
The best Comté cheeses and the wines to drink with them
Salty delight
What keeps the British away is that it often rains during July and August (although with encroaching climate change, less than it used to). But without that rain, you would not have the lush pastures which cover the high Jurassian plateaus, lovingly showcased in the film. And without that grass to feed the cows, you would not have the nutty, salty delight that is comté cheese.
In Orgelet, there's a fromagerie which sells some of the best comté in the local area (and fictionalised in Holy Cow). If you don't arrive at 8am on the dot, you're liable to wait in an ever-lasting queue while the locals buy kilo after kilo of reasonably priced cheese – young, fruité or more mature. At Christmas, they bring out the 24-month or even 36-month aged rounds.
The quantities sold are so vast that there is a special cutting machine to speed up the slicing of the 40kg wheels. Each tranche is then lovingly wrapped in the metallic paper that is the cheese's satisfying hallmark. No poxy 100g purchases here – an average slab of mature cheese is about 500g, which in my village would set you back around eight euros.
When they were younger, my children enjoyed watching this – so much so that once in Waitrose, when my then 10-year-old son spotted the woman at the deli counter cutting the cheese badly, he whispered to me: 'What's the lady doing to the comté, Mummy?'
In the unusual event the shop is closed (it's even open on a Sunday morning, when the church bells ring to entice the lapsed Catholics to church), there's a cheese vending machine outside where you can buy ready-cut slabs. Incidentally, Orgelet is also the birthplace of La Vache Qui Rit, although production now takes place in nearby Lons-le-Saunier.
The maturing process
Comté is growing in popularity in the UK – sales are up 40 per cent at Tesco. But it seems that popularity has yet to translate into tourism in the region. That's a shame: there are co-operative and family-run fruitières dotted all over the countryside where wheel after wheel of comté is made.
As the film shows, the delicate process involves heating the finest fresh Montbéliarde cow milk in giant copper vats, adding rennet and curdling the milk, separating the curds from the whey and then moulding the curds into rounds.
When they are firm enough, wheels are transported into the Jura mountains to be aged for at least four months in vast cellars in the Napoleonic Fort des Rousses or the Fort Saint-Antoine, close to the Swiss border. Some are also aged in the town cellars of Poligny, which is known as the capital of Comté. It's a great place to do some concentrated cheese tasting in the shops that line the town square, while the Maison du Comté museum offers insight into the production process.
But thankfully these days you don't have to go all that way to Jura to get a taste of this delicious fromage (or even make the schlep to Borough Market in London, where it's been sold for over 20 years). Most mainstream supermarkets now stock it pre-sliced (albeit not in that lovely crinkly paper), or at the deli counter.
Here, our food expert Xanthe Clay picks her favourites, and wine writer Victoria Moore chooses the best wines to drink with it.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Metro
3 hours ago
- Metro
In pictures: How the D-Day landings unfolded on June 6, 1944
Today – June 6, 2025 – marks 81 years since the the D-Day landings began on the Normandy beaches of France during World War Two. D-Day in 1944 was an important turning point during World War Two and to this day is one of the biggest seaborne invasions in history. Considered a key component in the defeat of Hitler and his forces during WWII, the D-Day operation against Nazi Germany was a combined effort, and included support from the UK, US and Canada. Planning for the D-Day landings, codenamed Operation Overlord, began several months in advance. British forces used military deception to mislead the German army of the date and location of the operation, so that what took place on June 6 1944 held some element of surprise. D-Day on June 6 1944 marked the date when approximately 156,000 British, American and Canadian forces landed on five different beaches along the coast of France's Normandy region. The coastline invaded by the Allied troops stretched over 50 miles and was heavily fortified by Nazi forces at the time, who had occupied France. The invasion of Nazi-occupied France began before dawn on June 6 1944, with paratroopers and glider troops landing in the country from the air in order to secure bridges and roads for Allied forces. The D-Day landings on Normandy beaches began at 6:30 a.m with troops wading from the sea to the land whilst battling German resistance from the shore. The term D-Day is used by the Armed Forces to refer to the beginning of an operation. The 'D' itself actually stands for 'Day', meaning it's short for 'Day-Day' – as it connotes the first day in a major military operation. D-Day was the start of 'Operation Overlord', which was the official codenamefor the Battle of Normandy, The Allies utilised over 5,000 ships and landing craft over the course of the day to land over 150,000 troops and gain a foothold on the five beaches – codenamed Utah, Omaha, Gold, Juno and Sword. It is estimated that 4,000 Allied troops lost their lives during the D-Day invasion, while thousands more were wounded or reported missing after the attack. