logo
Photos: American Revolution begins again in Lexington and Concord

Photos: American Revolution begins again in Lexington and Concord

Boston Globe19-04-2025

Spectators filled the front porch of a home and along Mass Ave., adjacent to the Lexington Battle Green.
John Tlumacki/Globe Staff
British troops advanced on the Lexington Battle Green as the minutemen retreated.
John Tlumacki/Globe Staff
A minuteman lay motionless on the Lexington Battle Green as British troops marched by.
John Tlumacki/Globe Staff
The crowd listend to closing remarks along the Lexington Battle Green after the conflict between the British troops and the minutemen.
John Tlumacki/Globe Staff
A young spectator got a treetop view during the 250th reenactment of the Battle of Lexington.
Brett Phelps for The Boston Globe
Minutemen stood with their guns ready as the British regulars marched on to the Lexington Battle Green.
John Tlumacki/Globe Staff
A minuteman is bayoneted by a British troop on the Lexington Battle Green.
John Tlumacki/Globe Staff
British troops advanced through the Lexington Battle Green as the minutemen retreat.
John Tlumacki/Globe Staff
Paul Revere and a fellow minuteman carried away the liberty trunk, which contained critical documents by John Hancock.
John Tlumacki/Globe Staff
Spectators watched as the British regulars marched off the Battle Green after defeating the Lexington Minutemen.
Brett Phelps for The Boston Globe
Amy Rocheleau looked at her daughter Charlie, 8, as British regulars marched by. Rocheleau, who grew up in Lexington, brought her family from California to watch.
Joanne Rathe Strohmeyer/Globe St
British regulars descend Massachusetts Ave. in Lexington as they head toward the Battle Green.
Brett Phelps for The Boston Globe
Children are mesmerized as they watch the massive presence of British regulars march down Massachusetts Ave. toward the Battle Green.
Joanne Rathe Strohmeyer/Globe St
Reenactor, who portrayed Thaddeus Bowman, tended to his horse in pre-dawn hours before the 250th reenactment of the Battle of Lexington.
Joanne Rathe Strohmeyer/Globe St
Children watched as British regulars marched toward the Battle Green during the 250th reenactment of the Battle of Lexington early Saturday morning. (Brett Phelps for The Boston Globe)
Brett Phelps for The Boston Globe
The Concord Minute Men marched through Minute Man National Historical Park during the Concord250 Dawn Salute on Saturday.
Craig F. Walker/Globe Staff
Sue Alford and Fritz Folts listened to Taps during the Concord250 Dawn Salute at the North Bridge in Concord.
Craig F. Walker/Globe Staff
Dr. Samuel Prescott, played by reenactor Frank D. Bradford II, rode across the North Bridge during the Concord250 Dawn Salute.
Craig F. Walker/Globe Staff
Members of the Concord Minute Men paused at the The Minute Man statue during the Concord250 Dawn Salute.
Craig F. Walker/Globe Staff
Minutemen meet on the Lexington Battle Green in darkness of the early morning as the First Parish in Lexington is lit up.
John Tlumacki/Globe Staff
A Paul Revere reenactor stood amid an enthusiastic crowd in Boston's North End during the midnight ride commemoration on Friday.
Erin Clark/Globe Staff
Drones depicting Paul Revere lit up the Boston sky line as Paul Revere arrived in Charlestown after crossing the Charles River by boat before undertaking his legendary ride.
Barry Chin/Globe Staff

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Filipino Americans celebrate culture and community at Iskwelahang Pilipino graduation
Filipino Americans celebrate culture and community at Iskwelahang Pilipino graduation

Boston Globe

time2 hours ago

  • Boston Globe

Filipino Americans celebrate culture and community at Iskwelahang Pilipino graduation

