logo
Are they set for another round of re-rating? 7 power stocks from different segments with an upside potential of 11 to 52%

Are they set for another round of re-rating? 7 power stocks from different segments with an upside potential of 11 to 52%

Economic Times6 hours ago

In the last few months, stocks of two power companies that were big pain points for the Indian market have seen a comeback on Dalal Street. Why is this worth noting? And what does it mean for other players? It probably means that the street is looking at them favorably. Why? Because, the power sector, having gone through a major overall crisis, has reached operating matrix levels where even the weakest players have been able to make a comeback
FONT SIZE
SAVE
PRINT
COMMENT

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Poems and toilets: Indian leaders lock horns over Perak temple issue
Poems and toilets: Indian leaders lock horns over Perak temple issue

Malaysiakini

time13 minutes ago

  • Malaysiakini

Poems and toilets: Indian leaders lock horns over Perak temple issue

Tapah MIC division chief S Krishna Rao has come to party deputy president M Saravanan's defence as Indian leaders trade barbs over issues affecting the community. In particular, shots have been fired over the announcement by Perak's executive councillor for human resources, health, Indian affairs and national integration, A Sivanesan, regarding a five-year moratorium on the construction of Hindu temples on government land.

JD Vance's Hillbilly Elegy: 10 quotes from US Vice President's memoir
JD Vance's Hillbilly Elegy: 10 quotes from US Vice President's memoir

Time of India

time15 minutes ago

  • Time of India

JD Vance's Hillbilly Elegy: 10 quotes from US Vice President's memoir

Image: Hillbilly Elegy by J.D. Vance is part memoir, part social commentary, and entirely compelling. It tells the story of Vance's turbulent childhood growing up in a working-class Appalachian family in Ohio, shaped by poverty, addiction, and instability. But more than just a personal journey, the book digs deep into the cultural and emotional struggles of white working-class Americans. Recently, Indian MP for Thiruvananthapuram, Shashi Tharoor, posted about Vance's book. "On a personal note, let me add, as a reader & writer, what a pleasure it was to exchange thoughts with Vice-President @JDVance . His 'Hillbilly Elegy' is a remarkable account of an individual rising above the cultural limitations of his socio-economic situation and achieving transcendent success. It's an authentically American story, with deep resonance for those struggling to overcome similar challenges in their own countries," Tharoor wrote. With raw honesty, Vance explores how cycles of dysfunction persist, even amid opportunity. Whether you agree with his politics or not, Hillbilly Elegy sparks tough conversations about class, identity, and what it really takes to break free from your roots. Here are 10 quotes from Hillbilly Elegy 'What separates the successful from the unsuccessful are the expectations that they had for their own lives. Yet the message of the right is increasingly: It's not your fault that you're a loser; it's the government's fault.' Vance criticizes a victim mindset: blaming external circumstances rather than taking responsibility. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like เทรด CFDs ด้วยเทคโนโลยีเทรดสุดล้ำ และ รวดเร็วกว่า IC Markets สมัคร Undo He argues that believing in your own potential matters more than politics. While free-market rhetoric looms large, Vance reminds readers that empowerment starts within: in setting high expectations, not expecting handouts. 'Psychologists call it 'learned helplessness' when a person believes, as I did during my youth, that the choices I made had no effect on the outcomes in my life.' That quote captures the emotional weight of poverty: the subconscious belief that nothing you do can change your destiny. Vance battled this mindset until the Marine Corps offered structure and purpose. It's a dramatic illustration of how discipline and stability can transform perceived fates. 'Whenever people ask me what I'd most like to change about the white working class , I say, 'The feeling that our choices don't matter.'' Here, Vance zeroes in on mindset again—the power of internal belief. His critique isn't just about economics or policy; it's cultural and psychological. Breaking out of a trapped mindset, he argues, requires internal work: valuing personal agency even when wider systems feel stacked against you. 'They want us to be shepherds to these kids. But no one wants to talk about the fact that many of them are raised by wolves.' This line reveals Vance's frustration with simplistic solutions. Teachers are asked to uplift children from chaotic homes, but society refuses to address family dysfunction. His metaphor emphasizes how deep-rooted social issues lie beneath surface-level fixes—requiring a holistic approach, not just educational funding. 'If you believe that hard work pays off, then you work hard; if you think it's hard to get ahead even when you try, then why try at all?' Vance differentiates between cultural beliefs and self-fulfilling outcomes. Hard work only works in a cultural environment that values and expects effort. His wider message: society must cultivate beliefs that propel individuals forward—otherwise, the effort dies before it starts. 'For kids like me, the part of the brain that deals with stress and conflict is always activated… We are constantly ready to fight or flee.' V ance describes the physiological effects of growing up in chaos. His body was always on high alert. This hyper-vigilance extended into adulthood until he learned coping mechanisms. It's a powerful illustration of how childhood environments physically shape our stress responses. 'Pajamas? Poor people don't wear pajamas. We fall asleep in our underwear or blue jeans.' This quirky line speaks volumes about cultural stigma. Clothing becomes a marker of class and self-worth. Vance shows how poverty isn't just a lack of money—it's also a lack of perceived self-esteem. Small habits like pajamas become symbols of aspiration or shame. 'We don't study as children, and we don't make our kids study when we're parents… We might get angry with them, but we never give them the tools—like peace and quiet at home—to succeed.' Here, Vance criticizes his own culture's approach to education. Discipline isn't enough; supportive environments matter. Poverty isn't just external—it's also internalized in home tensions. He argues that upward mobility requires learning structures, not just financial means. 'Social mobility isn't just about money and economics, it's about a lifestyle change… almost everything about your old life becomes unfashionable at best or unhealthy at worst.' Vance pushes back against the "American Dream" myth by emphasizing culture shock that accompanies upward mobility. It's not just money that changes—it's peers, behaviors, values. Integration into new socio-economic circles demands adaptability—something purely economic solutions often ignore. 'I don't believe in epiphanies… Transformation is harder than a moment… I've seen far too many people awash in a genuine desire to change only to lose their mettle when they realized just how difficult change actually is.' A powerful final note. Vance condemns the myth of overnight transformation. True change is slow, hard, and sustained. His own climb from chaos to Yale exemplifies less a lightning bolt and more a marathon. He's urging readers: forget quick fixes—commit to consistent action. One step to a healthier you—join Times Health+ Yoga and feel the change

