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AP PHOTOS: Statue of late Motörhead frontman Lemmy unveiled in English hometown

AP PHOTOS: Statue of late Motörhead frontman Lemmy unveiled in English hometown

LONDON (AP) — A decade after his death, Lemmy, the frontman of the legendary British heavy metal band Motörhead, will stand tall and proud in his hometown in the north of England.
Well, his statue will.
Inside the statue though will be some of Lemmy's ashes, so it will no doubt become a shrine for Motörhead's legion of fans around the world.
And indeed it was on Friday, as the statue to the hard-living Lemmy — real name Ian Kilmister — was unveiled in Burslem, Stoke-on-Trent.
Black leather and denim jackets emblazoned with Lemmy's image were the norm for the day on a bright and sunny day in the northern English town. No wonder, many fans opted for a thirst-quencher at the local pub. There were even some Lemmy lookalikes.
Lemmy was the only continuous member of Motörhead, which he co-founded in 1975 after he was fired from another legendary rock band, Hawkwind, following a drug possession arrest at the Canadian border.
So he decided to go his own way and Motörhead helped pioneer heavy metal music in Britain — and around the world — with a string of high-octane albums, perhaps most memorably with 1980's 'Ace Of Spades.'
The statue was crafted by acclaimed local sculptor and lifelong Motörhead fan Andy Edwards — who is best-known for his statue of the Beatles on Liverpool's Pier Head. It captures Lemmy, who died from cancer in December 2015 at the age of 70, in his iconic pose with his bass guitar.
In December, following his will's instructions, another batch of Lemmy's ashes were installed in an urn shaped like his trademark cavalry hat at the Stringfellows gentlemen's club in London where he was 'a regular.'
That and Friday's ceremony are part of the 'Lemmy Forever!' movement, which sees the rocker enshrined in many of his favorite spots around the world.
Lemmy's legendary status was evident at his funeral, which saw rock heavyweights including The Foo Fighters' Dave Grohl, Guns N' Roses guitarist Slash and Metallica members Lars Ulrich and Robert Trujillo pay tribute.

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TV Industry Scam Exposed: Fraudster Reported To FBI & UK Cybercrime Agency After Posing As Well-Known British Producers And Demanding Thousands Of Pounds From Writers
TV Industry Scam Exposed: Fraudster Reported To FBI & UK Cybercrime Agency After Posing As Well-Known British Producers And Demanding Thousands Of Pounds From Writers

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TV Industry Scam Exposed: Fraudster Reported To FBI & UK Cybercrime Agency After Posing As Well-Known British Producers And Demanding Thousands Of Pounds From Writers