Advertisement Camille Halloran, 9, from Boston, performed a traditional Filipino dance during a graduation ceremony and cultural dance showcase for Iskwelehang Pilipino. Matthew J. Lee/Globe Staff Founded in 1976, Iskwelahang Pilipino claims the title of the oldest continually operating cultural school for Filipino Americans in the country. During the school year, students from toddlers to teens gather for classes in Filipino music, dance, language, history and identity. The annual graduation doubles as a cultural showcase, with performances by Iskwelahang Pilipino's rondalla string ensemble, regional folk dances and original student projects. This year's celebration, the 49th anniversary of the school's founding, carried extra weight, as it was the first graduation since Iskwelahang Pilipino relocated from Bedford, its longtime home, to a new space in Watertown. After a year of moving between temporary locations and uncertainty about the school's future. It also came at a time when both Advertisement Iskwelahang Pilipino's executive director, Myra Liwanag, has been part of the school since 1986, was a member of the first graduating class and now leads the organization her niece is graduating from. Watching this year's seniors perform, she said, was both joyful and bittersweet. Graduating seniors Brandon Lindsey, and Victoria Liwanag performed the traditional Filipino dance called, 'Manton' during the graduation ceremony. Matthew J. Lee/Globe Staff 'We want them to grow and be successful, but we don't want to lose them,' said Liwanag. 'Some of them are going far away, but we've been fortunate that a lot of those who stay get back involved.' Several alumni did just that, returning to take part in this year's performances — some stepping in just days before the show to join the rondalla ensemble or reprise dances they had learned years earlier. 'Rondalla — which is 'circle in the round' — is about developing a community. That's why people never graduate from it, because you don't graduate from a community,' said Elsa Janairo, who now directs the string ensemble she first joined as a child, also in 1986 . 'So moments like these are milestones, but they're not endings, and it's wonderful when we have the opportunity to bring back alumni and have them support the younger students and just keep the cycle going.' The graduation's dance segment featured pieces from the Maria Clara Suite, a repertoire of dances introduced during Spain's 333-year colonization of the Philippines. Drawing from Spanish styles like flamencoand jota, the performances reflected how Filipinos adapted colonial influences into uniquely local forms. Advertisement 'It's part of our ingenuity,' said Patricia Yusah, who has taught Filipino dance at Iskwelahang Pilipino for more than four decades. 'We took what was brought to us and Filipinized it.' Yusah said the program rotates regional styles each year to reflect the cultural range of the archipelago — from indigenous mountain dances to dances from the lowland regions of Luzon and the Visayas shaped by Spanish and Catholic traditions, to Muslim traditions from Mindanao. 'There's always something new to show,' she said. Just as its dances reflect the country's diversity, Iskwelahang Pilipino's lessons dig into the history behind them. The curriculum includes history units on colonialism, Filipino resistance and lesser-known Filipino American figures. Lilly Bolandrina, a 2020 graduate who now volunteers with the school's communications team, said the experience shaped her political worldview. Vela Harmon-Li wore a malong (a traditional Filipino-Bangsamoro rectangular or tube-like wrap.) Matthew J. Lee/Globe Staff 'Growing up, we mostly learned history from one perspective,' said Bolandrina — a perspective that neglected the Philippines, also a US colony for almost 50 years, as well as Filipinos and Filipino Americans' contributions to U.S. and world history. 'But at IP, we saw the fuller picture. It gave me pride, and it gave me tools to stand up for myself.' As one of the few students of color in her elementary school, Bolandrina remembers being singled out and made to feel like she didn't belong. 'Being in a place that celebrates your differences, and treats you as important and valuable and special and interesting because of those differences, was just so empowering,' she said. Iskwelahang Pilipino also helped her understand that being Filipino American doesn't mean existing halfway between two cultures — it means belonging fully to both. Advertisement 'No matter who you are, no matter how much Filipino you think you are — when you're here with us, we see you as a full Filipino, and we see you as one of us,' she said. That sense of empowerment has taken on new necessity in recent years, amid rising anti-Asian discrimination and political threats to immigrant communities. Bolandrina said the school has grown more protective of its members by limiting public promotion of its location and choosing not to ask about immigration status. 'We want to stay open and celebratory,' she said. 'But we also want to stay safe.' Children dance a traditional Filipino dance during the graduation ceremony. Matthew J. Lee/Globe Staff In spite of those challenges, Iskwelahang Pilipino's leadership remains resolute in preserving the school for the next generation of Filipino Americans. As the organization approaches its 50th year, Myra Liwanag said her focus is on building a foundation that can sustain Iskwelahang Pilipino for another 50. 'Everything costs more. Families are stretched thinner,' she said. 'But this kind of cultural education is so important, especially for kids who are only a generation or two removed from immigration. We want them to know that who they are is enough.' Nathan Metcalf can be reached at

