logo
Rebuilding hope with purpose

Rebuilding hope with purpose

Hans India13-05-2025

Representing the beautiful and modern Buddhist country of Japan at the 72nd Miss World competition, Kiana Tomita stands out not just for her grace and elegance, but for her deep commitment to academic excellence, humanitarian service, and global awareness. Currently in Hyderabad, Telangana — the proud host of the pageant from May 7 to 31 — Kiana is making a mark far beyond the stage.
A Ph.D. student in Japan, Kiana is researching natural disasters, a subject close to her heart and deeply rooted in her homeland's history. 'Being from Japan, a country that experiences many earthquakes, I've seen the devastating effects of natural disasters firsthand,' she said during her visit. 'My research focuses on how we can prepare and build resilience, not just for ourselves, but globally.'
Her academic journey reflects her passion for leadership and service. Kiana holds two master's degrees in women's leadership — one from the University of Cambridge and another from the University of Edinburgh. These prestigious institutions shaped her vision of combining scholarly insight with real-world impact. 'I wanted to explore how women can become stronger leaders, especially in crisis situations,' she shared. 'Combining this with my current research, I aim to shed light on the struggles of women and children affected by natural disasters.'
Her Beauty with a Purpose project, titled 'Rise Together,' brings this vision to life. It is a nationwide initiative in Japan focused on disaster relief, education, and community rebuilding. As part of the project, Kiana has immersed herself in the aftermath of the 2011 Great East Japan Earthquake. She visited the affected nuclear power plant, interviewed survivors, and documented their stories to better understand the lasting trauma and recovery needs. But Kiana's efforts are not limited to the past. She is currently leading a national campaign to aid recovery in both Fukushima and in regions impacted by the 2024 Noto Peninsula Earthquake. Acting as an ambassador for the rebuilding process, she has helped organize large-scale reconstruction events to bring hope and resources to some of the hardest-hit communities. 'Rise Together is about more than rebuilding structures — it's about restoring dignity, creating awareness, and building resilient communities,' she said.
A strong advocate for education, Kiana also leads disaster-preparedness workshops in schools across Japan. Her goal is to equip students with practical knowledge and proactive skills, fostering a culture of preparedness. 'It is important to educate children, our future, about the impact of natural disasters and how to respond to them. This builds stronger, safer communities,' she emphasized.
When reflecting on global challenges like climate change and inequality, Kiana speaks with clarity and conviction. 'The crisis of climate change is not just about the regions directly affected,' she explained. 'It is about learning from one another and supporting each other, regardless of where we are. Sharing knowledge and experience is crucial in facing these challenges.'
She also emphasized the importance of women's empowerment worldwide. 'Women around the world still face many barriers—lack of representation, limited access to education. But confidence and visibility are powerful tools,' she noted. 'Social media, for example, gives us a platform to amplify our voices and reach a global audience.'
For Kiana, arriving in India has been a long-awaited moment. 'I had planned to visit India last year, but I missed my flight due to visa issues. So finally, being here in Telangana is very exciting for me,' she smiled.
To aspiring Miss World contestants, Kiana offered heartfelt encouragement. 'I absolutely encourage beautiful and strong women from all over the world to participate. It's not just about outer beauty—it's about sharing our stories, celebrating our cultures, and promoting the values we believe in.'
With poise, intellect, and purpose, Kiana Tomita is redefining what it means to wear the crown. As Miss World Japan 2025, she is not only representing her country with pride but inspiring a global audience to rise together, rebuild with compassion, and lead with purpose.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Headless sculpture of Buddha, three rock cut caves found at Kadri in Mangaluru
Headless sculpture of Buddha, three rock cut caves found at Kadri in Mangaluru

