Fashion show to benefit Syracuse Spinal Association
(WSYR-TV) — Bridge Street likes to dip its toes into fashion from time-to-time, and right now, we're getting the ins-and-outs on the fashion show 'Dark Beauty: The Final Bow.'
Laura Marino and Alexandra Axenfeld are presenting the show which benefits the Syracuse Spinal Association. They joined the show Friday morning, along with Linda Osborne and Dawn Schmidt, to discuss the inspiration for the show, how much it has grown over the years, and it's new location.
Dark Beauty: The Final Bow takes place Saturday, March 22nd inside the new Palladian Hall at the Treasury in downtown Syracuse.
Tickets are available now at AllEvents.in.
You can also learn more about Laura Marino by visiting her website, LauraMarinoPhotography.com.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
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10 stunning UNESCO World Heritage sites that were immortalized on screen
In 1989, the appearance of Petra's ancient tomb known as the Treasury [Al-Khazneh] in Indiana Jones and the Last Crusade electrified moviegoers. Following the film's release, annual attendance at Jordan's formerly obscure UNESCO World Heritage Site skyrocketed—reaching nearly a million visitors by 2010. Today, the link between the haunting, rock-faced tombs and the Hollywood blockbuster continues to capture the attention of set-jetters. "In the movie, Petra is a prop, a backdrop to Indiana Jones," says Las Vegas resident Andy Hines who visited last April and was struck by the remnants of the vanished Nabatean Kingdom. "But see it in person, and Petra becomes the star, allowing you to appreciate the site's full, rich historical context " Petra isn't the only UNESCO site to enjoy celluloid celebrity. Hollywood has scouted and used dozens of designated cultural wonders as dramatic backdrops, transforming these locales into must-see and must-do destinations—part of a growing trend called set-jetting, that draws travelers to places appearing in hit movies and TV shows. The following list blends cultural significance with cinematic nostalgia—an irresistible draw for travelers seeking meaningful summer vacations. Sydney Pollack's Out of Africa forever linked Kenya's dramatic landscapes with epic romance. The UNESCO Natural World Heritage Site of the Kenya Lake System, designated in 2011, features prominently in the film's sweeping aerial shots of the Great Rift Valley, Ngong Hills, and most famously, Robert Redford and Meryl Streep's biplane buzzing Lake Nakuru with its iconic, if terrified, pink flamingos. The three alkaline lakes (Elementaita, Nakuru, and Bogoria) support exceptional populations of lesser flamingos and other migratory birds. Based on Karen Blixen's memoir of running a coffee plantation in colonial Kenya, the 1985 film's panoramic vistas helped define the visual language of the romantic African safari. Today, visitors can experience scenic viewpoints along the Great Rift Valley escarpment and flamingo-flocking at Lake Nakuru National Park. The region's luxury lodges will deliver an Out of Africa experience for a price. (19 of the most romantic destinations in the world.) Few film franchises have transformed a country's global image more completely than The Lord of the Rings did for New Zealand. Tongariro National Park, with its dual World Heritage status (natural and cultural), was the dramatic landscape of Mordor in Peter Jackson's epic trilogy released between 2001 and 2003. Mount Ngauruhoe served as the infamous Mount Doom (filming at the summit was forbidden as the Māori people consider these volcanic peaks sacred.) Tawahi Falls created the perfect setting for Gollum's forbidden pool. The region's profound significance to New Zealand's first people adds cultural depth, not just a cinematic connection. The Tongariro Alpine Crossing is a rewarding day hike past sulfurous steam vents and snow-dusted volcanic peaks, though winter in the Southern Hemisphere (June to August) makes it challenging. New Zealand's summer months—from December to February—provide better weather for travelers. (How to explore Lord of the Rings filming locations in New Zealand.) When Audrey Hepburn's Princess Ann flees her royal duties in 1953's "Roman Holiday,' she embarks on a Vespa-powered romance with journalist Gregory Peck, scooting past landmarks such as the Spanish Steps, Trevi Fountain, and Colosseum located in the heart of the Eternal City and designated a UNESCO World Heritage Site in 1980. 'It's not only a movie,' says art historian Isabella Calidonna, whose Archeorunning tours showcase the city's heart while avoiding the crowds just as Hepburn and Peck tried to do. 'The film captures the moment visitors discover Rome in all her alluring simplicity,' she says. 