinburne's Centre for Mental Health and Brain Science, told Yahoo News. Some hail its calming effects and link the substance to lower anxiety, while others warn that these commercialised forms come with poorly understood health risks and little regulation. "Kava contains active compounds called kavalactones, which can have a calming effect by influencing brain chemicals like gamma-aminobutyric acid (GABA) and dopamine," Dr Aitken explained. "It may reduce anxiety and promote relaxation without the intoxicating effects of alcohol, but its impact can vary widely depending on the formulation and dosage. "Kavalactones increase levels of GABA, a neurotransmitter that helps calm the brain and nervous system. They also enhance dopamine levels, which may improve overall mood and create a mild sense of well-being, and they slow down brain signals by blocking sodium and calcium channels, reducing overactivity in the nervous system." Woolworths is the latest major retailer to introduce kava-based products, joining Coles, which already offers a small range, including powders and capsules. The move is part of a broader trend following the federal government's 2021 import pilot program, which eased access to kava across most of the country. Commercial availability has since expanded, with products now found in chemists, health food stores, and increasingly on supermarket shelves. Unlike alcohol, Dr Aitken said, kava doesn't typically impair motor skills or reaction time when used in traditional or therapeutic amounts. "Its effects are more subtle and stabilising rather than intoxicating," he said. However there are still concerns, particularly when it comes to modern extracts and non-traditional preparations, he added. "There is no well-established toxic dose for kava," Dr Aitken said. "Most capsule formulations range from 50 to 100 mg of kavalactones, with a recommended maximum daily dose of 250 mg." "When prepared traditionally and used within recommended amounts, kava is considered safe by both the World Health Organisation and the Australian government. The substance shows few serious side effects when used short-term at recommended doses,' he said. "However, higher risks may occur with modern extracts, combined use with alcohol or medications, high doses, or use by individuals with underlying liver issues." Research into kava's use for treating anxiety has yielded mixed results. "While earlier trials showed promising results in generalised anxiety disorder, a more recent study by the same research group did not replicate those findings," Aitken said. "Kava appears more effective for situational or mild anxiety, rather than as a first-line treatment for diagnosed, clinically relevant anxiety." 🍎 Woolworths customers spark debate over brazen fruit act 💰 Woolworths responds to glaring pricing issue 👩 Aussie mum's sad supermarket confession: 'Do anything for my children' In Australia, kava is regulated as a food when imported for personal use or through approved programs. The Northern Territory bans personal importation and restricts use under separate legislation due to concerns about misuse and harm. Other states and territories allow limited personal use under federal guidelines. Internationally, the substance has a range of legal classifications — it's listed as a psychoactive substance in New Zealand, for example. The way kava is prepared also plays a key role in its safety. Traditional water-based methods extract kavalactones while leaving behind many of the potentially harmful compounds. In contrast, modern commercial products sometimes use alcohol or acetone as solvents, which can extract flavokavains—compounds that may negatively affect the liver and nervous system. Some also include stems or leaves, which have different and more toxic chemical profiles than the root. Coles offers several kava products, though not all have clear labelling around kavalactone content. For example, FijiKava Noble Root Powder contains an estimated 70–150 mg per 2.5g serving, but the exact amount is not specified. The TakiMai 50mL kava shot also lacks precise dosing information. By contrast, Bioglan Kava capsules sold at Chemist Warehouse offer standardised dosing, with 60 mg per capsule and a recommended daily intake of 60–120 mg — well within safe limits. "Transparent labelling is essential," Dr Aitken said. "Consumers should monitor their intake carefully and stay within the recommended daily limit." Dr Aitken is also a member of the International Council on Alcohol, Drugs and Traffic Safety (ICADTS) Special Interest Group for 'Driver State Monitoring Systems,' and noted that while kava is not typically associated with impairment, more research is needed around its effects on alertness and driving, especially at higher doses or in combination with other substances. With Woolworths set to join the expanding commercial kava market, health professionals are calling for increased transparency, clearer consumer education and regulatory oversight. "Just because it's natural doesn't mean it's risk-free," he said. Love Australia's weird and wonderful environment? 🐊🦘😳 Get our new newsletter showcasing the week's best stories.

