logo
Awkward moment influencer 'blasting loud music' to make TikTok videos outside a restaurant in Monaco is 'asked to leave' by security

Awkward moment influencer 'blasting loud music' to make TikTok videos outside a restaurant in Monaco is 'asked to leave' by security

Daily Mail​2 days ago

This is the awkward moment a 'rude' influencer who was 'blasting loud music' to make TikTok videos is allegedly asked to leave by security.
Aubrey Bella, a travel blogger, was enjoying a meal in Monte Carlo, Monaco, when a woman set up a tripod right in front of her view of the legendary casino.
Known for being the second-smallest sovereign state in the world after Vatican City with a radius of just 0.8 square miles, Monaco's exclusivity attracts the ultra-wealthy.
The influencer plugged her phone onto a stand with a built-in ring light and allegedly started blasting 'loud music' to make TikTok videos, according to Aubrey.
She filmed the woman setting up her camera and she appears to tell other tourists to move out of her shot at one point.
Aubrey said: 'When you just want to relax on vacation but "influencers" are out in the wild too.'
The content creator was allegedly told by the manager of the restaurant to leave three times before they called security to ask her to leave the premises. 'She gets told to delete all photos and escorted off the property,' Aubrey added.
The unnamed woman - who was sporting a white satin dress - was also reportedly standing there for more than an hour filming clips for her social media account.
Aubrey wrote: 'True story: Hanging out in Monte Carlo in this picture perfect spot to watch all the cars drive-by and the casino… This influencer comes up towards our table and starts making TikTok videos.
'But the thing is… The sound was on so loud! She was there for over an hour IN FRONT OF OUR TABLE! Blasting music.
'The manager told her to leave three times. They finally had to call and escort her off the property and have her delete all the photos and videos because they were high profile people in the back of her videos.'
Those who viewed Aubrey's clip commented their thoughts, with one writing: 'She deserves it.' Another said: 'Not the bombastic side eye when she is the one in the wrong!!' Aubrey responded: 'Rightttt, she was soooo rude.'
This comes as a woman was baffled when she was handed a menu with no prices on it in a Michelin star restaurant in Monaco.
Lili Claire, an Australian living in Paris, travelled to Monaco for a trip with her boyfriend and they decided to dine out at Le Grill, which is located inside the prestigious Hôtel de Paris Monte-Carlo.
The content creator was allegedly told by the manager of the restaurant to leave three times before they called security to ask her to leave the premises
But the 25-year-old was shocked when she opened her menu and there were no prices on any of the dishes.
However, her boyfriend opened his menu and saw how much each dish cost printed along the side, with Lili alleging that Le Grill, which holds one Michelin star, gave out different menus based on gender.
Some dishes were priced at eye-watering amounts, such as 320 euros (£271) for caviar and 80 euros (£67) for ricotta pasta.
She filmed the bizarre experience and wrote: 'Just found out that fancy restaurants in France give out different menus to men and women. Menus with no prices for women and menus with prices for men.'
The original clip, which was uploaded last year to Instagram, got more than 22million views and 1.4million likes.
The cheapest starter on the menu at Le Grill is the smoked Scottish salmon with cream cheese and pickles for a whopping 65 euros (£55).
Le Grill's grilled sea bass with fondant fennel, golden artichokes, small capers and basil costs 110 euros each (£93).
And if you opt to have a side dish of mashed potatoes, fries or grilled vegetables, they will each cost you 18 euros (£15)
A bowl of farmer's vegetables, pesto and small spelt will also set you back 60 euros (£50).
F&B Director at Hotel de Paris Monte-Carlo told Femail: 'The menu with prices is always given to the customer who made the reservation. It's true that at Le Grill, the majority of reservations are made by men, but the opposite may also be true.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Gut feeling more important than social media likes', says festival promoter
‘Gut feeling more important than social media likes', says festival promoter