Suniel Shetty's Son Ahan Shetty Signs Fourth Film, To Star In Bengali Director Birsa Dasgupta's Next
Suniel Shetty's Son Ahan Shetty Signs Fourth Film, To Star In Bengali Director Birsa Dasgupta's Next

News18

time16 minutes ago

  • News18

Suniel Shetty's Son Ahan Shetty Signs Fourth Film, To Star In Bengali Director Birsa Dasgupta's Next

Last Updated: Suniel Shetty's son Ahan Shetty gears up for his third film, an action drama directed by Birsa Dasgupta. Suniel Shetty's son Ahan Shetty, who made his Bollywood debut opposite Tara Sutaria in Tadap (2021), already has his third film locked in. After reportedly signing a romantic drama with director Shaad Ali, Ahan is now heading into action territory. According to a source quoted by Hindustan Times, the actor's next will be an action-drama directed by Bengali filmmaker Birsa Dasgupta. 'Ahan has signed an actioner which will be directed by renowned Bengali director Birsa Dasgupta, and is being produced by Shibasish Sarkar and Ribhu Dasgupta," the source revealed. The team is currently finalising the female lead, and an announcement is expected soon. 'The female lead of the film is being finalised currently and the name will be announced soon," the source added. The film, which is currently untitled, is scheduled to go on floors in October. Ahan also has Border 2 lined up for next year. Athiya Shetty quits Bollywood Meanwhile, Suniel Shetty recently shared that his daughter, Athiya Shetty, wife of Indian cricketer KL Rahul, has chosen to leave Bollywood and quit acting. In a recent interview, the veteran actor confirmed that his daughter is not interested in continuing her career in the film industry and feels comfortable stepping away from it. 'She said, 'Baba, I don't want to,' and she just left. And that's what I salute her for saying, 'I'm not interested. I don't want to do films.' After Motichoor Chaknachoor, a lot came her way. 'But I don't want to. I'm comfortable, you know?" Suniel Shetty told Pinkvilla, while promoting his upcoming movie, Kesari Veer. Suniel also shared that Athiya is busy with her mommy duties now and added, 'She's got the best role of her life. You know, she's working in the best film, and that is the life, the role of her mother and she's loving it." Previously, in an exclusive interview with News18 Showsha too, Suniel Shetty talked about Athiya not wanting to do films when he said, 'She does not want to do films. After she did Motichoor, she said 'I don't want to be a part of this'. She works really hard." First Published: June 08, 2025, 12:13 IST

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store