Woman Gives Dogsitter 'Strict Instructions'—Shock at What She Comes Home To
Woman Gives Dogsitter 'Strict Instructions'—Shock at What She Comes Home To

Newsweek

time9 hours ago

  • Newsweek

Woman Gives Dogsitter 'Strict Instructions'—Shock at What She Comes Home To

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. A pet parent who left specific instructions to her roommate couldn't believe the disaster she saw when she returned home. Dog owner Zoie Roemer asked her roommate to let her dogs out one day. The text on her TikTok video, posted to the account @user0162513, said she had given "strict instructions" to leave the puppy in the crate. However, a quick mistake led to a giant mess. When she returned home, Roemer discovered that neither doggy crate was latched. This means her 5-month-old Australian shepherd had free reign of the house. He managed to get into every knook and cranny, shredding the room into pieces. Her clothes were thrown around the room. Items were knocked off shelves. Meanwhile, her pup looked at her as if he had no idea how it happened. Roemer quickly defended her pup and roommate, writing in the caption that it was the first and only time he's done this: "He's only 5 MONTHS OLD, of course, he won't be perfect." Usually, he only goes onto her bed or back into his crate, but this proved his disobedient side. She wrote: "I do not blame the dog or my roommate. It's an honest mistake, but it's fair that she learned her lesson. @user0162513 NOT MY CREATINE AND FLOWERS . . . . . . STORY: My roommate came and let my other dog out and didn't latch either crate door, allowing my 5 MONTH OLD aussie to roam my room. Typically he usually just goes on my bed or back into his crate. -This WAS A FIRST AND ONLY time he has done this. -My dog does dock diving and agility multiple times a week, has 1000 puzzles and gets a minimum of 2-3 hours of exercise daily. He is my training buddy. -He loves his crate and will forever have the option to use it. It is his safe space -He is only 5 MONTHS OLD, of course he won't be perfect. -I do not blame the dog or my roommate. It's an honest mistake but it's fair she learned her lesson. -AS HIS OWNER, It is my responsibility to clean up and take care of the bills, as he is MY DOG. -Yall need to stop pointing fingers also if you made it this far and you like dogs, lifestyle and lifting, go follow my main @zo_liftz and this acct #crashout #aussie #australianshepherd #baddog #badroommate #adoptme ♬ QKThr - Aphex Twin Newsweek reached out to @user0162513 via TikTok for comment. With over 3.2 million views on TikTok as of Friday, users were not as quick to forgive the roommate. One commenter wrote: "Nah, you better be sending them the bill," while a second person commented: "Whoever didn't put him in the crate is cleaning that." Another suggested she get a puppy camera to check on him while she's out, which she has, but unfortunately, it got unplugged during his path of destruction. Many believed the cause of this dog's behavior was a lack of exercise. Puppies generally require more exercise than older dogs, according to the American Kennel Club. However, that depends on a dog's breed. Given that this owner's dog is an Aussie, these dogs are especially active. She assured viewers that she already provides him with extra stimulation. From dock diving and agility training to puzzles and daily walks, he gets about two to three hours of exercise every day. Screenshots from a May 30 TikTok video of an owner shocked to find her puppy destroyed the house after getting out of the crate. Screenshots from a May 30 TikTok video of an owner shocked to find her puppy destroyed the house after getting out of the crate. @user0162513/TikTok Do you have funny and adorable videos or pictures of your pet you want to share? Send them to life@ with some details about your best friend, and they could appear in our Pet of the Week lineup.

Back in shark-laden waters, 'Dangerous Animals' is a horror film with tired blood
Back in shark-laden waters, 'Dangerous Animals' is a horror film with tired blood

Yahoo

time10 hours ago

  • Yahoo

Back in shark-laden waters, 'Dangerous Animals' is a horror film with tired blood