South Wales Argus

time34 minutes ago

  • South Wales Argus

‘Gut feeling more important than social media likes', says festival promoter

John Giddings, who has run the Isle of Wight Festival since it restarted in 2002, said performers need to be able to 'deliver' to a crowd and not just keep their attention on a phone screen. The 72-year-old, who represents artists ranging from Blondie to Phil Collins, told the PA news agency: 'It's gut feeling, really. I've learned the hard way in my years in the music business that some people might have sold a lot of records, but they're useless when it comes to performing. Sting performs at the Isle of Wight Festival 2008 at Seaclose Park on the Isle of Wight (Yui Mok/PA) 'You want to book acts that have a catalogue that's going to entertain an audience for an hour, hour and a half, and, secondly, someone who's capable of performing to an audience of 50,000 people in a field, because they need to be able to project to entertain. 'When you look back on who we've had – Blur, Red Hot Chili Peppers, Paul McCartney, Bruce Springsteen, the (Rolling) Stones – they're all capable of delivering, even if it's pouring with rain, which it doesn't that much on the Isle of Wight, thank God. 'But you've got to be prepared for everything and it's quality of performance, really. 'I do know artists who've had a million views on TikTok who can't sell 300 tickets at a club in London. Just because all these people want to watch them on socials doesn't mean they're going to pay money to go and see them in a field.' Mr Giddings – who also manages through his Solo music agency touring shows for some of the world's biggest names such as Madonna, U2 and Beyonce – said that as well as classic acts, he needs to keep an eye on the breakthrough bands. Rod Stewart performs on day four of the Isle of Wight Festival 2017, at Seaclose Park, Isle of Wight (David Jensen/PA) He said: 'Because I'm older, we book acts from past, present and future, there's a discussion in the office as to what new bands are coming up, and you're projecting as to what they're going to be doing in the year's or nine months' time. 'I'll never forget when I booked The Darkness when they first started out, they were supporting someone at Brixton Academy, and I went down there, and I walked in, and Justin (Hawkins) was sitting on the shoulders of his roadie, walking through the audience, playing the lead solo. 'I thought, 'blimey, this is the music I grew up on', and then they came and played the Isle of Wight and blew everyone away.' Mr Giddings said he was always on the lookout for new acts, adding: 'If the truck driver comes up with a good idea and it's a better idea than mine, then go for it, you can't be that arrogant to just believe what you think yourself. 'We've got 15 stages on the Isle of Wight, so whatever stage you're at in your career, you can play one of those stages.' Mr Giddings said one of his highlights from the Isle of Wight Festival was Jay Z and added: 'I remember thinking 50,000 people couldn't go wilder, and then Kanye West walked on with them and it exploded, and I turned to my left, and there was Beyonce standing there – I thought 'It couldn't get better than this'.' Damon Albarn of Blur performs live on day three of the Isle of Wight Festival 2015 (David Jensen/PA) Mr Giddings said that he remembered the classic Isle of Wight Festival of 1970, which saw 600,000 hippies descend on the island causing the event to be outlawed for 32 years, and added: 'I remember walking over the hill, it was like going to the Battle of the Somme and you could smell them before you saw them.' After 23 years of organising the Isle of Wight Festival, he said: 'I absolutely love it, which is my downfall because I work all the time, I never think I've actually had a job. 'There's nothing better than sitting in an office in Fulham in November and it's wet and windy outside, and you're imagining putting an act on in a field on the Isle of Wight in June, and then you see it nine months later and people are going wild to it. 'It's the most satisfying thing ever to provide entertainment for people.' The Isle of Wight Festival 2025, which is being headlined by Sting, Stereophonics and Justin Timberlake, runs from June 19 to 22 at Seaclose Park, Newport.

‘Gut feeling more important than social media likes', says festival promoter
‘Gut feeling more important than social media likes', says festival promoter

South Wales Guardian

time34 minutes ago

  • South Wales Guardian

‘Gut feeling more important than social media likes', says festival promoter

John Giddings, who has run the Isle of Wight Festival since it restarted in 2002, said performers need to be able to 'deliver' to a crowd and not just keep their attention on a phone screen. The 72-year-old, who represents artists ranging from Blondie to Phil Collins, told the PA news agency: 'It's gut feeling, really. I've learned the hard way in my years in the music business that some people might have sold a lot of records, but they're useless when it comes to performing. 'You want to book acts that have a catalogue that's going to entertain an audience for an hour, hour and a half, and, secondly, someone who's capable of performing to an audience of 50,000 people in a field, because they need to be able to project to entertain. 'When you look back on who we've had – Blur, Red Hot Chili Peppers, Paul McCartney, Bruce Springsteen, the (Rolling) Stones – they're all capable of delivering, even if it's pouring with rain, which it doesn't that much on the Isle of Wight, thank God. 'But you've got to be prepared for everything and it's quality of performance, really. 'I do know artists who've had a million views on TikTok who can't sell 300 tickets at a club in London. Just because all these people want to watch them on socials doesn't mean they're going to pay money to go and see them in a field.' Mr Giddings – who also manages through his Solo music agency touring shows for some of the world's biggest names such as Madonna, U2 and Beyonce – said that as well as classic acts, he needs to keep an eye on the breakthrough bands. He said: 'Because I'm older, we book acts from past, present and future, there's a discussion in the office as to what new bands are coming up, and you're projecting as to what they're going to be doing in the year's or nine months' time. 'I'll never forget when I booked The Darkness when they first started out, they were supporting someone at Brixton Academy, and I went down there, and I walked in, and Justin (Hawkins) was sitting on the shoulders of his roadie, walking through the audience, playing the lead solo. 'I thought, 'blimey, this is the music I grew up on', and then they came and played the Isle of Wight and blew everyone away.' Mr Giddings said he was always on the lookout for new acts, adding: 'If the truck driver comes up with a good idea and it's a better idea than mine, then go for it, you can't be that arrogant to just believe what you think yourself. 'We've got 15 stages on the Isle of Wight, so whatever stage you're at in your career, you can play one of those stages.' Mr Giddings said one of his highlights from the Isle of Wight Festival was Jay Z and added: 'I remember thinking 50,000 people couldn't go wilder, and then Kanye West walked on with them and it exploded, and I turned to my left, and there was Beyonce standing there – I thought 'It couldn't get better than this'.' Mr Giddings said that he remembered the classic Isle of Wight Festival of 1970, which saw 600,000 hippies descend on the island causing the event to be outlawed for 32 years, and added: 'I remember walking over the hill, it was like going to the Battle of the Somme and you could smell them before you saw them.' After 23 years of organising the Isle of Wight Festival, he said: 'I absolutely love it, which is my downfall because I work all the time, I never think I've actually had a job. 'There's nothing better than sitting in an office in Fulham in November and it's wet and windy outside, and you're imagining putting an act on in a field on the Isle of Wight in June, and then you see it nine months later and people are going wild to it. 'It's the most satisfying thing ever to provide entertainment for people.' The Isle of Wight Festival 2025, which is being headlined by Sting, Stereophonics and Justin Timberlake, runs from June 19 to 22 at Seaclose Park, Newport.