A dapper young man has become the talk of Manchester-by-the-Sea
A dapper young man has become the talk of Manchester-by-the-Sea

Boston Globe

time2 hours ago

  • Boston Globe

A dapper young man has become the talk of Manchester-by-the-Sea

'There is something about Matthew Swindell that suggests he has just walked off the set of a period film, so perfect is each detail of his person,' gushed the local newspaper, 'The Manchester Cricket,' From the moment he arrived, Manchester-by-the-Sea suddenly had something it didn't realize it was lacking: a fashion icon. Advertisement 'It's been quite the experience for me,' Swindell said recently inside the tiny 'I humbly believe that people appreciate a well-dressed man, particularly a young person,' he said as he adjusted a stray hair on his head (held together, fittingly, with a pomade called Dapper Dan). Advertisement He speaks with a polished lilt, reinforcing what those who know him say: it's not just his clothes that seem pulled from a time machine; it is Swindell himself. 'He's not vintage. It's like he's from the 1920s, like he's stuck in an era,' said Anna Gonzalez, who sees Swindell a few times a week at the post office where he will wait in line to watch her hand stamp his cursive correspondence with the date and place, Manchester-by-the-Sea. His speech pattern adheres to a formal politeness, polished to a shine, and peppered with a natural lean toward old-timey sayings, like when he was asked about his evening strolls to Singing Beach, and said, 'Yes, when day's work is done.' What he's doing might go unnoticed in a more urban setting, where hipsters and vintage clothing stores abound. But in upper-crusty Manchester-by-the-Sea, where the preppy uniform is more Not to say that what Swindell is doing is either preppy or hipster. It's older than that, from an era of pleasing formalness, where a crowd at Fenway was better dressed than we are at weddings today. 'The first time I saw him I was like 'Oh, my God, I love you,'' said Beth Giblee, who owns Advertisement When Giblee asked Swindell why he dressed as he did, he gave his usual simple answer: He loves the feeling of it. 'It doesn't matter if he's got the umbrella or the straw hat or the fedora, there's never a hair out of place,' said Frank Fusco, assistant manager of Matthew Swindell stood inside the Manchester-by-the-Sea Museum. Jonathan Wiggs/Globe Staff Swindell said he started wearing traditional menswear when he was a student at Salem State, and committed to it when he landed an internship at the Manchester-by-the-Sea Museum after graduation. Nearly four years later, as he has risen to run the day-to-day operations, his look has become synonymous with the museum. And as he leads visitors on a tour of an exhibit highlight the town's 'resort era' in the late 18th and early 19th century, you can almost picture Swindell in one of the black-and-white photographs of bathers on Singing Beach, or strolling the grand lawn of the Masconomo House Hotel. As he looks at the photos, you can feel his pride in feeling connected to the era. He loves the detachable collars — 'I wish more people would join me in being an enthusiast for them' — and, particularly, the hats. Swindell is a dedicated follower of the tradition of switching from a winter felt hat to a summer straw hat on May 15. 'I've always loved history, but I have a particular fascination with happened before you in the places you know well,' he said. 'Some people say the past is another country. You might say I'm always visiting.' Advertisement Swindell switches from wearing a felt hat to a straw hat on May 15. Jonathan Wiggs/Globe Staff Billy Baker can be reached at

Aaron Taylor-Johnson leads '28 Years Later.' Here's where you might recognize the rest of the cast from.
Aaron Taylor-Johnson leads '28 Years Later.' Here's where you might recognize the rest of the cast from.