EXCLUSIVE: A scammer has been reported to both the FBI and UK cybercrime agency after posing as well-known TV executives and asking writers to send them up to £2,500 ($3,300) to help get their scripts developed. Deadline has seen evidence of at least half a dozen British writers who have been contacted by a person pretending to be UK producer Charlotte Walls on the Stage 32 networking platform, asking them to submit ideas, sign an NDA and then pay a 'refundable facilitation fee' of between £2,000 and £2,500. More from Deadline Disney Slack Hack Suspect Pleads Guilty In Deal With Feds; Could Get 10 Years Behind Bars For 2024 Attack Eriq La Salle To Direct First Episode Of CBS' 'FBI' Offshoot Series 'CIA' Starring Tom Ellis 'FBI' Offshoot 'CIA' Starring Tom Ellis Ordered Straight-To-Series By CBS For 2025-26 Season The scammer also posed as another high-profile UK producer, who wished to remain nameless, and approached writers asking for money. In all, we are told by Stage 32 that around 100 messages were sent to UK creatives on the platform and about 25 people responded. Working with one writer, Anette Martinsen, we have tracked down what we believe to be the scammer's name, bank details and bank address. This information has been reported by Stage 32 to the FBI and by Martinsen to UK Action Fraud, a national reporting center for fraud and cybercrime that passes reports to the National Fraud Intelligence Bureau, which then decides whether to refer to local police forces for investigation. We are aware of at least one other report of the same scammer to Action Fraud. 'Action Fraud can confirm that it received a report on 30 May 2025 and it is currently being assessed by the National Fraud Intelligence Bureau (NFIB) at the City of London Police,' said a spokeswoman. Stage 32 founder Richard Botto told us the scam is a 'copy or extension of the same scam that has infiltrated Facebook, Instagram, Reddit, LinkedIn and X over the last three years.' He said Stage 32 'believes we have identified the perpetrator of this scam and are working with Action Fraud and the FBI's Internet Crime Complaint Center in an effort to bring them to justice.' How it works Using a VPN to create a Stage 32 account from a foreign IP address, the scammer sets up fake profiles and impersonates producers like Catalyst Global Media's Walls. They then send writers a message like the one in the above image asking if they are interested in submitting material. If they respond saying they are interested, the scammer sends over a set of terms that say, 'Should your project be identified as a strong candidate for development, we will proceed under a formal Non-Disclosure Agreement (NDA).' Following the signing of the NDA, the scammer says it requires a 'refundable facilitation fee' of varying amounts between £2,000 and £2,500, which 'serves as a demonstration of mutual commitment to advancing the project into early development and securing access to critical production infrastructure and strategic resources.' The scammer goes on to note that while this fee 'may not be customary in every production arrangement,' 'it is important to clarify that most professional producers and consultants charge substantial fees for their involvement.' 'We fully understand that some creators may be seeking informal feedback or free evaluations,' it adds. 'However, we wish to be transparent: our team invests significant time, resources, and professional leverage into every project we undertake.' We are not aware of anyone who has fallen victim to the scam and Stage 32's Botto told us 'to the best of our knowledge, no one sent this 'producer' any money.' Some writers told us they smelled a rat quickly due to the payment demand and the even stranger stipulation to sign an NDA simply to get a script into development. Others realized that the email address the scammer supplied was different to the company's email address on its website. The scammer pretending to be Walls, for example, was using a Gmail account. 'Most people contacted recognized the scam, notified us, and the offending accounts were deleted and the IP's and emails blocked immediately,' Botto said. Martinsen went along with the scam to see what she could uncover. Having agreed to the scammer's 'terms' and signed a fake NDA, she was asked swiftly to send a £2,000 payment to a person called Agnieszka Falkowska, who banks with Barclays and whose bank address is listed in Peterborough, South England. When Martinsen didn't respond, she was quickly chased up and told that Agnieszka Falkowska works in the accounts department at Catalyst Global Media, although no such person in the Catalyst accounts team exists. At this point, Stage 32 was notified and contacted both the FBI and Action Fraud. We are aware of at least one other person who has also reported the name Agnieszka Falkowska and these same bank details to Action Fraud. Deadline has contacted the Gmail address the person calling themselves Agnieszka Falkowska was using and we have not received a response. Martinsen said 'something didn't feel right' when she was contacted by the scammer via the fake Walls profile on Stage 32 about a comedy script she was developing titled In The Spotlight. 'I talked to my friend Gina Lyons from Gobby Girl Productions who suspected it was a scam too,' Martinsen told Deadline. 'I feel disappointed as you can imagine as it is tough being an older woman in the TV and film industry and I was of course hoping to get In the Spotlight made with a well respected company.' When Deadline contacted Walls last week to tell her she was being impersonated on Stage 32, Walls was mortified. 'I'm devastated to have been caught up in a scam like this and genuinely shocked,' she said. 'Writers are the lifeblood of our industry. It's more important than ever for people to be vigilant.' Another producer who has been impersonated and preferred to remain anonymous queried why these scammers are able to create fake profiles in the first place on platforms like Stage 32, and why they contacted so many writers before being caught. 'There must be a way to check,' said the producer. 'This is appalling. Our own reputations will end up being smeared and tarnished.' Botto said Walls' profile was 'deleted within two minutes, much to her satisfaction.' 'I speak frequently and repeatedly during my monthly Ask Me Anything broadcasts about how to protect yourself in this industry, including not to trust if a 'named producer' is writing to you in broken English or through a suspicious email address,' added Botto. 'As a writer, producer and actor myself who has been targeted by these scammers, I urge everyone to be vigilant and to do your due diligence.' Ellie Peers, General Secretary of the Writers Guild of Great Britain, said the guild's recent Is it a Steal? report, which found that 94% of writers who had paid to have their book published lost money, typically in the thousands, proves that 'there is no shortage of people wanting to exploit writers online.' 'If writers are asked to pay someone for something that they should themselves be paid for, that is always a red flag,' added Peers. 'This also shows the importance of always getting your writing contracts vetted by an expert before signing.' Another writer we spoke with pointed out that scams have become far more sophisticated and hard to spot in the age of AI, with platforms like ChatGPT able to easily replicate documents like contracts and NDAs. Spot the fraud: how to avoid getting conned Be on high alert if anyone is asking for money prior to a meeting and for work you have previously done for free (or have even been paid for in the past). If you haven't heard of them, search LinkedIn and other platforms for the person getting in contact in order to check their credentials. Contact the producers independently if you believe they are being impersonated. Check the email addresses you are being supplied and whether this matches up to the company email address on its website. Share concerns in forums or with industry friends. If you wish to contact the author of this article to supply further information or share your experience, please email: Best of Deadline 2025 TV Cancellations: Photo Gallery 2025 TV Series Renewals: Photo Gallery 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More

