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Slimmed-down Leonardo DiCaprio, 50, brings Vittoria Ceretti, 27, to Jeff Bezos and Lauren Sanchez's wedding

Slimmed-down Leonardo DiCaprio, 50, brings Vittoria Ceretti, 27, to Jeff Bezos and Lauren Sanchez's wedding

Daily Mail​7 hours ago

Leonardo DiCaprio sported a slimmed-down frame when he was spotted arriving in Venice on Thursday for Jeff Bezos and Lauren Sanchez 's star-studded wedding.
In recent years, fans were aflutter over the fact the 50-year-old had developed a fuller figure than the one he had at the height of his Titanic stardom.
This week, however, he seemed to be back to his former lean self as he was helped onto a Venetian water taxi ahead of the Amazon tycoon's nuptials.
He was accompanied by his 27-year-old Italian girlfriend Vittoria Ceretti, whom he has been involved with since the summer of 2023.
Exuding an air of summery chic, Leo kept a low profile in a sleek midnight blue suit over a pale grey polo shirt, shading his face with a baseball cap.
Meanwhile his supermodel flame was dressed to the nines in a sumptuous gown adorned with sequins, elaborate floral accents and even a train.
Vittoria's purple and silver frock plunged to flash her cleavage and was cinched in over her enviably svelte midriff, with the effect heightened by pinstripes.
Gathering her hair back into an elegant updo, the Brescia-born fashionista sharpened her features with makeup that brought out her luminous complexion.
She added a touch of sparkle to the look with a glittering necklace and matching bracelet, carrying a rose pink clutch designed to resemble a flower.
Celebrities galore have been spotted alighting on Venice this week, including various Kardashians, Orlando Bloom and Oprah Winfrey.
Orlando notably showed up without his fiancée Katy Perry, under a gathering cloud of reports that the pair have gone their separate ways.
Katy, who along with Lauren was part of the much-derided all-female space flight launched by Jeff's Blue Origin, is currently in Australia on her Lifetimes tour.
Meanwhile Kim and Khloe Kardashian have been spotted in Venice ahead of the ceremony, as has their mother Kris Jenner with her longtime beau Corey Gamble.
Oprah has also jetted to Italy to watch Jeff and Lauren exchange vows, as has her best friend Gayle King, another member of the Blue Origin flight crew.
This week, however, he seemed to be back to his former lean self as he was helped onto a Venetian water taxi ahead of the Amazon tycoon's nuptials
He was accompanied by his 27-year-old Italian girlfriend Vittoria Ceretti, whom he has been involved with since the summer of 2023
Leo's supermodel flame was dressed to the nines in a sumptuous gown adorned with sequins, elaborate floral accents and even a train
A fleet of other celebrities is expected to attend the nuptials, including Eva Longoria, Lady Gaga, Barbra Streisand and Mick Jagger.
Guests are also expected from the world of business, such as Bill Gates and Lachlan Murdoch, and from sports, like Tom Brady and Michael Jordan.
Jeff and Lauren's romance went public in January 2019, hours after he announced his split from his first wife Mackenzie Scott, who built Amazon alongside him and became one of the world's richest women upon their divorce.
He and his new wife, with whom he has reportedly signed a prenuptial agreement, are said to be tying the knot this weekend on the isle of San Giorgio.
Vittoria and Leo are said to have met at the 2023 Cannes Film Festival, where his Martin Scorsese movie Killers Of The Flower Moon was premiering.
They were first linked in the August of that year, after a flurry of rumors that had connected Leo to Vittoria's fellow supermodel Gigi Hadid.
Over the course of their time together, Vittoria has been seen on occasion with a ring on her wedding finger, but sources have insisted she and Leo are not engaged.
Vittoria was previously married from 2020 until 2023 to the Italian DJ Matteo Milleri, who is part of the Berlin-based duo Tale of Us.
Years earlier, she was briefly linked to the model then known as Natalie Westling, who has since undergone a gender transition and is now called Nathan Westling.