'And in a time when over-tourism rules Rome, we need more of it.' Travelers can retrace the lovers' locales, though Calidonna advises doing so in the early morning hours to avoid the crushing summertime throngs. (How to dine like a local in Italy.) Another two-wheeled adventurer, Gael Garcia Bernal as Ernesto "Che" Guevara, stands contemplating the 15th-century Inca citadel of Machu Picchu in The Motorcycle Diaries (2004). The scene captures a pivotal moment in the revolutionary's formative journey across South America and his awakening to social inequalities. Designated a UNESCO Cultural Heritage Site in 1983, the Peruvian wonder serves as more than just a stunning set—it functions as a silent, brooding character. However, today's travelers face more stringent regulations than Che did. Advance visitor permits are essential, with options ranging from the classic four-day Inca Trail hike to day trips via train from Cusco. Conservation concerns have led authorities to implement visitor caps, making early planning crucial for travelers interested in seeing the capital of the Incas. (Go on a luxury rail journey through Peruvian mountains.) Few musical moments rival Julie Andrews spinning like a gyroscope atop an Austrian Alp in The Sound of Music (1965). The Von Trapp family's journey through Salzburg's baroque cityscape and surrounding mountains showcases why its historic center earned its UNESCO Cultural World Heritage status in 1996. The city's Mirabell Palace Gardens, Nonnberg Abbey, and Residenzplatz became instantly recognizable to generations of viewers. Beyond the film's landmarks, visitors will discover Mozart's birthplace and other examples of the city's rich musical heritage. Dedicated Sound of Music tours remain popular, though classical music enthusiasts can opt to attend the Salzburg Festival held every summer (the Von Trapps appeared in 1936). The festival typically begins the last two weeks of July and runs through the end of August. (Fans of 'The Sound of Music' can follow in the footsteps of the famous von Trapp family.) Alfred Hitchcock brought the colorful chaos of Marrakesh's ancient walled city to audiences through his thriller The Man Who Knew Too Much (1956). The Medina, a designated UNESCO World Heritage Cultural Site in 1985, provides a labyrinthine backdrop for James Stewart and Doris Day's search for their kidnapped son. Locations such as Jemaa el-Fnaa Square, La Mamounia Hotel, and the twisting souks create a sensory overload perfect for Hitchcock, the master of suspense. Today, the 11th-century neighborhood with its distinctive red architecture perfumed by the competing aromas of saffron, leather, mint, and motorcycle exhaust, offers visitors an immersive and vibrant experience. Early morning and evening explorations help avoid summer's midday heat. (Everything families should know for the ultimate trip to Marrakech.) F.W. Murnau's expressionist vampire film Nosferatu (1922) utilized the medieval atmosphere of Lübeck, founded in 1143 to create its haunting mood. This UNESCO Cultural World Heritage Site (designated 1987) showcases the brick Gothic buildings and narrow streets of a once-powerful Hanseatic League trading center located on Germany's Baltic coast. The Salzspeicher (salt storehouses) featured prominently in the film remain largely unchanged a century later. Still weathered by sea mists, they cast the same eerie silhouettes that gave Murnau's vampire tale its horror. 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10 stunning UNESCO sites that were immortalized on screen
In 1989, the appearance of Petra's ancient tomb known as the Treasury [Al-Khazneh] in Indiana Jones and the Last Crusade electrified moviegoers. Following the film's release, annual attendance at Jordan's formerly obscure UNESCO World Heritage Site skyrocketed—reaching nearly a million visitors by 2010. Today, the link between the haunting, rock-faced tombs and the Hollywood blockbuster continues to capture the attention of set-jetters. "In the movie, Petra is a prop, a backdrop to Indiana Jones," says Las Vegas resident Andy Hines who visited last April and was struck by the remnants of the vanished Nabatean Kingdom. "But see it in person, and Petra becomes the star, allowing you to appreciate the site's full, rich historical context " Petra isn't the only UNESCO site to enjoy celluloid celebrity. Hollywood has scouted and used dozens of designated cultural wonders as dramatic backdrops, transforming these locales into must-see and must-do destinations—part of a growing trend called set-jetting, that draws travelers to places appearing in hit movies and TV shows. The following list blends cultural significance with cinematic nostalgia—an irresistible draw for travelers seeking meaningful summer vacations. Lesser flamingos—a species found in sub-Saharan Africa and western India—are seen here at Lake Bogoria, that lies in a volcanic region south of Lake Baringo in Kenya's Great Rift Valley. Photograph by / Alamy Stock Photo 1. Kenya Lake System in the Great Rift Valley Sydney Pollack's Out of Africa forever linked Kenya's dramatic landscapes with epic romance. The UNESCO Natural World Heritage Site of the Kenya Lake System, designated in 2011, features prominently in the film's sweeping aerial shots of the Great Rift Valley, Ngong Hills, and most famously, Robert Redford and Meryl Streep's biplane buzzing Lake Nakuru with its iconic, if terrified, pink flamingos. The three alkaline lakes (Elementaita, Nakuru, and Bogoria) support exceptional populations of lesser flamingos and other migratory birds. Based on Karen Blixen's memoir of running a coffee plantation in colonial Kenya, the 1985 film's panoramic vistas helped define the visual language of the romantic African safari. Today, visitors can experience scenic viewpoints along the Great Rift Valley escarpment and flamingo-flocking at Lake Nakuru National Park. The region's luxury lodges will deliver an Out of Africa experience for a price. (19 of the most romantic destinations in the world.) 