Broadway has found its Gen Z audience — by telling Gen Z stories
Broadway has found its Gen Z audience — by telling Gen Z stories

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Broadway has found its Gen Z audience — by telling Gen Z stories

NEW YORK (AP) — Kimberly Belflower knew 'John Proctor is the Villain' needed its final cathartic scene to work — and, for that, it needed Lorde's 'Green Light.' 'I literally told my agent, 'I would rather the play just not get done if it can't use that song,'' the playwright laughed. She wrote Lorde a letter, explaining what the song meant, and got her green light. Starring Sadie Sink, the staggering play about high schoolers studying 'The Crucible' as the #MeToo movement arrives in their small Georgia town, earned seven Tony nominations, including best new play — the most of any this season. It's among a group of Broadway shows that have centered the stories of young people and attracted audiences to match. Sam Gold's Brooklyn-rave take on 'Romeo + Juliet,' nominated for best revival of a play and led by Kit Connor and Rachel Zegler with music from Jack Antonoff, drew the youngest ticket-buying audience recorded on Broadway, producers reported, with 14% of ticket purchasers aged 18-24, compared to the industry average of 3%. The shows share some DNA: pop music (specifically the stylings of Antonoff, who also produced 'Green Light'), Hollywood stars with established fanbases and stories that reflect the complexity of young adulthood. 'It was very clear that young people found our show because it was doing what theater's supposed to do,' Gold said. 'Be a mirror.' Embracing the poetry of teenage language The themes 'John Proctor' investigates aren't danced around (until they literally are). The girls are quick to discuss #MeToo's impact, intersectional feminism and sexual autonomy. Their conversations, true to teenage girlhood, are laced with comedy and pop culture references — Taylor Swift, Beyoncé, 'Twilight,' and, of course, Lorde. Fina Strazza, 19, portrays Beth, a leader who is whip-smart and well-intentioned — but whose friendships and belief system are shaken by the play's revelations. 'You have so much empathy and are so invested in her, but she still has these mishaps and slip-ups that young people often have,' said Strazza, nominated for best featured actor in a play. Some audience members have given her letters detailing how Beth helped them forgive themselves for how they handled similar experiences. The script is written in prose, with frequent line breaks and infrequent capital letters. Director Danya Taymor, nominated for best direction of a play a year after winning a Tony for another teenage canon classic, 'The Outsiders, ' was drawn to that rhythm — and how Belflower's depiction of adolescence captured its intensity, just as S.E. Hinton had. 'There's something about the teenage years that is so raw,' Taymor said. 'None of us can escape it.' Classic themes, made modern During his Tony-winning production of 'An Enemy of the People,' Gold found himself having conversations with young actors and theatergoers about climate change, politics and how 'theater was something that people their age and younger really need in a different way, as the world is becoming so addicted to technology,' he said. That conjured 'Romeo and Juliet.' The original text 'has it all in terms of what it means to inherit the future that people older than you have created,' Gold said. Building the world of this show, with an ensemble under 30, was not unlike building 'An Enemy of the People,' set in 19th century Norway, Gold said: 'I think the difference is that the world that I made for this show is something that a very hungry audience had not gotten to see.' Fans, Gold correctly predicted, were ravenous. Demand ahead of the first preview prompted a preemptive extension. Word (and bootleg video) of Connor doing a pullup to kiss Zegler made the rounds. 'Man of the House,' an Antonoff-produced ballad sung by Zegler mid-show, was released as a single. With the show premiering just before the U.S. presidential election, Voters of Tomorrow even registered new voters in the lobby. Audiences proved willing to pay: Average ticket prices hovered around $150. Cheaper rush and lottery tickets drew lines hours before the box office opened. Every week but one sold out. 'The show was initially really well sold because we had a cast that appealed to a really specific audience,' said producer Greg Nobile of Seaview Productions. 'We continued to see the houses sell out because these audiences came, and they were all over online talking about the ways in which they actually felt seen.' Building a Gen Z theater experience with Gen Z Thomas Laub, 28, and Alyah Chanelle Scott, 27, started Runyonland Productions for that very reason. 'We both felt a lot of frustration with the industry, and the ways that we were boxed out of it as students in Michigan who were able to come to New York sparingly,' Laub said. Runyonland was launched in 2018 with the premise that highlighting new, bold voices would bring change. This spring, Scott, known for playing Whitney in HBO's 'Sex Lives of College Girls,' acted off-Broadway in Natalie Margolin's 'All Nighter.' 'I was standing onstage and looking out and seeing the college kids that I was playing,' Scott said. 'I was like, 'I respect you so much. I want to do you proud. I want to show you a story that represents you in a way that doesn't belittle or demean you, but uplifts you.'' Co-producing 'John Proctor,' Scott said, gave Runyonland the opportunity to target that audience on a Broadway scale. Belflower developed the show with students as part of a The Farm College Collaboration Project. It's been licensed over 100 times for high school and college productions. The Broadway production's social and influencer marketing is run by 20-somethings, too. Previews attracted fans with a $29 ticket lottery. While average prices jumped to over $100 last week (still below the Broadway-wide average), $40 rush, lottery and standing room tickets have sold out most nights, pushing capacity over 100%. The success is validating Runyonland's mission, Laub said. 'Alyah doesn't believe me that I cry every time at the end,' Laub said. Scott laughs. 'I just want to assure you, on the record, that I do indeed cry every time.' Harnessing a cultural catharsis The final scene of 'John Proctor' is a reclamation fueled by rage and 'Green Light.' Capturing that electricity has been key to the show's marketing. 'The pullup (in 'Romeo + Juliet') is so impactful because it's so real. It's like so exactly what a teenage boy would do,' Taymor said. 'I think when you see the girls in 'John Proctor' screaming ... it hits you in a visceral way.' That screaming made the Playbill cover. 'In my opinion, the look and feel of that campaign feels different from a traditional theatrical campaign, and it feels a lot closer to a film campaign,' Laub said. The show's team indeed considered the zeitgeist-infiltrating work of their sister industries, specifically studios like Neon and A24. In May, 'John Proctor is the Villain' finished its second 'spirit week' with a school spirit day. Earlier events included an ice cream social — actors served Van Leeuwen — a silent disco and a banned book giveaway. For those not in their own school's colors, the merch stand offered T-shirts, including one printed with the Walt Whitman-channeling line said by Sink's Shelby: 'I contain frickin' multitudes.' Julia Lawrence, 26, designed the shirt after the show's team saw her TikTok video reimagining their traditional merch into something more like a concert tee. 'It's just so incredible to bring Gen Z into the theater that way, especially at a time when theater has never been more important,' Lawrence said. 'In a world that's overpowered by screens, live art can be such a powerful way to find understanding.' ___ For more coverage of the 2025 Tony Awards, visit