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Lalo Schifrin, composer of Mission: Impossible theme and more than 100 film and TV scores, dies aged 93
Lalo Schifrin, composer of Mission: Impossible theme and more than 100 film and TV scores, dies aged 93

The Guardian

time20 minutes ago

  • The Guardian

Lalo Schifrin, composer of Mission: Impossible theme and more than 100 film and TV scores, dies aged 93

Lalo Schifrin, the composer who wrote the endlessly catchy theme for Mission: Impossible and more than 100 other arrangements for film and television, has died aged 93. Schifrin's sons, William and Ryan, confirmed the composer died on Thursday of complications from pneumonia. The Argentinian won four Grammys and was nominated for six Oscars, including five for original score for Cool Hand Luke, The Fox, Voyage of the Damned, The Amityville Horror and The Sting II. 'Every movie has its own personality. There are no rules to write music for movies,' Schifrin told the Associated Press in 2018. 'The movie dictates what the music will be.' He also wrote the grand finale musical performance for the World Cup championship in Italy in 1990, in which the Three Tenors – Plácido Domingo, Luciano Pavarotti and José Carreras – sang together for the first time. The work became one of the biggest sellers in the history of classical music. Schifrin, also a jazz pianist and classical conductor, had a remarkable career in music that included working with Dizzy Gillespie and recording with Ella Fitzgerald, Count Basie and Sarah Vaughan. But perhaps his biggest contribution was the instantly recognizable score to television's Mission: Impossible, which fueled the just-wrapped, decades-spanning feature film franchise led by Tom Cruise. Written in the unusual 5/4 time signature, the theme was married to an on-screen self-destruct clock that kicked off the TV show, which ran from 1966 to 1973. It was described as 'only the most contagious tune ever heard by mortal ears' by New Yorker film critic Anthony Lane and even hit No 41 on the Billboard Hot 100 in 1968. 'The producer called me and told me, 'You're going to have to write something exciting, almost like a logo, something that will be a signature, and it's going to start with a fuse',' Schifrin told the AP in 2006. 'So I did it and there was nothing on the screen. And maybe the fact that I was so free and I had no images to catch, maybe that's why this thing has become so successful – because I wrote something that came from inside me.' When film-maker Brian De Palma was asked to take the series to the silver screen, he wanted to bring the theme along with him – which led to a creative conflict with composer John Williams, who wanted to work with a new theme of his own. Out went Williams and in came Danny Elfman, who agreed to retain Schifrin's music. Hans Zimmer took over scoring for the second film and Michael Giacchino scored the next two. Giacchino told NPR he was a hesitant to take it on, because Schifrin's music was one of his favorite themes of all time. 'I remember calling Lalo and asking if we could meet for lunch,' Giacchino told NPR. 'And I was very nervous – I felt like someone asking a father if I could marry their daughter or something. And he said, 'Just have fun with it'. And I did.' Mission: Impossible won Grammys for best instrumental theme and best original score from a motion picture or a TV show. In 2017, the theme was entered into the Grammy Hall of Fame. Born Boris Claudio Schifrin to a Jewish family in Buenos Aires – where his father was the concertmaster of the philharmonic orchestra – Schifrin was classically trained in music, in addition to studying law. After studying at the Paris Conservatory, Schifrin returned to Argentina and formed a concert band. Dizzy Gillespie heard Schifrin perform and asked him to become his pianist, arranger and composer. In 1958, Schifrin moved to the US, playing in Gillespie's quintet in 1960-62 and composing the acclaimed Gillespiana. Schifrin moved easily between genres, winning a Grammy for 1965's Jazz Suite on the Mass Texts while also earning a nod that same year for the score of TV's The Man from UNCLE In 2018, he was given an honorary Oscar statuette and, in 2017, the Latin Recording Academy bestowed on him one of its special trustee awards. Other film scores included Tango, Rush Hour and its two sequels, Bringing Down The House and Dirty Harry. It was star Clint Eastwood who handed him his honorary Oscar. 'Receiving this honorary Oscar is the culmination of a dream,' Schifrin said at the time. 'It is mission accomplished.' Schifrin's conducting credits include the London Symphony Orchestra, the Vienna Symphony Orchestra, the Israel Philharmonic, the Mexico Philharmonic, the Houston Symphony Orchestra, the Los Angeles Chamber Orchestra and the Atlanta Symphony Orchestra. He was appointed music director of Southern California's Glendale Symphony Orchestra and served in that capacity from 1989-1995. In addition to his sons, he is survived by his daughter, Frances, and his wife, Donna.

