
'I have put together a comfy little something': Alia Bhatt gifts mom-to-be Kiara Advani baby clothes
Mohanlal, a Malayalam actor, achieved an unprecedented feat in 1986 by starring in 34 films, with 25 box office hits. At 65, he continues to dominate cinema, outperforming Bollywood stars like Hrithik Roshan and Aamir Khan in a single year.

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Pink Villa
an hour ago
- Pink Villa
Netizens REACT to Dulquer Salmaan's exit from Kamal Haasan's Thug Life, call it ‘greatest' decision
Kamal Haasan and Silambarasan TR starrer Thug Life hit the big screens on June 5, 2025. As the Mani Ratnam directorial has been received with mixed-to-negative reviews, netizens have complimented Dulquer Salmaan's exit from the film. Taking to the internet, many users complimented the actor's departure from the project with one saying, 'Turning down the role in Thug Life was one of the GREATEST decisions Dulquer Salmaan ever made!' Another user said, 'After the trailer everyone trolled him from his decision now after watching the movie everyone is celebrating his decision.' Moreover, one netizen lauded the actor for his script selection over the years and said, 'Dulquer Salmaan, The Man of intellectual and fortunate. Great escape from #ThugLife. Thank you Bro.' For those unaware, Thug Life had previously announced that Dulquer Salmaan will portray a key role as one of the core cast members. The makers officially announced his inclusion along with actors like Ravi Mohan and Gautham Karthik. However, all three of them later opted out of the project due to the production delays. While it is not confirmed which role DQ was supposed to play, it is believed that he was later replaced by Silambarasan TR. Talking about the movie, Thug Life is a gangster actioner featuring the tale of Rangaraaya Sakthivel. A feared mafia kingpin, he once engages in a shootout with his rival, which causes an innocent man to lose his life. As Sakthivel adopts the late person's son, Amaran, he raises him as his own and makes him a mafia member. After several conflicts, the once beloved foster son turns into his biggest enemy, prompting a showdown that would lead to their deaths. With Haasan and STR in lead roles, the film has Trisha Krishnan, Abhirami, Nassar, Joju George, Ashok Selvan, and many more in key roles. On the other hand, Dulquer Salmaan is currently involved in the shoot of his next Malayalam movie, I'm Game. With Aakasam Lo Oka Tara and Kaantha in his lineup, the actor is expected to make a cameo appearance in Kalyani Priyadarshan and Naslen starrer, produced by DQ himself.


The Hindu
4 hours ago
- The Hindu
‘Alappuzha Gymkhana' on OTT: When and where to watch Naslen's hit boxing drama
The Malayalam boxing drama Alappuzha Gymkhanais set for its OTT release. Directed by Khalid Rahman of Thallumaala fame, the movie stars Naslen in the lead role. Released in theatres on April 10, 2025, the sports drama also stars Lukman Avaran, Baby Jean, Sandeep Pradeep, Ganapathi and Anagha Ravi in prominent roles. The movie will premiere on SonyLiv on June 13, 2025. The film deals with a group of youngsters who take up boxing to gain grace marks after failing their class twelve examination. The sports drama narrates the coming-of-age tale of a bunch of underdog boxers with a blend of action and comedy. Alappuzha Gymkahana, released alongside Mammootty's Bazooka and the Basil Joseph-starrer Maranamass on Vishu, emerged box office winner against its opponents. According to the movie collected a worldwide gross of Rs 72.07 crore. The Hindu review of the movie said, 'Naslen has taken remarkable strides from being the puffs-loving boy of Thanneer Mathan Dinangal to anchoring a film partly on the strength of his performance. But almost all of the youngsters — be it rapper Baby Jean or Ganapathi or Sandeep Pradeep or Franco Francis or Shiva Hariharan or Anagha — have pulled off performances that make the film an engaging watch. ALSO READ:'Torpedo': 'Thudarum' director Tharun Moorthy to work with Fahadh Faasil, Arjun Das and Naslen in his next 'This might also be one of the reasons why the film works when it subverts the typical expectations from a hero or a climax. Alappuzha Gymkhana will be remembered more for the artful dodges it made than the punches it landed. Sometimes, you don't need a punch to make an impact.'


The Hindu
5 hours ago
- The Hindu
‘Aabhyanthara Kuttavaali' movie review: A one-sided pamphlet against Section 498A
The way a filmmaker conceives a single sequence can sometimes reveal the entire thought process behind the film. This is especially true of single-agenda films like Aabhyanthara Kuttavaali, the debut directorial of Sethunath Padmakumar. Sahadevan (Asif Ali), the protagonist who is facing a case under Section 498A over dowry harassment and domestic abuse, is shown returning to his wife's family the 100 sovereigns of gold that he got as a 'gift', a modern-day euphemism for dowry. A sentimental background score accompanies this sequence which is framed fully from the man's perspective, although he was earlier shown to have denied his wife's demand for a part of the gold to fund her higher education. Even this demand on her part appears unjust by the way the film looks at it. This sequence fits well with the rest of the film which is an emotional narrative of men 'victimised' by Section 498A. By now, we have a handful of such films, a number significant enough to call them as part of a universe of films proudly carrying the flag of men's rights associations. In most of these films, nuance is shown the way out, with bias welcomed in through the same door. 'Aabhyanthara Kuttavaali' (Malayalam) Director: Sethunath Padmakumar Cast: Asif Ali, Thulasi Haridas, Shreya Rukmini, Sidharth Bharathan, Jagadeesh Run-time: 123 minutes Storyline: A man faced with a fake dowry harrassment case goes to great extents to prove his innocence While it is true that there have been cases of women misusing the law to frame their husbands and claim alimony, the number of such cases are miniscule compared to the actual cases of domestic abuse and dowry harassment even in recent years in Kerala. Yet, in the world of Aabhyanthara Kuttavaali, men of all ages are at the mercy of this law. To convince us, the film provides us with three case studies, including the central one of Sahadevan. Now, a good number of the allegations against Sahadevan, like the one related to domestic abuse, are shown to be fake, which can be reflective of real-life examples. Family court lawyers occasionally make such claims to bolster their side's case. The problem arises when the film generalises this case and gives the protagonist an opportunity to deliver two long preachy speeches inside a courtroom, emphasising how this law has made life hell for men. The accused man has to make this speech because the female advocate (Shreya Rukmini) who is supposed to represent him is too scared to make her point in court. By some sheer coincidence, this lack of voice is a common affliction of all of the female characters in the film, due to which we rarely get to know what any of them thinks. Even Nayana (Thulasi Haridas), Sahadevan's wife, gets only a short monologue towards the end of the film. By the time she gets to speak, the agenda has been well set that the feeble attempt of the makers at appearing to be balanced and gaining some progressive brownie points, seems to be insincere. Even Asif Ali's natural flair in emotional scenes cannot lift this film, partly because it comes in the service of a regressive idea. The only safeguard, perhaps, is that the film intended to spread such ideas is not particularly well-made, with the treatment mirroring that of television soaps. Aabhyanthara Kuttavaali is currently running in theatres