2. Tongariro National Park, New Zealand Few film franchises have transformed a country's global image more completely than The Lord of the Rings did for New Zealand. Tongariro National Park, with its dual World Heritage status (natural and cultural), was the dramatic landscape of Mordor in Peter Jackson's epic trilogy released between 2001 and 2003. Mount Ngauruhoe served as the infamous Mount Doom (filming at the summit was forbidden as the Māori people consider these volcanic peaks sacred.) Tawahi Falls created the perfect setting for Gollum's forbidden pool. The region's profound significance to New Zealand's first people adds cultural depth, not just a cinematic connection. The Tongariro Alpine Crossing is a rewarding day hike past sulfurous steam vents and snow-dusted volcanic peaks, though winter in the Southern Hemisphere (June to August) makes it challenging. New Zealand's summer months—from December to February—provide better weather for travelers. (How to explore Lord of the Rings filming locations in New Zealand.) 3. Historic Center of Rome, Italy When Audrey Hepburn's Princess Ann flees her royal duties in 1953's "Roman Holiday,' she embarks on a Vespa-powered romance with journalist Gregory Peck, scooting past landmarks such as the Spanish Steps, Trevi Fountain, and Colosseum located in the heart of the Eternal City and designated a UNESCO World Heritage Site in 1980. 'It's not only a movie,' says art historian Isabella Calidonna, whose Archeorunning tours showcase the city's heart while avoiding the crowds just as Hepburn and Peck tried to do. 'The film captures the moment visitors discover Rome in all her alluring simplicity,' she says. 'And in a time when over-tourism rules Rome, we need more of it.' Travelers can retrace the lovers' locales, though Calidonna advises doing so in the early morning hours to avoid the crushing summertime throngs. (How to dine like a local in Italy.) Machu Picchu, the famous UNESCO World Heritage Site in Peru, has been a filming location for The Motorcycle Diaries and Transformers: Rise of the Beasts. Photograph by Jonathan Irish, Nat Geo Image Collection 4. Machu Picchu, Peru Another two-wheeled adventurer, Gael Garcia Bernal as Ernesto "Che" Guevara, stands contemplating the 15th-century Inca citadel of Machu Picchu in The Motorcycle Diaries (2004). The scene captures a pivotal moment in the revolutionary's formative journey across South America and his awakening to social inequalities. Designated a UNESCO Cultural Heritage Site in 1983, the Peruvian wonder serves as more than just a stunning set—it functions as a silent, brooding character. However, today's travelers face more stringent regulations than Che did. Advance visitor permits are essential, with options ranging from the classic four-day Inca Trail hike to day trips via train from Cusco. Conservation concerns have led authorities to implement visitor caps, making early planning crucial for travelers interested in seeing the capital of the Incas. (Go on a luxury rail journey through Peruvian mountains.) 5. Historic Center of Salzburg, Austria Few musical moments rival Julie Andrews spinning like a gyroscope atop an Austrian Alp in The Sound of Music (1965). The Von Trapp family's journey through Salzburg's baroque cityscape and surrounding mountains showcases why its historic center earned its UNESCO Cultural World Heritage status in 1996. The city's Mirabell Palace Gardens, Nonnberg Abbey, and Residenzplatz became instantly recognizable to generations of viewers. Beyond the film's landmarks, visitors will discover Mozart's birthplace and other examples of the city's rich musical heritage. Dedicated Sound of Music tours remain popular, though classical music enthusiasts can opt to attend the Salzburg Festival held every summer (the Von Trapps appeared in 1936). The festival typically begins the last two weeks of July and runs through the end of August. (Fans of 'The Sound of Music' can follow in the footsteps of the famous von Trapp family.) Local artisans buy leather in bulk at a souk in Marrakech, Morocco. Photograph by Erika Skogg, Nat Geo Image Collection Marrakesh is known for its intricate and vibrant tile work, a hallmark of Moroccan architecture, as seen here at the Ben Youssef Madrasa in the city. Photograph by Erika Skogg, Nat Geo Image Collection Ornate lanterns, teapots, and mirrors are just a few items for sale at this souk in Marrakesh. Photograph by Erika Skogg, Nat Geo Image Collection 6. Medina of Marrakesh, Morocco Alfred Hitchcock brought the colorful chaos of Marrakesh's ancient walled city to audiences through his thriller The Man Who Knew Too Much (1956). The Medina, a designated UNESCO World Heritage Cultural Site in 1985, provides a labyrinthine backdrop for James Stewart and Doris Day's search for their kidnapped son. Locations such as Jemaa el-Fnaa Square, La Mamounia Hotel, and the twisting souks create a sensory overload perfect for Hitchcock, the master of suspense. Today, the 11th-century neighborhood with its distinctive red architecture perfumed by the competing aromas of saffron, leather, mint, and motorcycle exhaust, offers visitors an immersive and vibrant experience. Early morning and evening explorations help avoid summer's midday heat. (Everything families should know for the ultimate trip to Marrakech.) 