The Original by Nell Stevens review
The Original by Nell Stevens review

The Guardian

timean hour ago

  • The Guardian

The Original by Nell Stevens review

We become ourselves by copying others, whether dutifully or audaciously, in acts of homage or appropriation. What is education if not a prolonged process of copying, and isn't the same true, Nell Stevens asks in her latest novel, of falling in love? Suddenly besotted with another young woman, her protagonist Grace begins to wear her scarf at the side of the neck as her lover does, and to feel 'clearer and more deliberate and more like myself' as she does so. 'When we fall in love with a person, we fall in love with the copy of them, inexpertly done, that we carry around with us whenever they aren't there.' At its heart The Original has two strands of copying: both are preoccupations of the late-Victorian era the book is set in. There are the pictures made by Grace when she's brought, penniless, to her uncle's house aged 10 after her parents are sent to lunatic asylums (though her uncle and aunt may well be more dangerously mad than her loving parents). She copies her cousin Charles's paintings so well that he declares her a magician – or possibly a machine – and then she makes her way to secret independence by creating clever forgeries and then successful copies of famous works of art, from Van Eyck's Arnolfini Portrait to Velázquez's Rokeby Venus. And there is cousin Charles himself, who is lost at sea only to return 13 years later, possibly as a brilliant fake, his jaw a little too heavy but his voice and manner so perfectly attuned to the original that his mother welcomes him delightedly back into the household. All this is playing out in a book that is at once a fake – a copy of the Victorian sensation novel – and distinctly idiosyncratic, the original the title proclaims. Stevens is one of a generation of writers finding new ways to queer the Victorians, who were themselves already pretty queer by the late 1890s, when Grace begins to have sex with women. Stevens has written one memoir about not writing a novel and another about not writing a PhD thesis that were both rooted in fiction of the Victorian era; plus a novel, Briefly, a Delicious Life, about a ghost who falls in love with George Sand when she's in Mallorca with Chopin. Despite its fantastical elements, Briefly is a sleek, conceptual 21st-century novel; loosely plotted, it takes its bearings from the unfolding of Sand's own life. The moments of drama are made up of pianos arriving or failing to arrive, and doctors misdiagnosing patients. Stevens's new novel is quite different in its flamboyantly Victorian plot. There are acts of murder and theft and betrayal and a narrator who never quite knows if she's on the verge of total ruin or immense wealth and success. It's a risk, plotting luridly like this. One danger is that her talents will count for less than they did in Briefly, if the plot is so wilfully contrived. And her talents do lie in the realm of realism. Stevens is so casually magisterial at the hardest aspects of historical novel writing. These are bodies moving utterly convincingly through a world of solid objects: wet clothes prickling on skin; the thick, rotten smell of the Thames settling in the back of the throat; the shock of a lover's cold fingers. But, of course, all fiction is contrived, and indeed Stevens is so preoccupied by how jarring this can be that she's already written a book about failing to make things up. Now, having put realism aside, she's able to explore what the contrivance of art can tell us about the contrivance of life – the authenticity that may be found through faking. Grace finds herself, happily, shaking off the Victorian era and emerging into the 20th century. Soon, Duchamp will scramble all ideas of originality in art by exhibiting ordinary objects as masterpieces, and Auden will praise man as 'the only creature ever made who fakes', urging poets to write lavishly and make 'a rare old proper hullabaloo' in their verses. Throughout, the more Victorian-plotted chapters are interspersed with aphoristic lists of statements about copying, where some combination of Stevens and Grace declares that 'the value of the copy is in the copyist's powers of empathy' and that in preserving, recycling and disseminating, the copyist engages in 'an act of tremendous generosity'. Generosity and love are what have been lacking in the house where Grace and Charles grew up; they find them through copying, accepting fakery as part of homage. The kind of porousness required by love may require us to bleed into each other in ways that make any notion of originality questionable. In book after book, Stevens is showing herself to be that rare thing: a writer who we can think alongside, even while she's making things up. All the confection here in the end helps us to appreciate the steely and witty mind that seems, four books in, to have learned to delight in that hullabaloo of fakery. Lara Feigel is the author of Look! We Have Come Through! Living With DH Lawrence. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion The Original by Nell Stevens is published by Scribner (£16.99). To support the Guardian, order your copy at Delivery charges may apply.

