Gwyneth Paltrow reveals what makes her cry while cooking her 'full italian boyfriend breakfast'
Gwyneth Paltrow spent her Saturday morning shedding a few tears while preparing breakfast.
The 52-year-old actress shared a new video on Instagram Saturday, sharing her making what she called the 'full Italian' breakfast.
'The 'full Italian' #boyfriendbreakfast—my riff on a full English,' she said in the caption.
Last weekend, she shocked fans by posting a video of preparing her 'boyfriend breakfast' while topless, though she was fully clothed in this latest video.
She did shed a few tears, though, because she had to cut up some onions as part of her meal prep.
The video - set to the Royal Otis song Egg Beater - showed Paltrow getting ready for her breakfast in a loose white top, white pants and black slippers.
She was seen peeling a potato and then putting it in a special grinder to make fresh hash browns, as she rinsed them off in a strainer.
She then rung out all of the moisture from the potatoes in a kitchen towel before wiping tears away while holding up an onion before slicing it up.
The Goop founder then put butter in a pan and started making her hash browns, before putting a few sausage links and a few curled Cumberland sausages on the grill.
She then put some thin slices of capicola in a pan and put them in the oven with a few sliced tomatoes.
Paltrow then showcased a sunny-side up egg and her her full cooked and plated breakfast as the video came to an end.
The 'full English' breakfast is a popular U.K. breakfast that includes bacon, sausages, eggs, black pudding, baked beans, grilled tomatoes, mushrooms and toast,
Paltrow recently opened up about how she achieves her enviable physique back in April on her Goop podcast.
At the time, she confessed that while she had been sticking to the Paleo diet for years, she had now become 'sick' of it and had decided to start feasting on more carbs as of late.
The Paleo diet is based on foods that people ate during the Paleolithic Era - which dates back to 2.5 million years ago - and includes mostly fruits, vegetables, lean meats, fish, eggs, nuts, and seeds, according to Mayo Clinic.
Although its followers boast of benefits including weight loss, a smaller appetite and more energy, there has been little research into its effects.
'I went into hardcore macrobiotic for a certain time, that was an interesting chapter where I got obsessed with eating very, very healthily,' Paltrow explained.
'I really deepened my connection with food and the whole philosophy around macrobiotics, which is essentially just how they eat in the mountains of Japan, so very local and seasonal.
'Lots of fish, vegetables, rice, no diary, no sugar etc. I think that period of time I might have got a little didactic about it.'
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
BBC News
15 minutes ago
- BBC News
The Tooney & Russo Show Inside Their Homes: Comforts, Cooking & Decor Secrets
Vick gets personal with Ella Toone and Alessia Russo, uncovering their home essentials, fridge must-haves, and signature dishes - including Tooney's go-to meal. Vick also shares why her childhood teddy, 'Snowy,' still means so much to her. The trio reveals their very different approaches to home decor, plus a nostalgic look back at the time Ella and Alessia shared a house in Manchester - where Tooney's obsession with Eton Mess truly began!