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video The genealogy website Ancestry found in 2019 that only 25 per cent of the 61,715 soldiers who took part in the Normandy landings ever spoke to family members about the invasion. The study showed 31 per cent of veterans didn't want to discuss their role in the historic WWII invasion with family members because they lost too many friends during the battle. 81 years after the historic landings and very few of the veterans who participated are still alive to share their stories. More Trending Of the 150,000 troops who took part in the landings, only around 1% of them are still thought to be alive. Many of the surviving veterans were in attendance at the 80th anniversary celebrations last year, although sadly 100 year-old veteran David Teacher died just days before he was planning to attend the celebrations. Follow Metro across our social channels, on Facebook, Twitter and Instagram. Share your views in the comments below. MORE: I went to Cannes Film Festival on a £30 daily budget — here's what happened MORE: Your favourite places to eat in Europe that aren't the usual tourist traps MORE: Second World War bombs discovery in Cologne forces 20,000 people to evacuate their homes


Daily Mirror
4 hours ago
- Daily Mirror
What is an LGBTQ+ ally and how to serve the community this Pride Month
Pride month has arrived in the UK so here's a refresher on why supporting the LGBTQ+ community is so important in 2025 and how exactly to be a good ally Pride month is finally here and its time for a refresh on how best to be an ally to the LGBTQ+ community. Despite it being 2025, members of the queer community still suffer prejudice and hate, only made worse now by the UK Supreme Court ruling excluding trans people from the definition of "woman," and further the need of"third spaces" as a result. Deloitte's 2023 LGBT+ Inclusion at Work report surveyed 5,474 LGBTQ+ people in the workplace, across multiple sectors in 13 countries and found that 49% of UK employees hesitate to discuss any aspect of their private life, compared to the collective 37% elsewhere. The study also found that British workers showed more concern of being treated differently, scoring 43% to the global 39%. Whilst this may be initially concerning, Deloitte also stated that more than half of the UK LGBTQ+ employees surveyed felt more comfortable being 'out' in their work environment than all other countries asked; 52% happy to be out versus 43% not in Britain. The community in Britain shared that this also extended to their feelings around more senior colleagues in their organisation. Covering all levels of seniority, UK respondents are more likely to be 'out', the data showing "45% in UK junior roles vs 37% globally; and 60% in UK senior roles vs 51% globally". Though 59% of employees chalked this positive result down to ally-ship and support, an additional 12% in Britain admitted to fearing the affect being queer would have on their career opportunities and 25% claimed they would face discrimination/harassment if out. Help us improve our content by completing the survey below. We'd love to hear from you! At the time, Jackie Henry, Deloitte's managing partner for people and purpose, stated: "The findings show that organisations still need to do more to provide a safe environment in which LGBTQ+ employees feel able to be themselves at work". What is an ally? Two years on, the community have continued to celebrate Pride month and its festivals, encouraging others to learn and show support, but being a good friend and being an good ally or two different things, says Reach Out - a mentoring and support collective for young people. They define "ally" as "someone who stands up for, supports equal rights for everyone," and in the case of the LGBTQ+ community, refers to them as someone who does "what you can to call out discrimination and fight for equality, trying to make the world a better place for anyone who identify as LGBTQIA+". How to be a good LGBTQ+ ally Reach Out also state the importance of being a visible ally, whether that be attending rallies and events, "calling out homophobia, transphobia or queerphobia wherever you see it, and supporting businesses, charities or other initiatives owned or operated by LGBTQIA+ people". Listening to learn and being respectful: Take the initiating to educate yourself on LGBTQ+ history, listening actively and not downplaying or invalidating people's experience. Being open to, and engaging with, these conversations helps ensure you and others treat those around you with respect. Using inclusive language and accepting gender diversity: We can do this by respecting names and pronouns chosen by members of the community, and opting for words that don't assume genders and relationship roles. For example, terms such as "partner" is inclusive. Uplifting diverse voices: Often, the community's experience is also effected by other factors such as religion, ability, culture and race. Seek these diverse stories out for a more well-rounded understanding of the complexities being LGBTQ+. Seeing the whole person: It is easy to label someone by one characteristic or factor. Its important to acknowledge people are layered and complex, with many interests, passions and skills that and should be celebrated.