7. Hanseatic City of Lübeck, Germany F.W. Murnau's expressionist vampire film Nosferatu (1922) utilized the medieval atmosphere of Lübeck, founded in 1143 to create its haunting mood. This UNESCO Cultural World Heritage Site (designated 1987) showcases the brick Gothic buildings and narrow streets of a once-powerful Hanseatic League trading center located on Germany's Baltic coast. The Salzspeicher (salt storehouses) featured prominently in the film remain largely unchanged a century later. Still weathered by sea mists, they cast the same eerie silhouettes that gave Murnau's vampire tale its horror. 'It looks idyllic during the day and then the light changes and these narrow little lanes become creepy crawly,' says Christel Obenaus who leads walks around Lübeck including one about the film. Self-guided tours also allow visitors to explore Gothic churches and city streets while discovering the maritime history that made it prosperous. Film fans flock to the area in November for the festival Nordic Film Days Lübeck. (Germany's Camino trek rivals Spain's famous pilgrimage—and is a lot less crowded.) 8. Wadi Rum, Jordan The vast, otherworldly landscape of Jordan's Wadi Rum served as a location for films like Dune and The Martian but it first captivated global audiences in Lawrence of Arabia (1962). In one memorable scene, Lawrence (Peter O'Toole) takes up the invitation of tribal leader Auda Abu Tayi (Anthony Quinn) to 'dine with me in Wadi Rum,' the next cut reveals the UNESCO Mixed Cultural and Natural Site's spectacular rocky scenery. There's authentic history behind the David Lean masterpiece, as the real Lawrence passed through the region during the Arab Revolt of World War One. Today, the country's Bedouin communities maintain ancient relationships with this challenging landscape, offering visitors authentic cultural encounters alongside natural beauty. Desert camping in front of a crackling fire beneath star-filled skies offers the most immersive experience. Tours by 4x4 provide access to a host of film locations. (Here's what it's like to visit Jordan's Wadi Rum for the first time.) The North Gate at the Angkor Thom Archaeological Park, Siem Reap, Cambodia. Photograph by Diane Cook, Len Jenshel, Nat Geo Image Collection 9. Angkor Archaeological Park, Cambodia When Angelina Jolie's Lara Croft vaulted through the temple ruins of Ta Prohm in Tomb Raider (2001), she introduced millions to the atmospheric wonders of Cambodia's Angkor Archaeological Park. This 1992-designated UNESCO Cultural World Heritage Site showcases the vast religious complexes of the Khmer Empire that ruled here between the Ninth and 15th centuries. The 'Tomb Raider Temple' with its famous tree roots strangling the ancient stones like thick, gnarled tentacles, became one of the park's most photographed locations. Visit early mornings to duck both the crowds and the intense midday heat. A multi-day pass allows visitors to go beyond the action film's locations, discovering Angkor's lesser-known temples. They are as compelling, but without the superstar status. In Siem Reap, an evening drink in the Elephant Bar at Raffles Grand Hotel d'Angkor offers an elegant way to beat the heat. (These hidden temples in Cambodia will take you off the beaten path.) 10. Historic Center of Mexico City, Mexico Lastly, perhaps the most fascinating relationship between Hollywood and UNESCO unfolded in Mexico City's Historic Center, a UNESECO Cultural Site since 1987. The opening scenes of Spectre follow Daniel Craig's James Bond through an elaborate Day of the Dead celebration featuring giant skeleton figures and costumed crowds. The 2015 sequence showcases iconic landmarks, including the Zócalo (the city's main square), the Gran Hotel Ciudad de Mexico (Room 327 to be exact), and the Torre Latinoamericana, the city's iconic 1956 skyscraper. What makes it unique is the film's cultural impact—before Spectre, Mexico City didn't have a large-scale Day of the Dead parade like the one depicted. In a remarkable case of art influencing life, Mexican tourism authorities established an inaugural Day of the Dead parade in 2016, directly inspired by the fictional celebration created for the film. They even used some of the props and costumes from the production and referred to it as a "Spectre-style" parade. The event has since become an annual tradition attracting thousands of visitors. (Love spy movies? These iconic London locations play a starring role.) Andrew Nelson is the author of National Geographic's recently published travel book Here Not There. Follow him on Instagram.