Telegraph
17 minutes ago
- Telegraph
Campaign begins to save Turner oil painting
A campaign to bring one of the earliest works by JMW Turner back to Bristol has begun. The Rising Squall, Hot Wells, from St Vincent's Rock, Bristol, had remained tucked away in private collections since it was last exhibited in Tasmania, Australia, in 1858. Last year, it was authenticated as a pivotal early work by Turner after the artist's signature was discovered during cleaning. The piece, depicting the Avon Gorge before the Clifton Suspension Bridge was built, was the first oil painting exhibited by Turner at the Royal Academy in 1793, when he was 18. Bristol Museum and Art Gallery is now keen to acquire the work, believed to be the only Turner oil painting of the city. Bring Turner Home It has launched a one-week public fundraising campaign, called Bring Turner Home, to raise £100,000 towards the purchase of the painting, which will go under the hammer at Sotheby's on July 2. If the bid is successful, the piece will become part of Bristol's public collection and go on display this summer. Philip Walker, the head of culture and creative industries at Bristol city council, said: 'This is a once-in-a-lifetime opportunity to bring a lost masterpiece back to Bristol, a painting that connects our city to one of the greatest artists in history at a defining moment in his life. 'Turner painted this scene when he was just 17, inspired by the dramatic beauty of the Avon Gorge. Now, over two centuries later, we have the chance to bring it home where it can belong to everyone. We want this painting to be part of the city's story, accessible to all and inspiring to future generations. 'We know this is a hugely ambitious fundraising campaign, with a ridiculously small window to raise the money – but Bristol is internationally renowned for its art and culture, and we just can't miss the opportunity to try and go for it. It would be an absolute travesty if Bristol's lost Turner is sold to a private or overseas buyer.' The council is believed to be the only public bidder attempting to secure the piece, which has an estimate of £200,000 to £300,000. Public ownership Bristol Museum and Art Gallery aims to exhibit the piece in as early as August before it travels to Tate Britain for its major Turner and Constable exhibition in November. A council spokesman said: 'No council funding will be used to buy the painting. Instead, the museum is turning to the people of Bristol and supporters of art and heritage across the country to help raise the funds needed to ensure the painting remains in public ownership, rather than entering a private collection.' Turner painted The Rising Squall during a visit to Bristol in 1792. It is based on an on-the-spot drawing found in Turner's Bristol and Malmesbury sketchbook, which he used on a tour of the West Country in 1791, and a watercolour the following year. The piece was bought by the Rev Robert Nixon, an early supporter of Turner, with whom the artist used to stay. Early biographies of Turner record that the artist painted his first oil piece in Rev Nixon's house. Rev Nixon's son, the Rev Dr Francis Russell Nixon, Lord Bishop of Tasmania, inherited the painting before it was acquired by publisher Joseph Hogarth in the early 1860s. It went up for auction at Christie's in London in 1864 before going to a private collection in Northamptonshire, until it was anonymously sold in April last year. During that auction, at Dreweatts in Newbury, the piece was wrongly attributed to 'follower of Julius Caesar Ibbetson', an 18th-century artist. Restoration work then took place, revealing the signature 'W Turner' on the lower left of the canvas. Until that point, it had been believed that Turner's earliest exhibited oil painting was a piece known as Fisherman at Sea, which he exhibited at the Royal Academy in 1796.
BBC News
20 minutes ago
- BBC News
Swindon film blends fairy tale with 'horrors' of Ukraine war
A mature student who made a film merging fantasy fiction with an interpretation of the war in Ukraine, said it is a "magical feeling" to complete his first project. Alexander Hutchings, 49, from Swindon, came up with the idea of Pralis, as part of his film course at New College, said he had been inspired by classmate Ihor Kuraliesin, 20, and his experience in Ukraine, so decided to feature an all-Ukrainian cast of Mr Hutchings put his concept to the team, they shared ideas and cast member Daniella Michel wrote the script, weaving in more of her experience in Ukraine and the emotions the war stirred. The fantasy film of "never-ending enchantment," has one male character, who is doing what he thinks he should do, but the film questions whether he would do that if he could see the whole are drawn with a fictional soldier fighting for Russia, Mr Hutchings female characters, played by Tetiana Tymofeienko, 30, Angelina Kosenko, 26, and Daniella Michel, 23, represent the resilience, uncertainty and obedience. Ms Michel, who came to Swindon from Ukraine on Boxing Day, 2023, got involved in the project through a creative group of Ukraine nationals in the said the film was "a big chance to raise my voice on the invasion using the script and character to share the rage I - and my fellow Ukrainians - felt, and feel, about it"."The feelings of being forgotten, robbed, raped, and everything Ukrainians have been through and writing the script has made me stronger," she Hutchings said because of the authentic emotions, the cast, who are all new to acting, "didn't need advice on the acting or production as everyone channelled real emotion at the horror of war which drove the characters behaviour". The film, which is 12 minutes long, was filmed in a forest in Wiltshire, over five days, and the colours of Ukraine, blue and yellow, were woven into the film through the colours of the cast had creative freedom over the costumes, ensuring they were more "authentically" symbolic of Ukraine, Mr Hutchings Hutchings, who was the producer, director, camera person and editor on the film, spent about four weeks on post production and has now uploaded the film to hopes to continue the narrative with more short films and "help and inspire others" with the project, he said.