The 1975 to headline Glastonbury Festival amid rumours of Lorde secret set
The 1975 to headline Glastonbury Festival amid rumours of Lorde secret set

The Independent

timean hour ago

  • The Independent

The 1975 to headline Glastonbury Festival amid rumours of Lorde secret set

British pop rock band The 1975 will be the first headliners to grace the Glastonbury Festival's Pyramid Stage this year when they perform on Friday evening. Made up of four school friends, the group, known for songs including Chocolate, Someone Else and About You, is comprised of singer Matt Healy, bassist Ross MacDonald, guitarist Adam Hann, and drummer George Daniel. The five-day celebration of music and performing arts, which opened its gates on Wednesday, will also see headline performances from veteran rocker Neil Young and his band the Chrome Hearts, and US pop star Olivia Rodrigo. The BBC confirmed on Thursday that Young's Saturday Pyramid Stage set will not be broadcast live 'at the artist's request'. This year's line-up features a number of acts listed as TBA, as well as a mysterious act called Patchwork, which will take to the Pyramid Stage on Saturday. Among the music stars rumoured to be performing a secret set is New Zealand singer Lorde, whose fourth-studio album, Virgin, is set for release on Friday. The pop star posted a picture of the Woodsies stage to her Instagram account on Thursday, fuelling speculation that she could be the act listed as 'TBA' who will be performing at 11.30am. Earlier in the month, she told BBC Radio 2 that she is 'pretty keen' to see if she can 'pull some strings' and make an appearance at this year's festival. Other Friday performers include: Irish singer CMAT; hip-hop star Loyle Carner; rock band English Teacher; indie band Wet Leg; and Canadian star Alanis Morissette, who will take to the Pyramid Stage after a TBA act which will be performing at 4.55pm. Festival goers can expect a clear morning and temperatures reaching the mid 20s centigrade, according to the Met Office. Spokesman Stephen Dixon told the PA news agency: 'Friday should start relatively sunny, with temperatures reaching into the mid-20s. However, there will be a touch more cloud later in the day and into the evening.' Friday's line-up of events also includes a Q&A featuring Australian actress Margot Robbie at Pilton Palais and a Mountainhead Q&A with Jesse Armstrong, along with performances from psychedelic rockers Osees and Britpop veterans Supergrass. Saturday will see Irish rap trio Kneecap, who have seen one of their members charged with a terror offence, perform on the West Holts Stage at 4pm. Before the festival, Prime Minister Sir Keir Starmer said it would not be 'appropriate' for them to perform their slot at Worthy Farm. Rapper Liam Og O hAnnaidh was charged for allegedly displaying a flag in support of proscribed terrorist organisation Hezbollah at a gig in London in November last year. Last week, the 27-year-old, who performs under the stage name Mo Chara, was cheered by hundreds of supporters as he arrived with bandmates Naoise O Caireallain and JJ O Dochartaigh at Westminster Magistrates' Court in 'Free Mo Chara' T-shirts. He was released on unconditional bail until his next hearing at the same court on August 20. On Thursday evening, the rap trio posted a film they executive produced to social media, titled Stop The Genocide, which includes testimonies from a Palestinian activist and plastic surgeon on the war in Gaza. Performing in the coveted Sunday legends slot this year is Sir Rod Stewart, who previously said he will be joined by his former Faces band member Ronnie Wood, as well as some other guests. Sir Rod's performance will come after he postponed a string of concerts in the US, due to take place this month, while he recovered from flu. Among the other acts expected to draw large crowds this year is pop star Charli XCX, who is engaged to The 1975 drummer Daniel and will perform songs from her sixth studio album, Brat. She is performing on Saturday night on the Other Stage, 15 minutes before the West Holts stage is graced by US rapper Doechii, another artist who has exploded in popularity in the last year. Other performers include: Prada singer Raye; US musician Brandi Carlile; Nile Rodgers and Chic; US pop star Gracie Abrams; Mercury Prize-winning jazz quintet Ezra Collective; US rapper Denzel Curry; and rising star Lola Young. This year, the BBC will provide livestreams of the five main stages: Pyramid, Other, West Holts, Woodsies and The Park.

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