The Guardian
20 hours ago
- The Guardian
Ronald Corp obituary
Ronald Corp, who has died aged 74, made an indelible mark on the British music scene, particularly in his work with choral singers. Having founded the New London Orchestra in 1988, he went on to establish and conduct its children's choir, as well as directing the London Chorus (previously the London Choral Society) and Highgate Choral Society, bringing together singers of all ages and abilities. A prolific composer, especially of choral pieces and songs, he wrote in an engaging style that delighted performers and audiences alike. His works in all genres were well crafted, often characterised by lively, syncopated rhythms and abundant melodic appeal. In 1996 he launched a series of recordings of Light Music Classics (four of British music, one of European and one of American) with his New London Orchestra. The British discs featured the signature tunes to such classic radio and television programmes as The Archers, Music While You Work, Dr Finlay's Casebook and Desert Island Discs, with scores by Eric Coates, Ronald Binge and many others. His own music, though similarly easy on the ear, was generally more serious in tone, owing much to the English choral tradition; it was also mildly dissonant, with Benjamin Britten, Holstian bitonality and Martinů among the notable influences. Corp's aim in founding the New London Children's Choir was to involve children in the performance of music both traditional and contemporary. To that end, he both commissioned pieces by such composers as Michael Nyman and Louis Andriessen (both patrons of the choir) and wrote many himself. The choir made multiple appearances at the BBC Proms and at other venues, as well as recording for film and television. Born in Wells, Somerset, the son of Geoffrey, a municipal gardener, and an amateur pianist and piano accordionist, and his wife, Elsie (nee Kinchin), Ronald began composing even before he learned to play the piano, using his own notation to remind himself of his intentions. After studying music at Oxford University, where Simon Preston was an important mentor, he worked for the BBC in London as a librarian, producer and presenter (1973–87). In 1999 he was ordained as a priest in the Church of England, serving as a non-stipendiary minister successively at St Mary's Kilburn, St Mary's Hendon and St Alban the Martyr, Holborn. A considerable proportion of his vocal works are settings of sacred texts or works by such poets as Gerard Manley Hopkins (Laudamus), George Herbert (Mary's Song), Francis Thompson (The Hound of Heaven) or John Ruskin (Nothing Can be Beautiful Which is Not True), reflecting his religious and ethical approach to life. Despite his calling, he did not restrict himself to Christian texts. Adonai Echad (2000), for soloists, choruses and orchestra, juxtaposes texts from the Jewish and Christian faiths, including psalms, prayers and poems. His orchestral compositions included four symphonies, two piano concertos and concertos for flute, recorder and cello. The Wayfarer (In Homage to Mahler), drawing on melodic fragments from that composer's music, was composed for Help Musicians UK and premiered at the Royal Festival Hall, London, in 2011. It may be performed either by 16 solo singers (as at the premiere), or chorus and orchestra. Another piece for chorus and orchestra, This Sceptr'd Isle, was given its premiere at the Barbican the following year in a concert with the Highgate Choral Society, marking the diamond jubilee of Queen Elizabeth II. And All the Trumpets Sounded, given its premiere in 1989 by the Highgate Choral Society, which commissioned it, was considered by Corp his first important composition. Referencing Vaughan Williams's Dona Nobis Pacem and Britten's War Requiem, both of which he hugely admired, the work similarly features poems of the first world war, the requiem sequence and the trumpets of the Last Judgment. Other substantial choral works with orchestra included Behold the Sea (2016), again commissioned by the Highgate Choral Society. Among his smaller-scale works were Dover Beach, commissioned by the BBC Singers, and a setting of Dante for the ensemble Gesualdo Six. His operas included The Pelican, based on the play by Strindberg; Wenceslas, a Christmas opera for children; and The Ice Mountain, also for children. Letters from Lony (2017) was a setting of letters from a Jewish woman in Nazi-occupied Amsterdam, Leonie (Lony) Fraenkel, to her infant grandson, Peter Lobbenberg, unfolding a story of the writer's removal from her home to the Westerbork transit camp, to Theresienstadt and thence to Auschwitz. Scored for soprano, piano and string quartet, the work is essentially conversational – there are mentions of the ping-pong club upstairs and a bathtub crocodile that squirts water – though Corp succeeded in darkening the tone in a series of four interludes. He was due to conduct it again at the Three Choirs festival this August. He was a voracious reader, not least of poetry, and his songs include sets devoted to the verse of individual poets, among them Walt Whitman, Francis Thompson, Robert Browning, AE Housman, WB Yeats and William Blake. As in his choral works, Corp displayed a mastery of word-setting: his compositions were unfailingly pleasing to sing. Some of Corp's finest music is contained in the symphonies: the First, with its opening bold brass sonorities presaging powerful harmonic plunges later; the darker, serious-minded Second and Third; and the Fourth commissioned for the chamber forces of the Echo Ensemble. The Cello Concerto, with its movingly elegiac slow movement, and the First Piano Concerto are also worthy of special note. Releases on CD included The Songs of Ronald Corp sung by Mark Stone; Dhammapada, a setting of Buddhist texts for chamber choir; three string quartets, a clarinet quintet ('Crawhall') and the dramatic scena The Yellow Wallpaper, adapted from the short story of Charlotte Perkins Gilman. His recordings of music by other composers included, in addition to the light music series, Rutland Boughton's opera The Queen of Cornwall, and works by John Foulds, Arthur Sullivan (Corp was vice-president of the Sullivan Society), Satie, Poulenc, Prokofiev and Grazyna Bacewicz. His orchestrations of Satie's Trois Gnossiennes featured in the film Chocolat (2000), starring Juliet Binoche. Corp believed strongly in the spiritual power of music. Inspired by his religious faith, a thirst for life and a sense of the act of creation as a voyage of discovery, he used to say that 'a day without writing is a day wasted'. In public and private, he was a warm-hearted, sympathetic man, who wanted his music to be useful to society. He is survived by his civil partner, John Glass, sister, Pauline, and brother, Robert. Ronald Geoffrey Corp, composer, conductor and priest, born 4 January 1951; died 7 May 2025