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Joaquin Phoenix stars in COVID-era thriller set in ‘sick' America

Joaquin Phoenix stars in COVID-era thriller set in ‘sick' America

Kuwait Times17-05-2025

(From left) US actor Cameron Mann, actor Matt Gomez Hidaka, actress Amelie Hoeferle, British actor Micheal Ward, US actress Emma Stone, US actor Luke Grimes, US actor Austin Butler, US director Ari Aster, US actor Joaquin Phoenix, Danish producer Lars Knudsen, Chilean-US actor Pedro Pascal, US actor Clifton Collins Jr, arrive for the screening of the film "Eddington" at the 78th edition of the Cannes Film Festival in Cannes.--AFP
Joaquin Phoenix stars in the darkly satirical 'Eddington' which premiered at the Cannes film festival on Friday, a biting take on America's culture wars set in a small New Mexico town. The film by fast-rising American director Ari Aster is an unsettling but often amusing Western-style thriller set amid America's toxic politics and conspiracy theories.
Phoenix sparkles as a deeply flawed sheriff trying to keep order in the town of Eddington at a time of COVID mask mandates, divisive 'Black Lives Matter' protests, and inter-generational tensions. 'I think we're in a place right now where everybody is living in a different reality, in their own reality, and nobody can agree on what is real and what is actually happening,' Aster told reporters in Cannes on Friday.
'We've kind of lost one of the social forces that has always been at the centre of mass liberal democracies, which is an agreed-upon version of what is real.' Asked whether America was sick, the 38-year-old replied: 'Yes, definitely.' 'I think the final link to that old system (of agreeing on what is real) was cut during COVID,' he explained. 'I think that was the beginning of something big.'
Best known for his previous horror movies 'Hereditary' and 'Midsommar', Aster appears to be parodying everyone from gun-loving southern US conservatives to virtue-signalling white anti-racism activists. Emma Stone ('La La Land' and 'Poor Things') plays Phoenix's wife who gets sucked into a world of paedophile-obsessed right-wing conspiracy theorists.
US actor Joaquin Phoenix arrives for the screening of the film "Eddington".
Breakdown
Aster admitted to a sense of foreboding about America's direction and set out to dramatise it in his film, whose early social satire gradually gives way to much darker and violent action. Asked if America's polarised politics and the breakdown in trust in the media could be setting the country on a path to mass violence, he said: 'That is certainly something I'm afraid of. 'It feels like nothing is being done to temper the furies right now,' he told reporters.
Aster's star-packed cast, which includes Pedro Pascal and Austin Butler ('Elvis'), are constantly filming each other, posting on social media, and messaging. In one scene, Phoenix's character Joe Cross is asked by his deputy if he should share a video online of his incendiary speech. 'Don't make me think about it. Post it!' Cross snaps back.
The film is 'about what happens when people who don't agree on what is real start coming into conflict with each other,' Aster explained. 'And that's what starts to possess everybody.' The film is competing for the prestigious Palme d'Or for best film in the main competition in Cannes which will be announced on May 24. Last year's winner, 'Anora' by fellow US director Sean Baker, went on to win best picture at the Oscars. 'Eddington' is set to be released internationally in July.--AFP

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In Cairo, the little indie cinema that could
In Cairo, the little indie cinema that could

Kuwait Times

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  • Kuwait Times

In Cairo, the little indie cinema that could

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Jessie J announces breast cancer diagnosis in emotional video
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Jessie J announces breast cancer diagnosis in emotional video

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'The Matrix is everywhere': Cinema bets on immersion
'The Matrix is everywhere': Cinema bets on immersion

Kuwait Times

time4 days ago

  • Kuwait Times

'The Matrix is everywhere': Cinema bets on immersion

In a Los Angeles theater, a trench coat-wearing Neo bends backwards to dodge bullets that spiral over the viewer's head, as the sound of gunfire erupts from everywhere. This new immersive experience is designed to be a red pill moment that will get film fans off their couches at a time when the movie industry is desperate to bring back audiences. Cosm, which has venues in Los Angeles and Dallas, is launching its dome-style screen and 3D sets in June with a "shared reality" version of "The Matrix," the cult 1999 film starring Keanu Reeves as a man who suddenly learns his world is a fiction. "We believe the future will be more immersive and more experiential," said Cosm president Jeb Terry at a recent preview screening. "It's trying to create an additive, a new experience, ideally non-cannibalistic, so that the industry can continue to thrive across all formats." Cinema audiences were already dwindling when the COVID-19 pandemic broke out, shuttering theaters at a time when streaming was exploding. With ever bigger and better TVs available for the home, the challenge for theater owners is to offer something that movie buffs cannot get in their living room. Boxes of "The Matrix" popcorn for guests are seen during the first shared reality screening of the movie "The Matrix" on an immersive dome screen inside Cosm Los Angeles at Hollywood Park in Inglewood, California. - AFP photos Computer code surrounds viewers during the first shared reality screening of the movie "The Matrix". The character Neo appears on screen with an extended display of the power plant towers during the first shared reality screening of the movie "The Matrix". Attendees watch the character Morpheus appear on screen during the first shared reality screening of the movie "The Matrix". Attendees watch the character Morpheus appear on screen during the first shared reality screening of the movie "The Matrix". Attendees watch the first shared reality screening of the movie "The Matrix". Prestige projects like Tom Cruise's "Mission: Impossible -- The Final Reckoning" or Christopher Nolan's Oscar-winning "Oppenheimer" increasingly opt for the huge screens and superior film quality of IMAX. But Cosm and other projects like it want to go one step further, collaborating with designers who have worked with Cirque du Soleil to create an environment in which the viewer feels like they are inside the film. For filmmakers, it's all about how you place the cameras and where you capture the sound, said Jay Rinsky, founder of Little Cinema, a creative studio specializing in immersive experiences. "We create sets like the Parisian opera, let the movie be the singer, follow the tone, highlight the emotions... through light, through production design, through 3D environments," he said. The approach, he said, felt particularly well suited to "The Matrix," which he called "a masterpiece of cinema, but done as a rectangle." Attendees watch the first shared reality screening of the movie "The Matrix". The character Morpheus appears on screen during the first shared reality screening of the movie "The Matrix". Attendees watch the character Morpheus appear on screen surrounded by computer code during the first shared reality screening of the movie "The Matrix". Attendees watch immersive computer code appear during the first shared reality screening of the movie "The Matrix". Attendees watch immersive computer code appear during the first shared reality screening of the movie "The Matrix". Jeb Terry, President and CEO of Cosm, looks up at the dome while speaking after the first shared reality screening of the movie "The Matrix". For the uninitiated: Reeves's Neo is a computer hacker who starts poking around in a life that doesn't quite seem to fit. A mysterious Laurence Fishburne offers him a blue pill that will leave him where he is, or a red pill that will show him he is a slave whose body is being farmed by AI machines while his conscious lives in a computer simulation. There follows much gunfire, lots of martial arts and some mysticism, along with a romance between Neo and Trinity, played by the leather-clad Carrie-Anne Moss. "The Matrix" in shared reality kicks off with a choice of cocktails -- blue or red, of course -- which are consumed as the audience sits surrounded by high-definition screens. Shifting perspectives place the viewer inside Neo's office cubicle, or seemingly in peril. "They're sometimes inside the character's head," said Rinsky. "The world changes as you look up and down for trucks coming at you." The result impressed those who were at the preview screening. "It just did feel like an experience," influencer Vince Rossi told AFP. "It felt like you're at a theme park for a movie almost."—AFP

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