Sean Byrne knows how to show an audience a bad time. Sixteen years ago, the Australian filmmaker launched onto the scene with 'The Loved Ones,' his proudly grisly debut about a misfit teenager who gets gruesome revenge on the boy who refused to go to prom with her. Part expert torture porn, part exploration of adolescent romantic anxieties, the film was an instant midnight-madness cult item that took Byrne six years to follow up. When he did, he went in a different tonal direction with 'The Devil's Candy,' a surprisingly emotional psychological thriller about a heavy-metal-loving painter who moves his family to a beautifully rustic home, only to lose his mind. Working in recognizable horror subgenres, Byrne entices you with a familiar premise and then slowly teases apart the tropes, leaving you unsettled but also invigorated by his inventiveness. It has now been a decade since that distinctive riff on 'The Shining,' and for Byrne's third feature, he once again pillages from indelible sources. 'Dangerous Animals' draws from both the serial-killer thriller and Hollywood's penchant for survival stories about hungry sharks feasting on human flesh. But unlike in the past, Byrne's new movie never waylays you with a surprise narrative wrinkle or unexpected thematic depth. He hasn't lost his knack for generating bad vibes, but this time he hasn't brought anything else to the party. The movie stars Hassie Harrison as Zephyr, a solitary surfer who explains in on-the-nose dialogue that she prefers the danger of open water to the unhappiness of life on land. An American in Australia who grew up in foster homes and who lives in a beat-up old van, Zephyr encounters Moses (Josh Heuston), a straitlaced nice guy whom she hooks up with. Not that she wants him developing feelings for her: She takes off in the middle of the night so she can catch some waves. Unfortunately, Zephyr is the one who gets caught — by Tucker (Jai Courtney), a deceptively gregarious boat captain who kidnaps her. Next thing she knows, she's chained up inside his vessel out at sea, alongside another female victim, Heather (Ella Newton). Read more: The 27 best movie theaters in Los Angeles Like many a movie serial killer, Tucker isn't just interested in murdering his prey — he wants to make something artistic out of his butchery. And so he ties Heather to a crane and dangles her in the water like a giant lure, pulling out a camcorder to record her final moments as sharks devour her. Watching his victims struggle to stay alive is cinema to this twisted soul and Zephyr will be his next unwitting protagonist. Working from a script by visual artist Nick Lepard, Byrne (who wrote his two previous features) digs into the story's B-movie appeal. Tucker may use old-fashioned technology to record his kills, but 'Dangerous Animals' is set in the present, even if its trashy, drive-in essence would have made it better suited to come out 50 years ago as counterprogramming to "Jaws." With Zephyr's tough-girl demeanor and Tucker's creepy vibe, Byrne knowingly plays into genre clichés, setting up the inevitable showdown between the beauty and the beast. But despite that juicy setup, 'Dangerous Animals' is a disappointingly straightforward and ultimately underwhelming horror movie, offering little of the grim poetry of Byrne's previous work and far too much of the narrative predictability that in the past he astutely sidestepped. There are still subversive ideas — for one thing, this is a shark film with precious few sharks — but Byrne's sneaky smarts have largely abandoned him. Rather than transcending expectations, 'Dangerous Animals' surrenders to them. One can't fault Harrison, whose Zephyr spends much of the movie in a battle of wills with her captor. Because 'Dangerous Animals' limits the amount of sharks we see, digitally inserting footage of the deadly creatures into scenes, the story's central tension comes from Zephyr trying to free herself or get help before Tucker prepares his next nautical snuff film. Harrison projects a ferocious determination that's paired with an intense loathing for this condescending, demented misogynist. It's bad enough that Tucker wants to murder her — beforehand, he wants to bore her with shark trivia, dully advocating for these misunderstood animals. It's an underdeveloped joke: 'Dangerous Animals' is a nightmare about meeting the mansplainer from hell. Alas, Courtney's conception of the film's true dangerous animal is where the story truly runs aground. The actor's handsome, vaguely blank countenance is meant to suggest a burly, hunky everyman — the sort of person you'd never suspect or look twice at, which makes Tucker well-positioned to leave a trail of corpses in his path. But neither Byrne nor Courtney entirely gets their arms around this conventionally unhinged horror villain. 'Dangerous Animals' overly underlines its point that we shouldn't be afraid of sharks — it's the Tuckers who ought to keep us up at night — but Courtney never captures the unfathomable malice beneath the facial scruff. We root for Zephyr to escape Tucker's clutches not because he's evil but because he's a bit of a stiff. Even with those deficiencies, the film boasts a level of craft that keeps the story fleet, with Byrne relying on the dependable tension of a victim trapped at sea with her pursuer, sharks waiting in the waters surrounding her. Michael Yezerski's winkingly emphatic score juices every scare as the gore keeps ratcheting up — particularly during a moment when Zephyr finds an unexpected way to break out of handcuffs. But Byrne can't redeem the script's boneheaded plot twists, nor can he elevate the most potentially intriguing idea at its core. As Tucker peers into his viewfinder, getting off on his victims' screams as sharks sink their jaws into them, 'Dangerous Animals' hints at the fixation horror directors such as Byrne have for presenting us with unspeakable terrors, insisting we love the bloodshed as much as they do. Tucker tries to convince Zephyr that they're not all that different — they're both sharks, you see — but in truth, Byrne may be suggesting an uncomfortable kinship with his serial killer. But instead of provocatively pursuing that unholy bond, the director only finds chum. Sign up for Indie Focus, a weekly newsletter about movies and what's going on in the wild world of cinema. This story originally appeared in Los Angeles Times.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store