The Hindu

time2 days ago

  • The Hindu

Headless sculpture of Buddha, three rock cut caves found at Kadri in Mangaluru

A headless sculpture of the Buddha and a group of three rock cut caves of great importance were found during a recent archaeological exploration conducted at Kadri in Mangaluru, according to T. Murugeshi, retired associate professor in ancient history and archaeology, MSRS College, Shirva, Udupi district. 'The sculpture is stylistically datable to the 4th or 6th century A.D.' he said in a release. The sculpture was found in a water tank near the Kadri Manjunatha temple in a discarded state. The sculpture was lifted from the tank for study with the permission of the temple administrator, he said in a release. The sculpture was highly corroded. 'The head has been chopped off and the right hand is destroyed, but, still it has its serene beauty in its physical appearance. The Buddha is seated in the padmasana pose on the padma peeta in dhyana mudra by placing both palms above the centre of legs. The upper cloth passing over the left shoulder lays flat on the chest is very indistinctly visible,' he said. A pillar in the outer prakara of the temple has Dhyana Buddha sculptures seated on lotus. 'Thus, this sculpture under study is identified as Dhyana Buddha beyond doubt. The sculpture is about 68 cm in height and 48 cm in width including the prop of the image. The sculpture is stylistically datable to 4th - 6th century A.D. It is supposed to be the presiding deity of the temple,' he said. Mr. Murugeshi said a group of three rock cut caves found above the eastern side of Kadri tanks are of curious interest. 'They are cut in laterite above the ground. The first one from the right is about 8 feet in height and has a semi circular entrance like a porthole. It has a single square room with a small provision for a lamp. The entire structure looks like a megalithic dolmen. The middle and third ones have a high plinth and two square entrances with single square rooms. All caves have a sloppy canopy with holes to clear off rainy water. The nature of the caves clearly indicates that they were used for residential purpose,' the historian said in the release. The present discovery under study has a great importance in South Asian Buddhist studies and Tuluva history as well. The sculpture found at Kadri has close similarities with that of the Buddha image found at Mushira Waddo in Colvale of Goa, now displayed in Fr. Heras Institute at St. Xavier's College, Mumbai. The Dhyana Buddha image belongs to Mahayana Buddhism and caves also belong to the Mahayanists. 'By this discovery the decades of controversy over Kadri, whether it was a Buddhist centre or not is very clear. Kadri is a Buddhist centre over the centuries right up to 10th century A.D. as revealed by the inscription of Alupa king Kundavarma found on the Lokeshwara image of Kadri temple. The Mahayana Buddhist was replaced by Vajrayana Buddhist and they were turned out by Natha cult in 11th century,' he said. 'I am hereby requesting the commissioner of State Archaeology to take steps to recover this rare antiquity sculpture and protect it immediately,' he said. The historian said that he is thankful to Arun Kumar, the temple administrator for allowing to lift the sculpture for study. Shreyas Kolpe, a PhD student of Manipal University, Shreyas, an Assistant Professor in Ancient History and Archaeology, MSRS College; Shirva, Karthik, a postgraduate student in archaeology from the University College, Mangaluru, and Ravindra Kushwaha, a graduate student in archaeology, MSRS College helped in field work, the release said.

Ancient headless Buddha idol and rock-cut caves discovered
Ancient headless Buddha idol and rock-cut caves discovered

Hans India

time2 days ago

  • Hans India

Ancient headless Buddha idol and rock-cut caves discovered

Mangaluru: A corroded, headless statue of the Buddha, believed to date back to the 4th–6th century CE, has been discovered in a temple tank near the historic Kadri Manjunatha Temple in Mangaluru. Alongside the sculpture, a cluster of ancient rock-cut caves has also been identified, offering fresh evidence of the region's once-flourishing Buddhist heritage. The discovery was made by Prof. T. Murugeshi, a retired archaeologist and former associate professor of Ancient History and Archaeology at MSRS College, Shirva. The Buddha image was found submerged in a water tank and retrieved with permission from the temple authorities. Though partially damaged, the statue remains notable for its meditative grace. The seated Buddha, missing its head and right hand, is shown in Padmasana (lotus position) with both palms resting in the classic Dhyana Mudra (gesture of meditation). Faint traces of a robe across the chest and a lotus pedestal suggest it is a Dhyani Buddha, commonly associated with Mahayana Buddhism. 'The iconography and posture are unmistakably Mahayanist,' said Prof. Murugeshi. 'This figure may well have been the presiding deity of an earlier Buddhist shrine at the site, long before it became a Shaiva-Vaishnava centre.' The adjacent caves, carved into laterite rock above the temple tank, add further depth to the site's historical importance. The three caves feature square rooms, raised plinths, porthole-style and square entrances, and sloped roofs with drainage holes — features pointing to their use as ancient monastic dwellings. The latest findings are expected to reshape scholarly understanding of Mangaluru's religious history. The region, now a major port city, was once home to vibrant Buddhist communities. Inscriptions dating to the 10th century — including one by the Alupa king Kundavarma found at Kadri — had earlier hinted at such a presence, but conclusive archaeological evidence had remained elusive. 'This discovery settles the long-standing debate over whether Kadri was a Buddhist centre. The evidence is now undeniable,' Prof. Murugeshi said. He noted that the Buddha statue bears stylistic similarities to a 6th-century image found in Goa's Colvale region, now displayed at the Heras Institute in Mumbai. The archaeologist credited his fieldwork team — comprising students and research assistants from MSRS College, University College Mangaluru, and Manipal University — and thanked temple administrator Arun Kumar for facilitating the study. Prof. Murugeshi has appealed to the Karnataka Department of Archaeology to recover and preserve the artefacts, describing them as 'priceless markers of our shared cultural past.'