Pop singer Jessie J says she has been diagnosed with early breast cancer
Pop singer Jessie J says she has been diagnosed with early breast cancer

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Pop singer Jessie J says she has been diagnosed with early breast cancer

NEW YORK (AP) — The English pop singer Jessie J says she has been diagnosed with breast cancer and will undergo surgery after her performance at the London music festival Capital's Summertime Ball next weekend. Jessie J, 37, shared the news in an Instagram video on Wednesday. 'I was diagnosed with early breast cancer,' she said in the clip. 'Cancer sucks in any form, but I'm holding onto the word 'early'." 'It's a very dramatic way to get a boob job. I am going to disappear for a bit after Summertime Ball to have my surgery, and I will come back with massive (expletive) and more music.' The annual Summertime Ball will be held at Wembley Stadium on Sunday, June 15. She told her social media audience that she felt compelled to share her diagnosis. 'I just wanted to be open and share it,' she said. 'One, because, selfishly, I do not talk about it enough. I'm not processing it because I'm working so hard. I also know how much sharing in the past has helped me with other people giving me their love and support and also their own stories. I'm an open book. It breaks my heart that so many people are going through so much similar and worse – that's the bit that kills me.' The Grammy-nominated Jessie J has long been celebrated for her robust soprano and R&B-informed pop hits, like the 2014 collaboration with Nicki Minaj and Ariana Grande, 'Bang Bang,' and 2011's 'Domino.' She has released five albums across her career, most recently, 2018's Christmas album, 'This Christmas Day.' She has been releasing new music in 2025, including the singles 'Living My Best Life' and 'No Secrets.' A new album is expected later this year. She has a son, Sky Safir Cornish Colman, born in 2023. A representative for Jessie J did not immediately respond to The Associated Press' request for comment.

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