Rasha Thadani Flaunts Killer Dance Moves, Grooves To Ek Do Teen, Uyi Amma
Last Updated:
Rasha also danced to Madhuri Dixit's iconic song 'Ek Do Teen' from the 1988 blockbuster Tezaab. Needless to say, she totally nailed Madhur's dance steps.
Rasha Thadani lit up the stage at Zee Cine Awards with a power-packed performance that instantly set the internet buzzing. The young starlet, who made her Bollywood debut with Azaad, showed off her dancing chops with two bold choices including her mother Raveena Tandon's evergreen number Tip Tip Barsa and her own viral track Uyi Amma.
While many were curious to see how Rasha Thadani would take on the iconic rain dance originally immortalised by her mother, the young actress didn't just match the energy but brought her own confident flair to it. But it was her fiery performance on Uyi Amma that truly took centerstage and had fans raving online.
View this post on Instagram
A post shared by Viral Bhayani (@viralbhayani)
Rasha also danced to Madhuri Dixit's iconic song 'Ek Do Teen' from the 1988 blockbuster Tezaab. Needless to say, she totally nailed Madhur's dance steps.
View this post on Instagram
A post shared by Viral Bhayani (@viralbhayani)
Social media was quick to react. 'Raveena ma'am's carbon copy," one fan wrote, while another exclaimed, 'Second Raveena is here." Others hailed her as the industry's next rising star. 'She will make her amma so proud… she is the next big thing for sure," read one comment. Another user simply summed it up: 'Mini Raveena rocked @rashathadani."
Of course, comparisons with her mother were inevitable, and while some fans insisted 'she would never be able to beat the OG Raveena," most applauded Rasha for holding her own and shining in her own right.
Rasha first became a sensation after Uyi Amma caught on like wildfire a few months ago. Even though her debut film didn't create box office waves, her performance—especially in the dance number—left a lasting impression. In an interview with BBC Asian Network, Rasha credited her mother for shaping her understanding of expression and dance. 'My mum… used to make me sit and watch Rekha ji's performances, Saroj ji's performances, and even Sadhana ji's performances," she shared. 'She would break it down for me and say, 'Okay, see her expression here—this is a happy expression, but see how she's done it.'"
First Published:
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Indian Express
32 minutes ago
- Indian Express
Top 10 most subscribed YouTube channels in India 2025: No 1 has nearly 300 million subscribers
Top 10 most subscribed YouTube channels in India 2025: According to a DataReportal report at the beginning of 2025, there are a total of 5.56 billion internet users in the world. YouTube, the world's leading video streaming platform, has grown as one of the most visited websites. The platform functions on a freemium model and offers diverse content channels that cater to various interests, including music, comedy, scientific experiments, and children's content. While the platform thrives on variety, only a handful of creators have climbed to the top, commanding massive subscriber bases and global recognition. Among them, T-Series, India's largest music label, leads the pack at home and ranks #2 globally. Following close behind are Sony Entertainment Television (SET India) and Zee Music Company, ranked globally at #4 and #9, respectively. While the major rankings remain unchanged from last year, Tips Official, a famous music channel in India, has overtaken Shemaroo Filmi Gaane, which posts Bollywood retro music, moving into the top 10 with 75.4 million subscribers, surpassing Shemaroo's 72.2 million. Another striking observation is the dominance of kids' content with channels like ChuChu TV Nursery Rhymes & Kids Songs, the only kids' channel in the top 10. Ranked at #6th with 96.3 million subscribers, highlights the significant demand for educational children's content. While the major rankings remain unchanged from last year, Tips Official, a famous music channel in India, has overtaken Shemaroo Filmi Gaane, which posts Bollywood retro music, moving into the top 10 with 75.4 million subscribers, surpassing Shemaroo's 72.2 million. Note:The subscriber counts and total video views listed are accurate as of June 6th, 2025. The number of videos published reflects the latest available data at the time noted and may change over time. Cherry Gupta is an Assistant Manager - Content at The Indian Express. She is responsible for crafting compelling narratives, uncovering the latest news and developments, and driving engaging content based on data and trends to boost website traffic and audience engagement. One can connect with her on LinkedIn or by mail at ... Read More
NDTV
2 hours ago
- NDTV
Rasha Thadani Brings The Weekend Razzle Dazzle In A Shimmery Silver Dress