127 years in vault, veil to lift on Buddhist relics
127 years in vault, veil to lift on Buddhist relics

Indian Express

time4 days ago

  • Indian Express

127 years in vault, veil to lift on Buddhist relics

A CRYSTAL casket believed to be over 2,300 years old was found along with four other caskets at Piprahwa (ancient Kapilavastu) in Uttar Pradesh during an excavation in 1898. The fish-shaped knob of the 5 cm x 10 cm casket contains precious gems and gold leaves. Another casket, found in a stone coffer buried 18 feet under the ground, has an inscription in Brahmi script that roughly translates as: 'the casket containing the relics of Lord Buddha was donated by Sukirti brothers along with their sisters, sons and wives belonging to the Sakya clan'. For more than 127 years, several such sacred Buddhist relics from the third century BC, including the five caskets, a sandstone coffer and 221 gems and jewels, were kept in the secure vaults of the Indian Museum in Kolkata — conserved and preserved, never exposed to the public. Now, for the first time ever, the Ministry of Culture is planning an exposition of these relics of Lord Buddha that were deposited by the Sakyas, his kin, and found in a stupa belonging to Emperor Ashoka, The Indian Express has learnt. Sources said the venue is being worked out and it will most likely be held 'at a secure and appropriate venue in the national capital' to ensure a greater degree of public participation. There's a possibility that it could be held as early as next month although the dates have not been finalised yet, they said. According to records, during the January 1898 excavation at a mound in Birdpur Estate, William Claxton Peppe — son of a British estate manager — unearthed an 18-foot shaft leading to a sandstone coffer containing the relics, which also included sacred bones and ashes. Recognising the religious importance of the relics, the then Viceroy of India, Lord Elgin II, donated the sacred bones and ashes to Siamese King Rama V. However, the caskets, coffer, and associated relics were retained in India, in the custody of the Imperial Museum, which is now known as the Indian Museum, Kolkata, its Director in-charge Arijit Dutta Choudhury told The Indian Express. Recently, the Culture Ministry sent a legal notice to Sotheby's Hong Kong to stop the auction of a part of the sacred relics that were held by Peppe's family, and asked that the items be returned to India. Although the auction house stopped the auction — slated for May 7 — India's legal claim on such items is yet to yield any result. The attempted sale of the Piprahwa Buddhist relics at Sotheby's has raised global concerns as it commodified the sacred remains believed to be of Lord Buddha. For many across the globe, such relics are not artefacts but living embodiments of faith, said Khushi Kesari, Program Officer-History Lab: Community, Heritage & Material Culture, Advanced Study Institute of Asia at SGT University in Gurugram. The Sotheby's incident has significant implications for post-colonial nations like India as it underscores a wider struggle to reclaim heritage looted or exported under colonial regimes, she said. Despite being a ratified signatory of 1970 UNESCO Convention, India faces challenges, including the burden of proof and lack of bilateral treaties, to get back such relics, Kesari said. The fact that these relics are spread between private ownership and museum collections makes it difficult for India to bring them back, she said. The majority of these relics were transferred to Kolkata's Indian Museum in 1899, and are classified as 'AA' antiquities under Indian law, prohibiting their removal or sale. While a portion of the bone relics was gifted to the King of Siam, a selection retained by Peppé's descendants were listed for auction. Choudhury said the sacred relics and reliquaries at the Indian Museum have never been loaned or exhibited. 'The Piprahwa relics housed in the Indian Museum, Kolkata are classified as *AA* category antiquities, denoting their exceptional historical, cultural, and religious significance. Due to their unique value, these artefacts are preserved with the highest standards of care in accordance with international museum practices,' he said. Upon learning of the proposed auction at Sotheby's, the Culture Ministry had asked the Financial Investigation Unit (FIU) to coordinate with its counterpart in Hong Kong to highlight the illegality of the auction and ensure compliance with international laws. In its notice to Sotheby's, the ministry had also reiterated its efforts 'to protect India's cultural heritage and ensure the repatriation of the Piprahwa Relics'. 'We call upon Sotheby's Hong Kong to immediately withdraw the relics from auction and cooperate with Indian authorities to return these sacred artifacts to their rightful place,' it said in the notice. However, experts believe that India's claim over the Piprahwa relics may be legally complicated, as they were excavated by Peppe on land allocated to him by the British colonial government. The colonial-era excavation and subsequent private ownership by Peppe's family complicate proof of illegal export, Kesari said. Also, this occurred long before India's Antiquities and Art Treasures Act, 1972 came into effect. Divya A reports on travel, tourism, culture and social issues - not necessarily in that order - for The Indian Express. She's been a journalist for over a decade now, working with Khaleej Times and The Times of India, before settling down at Express. Besides writing/ editing news reports, she indulges her pen to write short stories. As Sanskriti Prabha Dutt Fellow for Excellence in Journalism, she is researching on the lives of the children of sex workers in India. ... Read More

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store