Business Insider

time3 hours ago

  • Business Insider

Aaron Taylor-Johnson leads '28 Years Later.' Here's where you might recognize the rest of the cast from.

"28 Years Later" is the long-gestating sequel to Danny Boyle's "28 Days Later." Aaron Taylor-Johnson leads the film alongside newcomer Alfie Williams. Here's where you might recognize the rest of the cast from. " 28 Years Later" brings the terrifying Rage virus back to the big screen as director Danny Boyle returns to examine postapocalyptic Britain once more. It's the third film in the franchise following 2007's "28 Weeks Later" and is released on June 20. It picks up decades after the initial outbreak turned the British population into bloodthirsty, sprinting zombies. "28 Years Later" revolves around the inhabitants of Lindisfarne, an island off the coast of Northumberland. The tide cuts Lindisfarne off from the mainland most of the time, keeping it safe from the infected. Things get bloody when Jamie (Aaron Taylor-Johnson) is tasked with taking his son Spike, played by newcomer Alfie Williams, to the world beyond the island. While Boyle has recruited some talented actors for "28 Years Later," Cillian Murphy won't return to the franchise just yet. Here's where you've seen the main cast before. Aaron Taylor-Johnson is known for movies like "Kick-Ass," "Kraven the Hunter," and "Nosferatu." Aaron Taylor-Johnson plays Jamie in "28 Years Later," and he takes his son onto the mainland, where they come face-to-face with the infected. The actor previously starred in the " Kick-Ass" movies, and played superhero Quicksilver in "Avengers: Age of Ultron." He also appeared in the 2014 "Godzilla" reboot and had a supporting role in Christopher Nolan's "Tenet." Last year he led Sony's " Kraven the Hunter" movie as the titular Marvel villain, before getting his first brush with the horror genre in " Nosferatu." Jodie Comer made her name in British dramas like "Doctor Foster" and recently starred in movies like "Free Guy" and "The Bikeriders." Jodie Comer plays Jamie's wife Isla (and Spike's mother) in "28 Years Later." Comer started her career by starring in buzzy British dramas like "My Mad Fat Diary," "Doctor Foster," and "Killing Eve." She made the jump to Hollywood in the last five years, and worked with Ryan Reynolds on "Free Guy," and starred opposite Ben Affleck and Adam Driver in Ridley Scott's "The Last Duel." Ralph Fiennes played Voldemort in "Harry Potter" and led 2024's "Conclave." Ralph Fiennes plays the mysterious Dr Ian Kelson in "28 Years later." The actor is one of the most famous British stars of the past 30 years, following Oscar-nominated performances in films such as "Schindler's List," "The English Patient," and 2024's "Conclave." He may be best known for playing Voldemort in the "Harry Potter" franchise, and the new M in Daniel Craig's " James Bond" movies. Jack O'Connell started out in "Skins" but recently appeared in "Back to Black" and "Sinners." Jack O'Connell plays Sir Jimmy Crystal in "28 Years Later," but the details of his role are being kept secret and out of the film's marketing material. He rose to fame thanks to his role as Cook in the teen drama, "Skins," before starring in critically acclaimed British movies and shows including "This Is England," "Eden Lake," and "'71." He later appeared in Netflix's "Lady Chatterley's Lover" opposite Emma Corrin, and played Amy Winehouse's husband, Blake Felder-Civil, in "Back to Black." In 2024, O'Connell portrayed the vampire villain, Remmick, in Ryan Coogler's " Sinners." Erin Kellyman starred in "Solo: A Star Wars Story" and "The Falcon and The Winter Soldier" before "28 Years Later." Erin Kellyman plays Jimmy Ink in "28 Years Later," but her role has been kept out of the marketing for the film. She also got her start in British TV thanks to shows like "Raised By Wolves" and the "Les Misérables" miniseries. She started to get more attention after her brief role as rebel pirate Enfys Nest in " Solo: A Star Wars Story," which led to her playing villain Karli Morgenthau in the Marvel series, " The Falcon and The Winter Soldier."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store