Quick Read Summary is AI generated, newsroom reviewed. Rasha Thadani impresses with her chic fashion sense since her Bollywood debut. The actress wore a stunning silver slip dress with a sleek silhouette and sheer paneling. Her soft glam makeup featured a dewy base, neutral eyeshadows, and a nude lip color. Ever since her Bollywood debut, Rasha Thadani has brought a strong fashion game to the table. Every time she makes a public appearance, the onlookers are totally smitten by her chic and elegant wardrobe choices. This time, the 20-year-old actress stunned in a shimmery silver slip dress that came with the perfect sparkly details. Also Read: Rasha Thadani Makes Her Denim Shorts And Bodysuit Look Trench-Coat Chic The sleeveless number that the Azaad actress wore was complemented with a slim-fitting silhouette and thin spaghetti straps that simply made this look a masterpiece in itself. The floor-grazing slip dress featured a sheer panel on the knee-downwards, that created a subtle see-through effect. View this post on Instagram A post shared by Varinder Chawla (@varindertchawla) Rasha balanced out all the glitz with soft glam makeup, featuring a dewy base, a touch of highlighter on her temples, and subtle blush on her cheeks. Her eyes were decked up with warm, neutral eyeshadows in shades of champagne golds and peachy pinks, with a soft-smudged eyeliner and mascara. She finished off the look with a nude lip colour and gloss to add all the colour and shine. For accessories, Rasha decided to go simple with just some rings and nude heels. Rasha styled her hair in a layered, side-swept manner with long and voluminous waves. Rasha Thadani's love for all things shimmer is no secret. The Gen Z actress often dresses up in glittery outfits for festivals, weddings and public appearances. Earlier this year, Raveena Tandon's daughter stepped out in an all-golden sequin saree, which she paired with a matching blouse. The golden sartorial piece came with all over sequins work, which she draped with the utmost grace and elegance. Rasha accessorised her traditional look with matching heels, green bangles, a couple of rings and a bracelet. For makeup, she opted for a subtle glam base, lots of highlighter, blush laden cheeks, mascara coated lashes, kohl-rimemd eyes, a silver bindi, and pink lips. With her hair loose and open, Rasha finished off the look on a fashion high. View this post on Instagram A post shared by Rasha Thadani (@rashathadani) Rasha Thadani's silver slip dress was all things fine along with being shimmer and shine.
Indian Express
2 hours ago
- Indian Express
Naseeruddin Shah reveals he turned down numerous songs after ‘Oye Oye' became a blockbuster hit: ‘I'm a terrible dancer…'
Veteran actor Naseeruddin Shah may be one of India's most revered performers, but his sudden surge to mass popularity came from an unexpected place, an iconic song-and-dance number in the 1989 hit Tridev. The track 'Oye Oye' became a national sensation, and along with it, Naseeruddin found himself in the middle of mainstream adulation. In an old interview with Lehren Retro, the actor candidly spoke about the ironic nature of his overnight fame following the film. Despite becoming the face of the wildly popular song, Naseeruddin revealed that he never saw himself as a dancer—or even a singer, for that matter. He said, 'Infact after song Oye Oye, I was flooded with only offers like that. People wanted me to do the same thing. But I didn't fall into that trap because I'm a terrible dancer. Oye Oye worked because they didn't expect that I would be even able to do one step right. And that's why they were shocked and it worked. Anyways, there is no dearth of people praising you in this industry.' Reflecting on the period when lip-syncing to playback songs was the norm, Naseeruddin shared how uncomfortable the experience was for him. 'Now it has stopped happening, but there was a time when it used to happen a lot. I was asked to sing, and that was equivalent to hundred deaths. I'm really bad at singing, among the worst singers of song in Hindi. Perhaps because I never thought that I would have to play hero in films, or sing songs or worse, romance actresses younger than my daughter's age.' Also Read | Naseeruddin Shah slams 'sickening' Bollywood films that celebrate hyper masculinity: 'Big tragedy if they're considered…' For Naseeruddin Shah, the world of commercial Hindi cinema was never the end goal. His aspirations had always been grounded in realism, in character roles—something that didn't involve elaborate dance routines or lip-synced songs. 'I had thought I would end up becoming a character actor. Will play the role of a lawyer, doctor, cop or an elder brother. And that's why I'm terrible at commercial acting, because I never trained for it.' The actor, known for his brutally honest take on the film industry, went on to admit that he's never been fond of his performances in the commercial space. He has often expressed his disconnect with the formulaic aspects of mainstream cinema. In the same interview, Naseeruddin added that filmmakers began typecasting him into intense, often melodramatic roles. They only imagined him as the actor who could perhaps scream and cry on screen and he was fed up by that and didn't know how to bring novelty to such mediocrity.