‘Gut feeling more important than social media likes', says festival promoter
‘Gut feeling more important than social media likes', says festival promoter

Rhyl Journal

timean hour ago

  • Rhyl Journal

‘Gut feeling more important than social media likes', says festival promoter

John Giddings, who has run the Isle of Wight Festival since it restarted in 2002, said performers need to be able to 'deliver' to a crowd and not just keep their attention on a phone screen. The 72-year-old, who represents artists ranging from Blondie to Phil Collins, told the PA news agency: 'It's gut feeling, really. I've learned the hard way in my years in the music business that some people might have sold a lot of records, but they're useless when it comes to performing. 'You want to book acts that have a catalogue that's going to entertain an audience for an hour, hour and a half, and, secondly, someone who's capable of performing to an audience of 50,000 people in a field, because they need to be able to project to entertain. 'When you look back on who we've had – Blur, Red Hot Chili Peppers, Paul McCartney, Bruce Springsteen, the (Rolling) Stones – they're all capable of delivering, even if it's pouring with rain, which it doesn't that much on the Isle of Wight, thank God. 'But you've got to be prepared for everything and it's quality of performance, really. 'I do know artists who've had a million views on TikTok who can't sell 300 tickets at a club in London. Just because all these people want to watch them on socials doesn't mean they're going to pay money to go and see them in a field.' Mr Giddings – who also manages through his Solo music agency touring shows for some of the world's biggest names such as Madonna, U2 and Beyonce – said that as well as classic acts, he needs to keep an eye on the breakthrough bands. He said: 'Because I'm older, we book acts from past, present and future, there's a discussion in the office as to what new bands are coming up, and you're projecting as to what they're going to be doing in the year's or nine months' time. 'I'll never forget when I booked The Darkness when they first started out, they were supporting someone at Brixton Academy, and I went down there, and I walked in, and Justin (Hawkins) was sitting on the shoulders of his roadie, walking through the audience, playing the lead solo. 'I thought, 'blimey, this is the music I grew up on', and then they came and played the Isle of Wight and blew everyone away.' Mr Giddings said he was always on the lookout for new acts, adding: 'If the truck driver comes up with a good idea and it's a better idea than mine, then go for it, you can't be that arrogant to just believe what you think yourself. 'We've got 15 stages on the Isle of Wight, so whatever stage you're at in your career, you can play one of those stages.' Mr Giddings said one of his highlights from the Isle of Wight Festival was Jay Z and added: 'I remember thinking 50,000 people couldn't go wilder, and then Kanye West walked on with them and it exploded, and I turned to my left, and there was Beyonce standing there – I thought 'It couldn't get better than this'.' Mr Giddings said that he remembered the classic Isle of Wight Festival of 1970, which saw 600,000 hippies descend on the island causing the event to be outlawed for 32 years, and added: 'I remember walking over the hill, it was like going to the Battle of the Somme and you could smell them before you saw them.' After 23 years of organising the Isle of Wight Festival, he said: 'I absolutely love it, which is my downfall because I work all the time, I never think I've actually had a job. 'There's nothing better than sitting in an office in Fulham in November and it's wet and windy outside, and you're imagining putting an act on in a field on the Isle of Wight in June, and then you see it nine months later and people are going wild to it. 'It's the most satisfying thing ever to provide entertainment for people.' The Isle of Wight Festival 2025, which is being headlined by Sting, Stereophonics and Justin Timberlake, runs from June 19 to 22 at Seaclose Park, Newport.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store