Yahoo
12-05-2025
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Government defeated over copyright protections against AI models
The Government has suffered a heavy defeat over protections for the arts against artificial intelligence (AI), as a film director warned technology companies are plundering the UK's cultural back catalogue to develop their products. Baroness Beeban Kidron, who directed the second film in the Bridget Jones series, put forward an amendment that would ensure copyright holders would have to give permission over whether their work was used, and in turn, see what aspects had been taken, by who and when. The crossbench peer said the Data (Use and Access) Bill provided an opportunity to ensure those in the music, film, television and other creative industries were properly credited and paid, if they agreed that their work could be used. Lady Kidron said creatives risked unwittingly providing materials to train generative AI models without payment. Those models could then end up creating their own material, and undercutting human musicians, authors, actors, filmmakers and other creatives. She denied the accusation from Technology Secretary Peter Kyle, who watched from the sidelines, that creatives were trying to stymie change. It comes days after a joint letter to Sir Keir Starmer signed by hundreds of people in the creative industries, including Sir Elton John, Sir Paul McCartney and Sir Ian McKellen, urged the Prime Minister to introduce safeguards against work being plundered for free. She said: 'Creators do not deny the creative and economic value of AI. But we do deny the assertion that we should have to build AI for free, with our work, and then rent it back from those who stole it.' She added: 'We need the amendment in front of us today now, because if this Bill does not protect copyright by the time they work out their policy there will be little to save. 'My lords, the language of AI, scraping, training, data, modules, LLMs (large language models), does not evoke the full picture of what is being done. AI corporations, many of which are seeking to entrench their existing information monopolies, are not stealing nameless data. They are stealing some of the UK's most valuable cultural and economic assets. 'It's Harry Potter, it's the entire back catalogue of every single music publisher in the UK. It's the voice of Hugh Grant, the design of an iconic handbag, the IP of our universities, great museums and library collections. Even the news is stolen in real time. All without payment, with economic benefits being taken offshore. 'It costs UK corporations and individuals their hard-earned wealth, and the Treasury much needed revenue.' The amendment passed by 272 votes to 125, a majority of 147. Former BBC children's TV presenter Baroness Floella Benjamin, who fronted Play School and Hullabaloo, said she feared the reach of AI into programming for youngsters. The Liberal Democrat peer said the UK was at a 'fascinating and unsettling crossroads'. Lady Benjamin said: 'Our ability to connect with an audience on an emotional level, to bring authenticity and vulnerability to a role remains a uniquely human attribute. Thousands and thousands of people tell me I did just that when they watched me almost 50 years ago on Play School. 'It had a lasting emotional effect on them, right through to their adulthood.' Speaking in support of Lady Kidron's amendment, she added: 'It terrifies me to think that future generations of children may never experience a human being connecting with them, with their souls, either on screen or on stage, or inspire them to pursue a career in the creative industry. No Government should have that on their conscience.' Conservative peer Baron Black of Brentwood, who sits as deputy chairman of Telegraph Media Group, warned of the impact on news organisations. Lord Black said: 'The provision of independent, verified and regulated news will be among the very first victims of AI if this amendment is not cast and we act very soon. 'I do not say this lightly, my Lords, and having spent almost my whole career in the media I am choosing my words very carefully. But I have to give the House this warning. AI has the capacity utterly to destroy independent news organisations, because it feasts off millions of articles written by journalists without any attribution or payment, destroying the business model that makes the free press possible. 'Without action this day, news will die in the cold darkness of cyberspace where no legal framework exists.' Labour technology minister Baroness Jones of Whitchurch said: 'It's the Government's view and moreover it's morally right that creators can license and be paid for the use of their content. The Government has always been clear that we want to see more licensing by the AI sector.' She said the proposed mechanism to identify individual works that had been used could be unworkable as the technology would not support it. She said it could also create large obligations on AI companies. She said: 'The scale of their impact on those businesses is unknown. But without a proper impact assessment there is a real risk that the obligations could lead to AI innovators, including many home-grown British companies, thinking twice about whether they wish to develop and provide their services in the UK.'
